DOCSLIB.ORG

Fashionpedia: Ontology, Segmentation, and an Attribute Localization Dataset

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Fashionpedia: Ontology, Segmentation, and an Attribute Localization Dataset Fashionpedia: Ontology, Segmentation, and an Attribute Localization Dataset Menglin Jia?1, Mengyun Shi?1;4, Mikhail Sirotenko?3, Yin Cui?3, Claire Cardie1, Bharath Hariharan1, Hartwig Adam3, Serge Belongie1;2 1Cornell University 2Cornell Tech 3Google Research 4Hearst Magazines Abstract. In this work we explore the task of instance segmentation with attribute localization, which unifies instance segmentation (detect and segment each object instance) and fine-grained visual attribute cat- egorization (recognize one or multiple attributes). The proposed task requires both localizing an object and describing its properties. To illus- trate the various aspects of this task, we focus on the domain of fashion and introduce Fashionpedia as a step toward mapping out the visual aspects of the fashion world. Fashionpedia consists of two parts: (1) an ontology built by fashion experts containing 27 main apparel categories, 19 apparel parts, 294 fine-grained attributes and their relationships; (2) a dataset with everyday and celebrity event fashion images annotated with segmentation masks and their associated per-mask fine-grained at- tributes, built upon the Fashionpedia ontology. In order to solve this challenging task, we propose a novel Attribute-Mask R-CNN model to jointly perform instance segmentation and localized attribute recogni- tion, and provide a novel evaluation metric for the task. Fashionpedia is available at: https://fashionpedia.github.io/home/. Keywords: Dataset, Ontology, Instance Segmentation, Fine-Grained, Attribute, Fashion 1 Introduction Recent progress in the field of computer vision has advanced machines' ability to recognize and understand our visual world, showing significant impacts in fields including autonomous driving [52], product recognition [32,14], etc. These real-world applications are fueled by various visual understanding tasks with the goals of naming, describing (attribute recognition), or localizing objects within an image. Naming and localizing objects is formulated as an object detection task (Fig- ure1(a-c)). As a hallmark for computer recognition, this task is to identify and indicate the boundaries of objects in the form of bounding boxes or segmentation masks [12,37,17]. Attribute recognition [6,29,9,36] (Figure1(d)) instead focuses ? equal contribution. 2 M. Jia et al. <"/0)A =>&?)@$0)@0+5% ,).1$0 !,"+. 2+.1,)@>#)"/$)A Apparel Categories Lounge Puffer (Shorts) (Jacket) / Down (Jacket) Cargo B#&55)A%/0&3,A)# (Shorts) Harem Sweatpants (Pants) Argyle / Jogger (Pants) Henley Fine-grained Attributes !,"+. (Shirt) Culottes Tube (Top) / Safari Apparel Categories C)13,"#%D'+$E Washed Varsity bandeau (Jacket) / (Jacket) Plant (Top) Utility Sheath (Jacket) / Animal (Dress) Cargo Boardshorts C)13,"#%D'+$E Buckle / Board 26;;)$#+9", Umbrella (Shorts) Trunks Fine-grained Attributes =>&?)