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Annual Report 2013/14 Contents
ANNUAL REPORT 2013/14 CONTENTS 02 12 Corporate Profile Board of Directors 03 16 Corporate Directory Senior Management 04 18 Executive Chairman’s Review Brand Highlights 06 41 Chief Executive Officer’s Report Corporate Governance 08 50 Geographical Presence Financial Contents 09 125 Corporate Structure Statistics of Shareholdings 10 127 Group Five-Year Financial Summary Notice of Annual General Meeting CORPORATE PROFILE With a rich heritage dating back to 1959, SGX-listed F J Benjamin Holdings Ltd is an industry leader in brand building and management, and development of retail and distribution networks for international luxury and lifestyle brands across Asia. Headquartered in Singapore and listed on the Singapore Exchange since November 1996, F J Benjamin has offices in eight cities, manages over 20 iconic brands and operates 226 stores. The Group employs over 3,000 employees and runs three core businesses: LUXURY AND LIFESTYLE TIMEPIECE DISTRIBUTION FASHION RETAILING AND DISTRIBUTION F J Benjamin exclusively distributes timepiece brands – Alpina, F J Benjamin exclusively retails and Bell & Ross, ChronoSwiss, distributes brands such as Banana Frédérique Constant, Gc, Republic, Catherine Deane, Céline, Guess, Julien Coudray, Nautica, Gap, Givenchy, Goyard, Guess, Superdry, Victorinox Swiss Army La Senza, Loewe, Raoul, Sheridan, and Vulcain across Asia. Superdry, Tom Ford, Valextra and VNC across various territories. CREATIVE AND DESIGN Its retail footprint includes Southeast Asia and Hong Kong. It distributes F J Benjamin’s Creative & Design in-house labels Raoul and Catherine division handles the creation and Deane through points-of-sale across production of Raoul designs. China, Europe, the United States and the Middle East. -
May 14, 2019 Augusta Auction Company Sturbridge, Mass
MAY 14, 2019 AUGUSTA AUCTION COMPANY STURBRIDGE, MASS LOT# EMBROIDERED FUCHSIA WOMENS ROBE, CHINA Silk satin w/ hand embroidered phoenix & flower blossoms, embroidered turquoise trim 1001 bands, Cuff-Cuff 68”, L 45”, (sun fading, back stains, cuff torn, left slit tear, collar worn, thread pulls) fair; t/w 1 cream silk robe w/ metallic gold & white silk embroidered dragon, exellent. LOT# GOLD BROCADE BUSTLE DRESS, 1870s 2-piece tone on tone brocade w/ cream satin bow & silk fringe trim, B 32”, W 22.5”, Skt L 41'- 1002 66”, (stains to B & skirt train, detached sleeve, lace cuff & front lace hem, tear on cuffs, missing 1 button) very good. LOT# TWO EMBELLISHED BLACK GOWNS, 1940s 1 silk faille w/ black net & colorful floral applique band to skirt B 38”, W 32”, L 60”, (small 1003 holes at CFB, lower skirt, back hem & knee, 2” hole to net); 1 black evening sheath w/ colorful felt bands on sleeves & hem, B 36”, W 28”, H 36”, L 65”, small moth holes to felt stripe, alteration to sleeves & hem, rough edges at CF neck) both fair. LOT# NAVY BLUE SWIM OR GYM SUIT, c. 1900 Navy cotton 2-piece bathing suit w/ detachable skirt & white trim, W 23”, Ins 16”, L 40”, Skt L 1004 27”, (knees worn & faded) very good; t/w 1 red cotton jumpsuit w/ white cotton trim. LOT# THREE BEADED FLAPPER DRESSES 1 turquoise silk w/ silver & white beaded designs, labeled "Franklin Simon, Made in France", B 1005 40", H 35", L 50"; 1 pale yellow w/ crystal & white beads, B 34", H 35", L 38"; 1 black chiffon w/ spiderweb, butterfly & floral beading, B 34", H 38", L 49", (all w/ holes, stains & bead loss) all 3 poor. -
Fashionpedia: Ontology, Segmentation, and an Attribute Localization Dataset
