There Are Two More Types of Solar Wind! the Ballerina Sun Right Before

Total Page:16

File Type:pdf, Size:1020Kb

There Are Two More Types of Solar Wind! the Ballerina Sun Right Before There are two more types of solar wind! 3. Low speed wind of "maximum" type Similar characteristics as (2), except for Helium content 4%, highly variable Source above active regions, at activity maximum, Signatures very variable, Lectures at the shock waves often International Max-Planck-Research School imbedded, Oktober 2002 by Rainer Schwenn, MPAe Lindau 4. Ejecta following interplanetary shocks 6. Variations on all time scales High speed 400-2000 kms-1 • The ballerina dances through the solar cycle Helium content often up to 30% • The modulation of Galactic Cosmic Rays: How? Other constituents often Fel6+ ions, in rare • Irradiance variations cases He+ • Biological record for past solar activity! • Butterflies on the Sun? Magnetic clouds in about 30% of cases • The Sun affects climate on Earth Sources erupting prominences • What causes global warming: The Sun or mankind? The ballerina Sun right before activity minimum Bpolarity SW type In this solar rotation in early 1975 (1996) we found all four types of solar wind! The Sun as a “ballerina”, according to Alfvén, 1977. Coronal hole evolution through the solar cycle The ballerina dancing through the solar cycle Maximum Minimum With increasing solar activity, the long- lived large polar cap coronal holes dissolve. At activity maximum, the They are replaced by several short-lived ballerina skirt flips over, smaller coronal holes distributed all over Minimum and the magnetic polarity the Sun. is then reversed at next Towards minimum, the small holes merge to minimum. The magnetic reform large polar holes, but now with cycle of the opposite magnetic polarity. sun (the “Hale-cycle”) takes 22 years! Maximum Minimum 1 Butterfly diagram for magnetic flux The solar wind stream structure, observed by the Helios and IMP spacecraft from activity minimum in polar field reversal 1975/76 onward. ecurring use of the r Note: the ca e treams is th high speed s uiet Sun, q imum activity min right before With increasing solar activity (in 1978), many transient events destroyed any regular solar wind structure The magnetic cycle of the Sun , the „Hale-Cycle“, takes 22 years 7yearsofdata, arranged by solar rotations: •IPMagnetic field, • Coronal holes, • Solar wind speed, • Geomagnetic index ers in the s in all paramet egular pattern 75. Note the r y minimum in 19 With increasing solar activity (in 1978, 2000), many around activit upper half, i.e., transient events destroyed any regular solar wind structure „Galactic Cosmic Radiation“ through the solar cycle The modulation of Minimum Maximum Minimum Minimum GCR spectra Sunspots Maximum The modulation of Neutron flux at Earth galactic cosmic rays The active sun keeps the (GCRs) affects particles galactic cosmic rays (GCRs) with less than 2 GeV. away from the Earth much Their fluxes are highest! better than the inactive Galactic cosmic rays Sun. That might have impact on our terrestrial weather. question is: The d the solar win Solar cosmic rays how does The modulator must be the uch strong accomplish s solar wind, but how? ion ? GCR modulat 1974 1986 2 Solar wind properties as functions of heliomagneticand IMP observed by Helios1/2 The solar wind through the solar cycle latitude, 1976 Note in particular: Flow speed (km s-1) • the slow wind “belt” is only 30 deg wide, 1977 • it is asymmetric w.r.t. the ecliptic, Proton density • it widens with increasing activity, (cm-3) The solar cycle variation of • the momentum flux density is invariant, solar wind parameters, as • the total energy flux density is invariant observed by the Helios Proton flux density solar probes. magnetic - kinetic - thermal (cm-2s-1) energy density Each point denotes an average over a full solar momentum Energy flux density rotation. flux density (10-7 W cm-2) not to ppear total energy iations a g hese var producin flux density T ent for Helium abundance suffici n ! (%) be dulatio GCR mo ? How does the Sun manage to modulate the GCR influx With increasing activity: Ulysses found slow solar wind at all latitudes! In the ecliptic plane, the solar wind modulation is small, but at high latitudes it is substantial! Note that the influx of GCRs from polar latitudes is much easier because of the more radial field lines (Not true any more!) The model by Wang & Sheeley, to explain solar wind speeds in terms of their „field expansion factor“ measured near the photosphere Ejected plasma clouds in space ng 2 solar cycles CMEs and shocks duri The daily rate of all CMEs CMEs Magnetic