@$0)@0+5% Giraffe Hobble Tunic (Top) (Skirt) / Culotte Wiggle ,).1$0 Epaulette(Shorts) (Skirt) HAS_ATTRIBUTE Blouson Umbrella Buckle (Dress) Track HAS_ATTRIBUTE (Jacket) Snakeskin TRIBUTE TTRIBUTE A (pattern) HAS_AT Tank (Top) HAS_ Peacock Pea (Jacket) Tuxedo Gypsy Smock (Top)(Jacket) (Skirt) / Broomstick Epaulette HAS_ATTRIBUTE (Skirt) Classic CardiganMandarin (with Gown (Collar) / Crop (Top) / military Nehru Rivet Midriff (Top) !,"+. (Jacket) opening)(Collar) Hip-huggers (Pants) / Hip Biker 26;;)$#+9", Norfolk huggers (… Jodhpur / (Jacket) / (Jacket) Breeches Moto (Pants) Bomber (Jacket) =.:,)%,).1$0 (Jacket) Leggings 8&#;",%<"+/$ Cardigan (with Peg (Pants) Mao (Jacket) HAS_ATTRIBUTE Classic -,6%D45).+.1E Rugby (Shirt) (T-shirt) Rivet / Stud / Polo Banded Rivet Spike opening) (Collar) HAS_ATTRIBUTE (Collar) / Flat HAS_ATTRIBUTE HAS_ATTRIBUTE B+/$#)//)A% Knit (Collar) HAS_ATTRIBUTE HAS_ATTRIBUTE Houndstooth 2,+;%D'+$E% HAS_ATTRIBUTE (pattern) Anorak Rubber Hoodie Straw HAS_ATTRIBUTE HAS_ATTRIBUTE Feather Skater (Skirt) Stripe Metal HAS_ATTRIBUTE Watch Fair Isle Kimono Wrap Sheath (Skirt) HAS_ATTRIBUTE HAS_ATTRIBUTE HAS_ATTRIBUTEHAS_ATTRIBUTE Camisole (Dress) Crop (Pants) Floral Shearling Frayed Robe Trench (Coat) Nehru HAS_ATTRIBUTE Trucker (Coat) (Jacket) UTE HAS_ATTRIBUTE (Jacket) / Printed RIB HAS_ATTRIBUTE HAS_ATTRIBUTE Denim HAS_ATTRIBUTE Stand-away Tutu (Skirt) / (Collar) (Jacket) Ballerina HAS_ATTRIBUTE Windbreaker HAS_ATT (Skirt) Sailor Wood Ringer Fringe Chanel HAS_ATTRIBUTE Watch HAS_ATTRIBUTE (T-shirt) HAS_ATTRIBUTE (Jacket) Duster HAS_ATTRIBUTEHAS_ATTRIBUTE (Pants) HAS_ATTRIBUTE Kaftan / HAS_ATTRIBUTE (Coat) HAS_ATTRIBUTE Plain HAS_ATTRIBUTE HAS_ATTRIBUTE HAS_ATTRIBUTE Bloom Caftan HAS_ATTRIBUTE HAS_ATTRIBUTE (pattern) Berm HAS_ATTRIBUTE HAS_ATTRIBUTE HAS_ATTRIBUTE HAS_ATTRIBUTE HAS_ATTRIBUTE HAS_ATTRIBUTE HAS_ATTRIBUTE HAS_ATTRIBUTE HAS_ATTRIBUTE HAS_ATTRIBUTE Dropped-sh… -ers E !"#$ !%# !&#$$$$$$$$$$$$$$$$$$$$$$$$$$$$$!'# HAS_ATTRIBUTE HAS_ATTRIBUTE HAS_ATTRIBUTE -uda HAS_ATTRIBUTE (Shorts) HAS_ATTRIBUTE HAS_ATTRIBUTE HAS_ATTRIBUTE HAS_ATTRIBUTE High HAS_ATTRIBUTE HAS_ATTRIBUTE RIBUT Glove HAS_ATTRIBUTE HAS_ATTRIBUTE HAS_ATTRIBUTE BUTE HAS_ATTRIBUTE HAS_ATTRIBUTE Peg Halter HAS_ATTRIBUTE HAS_ATTRIBUTE Smocking / _ATT HAS_ATTRIBUTE HAS_ATTRIBUTE HAS_ATTRIBUTE Low Shirring Cheetah Napoleon ATTRI HAS_ATTRIBUTE Fringe HAS_ATTRIBUTE HAS_ATTRIBUTE _ (Lapel) HAS_ATTRIBUTE HAS_ATTRIBUTE HAS (Top) Bead Flame HAS_ATTRIBUTE AS HAS_ATTRIBUTE HAS_ATTRIBUTE H HAS_ATTRIBUTE HAS_ATTRIBUTE HAS_ATTRIBUTE HAS_ATTRIBUTE HAS_ATTRIBUTE HAS_ATTRIBUTE HAS_ATTRIBUTE -nco HAS_ATTRIBUTE (Skirt) HAS_ATTRIBUTE HAS_ATTRIBUTE HAS_ATTRIBUTE HAS_ATTRIBUTE HAS_ATTRIBUTE HAS_ATTRIBUTE HAS_ATTRIBUTE Ruched / HAS_ATTRIBUTE no special Chained HAS_ATTRIBUTE Ruching manufactur… Military HAS_ATTRIBUTE 3.