Fashionpedia: Ontology, Segmentation, and an Attribute Localization Dataset Menglin Jia?1, Mengyun Shi?1;4, Mikhail Sirotenko?3, Yin Cui?3, Claire Cardie1, Bharath Hariharan1, Hartwig Adam3, Serge Belongie1;2 1Cornell University 2Cornell Tech 3Google Research 4Hearst Magazines Abstract. In this work we explore the task of instance segmentation with attribute localization, which unifies instance segmentation (detect and segment each object instance) and fine-grained visual attribute cat- egorization (recognize one or multiple attributes). The proposed task requires both localizing an object and describing its properties. To illus- trate the various aspects of this task, we focus on the domain of fashion and introduce Fashionpedia as a step toward mapping out the visual aspects of the fashion world. Fashionpedia consists of two parts: (1) an ontology built by fashion experts containing 27 main apparel categories, 19 apparel parts, 294 fine-grained attributes and their relationships; (2) a dataset with everyday and celebrity event fashion images annotated with segmentation masks and their associated per-mask fine-grained at- tributes, built upon the Fashionpedia ontology. In order to solve this challenging task, we propose a novel Attribute-Mask R-CNN model to jointly perform instance segmentation and localized attribute recogni- tion, and provide a novel evaluation metric for the task. Fashionpedia is available at: https://fashionpedia.github.io/home/. Keywords: Dataset, Ontology, Instance Segmentation, Fine-Grained, Attribute, Fashion 1 Introduction Recent progress in the field of computer vision has advanced machines' ability to recognize and understand our visual world, showing significant impacts in arXiv:2004.12276v2 [cs.CV] 18 Jul 2020 fields including autonomous driving [52], product recognition [32,14], etc. -
WESTCORE TRUST Form N-PX Filed 2016-08-19
SECURITIES AND EXCHANGE COMMISSION FORM N-PX Annual report of proxy voting record of registered management investment companies filed on Form N-PX Filing Date: 2016-08-19 | Period of Report: 2016-06-30 SEC Accession No. 0001003297-16-000810 (HTML Version on secdatabase.com) FILER WESTCORE TRUST Mailing Address Business Address C/O ALPS FUND SERVICES, C/O ALPS FUND SERVICES, CIK:357204| IRS No.: 510263765 | State of Incorp.:MA | Fiscal Year End: 1231 INC. INC. Type: N-PX | Act: 40 | File No.: 811-03373 | Film No.: 161842604 P.O. BOX 328 P.O. BOX 328 DENVER CO 80201-0328 DENVER CO 80201-0328 3036232577 Copyright © 2016 www.secdatabase.com. All Rights Reserved. Please Consider the Environment Before Printing This Document UNITED STATES SECURITIES AND EXCHANGE COMMISSION Washington, D.C. 20549 FORM N-PX ANNUAL REPORT OF PROXY VOTING RECORD OF REGISTERED MANAGEMENT INVESTMENT COMPANY Investment Company Act file number: 811-03373 WESTCORE TRUST (Exact name of registrant as specified in charter) 1290 Broadway, Suite 1100 Denver, CO 80203 (Address of principal executive offices) (Zip code) Richard C. Noyes, Secretary c/o ALPS Fund Services, Inc. 1290 Broadway, Suite 1100 Denver, CO 80203 (Name and address of agent for service) Registrants telephone number, including area code:800-392-2673 Date of fiscal year end: December 31 Date of reporting period: July 1, 2015 - June 30, 2016 ******************************* FORM N-Px REPORT ******************************* ICA File Number: 811-03373 Reporting Period: 07/01/2015 - 06/30/2016 Westcore Trust Westcore -
Health and Well-Being
NOVEMBER/DECEMBER 2019 FITNESS THERAPY SOLACE + HEALING Health and Well-Being Cover_ND19_V1.indd 1 10/14/19 3:35 PM IFC-005 TOC_Pres Message.indd 2 10/14/19 3:24 PM GETTING PEOPLE IN THE DOOR IS HARD WORK. THESE STUDIES CAN HELP. Taking Out the Guesswork: A Guide to Using Research to Build Arts Audiences Learn about three tasks key to successful audience building: understanding potential audiences, creating effective promotional materials, and tracking and assessing progress. The Road to Results: Effective Practices for Building Arts Audiences Ten arts organizations that took on ambitious audience-building projects. This guide identifies nine practices their most successful efforts had in common. Download these reports and many more free resources to help build audiences: Wallacefoundation.org IFC-005 TOC_Pres Message.indd 1 10/14/19 3:25 PM NOVEMBER DECEMBER 2019 ISSUE CONTENTS PROTECT. SURROUND. KEEP A LOW PROFILE. DEPARTMENTS 5 From the President and CEO 6 By the Numbers 8 First Look FEATURES 14 Point of View Museums as 22 Fitness Never Looked So Fun Public Health The Children’s Museum of Indianapolis Assets has worked with the local children’s 18 Point of View hospital to create an engaging health Becoming and fitness experience. OutGoing By Alli Stitle and Kimberly Harms 46 Tributes and 28 Museum Therapy Transitions The Montreal Museum of Fine Arts 48 Reflection nurtures resilience and renewal through its programs and practices. By Marilyn Lajeunesse and Stephen Legari 34 Sites of Healing The Michigan State University Cover: © Bedelgeuse “master Museum turned to community of the mind,” mixed media collage co-curation to tell survivors’ stories of sexual violence. -