clouds imply large- scale • Between minimum and rotations of the mag maximum, the rates of netic field vector both: shocks and CMEs vary by a factor of 10. • The ratio between CME and shock rates is 10. • There is a clear maximum They are rather effective in of CME occurrence at shielding off the GCRs! maximum acticivty. shocks • The shock rate shows a double peak: maximum occurrence before and after the maximum. The daily rate of shocks seen by an in-situ observer 3 How does the Sun manage to modulate the GCR influx? „Forbush decreases“ of GCRs are known since the 1940s How does the Sun manage to modulate the GCR influx ? At very large distances from the Sun, the „merged Interaction Regions“ (MIRs) and transient flows from CMEs (i.e. shocks and ejecta) form „global merged interaction regions“ (GMIRs). The GCRs are effectively shielded by These large-scale shells of magnetic clouds following turbulent plasma in GMIRs coronal mass ejections surround the whole Sun and are rather efficient in (CMEs) shielding the heliosphere from GCRs. These shells are more numerous and efficient at activity maximum How does the Sun manage to modulate the GCR influx ? Solar cycle s and Earth‘s cl imate variations A sequence of global merged interaction regions caused a stepwise decrease in GCR flux. That might explain the solar cycle modulation of GCRs. The „butterfly“ diagram of sunspots The solar activity cycle, seen in X-rays Minimum X-rays Magnetic flux The short-wave radiation varies strongly through the activity cycle: The „butterfly“ diagram of from a factor 2 in sunspots does also apply to flares the UV (<100 nm) and active regions, but NOT to up to a factor 100 prominences, filaments, CMEs Maximum in X-rays. Maximum 4 Solar spectral Solar irradiance measurements - irradiance in the the Sun as a star UV range Note the strong solar cycle variation of the Sun‘s UV radiation: SEM (CELIAS): EUV disk The „hotter“ the line, the integrated flux from 1-500Å and in 260-340 Å (He II 304 Å) stronger the modulation rth‘s outer VIRGO - Total solar irradiance heats the Ea y per mille! The UV flux ath“! ather than b d lets it „bre by factors, r mosphere an flux varies at Note: the UV Solar activity from 14C data Solar cycles and Earth‘s climate variations sunspots Dalton Maunder Medieval maximum Solar activity, cosmic rays, and tree rings Solar cycles and Earth‘s climate variations d peak is ften ignored: the secon plots like this one and o Not visible from o the inactive sun! ecurrent M-regions, i.e., t medieval maximum mainly due to r Days of strong storms Sunspots Spörer minimum Maunder minimum A bio logical record of sola A uni r activ que ex ity hist ample! ory. High solar activity causes: • better shielding of heliosphere against GCRs, • lower fluxes of GCRs on Earth‘s atmosphere, • less production of 14C isotopes in atmosphere, • less 14C inclusion in tree rings. The second peak in the storm occurrence allows to predict next cycle‘s maximum activity! 5 cycles Overlap of solar Indeed, first signs of a new cycle appear at very high latitudes years before the end of the previous one! Sun-Earth chain, viewed backwards: • Next cycle maximum is indicated by M-regions, Another nice • M-regions are associated with high- example for what speed streams, Earth observations • High-speed streams come from polar can teach us about coronal holes, the Sun! Conclusion: Next cycle‘s amplitude is pre-determined by Sun‘s very high latitude properties years before the end of previous cycle! Solar cycle length and magnetic flux ions in the solar temperature on Earth, Variat A surprising correlation! The solar magnetic flux has increased by a factor of 2.3 since 1901 Friis-Christensen The estimated long term changes in TSI & Lassen (1991) alone can account for: – 52% of the temperature rise Zykluslänge between 1910-1960 – 31% of the rise since 1970 Bodentemperatur Fligge & Solanki (2001) Do GCRs cause increased cloud formation by providing condensation nuclei? Variations of solar irradiance and Clouds on Earth and GCRs temperatures on Earth High-altitude clouds Do GCRs cause increased cloud formation by Low-altitude wet clouds providing condensation nuclei? Note: from 1980 on another effect takes over: the man-made greenhouse effect! 6 Lectures at the International Max-Planck-Research School Oktober 2002 by Rainer Schwenn, MPAe Lindau 6. Variations on all time scales • The ballerina dances through the solar cycle • The modulation of Galactic Cosmic Rays: How? • Irradiance variations • Biological record for past solar activity! • Butterflies on the Sun? • The Sun affects climate on Earth • What causes global warming: The Sun or mankind? 7.