*%450% Swing (Coat) (Opening) HAS_ATTRI HAS_ATTRIBUTE Flare HAS_ATTRIBUTE HAS_ATTRIBUTE Distressed / HAS_ATTRIBUTE HAS_ATTRIBUTE HAS_ATTRIBUTE Glove Cargo HAS_ATTRIBUTE Embossed Ripped (Coat) E Dot BUTE HAS_ATTRIBUTE (Skirt) Three HAS_ATTRIBUTE IBUT HAS_ATTRIBUTE TTR A HAS_ATTRIBUTE E HAS_ATTRIBUTE S_ HAS_ATTRIBUTE quarter HAS_ATTRIBUTE HA Capri (Pants) HAS_ATTRIBUTE HAS_ATTRIBUTE IBUTE HAS_ATTRIBUTE HAS_ATTRIBUTE (length) / HAS_ATTRIBUTE HAS_ATTRIBUTE IBUT HAS_ATTRIBUTE HAS_ATTRIBUTE Peasant HAS_ATTRIBUTE R TTR HAS_ATTRIBUTE Duffle UTE HAS_ATTRIBUTE (Top) HAS_ATTRIBUTE HAS_ATTRIBUTE HAS_ATTRI HAS_ATTRIBUTE HAS_ATTRIBUTE HAS_ATTRIBUTE HAS_ATTRIBUTE HAS_ATTRIBUTE (Coat) / HAS_ATTRIBUTE HAS_ATTRIBUTE HAS_ATTRIBUTE HAS_ATTRIBUTE E HAS_A HAS_ATTRIBUTE E Duffel (Co… HAS_ATTRIBUTE HAS_ATTRIBUTE HAS_ATTRIBUTE HAS_ATTRIBUTE HAS_ATTRIBUTE HAS_ATTRIBUTE HAS_ATTRIBUTE ATTRIB HAS_ATTRIBUTE HAS_ATT TRIBUT IBUT Polo (Shirt) Tie-up Shift HAS_ATTRIBUTE HAS_ATTRIBUTE Shearling HAS_ATTRIBUTE HAS_ATTRIBUTE HAS_ATTRIBUTE TR (Shorts) Bootcut / HAS_ATTRIBUTE S_AT Puffer (Coat) HAS_ A BUTE HAS_ATTRIBUTE AT Boot cut TE H Basque HAS_ATTRIBUTE HAS_ATTRIBUTEHAS_ATTRIBUTE E HAS_ATTRIBUTE HAS_ATTRIBUTE (Dress) HAS_ATTRIBUTE HAS_ATTRIBUTE AS_ BU I (wasitline) HAS_ATTRIBUTE H HAS_ATTRIBUTE HAS_ATTRIBUTE HAS_ATTRIBUTE ATTRIBUTE Bow _ HAS_ATTRIBUTE HAS_ATTRIBUTE HAS_ATTRIBUTE HAS_ATTRIBUTE AS HAS_ATTRIBUTE TE H HAS_ATTRIBUTE DeepFashion2HAS_ATTRIBUTE HAS_ATTRIBUTE ModaNet _ATTR HAS_ATTRIBUTE BUTE HAS_ATTRIBUTE HAS_ATTRIBUTE HAS_ATTRIBUTE _ATTRIBUT HAS_ATTRIBUTE HAS_ATTRIBUTE HAS_ATTRIBUTE IBU HAS_ATTRIBUTE HAS_ATTRIBUTE Tea (Dress) HAS_ATTRIBUTE Lapel HAS HAS ATTRI HAS_ATTRIBUTE UTE HAS_ATTRIBUTE HAS_ATTRIBUTE B HAS_ATTRIBUTE HAS_ATTRIBUTE HAS_ATTRIBUTE AS_ HAS_ATTRIBUTE HAS_ATTRIBUTE E HAS_ATTRIBUTE H Chevron TTRIBUTE HAS_ATTRIBUTE HAS_ATTRIBUTE UTE HAS_ATTRIBUTE AS_ATTRIBUTE HAS_ATTRIBUTE HAS_ATTRIBUTE HAS_ATTRIBUTE U-neck / U HAS_ATTRIBUTE HAS_ATTRIBUTE ATTRIBUTE HAS_ATTRIBUTE H HAS_ATTRIBUTE HAS_ATTR HAS_A HAS_ATTRIBUTE HAS_ATTRIBUTE HAS_ATTRIBUTE Cheongsams HAS_ATTRIBUTE Kilt HAS_ATTRIBUTE (Neck) HAS_ATTRIBUTE HAS_ HAS_ATTRI HAS_ATTRIBUTE HAS_ATTRIBUTE E HAS_ATTRIBUTE HAS_A HAS_ATTRIBUTE H HAS_ATTRIBUTE HAS_ATTRIBUTE HAS_ATTRIBUTE _ATTRIBUTE HAS_ATTRIBUTE HAS_ATTRIBUTE T S / Qipao Single AS_AT HAS_ATTRIBUTE U Tight (fit) / HAS_ATTRIBUTE HAS_ATTRIBUTE HAS_ATTRIBUTE UTEHA HAS_ATTRIBUTEHAS_ATTRIBUTEHAS_ATTRIBUTE IB T breasted HAS_ATT HAS_ATTRIBUTE S_ATTRIB HAS_ATTRIBUT IBUTE E TRIB Slim (fit) / R HAS_ATTRIBUTE HAS_ATTRIBUTE HAS_ATTRIBUTE HAS_ATTRIBUTE HAS_ATTRIBUTE T TE HAS_ATTRIBUTE HA TR HAS_ATTRIBUTE IBUTE HAS_ATTRIBUTE Skinny (fit) HAS_ATTRIBUTE E HAS_ATTRIBUTE IBU UT RIBUTE HAS_ATTRIBUTE HAS_ATTRIB HAS_ATTRIBUTE