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May 14, 2019 Augusta Auction Company Sturbridge, Mass
MAY 14, 2019 AUGUSTA AUCTION COMPANY STURBRIDGE, MASS LOT# EMBROIDERED FUCHSIA WOMENS ROBE, CHINA Silk satin w/ hand embroidered phoenix & flower blossoms, embroidered turquoise trim 1001 bands, Cuff-Cuff 68”, L 45”, (sun fading, back stains, cuff torn, left slit tear, collar worn, thread pulls) fair; t/w 1 cream silk robe w/ metallic gold & white silk embroidered dragon, exellent. LOT# GOLD BROCADE BUSTLE DRESS, 1870s 2-piece tone on tone brocade w/ cream satin bow & silk fringe trim, B 32”, W 22.5”, Skt L 41'- 1002 66”, (stains to B & skirt train, detached sleeve, lace cuff & front lace hem, tear on cuffs, missing 1 button) very good. LOT# TWO EMBELLISHED BLACK GOWNS, 1940s 1 silk faille w/ black net & colorful floral applique band to skirt B 38”, W 32”, L 60”, (small 1003 holes at CFB, lower skirt, back hem & knee, 2” hole to net); 1 black evening sheath w/ colorful felt bands on sleeves & hem, B 36”, W 28”, H 36”, L 65”, small moth holes to felt stripe, alteration to sleeves & hem, rough edges at CF neck) both fair. LOT# NAVY BLUE SWIM OR GYM SUIT, c. 1900 Navy cotton 2-piece bathing suit w/ detachable skirt & white trim, W 23”, Ins 16”, L 40”, Skt L 1004 27”, (knees worn & faded) very good; t/w 1 red cotton jumpsuit w/ white cotton trim. LOT# THREE BEADED FLAPPER DRESSES 1 turquoise silk w/ silver & white beaded designs, labeled "Franklin Simon, Made in France", B 1005 40", H 35", L 50"; 1 pale yellow w/ crystal & white beads, B 34", H 35", L 38"; 1 black chiffon w/ spiderweb, butterfly & floral beading, B 34", H 38", L 49", (all w/ holes, stains & bead loss) all 3 poor. -
Fashionpedia: Ontology, Segmentation, and an Attribute Localization Dataset
Fashionpedia: Ontology, Segmentation, and an Attribute Localization Dataset Menglin Jia?1, Mengyun Shi?1;4, Mikhail Sirotenko?3, Yin Cui?3, Claire Cardie1, Bharath Hariharan1, Hartwig Adam3, Serge Belongie1;2 1Cornell University 2Cornell Tech 3Google Research 4Hearst Magazines Abstract. In this work we explore the task of instance segmentation with attribute localization, which unifies instance segmentation (detect and segment each object instance) and fine-grained visual attribute cat- egorization (recognize one or multiple attributes). The proposed task requires both localizing an object and describing its properties. To illus- trate the various aspects of this task, we focus on the domain of fashion and introduce Fashionpedia as a step toward mapping out the visual aspects of the fashion world. Fashionpedia consists of two parts: (1) an ontology built by fashion experts containing 27 main apparel categories, 19 apparel parts, 294 fine-grained attributes and their relationships; (2) a dataset with everyday and celebrity event fashion images annotated with segmentation masks and their associated per-mask fine-grained at- tributes, built upon the Fashionpedia ontology. In order to solve this challenging task, we propose a novel Attribute-Mask R-CNN model to jointly perform instance segmentation and localized attribute recogni- tion, and provide a novel evaluation metric for the task. Fashionpedia is available at: https://fashionpedia.github.io/home/. Keywords: Dataset, Ontology, Instance Segmentation, Fine-Grained, Attribute, Fashion 1 Introduction Recent progress in the field of computer vision has advanced machines' ability to recognize and understand our visual world, showing significant impacts in arXiv:2004.12276v2 [cs.CV] 18 Jul 2020 fields including autonomous driving [52], product recognition [32,14], etc. -
Sew Wow Advanced Clothing Member's Guide