Recommended publications
  • Fashionpedia: Ontology, Segmentation, and an Attribute Localization Dataset
    Fashionpedia: Ontology, Segmentation, and an Attribute Localization Dataset Menglin Jia?1, Mengyun Shi?1;4, Mikhail Sirotenko?3, Yin Cui?3, Claire Cardie1, Bharath Hariharan1, Hartwig Adam3, Serge Belongie1;2 1Cornell University 2Cornell Tech 3Google Research 4Hearst Magazines Abstract. In this work we explore the task of instance segmentation with attribute localization, which unifies instance segmentation (detect and segment each object instance) and fine-grained visual attribute cat- egorization (recognize one or multiple attributes). The proposed task requires both localizing an object and describing its properties. To illus- trate the various aspects of this task, we focus on the domain of fashion and introduce Fashionpedia as a step toward mapping out the visual aspects of the fashion world. Fashionpedia consists of two parts: (1) an ontology built by fashion experts containing 27 main apparel categories, 19 apparel parts, 294 fine-grained attributes and their relationships; (2) a dataset with everyday and celebrity event fashion images annotated with segmentation masks and their associated per-mask fine-grained at- tributes, built upon the Fashionpedia ontology. In order to solve this challenging task, we propose a novel Attribute-Mask R-CNN model to jointly perform instance segmentation and localized attribute recogni- tion, and provide a novel evaluation metric for the task. Fashionpedia is available at: https://fashionpedia.github.io/home/. Keywords: Dataset, Ontology, Instance Segmentation, Fine-Grained, Attribute, Fashion 1 Introduction Recent progress in the field of computer vision has advanced machines' ability to recognize and understand our visual world, showing significant impacts in arXiv:2004.12276v2 [cs.CV] 18 Jul 2020 fields including autonomous driving [52], product recognition [32,14], etc.
    [Show full text]
  • Smgscmnim Har»Ld\.Comptpn' of Suburban.' Rangeg D by Dawson
    -••'• '•" "•• —^r'* **" '''''' '"'''"' ;V|-'' '' ' ' -^ •—^- •'-'.' .'.'—- '• —!""'"'' ,J.-*Lu~.^L i '•' ' 'n •-' •- '"'ri'i'ir" '^M'^- •'""-'•'•'*'• " ' ' ' '••'••' mi i.i'n.. '•rutnlajr ''" ' ;'i'.|i —J-~. ,»'. *>- "' •'•'- • •. • • * •' 0- •• • >v.....•'''•'' THE' CRANFORD Cl'l'lZKN AND CHRONICLE, THURSDAY, APRIL 1, 1954 „_„*•' ' f .-'••/ Army last April and completed") it was announced this Ore ensemble singing two selec- v ' • basic training ot 'Camp*' Breckxn- tions, ~~ Scout Wins Citation Cranford, Garwood T(, £•,•''>.?' ridge, Ky. - ,, •-.,< .^ Prindpalls. i»=the firmvare Anne's Albert and Artn^-Meurer, and pur- y groups will be Joyce Skgggs, . ' ' " | !f • • -. ' |friMt&-iihHeart^^v«^ f' tl e business is the sales WiUiam Canteen Dances Planned Jacobsen. Jean Belden,- Susan Maher, eighth grade Cranfqrd wasUwong j l Tjnioa and service of, domestic water soft- Laird-and Carole Smith. James •student at Sittj Michael's School, re- County communjjte^hich-ibppa 8 For Local Young People ceived a heroism citation recently Lenney of the musk; faculty will their quotas In tfie annual i^, GAR\yoppj— A teen-age can- also play several, accompaniments from Union Council, Boy Scouts of iiineiabfe on the. organ. •; America.- - raising drive of the Union Com,,. * Church Cagers Defeat teen dance will be -''sponsored fTC Proceeds f/om this concert past winter, he res- Heart Association. Untj seventh and eighth grade students Central Railroad cf-New Jerseyj go tow-artf the' Organ Fund;,. cued an eight-year-old boy from Cranford's goal was $2 IM .» has- bten authorized by the Public 8 Fire Department Teams by the Recreation Commission ""btT-j Hammond -organ was purchased the -Rahway River. He is a mem- and $3,418 Wgs raised.