HAS_ATTRIBUTE HAS_ATTRIBUTE UT HAS_ATTRIBUTEE HAS_ATTRIBUTE Under HAS_ATTRIBUTETE HAS_ATTRIBUTE E HAS_ATTR HAS_ATTRIBUTE Raglan HAS_ATTRIBUTE HAS_ATTRIBUTE HAS_ATTR HAS_ATTRIBUTEHAS_ATTRIBUTE Bow HAS_ATTRIBUTE HAS_ATTRIBUTE HAS_ATTRIBUTE HAS_ATT HAS_ATTRIBUTE UT HAS_ATTRIBUTE HAS_ATTRIBUTE HAS_ATTRIBUTEHAS_ATTRIBUTEHAS_ATTRIBUTE (T-shirt) HAS_ATTRIBUTE TRIB HAS_ATTRIBU Oversized HAS_ATTRIBUTE DeepFashion2 TE HAS_ATTRIBU HAS_ATTRIBUTE HAS_ATTRIBUTE ModaNetU HAS_ATTRIBUTE E Plastic HAS_ATTRIBUTEHAS_ATTRIBUTE HAS_ATTRIBUTE -shirt (Lapel) HAS_ATTRIBUTE HAS_ATTRIBUTE HAS_ATTRIBUTE UT HAS_ATTRIBUTE _AT HAS_ATTRIBUTE HAS_ATTRIBUTEHAS_ATTRIBUTE HAS_ATTRIBUTE HAS_ATTRIBUTE HAS_ATTRIBUTE HAS_ATTRIBUTE HAS_ATTRIBUTE Rah-rah Lapel Zip-up HAS_ATTRIBUTEHAS_ATTRIBUTE ATTRIB HAS_ATTRIBUTE HAS_ATTRIBUTE HAS_ATTRIBUTE HAS_ATTRIBUTEHAS_ATTRIBUTE HAS (Skirt) HAS_ATTRIBUTE HAS_ATTRIBUTE TE HAS_ATTRIBUTE HAS_ATTRIBUTE HAS_ATTRIBUTE HAS_ATTRIBUTE HAS_ATTRIBUTE HAS_ATTRIBUTE HAS_ATTRIBUTE HAS_ATTRIBUTE HAS_ATTRIBUTE HAS_ATTRIBUTE HAS_ATTRIBUTEHAS_ATTRIBHAS_ATTRIBUTE HAS_ATTRIBUTE HAS_ATTRIBUTE HAS_HAS_ATTRIB HAS_ATTRIBUTE HAS_ATTRIBUTE HAS_ATTRIBUTE HAS_ATTRIBUTE HAS_ATTRIBUTEHAS_ATTRIBUTE
Load more

Recommended publications
  • May 14, 2019 Augusta Auction Company Sturbridge, Mass
    MAY 14, 2019 AUGUSTA AUCTION COMPANY STURBRIDGE, MASS LOT# EMBROIDERED FUCHSIA WOMENS ROBE, CHINA Silk satin w/ hand embroidered phoenix & flower blossoms, embroidered turquoise trim 1001 bands, Cuff-Cuff 68”, L 45”, (sun fading, back stains, cuff torn, left slit tear, collar worn, thread pulls) fair; t/w 1 cream silk robe w/ metallic gold & white silk embroidered dragon, exellent. LOT# GOLD BROCADE BUSTLE DRESS, 1870s 2-piece tone on tone brocade w/ cream satin bow & silk fringe trim, B 32”, W 22.5”, Skt L 41'- 1002 66”, (stains to B & skirt train, detached sleeve, lace cuff & front lace hem, tear on cuffs, missing 1 button) very good. LOT# TWO EMBELLISHED BLACK GOWNS, 1940s 1 silk faille w/ black net & colorful floral applique band to skirt B 38”, W 32”, L 60”, (small 1003 holes at CFB, lower skirt, back hem & knee, 2” hole to net); 1 black evening sheath w/ colorful felt bands on sleeves & hem, B 36”, W 28”, H 36”, L 65”, small moth holes to felt stripe, alteration to sleeves & hem, rough edges at CF neck) both fair. LOT# NAVY BLUE SWIM OR GYM SUIT, c. 1900 Navy cotton 2-piece bathing suit w/ detachable skirt & white trim, W 23”, Ins 16”, L 40”, Skt L 1004 27”, (knees worn & faded) very good; t/w 1 red cotton jumpsuit w/ white cotton trim. LOT# THREE BEADED FLAPPER DRESSES 1 turquoise silk w/ silver & white beaded designs, labeled "Franklin Simon, Made in France", B 1005 40", H 35", L 50"; 1 pale yellow w/ crystal & white beads, B 34", H 35", L 38"; 1 black chiffon w/ spiderweb, butterfly & floral beading, B 34", H 38", L 49", (all w/ holes, stains & bead loss) all 3 poor.