SEW WOW #32009 Advanced Clothing Member’s Guide and Project Requirements This guide belongs to:_________________________________ Year:________ SEW WOW Advanced Clothing Member’s Guide and Project Requirements Contents Project Objectives Project Objectives............................................2 • Learn to enjoy and appreciate the process of clothing construction. Requirements ...................................................2 • Acquire the advanced skills needed to create Focus Areas Summary .....................................3 a garment, outfit, and/or accessories. General Resources ...........................................3 • Develop confidence through successfully Focus Area A: Active/Sportswear....................4 completing the project. Focus Area B: Outdoor Wear...........................6 • Share what you have learned with others. Focus Area C: Western Wear ...........................8 Focus Area D: Formal Wear ..........................10 Requirements Focus Area E: Embellished Apparel..............12 1. Select one project focus area that includes the clothing item(s), fabric, and construction Focus Area F: Tailored Apparel.....................14 skills you want to master. A summary of Focus Area G: Pattern Your Own..................16 focus areas is on page 3. General Advanced Activities .........................18 2. Set at least three goals to achieve in this project year. Project Summary ...........................................19 Part A: General Advanced Activity ..........19 3. Do one of the “General Advanced -
Dancer Information
WELCOME TO THE WORLD OF MODERN SQUARE & ROUND DANCING We are delighted that you have decided to join with us to explore the world of Modern Square and Round Dancing. As you increase your dance vocabulary and meet the dancers in the club you will occasionally hear references to dance terms, dance etiquette, styling and organizations. This document is designed to help you understand those references and better comprehend the way the Square and Round Dance World functions. DANCE RELATED INFORMATION FOR NEW DANCERS CONTENTS: PAGE The Ground Rules 1 Styling Characteristics of a Good Dancer 2 Square and Round Dance Vocabulary and Programs 3 Medical Problems 4 Liability Insurance 5 Recovery Skills 5 Square and Round Dance Attire 6 Square and Round Dance Organizations 7 Club Loyalty and Visiting Pleasure 8 The Square Dance and Round Dance World 8 History and Heritage 9 (Compiled by Dottie Welch, Updated February 2014) (intentionally blank) THE GROUND RULES OF SQUARE AND ROUND DANCING page 1 1) Be a Good Listener and Conscientious Learner Concentrate and pay attention . Be quiet both while dancing and when on the sidelines. Don’t anticipate the next call, wait for the caller to ensure success. Make an effort to learn the correct move definitions. 2) Be Cooperative Square dancing success depends on team work in the square. Likewise, a strong square dance activity needs support and cooperation from all the dancers. 3) Be receptive to learning opportunities Laugh at your mistakes and remember that this is a recreation not a competition. Accept help, fill the hole and try to keep dancing. -
Basic Bodice Construction.Pdf
Fitted & Flattered - Basic Bodice Construction Illinois State Square & Round Dance Convention July 2019 Taught by Karen Dilley Let’s start out with a few questions: 1. Why do we wear what we do for Square Dancing? 2 Do you wear the same size now that you did at age 25? 3. When square dancing was at its zenith, did the women dress the way we do? 4. Have square dance clothing styles evolved since its zenith? For the better? From what I have observed, the majority of women today are wearing prairie skirts (with elastic waists) and peasant blouses. Why? Is the prairie skirt flattering to you? Is the peasant blouse flattering to you? Hopefully, this class with give you the tools to make dress bodices or blouses that flatter you. I am also hopeful that this class with encourage you to explore designs outside your comfort zone. Taking into consideration, your age, your body shape, proportions, and your height, you need to figure out what flatters and what doesn’t. Fit is a major component in how flattering a garment will be on you, but you also need to keep in mind fabric type & color. My main resources for