    [Show full text]
  • Focus on Ethics: Gender Expression and Identity
    Focus On Ethics: Gender Expression and Identity Resources / Publications / Young Children / November 2019 / Focus On Ethics: Gender Expression and Identity STEPHANIE FEENEY, NANCY K. FREEMAN, KATIE SCHAFFER We are pleased to have guest editor Katie Schaffer’s help in addressing this sensitive and timely issue. Katie brings extensive knowledge and insight regarding gender issues to this column. The case Four-year-old Michael usually comes to school in jeans and a T-shirt but always goes to the dress-up area as soon as he arrives and puts on a dress or skirt. On the day his mother was volunteering in the classroom, he walked in and immediately put on a ballerina skirt and sparkly shoes. She firmly told him to take them off and instead put on the firefighter’s hat and boots, try on the cowboy hat, or do “something that boys do.” Michael complied with his mother’s demand but soon left the dramatic play area. When the children went outside to play, Michael’s mother told Ana, Michael’s teacher, that he consistently plays female roles at home and shows little interest in toys and activities typically associated with boys. She and her husband were very concerned about his behavior, and she asked Ana not to allow Michael to play with any “girl stuff” at school. Ana also has observed that Michael strongly prefers playing with girls and chooses activities that are stereotypically feminine, like having tea parties and wearing dress-up clothes that have lots of ribbons and sequins. He also frequently tells the other children that he is really a girl and that he wants to be called “Michelle.” Ana knows that some children begin to persistently identify with a gender different from their assigned sex at a very young age (Ehrensaft 2011; Fox 2015).
    [Show full text]
  • Alias Grace by Margaret Atwood
    Is There a Woman Behind the Veil? The Use of Clothing, Textiles, and Accessories in Lady Oracle and Alias Grace by Margaret Atwood Marte Storbråten Ytterbøe A Thesis Presented to The Department of Literature, Area Studies and European Languages University of Oslo In Partial Fulfilment of the Requirements for the MA Degree Spring Term 2010 Supervisor: Rebecca Scherr 2 Acknowledgements Writing my master‟s thesis has been an interesting journey and a great learning experience. It has been a privilege to dedicate a year of my life to research and write about two novels by my favourite author, Margaret Atwood. Since Margaret Atwood is a Canadian author, I seized the chance to revisit Canada in September 2009. I have never regretted my research trip to Vancouver and The University of British Columbia. Reference Librarian, Kimberley Hintz, helped me to figure out the library and to find articles which I have later used in this thesis. My parents read for me from an early age, and I owe my interest in literature to them. When I was sixteen, my mother recommended a Canadian novel called Alias Grace. I was as old as Grace was when she was convicted for murder when I read her story, and I fell in love with both Grace and Margaret Atwood at that moment. Professor Jeannette Lynes, writer in residence at Queen‟s University in Kingston, Canada, later inspired me to take a second look at Alias Grace and she helped me develop the early ideas for this thesis. I would like to thank my supervisor Associate Professor Rebecca Scherr for her interest in this project, her help, her ideas, and her patience.