    [Show full text]
  • Fashionpedia: Ontology, Segmentation, and an Attribute Localization Dataset
    Fashionpedia: Ontology, Segmentation, and an Attribute Localization Dataset Menglin Jia?1, Mengyun Shi?1;4, Mikhail Sirotenko?3, Yin Cui?3, Claire Cardie1, Bharath Hariharan1, Hartwig Adam3, Serge Belongie1;2 1Cornell University 2Cornell Tech 3Google Research 4Hearst Magazines Abstract. In this work we explore the task of instance segmentation with attribute localization, which unifies instance segmentation (detect and segment each object instance) and fine-grained visual attribute cat- egorization (recognize one or multiple attributes). The proposed task requires both localizing an object and describing its properties. To illus- trate the various aspects of this task, we focus on the domain of fashion and introduce Fashionpedia as a step toward mapping out the visual aspects of the fashion world. Fashionpedia consists of two parts: (1) an ontology built by fashion experts containing 27 main apparel categories, 19 apparel parts, 294 fine-grained attributes and their relationships; (2) a dataset with everyday and celebrity event fashion images annotated with segmentation masks and their associated per-mask fine-grained at- tributes, built upon the Fashionpedia ontology. In order to solve this challenging task, we propose a novel Attribute-Mask R-CNN model to jointly perform instance segmentation and localized attribute recogni- tion, and provide a novel evaluation metric for the task. Fashionpedia is available at: https://fashionpedia.github.io/home/. Keywords: Dataset, Ontology, Instance Segmentation, Fine-Grained, Attribute, Fashion 1 Introduction Recent progress in the field of computer vision has advanced machines' ability to recognize and understand our visual world, showing significant impacts in arXiv:2004.12276v2 [cs.CV] 18 Jul 2020 fields including autonomous driving [52], product recognition [32,14], etc.
    [Show full text]
  • Sew Wow Advanced Clothing Member's Guide
    SEW WOW #32009 Advanced Clothing Member’s Guide and Project Requirements This guide belongs to:_________________________________ Year:________ SEW WOW Advanced Clothing Member’s Guide and Project Requirements Contents Project Objectives Project Objectives............................................2 • Learn to enjoy and appreciate the process of clothing construction. Requirements ...................................................2 • Acquire the advanced skills needed to create Focus Areas Summary .....................................3 a garment, outfit, and/or accessories. General Resources ...........................................3 • Develop confidence through successfully Focus Area A: Active/Sportswear....................4 completing the project. Focus Area B: Outdoor Wear...........................6 • Share what you have learned with others. Focus Area C: Western Wear ...........................8 Focus Area D: Formal Wear ..........................10 Requirements Focus Area E: Embellished Apparel..............12 1. Select one project focus area that includes the clothing item(s), fabric, and construction Focus Area F: Tailored Apparel.....................14 skills you want to master. A summary of Focus Area G: Pattern Your Own..................16 focus areas is on page 3. General Advanced Activities .........................18 2. Set at least three goals to achieve in this project year. Project Summary ...........................................19 Part A: General Advanced Activity ..........19 3. Do one of the “General Advanced
    [Show full text]
  • Dancer Information
    WELCOME TO THE WORLD OF MODERN SQUARE & ROUND DANCING We are delighted that you have decided to join with us to explore the world of Modern Square and Round Dancing. As you increase your dance vocabulary and meet the dancers in the club you will occasionally hear references to dance terms, dance etiquette, styling and organizations. This document is designed to help you understand those references and better comprehend the way the Square and Round Dance World functions. DANCE RELATED INFORMATION FOR NEW DANCERS CONTENTS: PAGE The Ground Rules 1 Styling Characteristics of a Good Dancer 2 Square and Round Dance Vocabulary and Programs 3 Medical Problems 4 Liability Insurance 5 Recovery Skills 5 Square and Round Dance Attire 6 Square and Round Dance Organizations 7 Club Loyalty and Visiting Pleasure 8 The Square Dance and Round Dance World 8 History and Heritage 9 (Compiled by Dottie Welch, Updated February 2014) (intentionally blank) THE GROUND RULES OF SQUARE AND ROUND DANCING page 1 1) Be a Good Listener and Conscientious Learner Concentrate and pay attention . Be quiet both while dancing and when on the sidelines. Don’t anticipate the next call, wait for the caller to ensure success. Make an effort to learn the correct move definitions. 2) Be Cooperative Square dancing success depends on team work in the square. Likewise, a strong square dance activity needs support and cooperation from all the dancers. 3) Be receptive to learning opportunities Laugh at your mistakes and remember that this is a recreation not a competition. Accept help, fill the hole and try to keep dancing.