Sew Wow Advanced Clothing Member's Guide
SEW WOW #32009 Advanced Clothing Member’s Guide and Project Requirements This guide belongs to:_________________________________ Year:________ SEW WOW Advanced Clothing Member’s Guide and Project Requirements Contents Project Objectives Project Objectives............................................2 • Learn to enjoy and appreciate the process of clothing construction. Requirements ...................................................2 • Acquire the advanced skills needed to create Focus Areas Summary .....................................3 a garment, outfit, and/or accessories. General Resources ...........................................3 • Develop confidence through successfully Focus Area A: Active/Sportswear....................4 completing the project. Focus Area B: Outdoor Wear...........................6 • Share what you have learned with others. Focus Area C: Western Wear ...........................8 Focus Area D: Formal Wear ..........................10 Requirements Focus Area E: Embellished Apparel..............12 1. Select one project focus area that includes the clothing item(s), fabric, and construction Focus Area F: Tailored Apparel.....................14 skills you want to master. A summary of Focus Area G: Pattern Your Own..................16 focus areas is on page 3. General Advanced Activities .........................18 2. Set at least three goals to achieve in this project year. Project Summary ...........................................19 Part A: General Advanced Activity ..........19 3. Do one of the “General Advanced -
Event Transcript
THOMSON REUTERS EDITED TRANSCRIPT Guess? Inc Investor Day EVENT DATE/TIME: DECEMBER 03, 2019 / 2:30PM GMT THOMSON REUTERS | Contact Us 1 ©2019 Thomson Reuters. All rights reserved. Republication or redistribution of Thomson Reuters content, including by framing or similar means, is prohibited without the prior written consent of Thomson Reuters. 'Thomson Reuters' and the Thomson Reuters logo are registered trademarks of Thomson Reuters and its affiliated companies. DECEMBER 03, 2019 / 2:30PM GMT, Guess? Inc Investor Day CORPORATE PARTICIPANTS Carlos E. Alberini Guess?, Inc. - CEO & Director Fabrice Benarouche Guess?, Inc. - VP of Finance & IR Ilona Cyruli Vice President of Sales Katie Anderson Chief Financial Officer Nicolai Marciano Director of Specialty Marketing & Brand Partnerships Rob Chong Senior Director of Customer Analytics & Relationship Management CONFERENCE CALL PARTICIPANTS Janet Joseph Kloppenburg JJK Research Associates, Inc. - President Janine M. Stichter Jefferies LLC, Research Division - Equity Analyst John David Kernan Cowen and Company, LLC, Research Division - MD & Senior Research Analyst Susan Kay Anderson B. Riley FBR, Inc., Research Division - Analyst Westcott Irvin Rochette Evercore ISI Institutional Equities, Research Division - Associate PRESENTATION Fabrice Benarouche Guess?, Inc. - VP of Finance & IR Okay. Good morning, everybody, and welcome at the Guess? Investor Day. We are really thrilled to be here today and share with you our strategic plan and vision for the next five years. As usual, during those events, we want to start by sharing with you our safe harbor statement, so please make sure you take the time to review that. The deck is going to be available online, so please make sure you review it. -
Dancer Information