    [Show full text]
  • The Modern Synthesis of Josephine Baker and Carmen Amaya
    University of New Mexico UNM Digital Repository Theatre & Dance ETDs Electronic Theses and Dissertations Spring 4-8-2019 The Modern Synthesis of Josephine Baker and Carmen Amaya Justice Moriah Miles Follow this and additional works at: https://digitalrepository.unm.edu/thea_etds Part of the Dance Commons, Playwriting Commons, and the Theatre History Commons Recommended Citation Miles, Justice Moriah. "The Modern Synthesis of Josephine Baker and Carmen Amaya." (2019). https://digitalrepository.unm.edu/thea_etds/48 This Dissertation is brought to you for free and open access by the Electronic Theses and Dissertations at UNM Digital Repository. It has been accepted for inclusion in Theatre & Dance ETDs by an authorized administrator of UNM Digital Repository. For more information, please contact [email protected], [email protected], [email protected]. i Justice Miles_______________________________________________________ Candidate Theatre and Dance__________________________________________________ Department This dissertation is approved, and it is acceptable in quality and form for publication: Approved by the Dissertation Committee: Donna Jewell, Chairperson____________________________________________ Dominika Laster____________________________________________________ Kirsten Buick______________________________________________________ Marisol Encinias____________________________________________________ Eva Encinias_______________________________________________________ Amanda Hamp_____________________________________________________ ii
    [Show full text]
  • Espousal a La Mode
    Lindenwood University Digital Commons@Lindenwood University Theses Theses & Dissertations Spring 5-2015 Espousal a la Mode Jessica Meyer Follow this and additional works at: https://digitalcommons.lindenwood.edu/theses Part of the Fashion Design Commons Meyer 1 ESPOUSAL A LA MODE by Jessica Meyer Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Arts in Fashion Design at Lindenwood University © May 2015 of submission, Jessica Ann Meyer The author hereby grants Lindenwood University permission to reproduce and to distribute publicly paper and electronic thesis copies of document in whole or in part in any medium now known or hereafter created. ________________________________________________ Jessica Ann Meyer Author _________________________________________________ Professor Nasheli Juliana Ortiz Gonzales MFA Committee chair _________________________________________________ Professor Jacob Stanley MFA Committee __________________________________________________ Dr. Chajuana Trawick PHD Committee Meyer 2 ESPOUSAL A LA MODE A Thesis Submitted to the Faculty of the Art and Design Department in Partial Fulfillment of the Requirements for the Degree of Master of Arts at Lindenwood University By Jessica Ann Meyer Saint Charles, Missouri [May 2015] Meyer 3 ABSTRACT Title of Thesis: Espousal a la Mode Jessica Meyer, Master of Arts, 2015 Thesis Directed by: Nasheli Juliana Gonzalez Ortiz Assistant Professor, Fashion Design This thesis describes the creation of sculptural wedding gowns with the ultimate goal of highlighting the realities of marriage in a society where divorce is almost as common as sustaining said unions. These realities are represented by six marital problems visualized by the use of sculptural textures. The collection is built upon the concept that the foundation of the gown must be strong in order to support the fabric manipulations, just as the relationship of the couple must be strong in order to overcome the marital problem that each gown represents.
    [Show full text]
  • The Nutcracker History
    The Nutcracker History The Nutcracker is a ballet based on the story written by ETA Hoffman, “The Nutcracker and the Mouse King.” Originally choreographed by Marius Petipa, was first performed in St. Petersburg, Russia in 1892 to music written by Peter Tchaikovsky. Unfortunately, it was not well received by audiences or critics; therefore, it was considered a failure. In 1944, Director of the San Francisco Ballet, William Christensen wanted to introduce Americans to the classics, so he presented the full-length Nutcracker in the United States. However, it was not until 1954, when the New York City Ballet first performed the ballet under the direction of George Balanchine, that The Nutcracker became the popular ballet it is today. Many productions of The Nutcracker performed in America are based on George Balanchine’s version of the ballet. Today, ballet companies perform The Nutcracker across the country during the holiday season each year. The Nutcracker Story Act I It is Christmas Eve and Councillor Von Stahl- baum, a city official, and his wife are entertaining close friends and relatives.The Stahlbaum’s have two children, Fritz and Marie who are joined by their many friends and relatives. The children receive many gifts this Christmas when another guest arrives - an elderly man wearing a white wig and a patch over his right eye. This is the children’s Godfather Heir Drosselmeyer. Drosselmeier intrigues the children. Drosselmeier is a clockmaker by trade, but he also produces wonderful mechanical toys for the children that come to life and dance. Drosselmeier gives Marie and Fritz a Nutcracker doll and shows Marie how to use the Nutcracker to crack nuts.