    [Show full text]
  • Basic Bodice Construction.Pdf
    Fitted & Flattered - Basic Bodice Construction ​ ​ ​ Illinois State Square & Round Dance Convention July 2019 Taught by Karen Dilley Let’s start out with a few questions: 1. Why do we wear what we do for Square Dancing? 2 Do you wear the same size now that you did at age 25? 3. When square dancing was at its zenith, did the women dress the way we do? 4. Have square dance clothing styles evolved since its zenith? For the better? From what I have observed, the majority of women today are wearing prairie skirts (with elastic waists) and peasant blouses. Why? Is the prairie skirt flattering to you? Is the peasant blouse flattering to you? Hopefully, this class with give you the tools to make dress bodices or blouses that flatter you. I am also hopeful that this class with encourage you to explore designs outside your comfort zone. Taking into consideration, your age, your body shape, proportions, and your height, you need to figure out what flatters and what doesn’t. Fit is a major component in how flattering a garment will be on you, but you also need to keep in mind fabric type & color. My main resources for this course are “The Palmer/Pletsch Complete Guide To Fitting” and the Curvy Sewing Collective https://curvysewingcollective.com/curvy-tutorials. Some of the pages ​ ​ in this document have been copied or paraphrased. I encourage you to find and follow these resources. What Size Pattern Should I Buy? Today’s patterns are based on these measurements: Size 4 6 8 10 12 14 16 18 20 22 24 26 Bust 29.5 30.5 30.5 32.5 34 36 38 40 42 44 46 48 Wais 22 23 24 25 26.5 28 30 32 34 37 39 41.5 t Hip 31.5 32.5 33.5 34.5 36 38 40 42 44 46 48 50 1 I’ve indicated the Bust measurement in red, because this is the most critical measurement when ​ ​ purchasing a pattern for bodice construction.
    [Show full text]
  • Smgscmnim Har»Ld\.Comptpn' of Suburban.' Rangeg D by Dawson
    -••'• '•" "•• —^r'* **" '''''' '"'''"' ;V|-'' '' ' ' -^ •—^- •'-'.' .'.'—- '• —!""'"'' ,J.-*Lu~.^L i '•' ' 'n •-' •- '"'ri'i'ir" '^M'^- •'""-'•'•'*'• " ' ' ' '••'••' mi i.i'n.. '•rutnlajr ''" ' ;'i'.|i —J-~. ,»'. *>- "' •'•'- • •. • • * •' 0- •• • >v.....•'''•'' THE' CRANFORD Cl'l'lZKN AND CHRONICLE, THURSDAY, APRIL 1, 1954 „_„*•' ' f .-'••/ Army last April and completed") it was announced this Ore ensemble singing two selec- v ' • basic training ot 'Camp*' Breckxn- tions, ~~ Scout Wins Citation Cranford, Garwood T(, £•,•''>.?' ridge, Ky. - ,, •-.,< .^ Prindpalls. i»=the firmvare Anne's Albert and Artn^-Meurer, and pur- y groups will be Joyce Skgggs, . ' ' " | !f • • -. ' |friMt&-iihHeart^^v«^ f' tl e business is the sales WiUiam Canteen Dances Planned Jacobsen. Jean Belden,- Susan Maher, eighth grade Cranfqrd wasUwong j l Tjnioa and service of, domestic water soft- Laird-and Carole Smith. James •student at Sittj Michael's School, re- County communjjte^hich-ibppa 8 For Local Young People ceived a heroism citation recently Lenney of the musk; faculty will their quotas In tfie annual i^, GAR\yoppj— A teen-age can- also play several, accompaniments from Union Council, Boy Scouts of iiineiabfe on the. organ. •; America.- - raising drive of the Union Com,,. * Church Cagers Defeat teen dance will be -''sponsored fTC Proceeds f/om this concert past winter, he res- Heart Association. Untj seventh and eighth grade students Central Railroad cf-New Jerseyj go tow-artf the' Organ Fund;,. cued an eight-year-old boy from Cranford's goal was $2 IM .» has- bten authorized by the Public 8 Fire Department Teams by the Recreation Commission ""btT-j Hammond -organ was purchased the -Rahway River. He is a mem- and $3,418 Wgs raised.
    [Show full text]
  • Teachers, Board Settle Two-Year 20% Contract
    Section rosse Pointe ews A " ~-------------,------------------------------------------------------------ -------------- 'Illlll.h,d 01 SlCo"d Cloll Mo"" 01 the 30c Per Copy 40 Pages-Three Sections VOL. 42-NO. 37 POlt Office ot Dtlrolt, Mlchl.on GROSSE POINTE, MICHIGAN, THURSDAY, SEPTEMBER 10, 1981 $13 p" Y,at Teachers, Board settle two-year 20% contract By Joanne Gouleehe negotiators termed the talks as a regional strike if fired teachers "cordial and cooperative," and there were replaced with substitutes. More than 8,000 Grosse Pointe were indications that both sides students made their way back wanted a working agreement before Two years ago, union negotiators September. ' walked away from the bargaining to the classroom yesterday after table with a 9 percent pay hike each teachers tentatively agreed to a I'" '" fTr.lrl:;T """"tht"ro r.,.,.h"rJ vp~" for it~ mpmbers, The contract new two-year contract Labor tentative ag~eement o~'th~ ~p~~'i~g was approved only hours before Day weekend. day for students and the back to teachers were set to go on strike. work day for teachers, but remained ~ow that teacher talks have end- It marks the first time in 10 far apart on issues of salary, fringe years that te{lchers have ended benefits and classroom size. ed, the school board is expected to set the sooool mill rate at its Sept. negotia tions before the opening At a Local 1 press conference Aug. 14 meeting. Administrators say day of school. The last time was 18 union president Lange made firm they will recommend a roll back of in 1971.