WELCOME TO THE WORLD OF MODERN SQUARE & ROUND DANCING We are delighted that you have decided to join with us to explore the world of Modern Square and Round Dancing. As you increase your dance vocabulary and meet the dancers in the club you will occasionally hear references to dance terms, dance etiquette, styling and organizations. This document is designed to help you understand those references and better comprehend the way the Square and Round Dance World functions. DANCE RELATED INFORMATION FOR NEW DANCERS CONTENTS: PAGE The Ground Rules 1 Styling Characteristics of a Good Dancer 2 Square and Round Dance Vocabulary and Programs 3 Medical Problems 4 Liability Insurance 5 Recovery Skills 5 Square and Round Dance Attire 6 Square and Round Dance Organizations 7 Club Loyalty and Visiting Pleasure 8 The Square Dance and Round Dance World 8 History and Heritage 9 (Compiled by Dottie Welch, Updated February 2014) (intentionally blank) THE GROUND RULES OF SQUARE AND ROUND DANCING page 1 1) Be a Good Listener and Conscientious Learner Concentrate and pay attention . Be quiet both while dancing and when on the sidelines. Don’t anticipate the next call, wait for the caller to ensure success. Make an effort to learn the correct move definitions. 2) Be Cooperative Square dancing success depends on team work in the square. Likewise, a strong square dance activity needs support and cooperation from all the dancers. 3) Be receptive to learning opportunities Laugh at your mistakes and remember that this is a recreation not a competition. Accept help, fill the hole and try to keep dancing. -
Lari Pittman
LARI PITTMAN Born 1952 in Los Angeles Lives and works in Los Angeles EDUCATION 1974 BFA in Painting from California Institute of the Arts, Valencia, CA 1976 MFA in Painting from California Institute of the Arts, Valencia, CA SOLO EXHIBITIONS 2021 Lari Pittman: Dioramas, Lévy Gorvy, Paris 2020 Iris Shots: Opening and Closing, Gerhardsen Gerner, Oslo Lari Pittman: Found Buried, Lehman Maupin, New York 2019 Lari Pittman: Declaration of Independence, Hammer Museum, Los Angeles 2018 Portraits of Textiles & Portraits of Humans, Regen Projects, Los Angeles 2017 Lari Pittman, Gerhardsen Gerner, Oslo Lari Pittman / Silke Otto-Knapp: Subject, Predicate, Object, Regen Projects, Los Angeles 2016 Lari Pittman: Grisaille, Ethics & Knots (paintings with cataplasms), Gerhardsen Gerner, Berlin Lari Pittman: Mood Books, Huntington Library, Art Collections, and Botanical Gardens, San Marino, CA Lari Pittman: Nocturnes, Thomas Dane Gallery, London Lari Pittman: NUEVOS CAPRICHOS, Gladstone Gallery, New York 2015 Lari Pittman: Homage to Natalia Goncharova… When the avant-garde and the folkloric kissed in public, Proxy Gallery, Otis College of Art and Design, Los Angeles 2014 Lari Pittman: Curiosities from a Late Western Impaerium, Gladstone Gallery, Brussels 2013 Lari Pittman: from a Late Western Impaerium, Regen Projects, Los Angeles Lari Pittman, Bernier Eliades Gallery, Athens Lari Pittman, Le Consortium, Dijon, France Lari Pittman: A Decorated Chronology, Contemporary Art Museum St. Louis, MO 2012 Lari Pittman, Gerhardsen Gerner, Berlin thought-forms, -
LATIFA ECHAKHCH Born in 1974 in El Khnansa, Morocco. Lives and Works in Paris, France, and in Martigny, Switzerland
LATIFA ECHAKHCH Born in 1974 in El Khnansa, Morocco. Lives and works in Paris, France, and in Martigny, Switzerland. SOLO SHOWS (selection) 2020 Latifa Echakhch, BPS 22 Charleroi, Belgium 2019 Magnolias, Galerie kamel mennour, London, UK Freiheit und Baum, Kunsthalle Mainz, Germany Romance curated by Francesco Stocchi : Fondazione Memmo, Roma, Italy 2018 Les Figures, kamel mennour, Paris Falling, lovely and beautiful, Latifa Echakhch, KIOSK, Gent Belgium Le jardin mécanique, NMNM, Monaco Sensory Spaces 14 - Latifa Echakhch, Museums Boijmans, Van Beuningen, Rotterdam 2017 Dans la maison vide, Manoir de la ville de Martigny, Switzerland 2016 “Cross Fade”, The Power Plant , Toronto, Canada. “Spring and Fall”, kamel mennour, London, England. 2015 “Zurich Art Prize 2015”, Haus Konstruktiv, Zurich, Switzerland. “All those moments will be lost in time, like tears in rain.” Protocinema, Istanbul, Turkey. “LENTOS”, Kunstmuseum Linz, Linz, Austria. “Latifa Echakhch : there’s tears”kaufmann repetto, Milan, Italy. “Screen Shot”, Museum Haus Konstruktiv, Zurich, Switzerland. 