    [Show full text]
  • Tearing Fashion Design Protection Apart at the Seams†
    Tearing Fashion Design Protection Apart at † the Seams Lisa J. Hedrick∗ Table of Contents I. Introduction ..................................................................................216 II. The Current State of Intellectual Property Law ............................221 A. Failure of Intellectual Property Law to Protect Fashion Designs ..................................................................................222 1. Patent Law ......................................................................222 2. Trademark and Trade Dress ............................................224 3. Copyright ........................................................................228 B. Failure of "Conceptual Separability" to Meaningfully Protect Fashion Designs ........................................................229 C. Failure of Courts and Congress to Allow for the Protection of Fashion Designs ...............................................233 III. The Creation of Fashion Design Protection..................................239 A. Proposed Protection Under the Design Piracy Bills...............240 B. Current Fashion Design Protection Offered in Japan and the European Union ........................................................245 1. Japan ...............................................................................246 2. The European Union.......................................................248 IV. The Practical Effects of Enacting Fashion Design Protection.......252 † This Note received the 2007 Washington and Lee University Law Council
    [Show full text]
  • New Romantics Spring/Summer 2019
    NEW ROMANTICS BESPOKE COLLECTION SPRING/SUMMER 2019 Kathryn Bass Bridal is based in Vancouver, Canada where each piece is made to order in our private studio. With years of experience creating custom couture dresses, we are able to extend many of the techniques and materials of a couture piece into our bespoke collection, New Romantics. New Romantics is a bespoke bridal line designed for today’s bride who wants to personalize her look on her wedding day. Pieces can be ordered as separates, or sewn together into a gown. Our Spring 2019 collection features fashion-forward pieces such as the Sandy romper and Jane jumpsuit. This season we’ve added new 3D textured fabrics as well as a nude colour option for most of our base fabrics. We are passionate about creating gorgeous gowns that allow a bride to feel just as good about its origin as she does wearing it. Charlie top, Peony skirt Juliana top, Elle skirt & Kyra belt L: Briana bodysuit & Elle skirt R: Jane jumpsuit Jane jumpsuit KL AMB I ABANG IRENG Kate top, Sophia skirt & Elle skirt Kate top & Elle skirt Laura top & Hannah skirt top & Hannah Laura Kate top & Mae netting skirt Laura top & Aria skirt Sierra top & Liv skirt Sandy Romper & Kyra belt Sandy Romper & Elle overskirt Aster top & Antonia ballerina skirt Emma top & Sadie skirt ASTER top SS19201 This relaxed fit top is made from dainty embroidered FABRICS: AvAILABLE COLOURS: sequin lace. The boat neck front is lined in stretch silk beaded lace, silk charmeuse see ordering guide for avail- charmeuse while the back is left sheer to show off the able lace & colour options sweep of the petal back.
    [Show full text]
  • Albuquerque Morning Journal, 12-01-1908 Journal Publishing Company
    University of New Mexico UNM Digital Repository Albuquerque Morning Journal 1908-1921 New Mexico Historical Newspapers 12-1-1908 Albuquerque Morning Journal, 12-01-1908 Journal Publishing Company Follow this and additional works at: https://digitalrepository.unm.edu/abq_mj_news Recommended Citation Journal Publishing Company. "Albuquerque Morning Journal, 12-01-1908." (1908). https://digitalrepository.unm.edu/ abq_mj_news/3485 This Newspaper is brought to you for free and open access by the New Mexico Historical Newspapers at UNM Digital Repository. It has been accepted for inclusion in Albuquerque Morning Journal 1908-1921 by an authorized administrator of UNM Digital Repository. For more information, please contact [email protected]. ALB ÜQUERQUE MORNING JOURNAL. Hv Mull 50 rts. a Month. SliiRle coplea, 5 c'tití. NEW MEXICO, TUESDAY, DECEMBER 1, 1908, Ily tiin-lc- r 80 cents a month. THIRTIETH YEAR. Vol. CXX, No. 62. ALBUQUERQUE, otef the still, ture has be. n stop was Mold abroad ami 37 per rent at ped pending an examina t ion Within home. Mr. Archbold told l' the. dif- year there have been hair a doy.cn ficulties in tin- - introduction of refined SWEEP similar, explosions on tiiitiges in CHINESE BEAR STANDARD OIL oil abroad. There whs much compe- A RATETARIFF PROBEREBELS Cleveland soil vlcinilv. all of which tition from oil interests of t lie I 'nu ll have been attributed by the police m Indies said Mr. Arclihold and tho ti.u doubles. tank of maintaining the business in the orient was very diflicult. ANTI IMPERIALISTS "Our state rtmeiit ha." helped THANKS OF lis much," said Mr.