this course are “The Palmer/Pletsch Complete Guide To Fitting” and the Curvy Sewing Collective https://curvysewingcollective.com/curvy-tutorials. Some of the pages in this document have been copied or paraphrased. I encourage you to find and follow these resources. What Size Pattern Should I Buy? Today’s patterns are based on these measurements: Size 4 6 8 10 12 14 16 18 20 22 24 26 Bust 29.5 30.5 30.5 32.5 34 36 38 40 42 44 46 48 Wais 22 23 24 25 26.5 28 30 32 34 37 39 41.5 t Hip 31.5 32.5 33.5 34.5 36 38 40 42 44 46 48 50 1 I’ve indicated the Bust measurement in red, because this is the most critical measurement when purchasing a pattern for bodice construction. -
Teachers, Board Settle Two-Year 20% Contract
Section rosse Pointe ews A " ~-------------,------------------------------------------------------------ -------------- 'Illlll.h,d 01 SlCo"d Cloll Mo"" 01 the 30c Per Copy 40 Pages-Three Sections VOL. 42-NO. 37 POlt Office ot Dtlrolt, Mlchl.on GROSSE POINTE, MICHIGAN, THURSDAY, SEPTEMBER 10, 1981 $13 p" Y,at Teachers, Board settle two-year 20% contract By Joanne Gouleehe negotiators termed the talks as a regional strike if fired teachers "cordial and cooperative," and there were replaced with substitutes. More than 8,000 Grosse Pointe were indications that both sides students made their way back wanted a working agreement before Two years ago, union negotiators September. ' walked away from the bargaining to the classroom yesterday after table with a 9 percent pay hike each teachers tentatively agreed to a I'" '" fTr.lrl:;T """"tht"ro r.,.,.h"rJ vp~" for it~ mpmbers, The contract new two-year contract Labor tentative ag~eement o~'th~ ~p~~'i~g was approved only hours before Day weekend. day for students and the back to teachers were set to go on strike. work day for teachers, but remained ~ow that teacher talks have end- It marks the first time in 10 far apart on issues of salary, fringe years that te{lchers have ended benefits and classroom size. ed, the school board is expected to set the sooool mill rate at its Sept. negotia tions before the opening At a Local 1 press conference Aug. 14 meeting. Administrators say day of school. The last time was 18 union president Lange made firm they will recommend a roll back of in 1971. -
İncəsənət Və Mədəniyyət Problemləri Jurnalı
AZƏRBAYCAN MİLLİ ELMLƏR AKADEMİYASI AZERBAIJAN NATIONAL ACADEMY OF SCIENCES НАЦИОНАЛЬНАЯ АКАДЕМИЯ НАУК АЗЕРБАЙДЖАНА MEMARLIQ VƏ İNCƏSƏNƏT İNSTİTUTU INSTITUTE OF ARCHITECTURE AND ART ИНСТИТУТ АРХИТЕКТУРЫ И ИСКУССТВА İncəsənət və mədəniyyət problemləri Beynəlxalq Elmi Jurnal N 1 (71) Problems of Arts and Culture International scientific journal Проблемы искусства и культуры Международный научный журнал Bakı - 2020 Baş redaktor: ƏRTEGİN SALAMZADƏ, AMEA-nın müxbir üzvü (Azərbaycan) Baş redaktorun müavini: GULNARA ABDRASİLOVA, memarlıq doktoru, professor (Qazaxıstan) Məsul katib : FƏRİDƏ QULİYEVA, sənətşünaslıq üzrə fəlsəfə doktoru (Azərbaycan) Redaksiya heyətinin üzvləri: ZEMFİRA SƏFƏROVA – AMEA-nın həqiqi üzvü (Azərbaycan) RƏNA MƏMMƏDOVA – AMEA-nın müxbir üzvü (Azərbaycan) RƏNA ABDULLAYEVA – sənətşünaslıq doktoru, professor (Azərbaycan) SEVİL FƏRHADOVA – sənətşünaslıq doktoru, professor (Azərbaycan) RAYİHƏ ƏMƏNZADƏ - memarlıq doktoru, professor (Azərbaycan) VLADİMİR PETROV – fəlsəfə elmləri doktoru, professor (Rusiya) KAMOLA AKİLOVA – sənətşünaslıq doktoru, professor (Özbəkistan) MEYSER KAYA – fəlsəfə doktoru (Türkiyə) VİDADİ QAFAROV – sənətşünaslıq üzrə fəlsəfə doktoru (Azərbaycan) Editor-in-chief: ERTEGIN SALAMZADE, corresponding member of ANAS (Azerbaijan) Deputy editor: GULNARA ABDRASSILOVA, Prof., Dr. (Kazakhstan) Executive secretary: FERİDE GULİYEVA Ph.D. (Azerbaijan) Members to editorial board: ZEMFIRA SAFAROVA – academician of ANAS (Azerbaijan) RANA MAMMADOVA – corresponding-member of ANAS (Azerbaijan) RANA ABDULLAYEVA – Prof., Dr. -
Do's & Don'ts Book Review: Small Town Cake Boss