2014 “Hadash”, Dvir Gallery, Tel Aviv, Israel. “L’air du temps”, Centre Pompidou, Paris, France. “All around fades to a heavy sound”, kamel mennour, Paris, France. “L’air du temps”, Cabinet of Curiosities, Dommuseum, Salzburg, Austria. 2013 “The scene takes place”, Galerie Eva Presenhuber, Zurich, Switzerland. “Latifa Echakhch : Laps”, MAC, Musée d’art contemporain de Lyon, Lyon, France. “Latifa Echakhch, Hammer Project”, Hammer Museum, Los Angeles, USA. “Bait/Home”, Dvir Gallery, Tel Aviv, Israel. 2012 “Dialogue : Latifa Echakhch”, Kunstmuseum Liechtenstein, Vaduz, Liechtenstein. “TKAF”, kamel mennour, Paris, France. “Verso”, kaufmann repetto, Milan, Italy. “Latifa Echakhch”, Columbus Museum of Art, Columbus, Ohio, USA. “Die Vögel”, Portikus, Frankfurt-am-Main, Germany. -
Basic Bodice Construction.Pdf
Fitted & Flattered - Basic Bodice Construction Illinois State Square & Round Dance Convention July 2019 Taught by Karen Dilley Let’s start out with a few questions: 1. Why do we wear what we do for Square Dancing? 2 Do you wear the same size now that you did at age 25? 3. When square dancing was at its zenith, did the women dress the way we do? 4. Have square dance clothing styles evolved since its zenith? For the better? From what I have observed, the majority of women today are wearing prairie skirts (with elastic waists) and peasant blouses. Why? Is the prairie skirt flattering to you? Is the peasant blouse flattering to you? Hopefully, this class with give you the tools to make dress bodices or blouses that flatter you. I am also hopeful that this class with encourage you to explore designs outside your comfort zone. Taking into consideration, your age, your body shape, proportions, and your height, you need to figure out what flatters and what doesn’t. Fit is a major component in how flattering a garment will be on you, but you also need to keep in mind fabric type & color. My main resources for this course are “The Palmer/Pletsch Complete Guide To Fitting” and the Curvy Sewing Collective https://curvysewingcollective.com/curvy-tutorials. Some of the pages in this document have been copied or paraphrased. I encourage you to find and follow these resources. What Size Pattern Should I Buy? Today’s patterns are based on these measurements: Size 4 6 8 10 12 14 16 18 20 22 24 26 Bust 29.5 30.5 30.5 32.5 34 36 38 40 42 44 46 48 Wais 22 23 24 25 26.5 28 30 32 34 37 39 41.5 t Hip 31.5 32.5 33.5 34.5 36 38 40 42 44 46 48 50 1 I’ve indicated the Bust measurement in red, because this is the most critical measurement when purchasing a pattern for bodice construction. -
Teachers, Board Settle Two-Year 20% Contract
Section rosse Pointe ews A " ~-------------,------------------------------------------------------------ -------------- 'Illlll.h,d 01 SlCo"d Cloll Mo"" 01 the 30c Per Copy 40 Pages-Three Sections VOL. 42-NO. 37 POlt Office ot Dtlrolt, Mlchl.on GROSSE POINTE, MICHIGAN, THURSDAY, SEPTEMBER 10, 1981 $13 p" Y,at Teachers, Board settle two-year 20% contract By Joanne Gouleehe negotiators termed the talks as a regional strike if fired teachers "cordial and cooperative," and there were replaced with substitutes. More than 8,000 Grosse Pointe were indications that both sides students made their way back wanted a working agreement before Two years ago, union negotiators September. ' walked away from the bargaining to the classroom yesterday after table with a 9 percent pay hike each teachers tentatively agreed to a I'" '" fTr.lrl:;T """"tht"ro r.,.,.h"rJ vp~" for it~ mpmbers, The contract new two-year contract Labor tentative ag~eement o~'th~ ~p~~'i~g was approved only hours before Day weekend. day for students and the back to teachers were set to go on strike. work day for teachers, but remained ~ow that teacher talks have end- It marks the first time in 10 far apart on issues of salary, fringe years that te{lchers have ended benefits and classroom size. ed, the school board is expected to set the sooool mill rate at its Sept. negotia tions before the opening At a Local 1 press conference Aug. 14 meeting. Administrators say day of school. The last time was 18 union president Lange made firm they will recommend a roll back of in 1971.