    [Show full text]
  • What Is the Best Way to Begin Learning About Fashion, Trends, and Fashion Designers?
    ★ What is the best way to begin learning about fashion, trends, and fashion designers? Edit I know a bit, but not much. What are some ways to educate myself when it comes to fashion? Edit Comment • Share (1) • Options Follow Question Promote Question Related Questions • Fashion and Style : Apart from attending formal classes, what are some of the ways for someone interested in fashion designing to learn it as ... (continue) • Fashion and Style : How did the fashion trend of wearing white shoes/sneakers begin? • What's the best way of learning about the business behind the fashion industry? • Fashion and Style : What are the best ways for a new fashion designer to attract customers? • What are good ways to learn more about the fashion industry? More Related Questions Share Question Twitter Facebook LinkedIn Question Stats • Latest activity 11 Mar • This question has 1 monitor with 351833 topic followers. 4627 people have viewed this question. • 39 people are following this question. • 11 Answers Ask to Answer Yolanda Paez Charneco Add Bio • Make Anonymous Add your answer, or answer later. Kathryn Finney, "Oprah of the Internet" . One of the ... (more) 4 votes by Francisco Ceruti, Marie Stein, Unsah Malik, and Natasha Kazachenko Actually celebrities are usually the sign that a trend is nearing it's end and by the time most trends hit magazine like Vogue, they're on the way out. The best way to discover and follow fashion trends is to do one of three things: 1. Order a Subscription to Women's Wear Daily. This is the industry trade paper and has a lot of details on what's happen in fashion from both a trend and business level.
    [Show full text]
  • The Rural Rebound
    I Freedom's Soldiers Now inpaperbdc~.. TheBlack Military Experience inthe Drawing the Line CivilWar The American Decisionto Divide Ira Berlin, Germany, 1944-1949 ro5ephP. Reidy. and CarolynEirenberg II i Leslie 5. Rowlan& Editors "lt is an e~cceptionallywell written and Whennearly 200,000 black men, most prodigiouslyresedrched wor~ " of them former slaves, entered the Union - The Journal of American History army and navy, they transformed the Civil In this fresh and challenging study of War into a struggle for liberty and changed the origins of the Cold War, Professor the course of american history. Freedamj Eisenberg traces the American role in Soldierstells the story of those men in theirown words and the words of other dividingpostwar Germany. Drawing on original documentary sources, she explores eyewltnesses. how U:S. pollcymakers chose partition and 63449-0 Paperback 814.95 mobilized reluctant West Europeans behind that approach. Available in bookstores or from 62717-6 Paperback 824.95 :(111 · rico At the End of the --ni·;The Wilsolz Ounl·tel·ly Readel- ; ~erican .Ce,ntury::: revised edition Anzclica's Role in the Post-Cold Wat Wol-ld edited by Douglas Gomery edited by Robert L. Hutchings I forewordby Lawrence Hi Lichty "It\\·as one thing,.' \vrires Koberr H~trchings, "tolead ThoughTen· \\·oLlld cluestion the immenserole of the "" "IlianceorMiesrel-n democracies in a grandsrl·uggle medinroda)i fe~ bookspro\ide a I.u·-reachinganalys;s "S"i'~"lSoviet commllnism; cluite.lnorher for the Ofthe mediaboth as indUSsLryand influence.This "cc"m"l"ledobligations of the rol-ryyears of Cold nek·lyupdated ant-hology ollel·s a \·arie~yof pl·ol·ocn- ~i"' COl'fl.Oll'"lionto ensnnre Lls in a conrinlled tivevie\vpoinrs from \~ell-placed indus~ry insiders.und inle"'"tionalrole against no cel·rninfoe ro~vardno kno\vledgeable observers orjoul-nnlism, cerrn;nends.~~ He brings rogerher;~distinguished encerrainmenr,nnd the culturalundevpin- S'OL'POf authorities to revie\vessential questions of Z ningsof I~oderncomlnunicarions.
    [Show full text]