ltar A earth SUMMER 2014 H ISSUE I Inspire. Amuse. Inform. Salad MANIA: Do’s & Don’ts ways to perk up for the 5 your greens with Newb Skirt-Wearer delicious add-ins w Book Review: What a Single Girl Can Do for Christ Trad Homemaker takes DIY to a new level SPARE THE ROD Small Town Cake Boss A mother of nine shares her reflections on discipline Dear Readers, Several years ago, I caught myself flipping through a culture. We are the ones breaking molds and women’s magazine. It didn’t advertise itself as racy shocking society. and full of smut, but I was disappointed to discover it was. Its articles and advertisements were filled with At Altar and Hearth we think it shouldn’t “come with objectionable photos almost all of the time. Its the territory,” but since it does, that means we need writing didn’t reflect the principles and culture I to start creating our own territory. value. What do I want to see in a magazine? I want cheap I knew I wasn’t the only one. and practical for a large family, not a family of two. I want modesty and style, not one or the other. I want As traditional Catholics we find certain things morally fun and conservative, because liberals haven’t and culturally unacceptable. Contraception. cornered the market on happiness. This magazine is Immodesty. Evolution. But we’ve gotten used to “it meant to be a reflection of that and we at Altar and comes with the territory.” We shake our heads at Hearth are so excited to bring you light-hearted things we object to and can do little more than throw content you can relate to. -
American Square Dance Vol. 54, No. 9
AN 1'1' "The International Migazine with th her 1999 3M0 SUPREME AUDIO, Inc. Computer Software for Choreography! WinHash© QUICK FACTS! New Version 2.95! • PC - Windows 3A/Windows 95198 • Basic, Mainstream, Phis, Advanced 1 & 21 • "Teach Function' - Create New Calls & Forma- tions • Even Asymmetric Formations! • "Drag & Drop" Menu & Button Orients 4. -e. • Full Smooth Animation. "Bird's Eye" Top View!. • Each Dancer Identified By Color, Number & Shape 11114.111.11.4.1.4 • Create & Save Your Own 'Modules" • 4.4i • Can Create "Set-Ups" - Zero One: Zero Line, etc. 4.44.400• • Shows Full Body Flow. Dance Speed Adjustable 444. *NEW "Formation Arrangement Mover- • NEW "Find' Feature (needs 8 MB Rath Min.( 11.1 • 3,-.11 .11.11 • Dance Printout With Or Without Formation • Callerlab Definitions From Drop-Down Menu %.14.14111 • System Requirements: 386 Or Higher - 417 MHz -PC 486 Professor Recommended For. Advanced DOS or Windows 3 x./95/98 I please specify) Drag & Drop Simplicity! • WiMiash Ver. 2.0(181 & Ver, 215 (MONS* - S199,00 THE ELECTRIC SQUARE DANCE SQUARE DANCE. ACTION. QUICK FACTS! QUICK FACTS!' • PC- Operates In DOS-Looks &Works like Windows • MAC . Operates Only On titylAC • Basic, Mainstream & Plus • Basic, Mainstream, Plus. Advent ed 1 & • Drop Down Menus„.1.1se Your Mouse Or Keyboard • Menu Driven or Type to Moves • Each Dancer Is Identified By Color, Number & Sex • Calls May Be Abbreviated - • Calls Danced By Definitions "hpto" is Heads Pass The Ocean • "Get-out Coach"-Suggestions For Resolution • Each Dancer Is identified By Number & Shape • Beat Counter Tallies of Total OP Steps Danced!. -
State News 'Raun Nahel^Rizes Awarded to Two U.S. Scientists M
^ J; '■ i'. ■^A ■ - ‘ ‘ Awnraco Dsfly Not Prcio Run For the W ^ Eaded Oetlte,lpfi0 -— r -v ■ , . M0Bt|y'fiAfa> «sAl|ht'Aa«:*M HiP; i 1 3 , 2 6 3 Low taalghtlB gOs> OiNdW.fHlif^ ■ :f- z 4 Mcatosr’of thA Aadlt ' ' ' ’ SBghaAkrm ' BarsAa e f ,<JD«alatliw. M tm chksU r^A Cky of Village Charm - 1 1 _____ 1____ _________ ______________________ ______________— ----------------------------------:---------- --------- ---------------- •' • ............