    [Show full text]
  • İncəsənət Və Mədəniyyət Problemləri Jurnalı
    AZƏRBAYCAN MİLLİ ELMLƏR AKADEMİYASI AZERBAIJAN NATIONAL ACADEMY OF SCIENCES НАЦИОНАЛЬНАЯ АКАДЕМИЯ НАУК АЗЕРБАЙДЖАНА MEMARLIQ VƏ İNCƏSƏNƏT İNSTİTUTU INSTITUTE OF ARCHITECTURE AND ART ИНСТИТУТ АРХИТЕКТУРЫ И ИСКУССТВА İncəsənət və mədəniyyət problemləri Beynəlxalq Elmi Jurnal N 1 (71) Problems of Arts and Culture International scientific journal Проблемы искусства и культуры Международный научный журнал Bakı - 2020 Baş redaktor: ƏRTEGİN SALAMZADƏ, AMEA-nın müxbir üzvü (Azərbaycan) Baş redaktorun müavini: GULNARA ABDRASİLOVA, memarlıq doktoru, professor (Qazaxıstan) Məsul katib : FƏRİDƏ QULİYEVA, sənətşünaslıq üzrə fəlsəfə doktoru (Azərbaycan) Redaksiya heyətinin üzvləri: ZEMFİRA SƏFƏROVA – AMEA-nın həqiqi üzvü (Azərbaycan) RƏNA MƏMMƏDOVA – AMEA-nın müxbir üzvü (Azərbaycan) RƏNA ABDULLAYEVA – sənətşünaslıq doktoru, professor (Azərbaycan) SEVİL FƏRHADOVA – sənətşünaslıq doktoru, professor (Azərbaycan) RAYİHƏ ƏMƏNZADƏ - memarlıq doktoru, professor (Azərbaycan) VLADİMİR PETROV – fəlsəfə elmləri doktoru, professor (Rusiya) KAMOLA AKİLOVA – sənətşünaslıq doktoru, professor (Özbəkistan) MEYSER KAYA – fəlsəfə doktoru (Türkiyə) VİDADİ QAFAROV – sənətşünaslıq üzrə fəlsəfə doktoru (Azərbaycan) Editor-in-chief: ERTEGIN SALAMZADE, corresponding member of ANAS (Azerbaijan) Deputy editor: GULNARA ABDRASSILOVA, Prof., Dr. (Kazakhstan) Executive secretary: FERİDE GULİYEVA Ph.D. (Azerbaijan) Members to editorial board: ZEMFIRA SAFAROVA – academician of ANAS (Azerbaijan) RANA MAMMADOVA – corresponding-member of ANAS (Azerbaijan) RANA ABDULLAYEVA – Prof., Dr.
    [Show full text]
  • Focus on Ethics: Gender Expression and Identity
    Focus On Ethics: Gender Expression and Identity Resources / Publications / Young Children / November 2019 / Focus On Ethics: Gender Expression and Identity STEPHANIE FEENEY, NANCY K. FREEMAN, KATIE SCHAFFER We are pleased to have guest editor Katie Schaffer’s help in addressing this sensitive and timely issue. Katie brings extensive knowledge and insight regarding gender issues to this column. The case Four-year-old Michael usually comes to school in jeans and a T-shirt but always goes to the dress-up area as soon as he arrives and puts on a dress or skirt. On the day his mother was volunteering in the classroom, he walked in and immediately put on a ballerina skirt and sparkly shoes. She firmly told him to take them off and instead put on the firefighter’s hat and boots, try on the cowboy hat, or do “something that boys do.” Michael complied with his mother’s demand but soon left the dramatic play area. When the children went outside to play, Michael’s mother told Ana, Michael’s teacher, that he consistently plays female roles at home and shows little interest in toys and activities typically associated with boys. She and her husband were very concerned about his behavior, and she asked Ana not to allow Michael to play with any “girl stuff” at school. Ana also has observed that Michael strongly prefers playing with girls and chooses activities that are stereotypically feminine, like having tea parties and wearing dress-up clothes that have lots of ribbons and sequins. He also frequently tells the other children that he is really a girl and that he wants to be called “Michelle.” Ana knows that some children begin to persistently identify with a gender different from their assigned sex at a very young age (Ehrensaft 2011; Fox 2015).