------- ------ MANCHESTER^ CONN., THURSDAY,'N6 v EM H ^ 3, 1930 (OMHlflM A«fwtMag tm f A g » H ) PRICE PITS CKN1EB VOL. LXXX, MO. 29 (TWENTY PAGES) State News 'Raun Make Political Issue I ■■ II N -R e ^ ^ o n Head-c)ii Crash By RENNIE TAYLOR Of Assassin Kills 2 Drivers (A P Sdeauxi Writer) Berkeley, Calif., Nov. 8 Darien, Nov. 8 (/Py—'T vfo urs —tA scientific group in this . t f a o . N ot, » “«:SK5«motorists were killed ewly to country’s hydrogen bomb lab Socialists today made a cam- terrorism'* that dominated prewar day in the head-on collision of oratory today reported what paign issue out of the suicide poliUcal life in Japan. their vehicles. appears to be a real— though of the ultra-nationalist youth Tokyo’s chief prosecutor, Sasao Killed were James E. O’Donnell, Nomura, admitted that guards at short-lived *— controlled ther who assassinated their narty 22, o f 928 Main St.,' Stamford, Dayal C | te 8 the juvenile home had been negli and John « . Sheridan, 26, of 263 monuclear reaction. , tofidcr. ^ K ♦ gent. “The fact that an important Elm St., New Canaan. The achievement was officially.- Socialitt poUticiana campaig:nlna criminal who created a public fitror described as “ an encouraging ad for the Nov. -
Evolution of Attire
EVOLUTION OF SQUARE DANCE ATTIRE B-018 INTRODUCTION At this particular point in time when just about anything goes - no holds barred – it is nice to know that at a square dance there is something "special" about the way we dress. It is special because ladies look like ladies and you don't need a program to tell the hims from the hers. At a square dance, even a usually plain-appearing damsel becomes a doll decked out in petticoats, colored slippers and a pretty, full-skirted dress. And the male - the man is a man, sparkling in western pants and shirt, perhaps boots or boot-shoes and - ah, yes, a tie - bolo, bow, string or neckerchief - but nevertheless a tie! Now why is all this such a big deal? Because SQUARE DANCING IS A BIG DEAL! Folks who see you dressed up know you're a square dancer. It's not a uniform; it's your individuality that's showing. There are those who say that the way we dress reflects the way we feel about square dancing. The contents of this booklet – 1. Evolution of the Square Dance -- indicates that our favorite hobby has come a long way from the 1400's and has been in a state of continuous evolution by the changing of calls, technology, dance facilities, etc. and depicts the various costumes and how they changed as time has progressed. 2. Our Square Dance Image -- points out the importance of our square dance image to the public and other non-dancers. 3. The Club Costume -- a general discussion of the square dance costume. -
Hand Contact !! Ask the Caller
allemande thars; and many more movements which, Callers Corner with incorrect “hand contact”, can result in potential injury to a dancer. A forum for the exchange of information between Callers & Dancers BE CONSIDERATE OF OTHERS! Written by : Geoff Clarke Do YOU use 'palm to palm' contact, or do you close your hand over others? Do you grab thumbs? On arm turns, do you grip the other arm or maintain gentle pressure? Are you aware of what kind of hand contact that you're using? Are you gentle or rough? Think about it the next time you're dancing …. Please !! I HAND CONTACT !! AND THERE WILL BE MANY A DANCER OUT THERE MOST GRATEFUL THAT YOU I'm usually not one to "harp" on things DID ! HOWEVER, in the past month or so I've had a ___________________________________________ number of dancers come to me to 'complain' about their hands and/or shoulder being "hurt" yes, HURT, If you have any questions or comments you can send by other dancers ! them directly to me by email at: The prime problem has been the 'gripping' & 'holding' [email protected] or by “snail mail” during Ocean Waves & the ensuing Swing Thrus, but to the Square Times Editor, who’ll pass it along. All also with Arm Turns (all) & even Courtesy Turns ! questions will be answered and those that would be of interest to all will be published in this column, with SO, WHAT'S GOING ON ??. anonymity ensured unless you request otherwise. The first issue of Callers Corner dealt with 'hand Please keep your questions coming !! contact' to some degree, but I guess it NEEDS REPEATING, so here's some 'excerpts from that first column.