    [Show full text]
  • Do's & Don'ts Book Review: Small Town Cake Boss
    ltar A earth SUMMER 2014 H ISSUE I Inspire. Amuse. Inform. Salad MANIA: Do’s & Don’ts ways to perk up for the 5 your greens with Newb Skirt-Wearer delicious add-ins w Book Review: What a Single Girl Can Do for Christ Trad Homemaker takes DIY to a new level SPARE THE ROD Small Town Cake Boss A mother of nine shares her reflections on discipline Dear Readers, Several years ago, I caught myself flipping through a culture. We are the ones breaking molds and women’s magazine. It didn’t advertise itself as racy shocking society. and full of smut, but I was disappointed to discover it was. Its articles and advertisements were filled with At Altar and Hearth we think it shouldn’t “come with objectionable photos almost all of the time. Its the territory,” but since it does, that means we need writing didn’t reflect the principles and culture I to start creating our own territory. value. What do I want to see in a magazine? I want cheap I knew I wasn’t the only one. and practical for a large family, not a family of two. I want modesty and style, not one or the other. I want As traditional Catholics we find certain things morally fun and conservative, because liberals haven’t and culturally unacceptable. Contraception. cornered the market on happiness. This magazine is Immodesty. Evolution. But we’ve gotten used to “it meant to be a reflection of that and we at Altar and comes with the territory.” We shake our heads at Hearth are so excited to bring you light-hearted things we object to and can do little more than throw content you can relate to.
    [Show full text]
  • Alias Grace by Margaret Atwood
    Is There a Woman Behind the Veil? The Use of Clothing, Textiles, and Accessories in Lady Oracle and Alias Grace by Margaret Atwood Marte Storbråten Ytterbøe A Thesis Presented to The Department of Literature, Area Studies and European Languages University of Oslo In Partial Fulfilment of the Requirements for the MA Degree Spring Term 2010 Supervisor: Rebecca Scherr 2 Acknowledgements Writing my master‟s thesis has been an interesting journey and a great learning experience. It has been a privilege to dedicate a year of my life to research and write about two novels by my favourite author, Margaret Atwood. Since Margaret Atwood is a Canadian author, I seized the chance to revisit Canada in September 2009. I have never regretted my research trip to Vancouver and The University of British Columbia. Reference Librarian, Kimberley Hintz, helped me to figure out the library and to find articles which I have later used in this thesis. My parents read for me from an early age, and I owe my interest in literature to them. When I was sixteen, my mother recommended a Canadian novel called Alias Grace. I was as old as Grace was when she was convicted for murder when I read her story, and I fell in love with both Grace and Margaret Atwood at that moment. Professor Jeannette Lynes, writer in residence at Queen‟s University in Kingston, Canada, later inspired me to take a second look at Alias Grace and she helped me develop the early ideas for this thesis. I would like to thank my supervisor Associate Professor Rebecca Scherr for her interest in this project, her help, her ideas, and her patience.
    [Show full text]
  • There Are Two More Types of Solar Wind! the Ballerina Sun Right Before
    There are two more types of solar wind! 3. Low speed wind of "maximum" type Similar characteristics as (2), except for Helium content 4%, highly variable Source above active regions, at activity maximum, Signatures very variable, Lectures at the shock waves often International Max-Planck-Research School imbedded, Oktober 2002 by Rainer Schwenn, MPAe Lindau 4. Ejecta following interplanetary shocks 6. Variations on all time scales High speed 400-2000 kms-1 • The ballerina dances through the solar cycle Helium content often up to 30% • The modulation of Galactic Cosmic Rays: How? Other constituents often Fel6+ ions, in rare • Irradiance variations cases He+ • Biological record for past solar activity! • Butterflies on the Sun? Magnetic clouds in about 30% of cases • The Sun affects climate on Earth Sources erupting prominences • What causes global warming: The Sun or mankind? The ballerina Sun right before activity minimum Bpolarity SW type In this solar rotation in early 1975 (1996) we found all four types of solar wind! The Sun as a “ballerina”, according to Alfvén, 1977. Coronal hole evolution through the solar cycle The ballerina dancing through the solar cycle Maximum Minimum With increasing solar activity, the long- lived large polar cap coronal holes dissolve. At activity maximum, the They are replaced by several short-lived ballerina skirt flips over, smaller coronal holes distributed all over Minimum and the magnetic polarity the Sun. is then reversed at next Towards minimum, the small holes merge to minimum. The magnetic reform large polar holes, but now with cycle of the opposite magnetic polarity. sun (the “Hale-cycle”) takes 22 years! Maximum Minimum 1 Butterfly diagram for magnetic flux The solar wind stream structure, observed by the Helios and IMP spacecraft from activity minimum in polar field reversal 1975/76 onward.
    [Show full text]