AUG 10 to 17 2013 RIO DE JANEIRO BRAZIL

realization

co-realization

sponsorship (Lei Rouanet) sponsorship (lei de incentivo à cultura do Estado do Rio de Janeiro) 23RD GENERAL CONFERENCE OF THE INTERNATIONAL COUNCIL OF MUSEUMS (ICOM) MUSEUMS (MEMORY + CREATIVITY) = SOCIAL CHANGE institucional partnership

support AUG 10 to 17 2013 RIO DE JANEIRO BRAZIL

CONFERENCE GENERAL GUIDE

WWW.ICOMRIO2013.ORG.BR 23RD GENERAL CONFERENCE OF THE INTERNATIONAL COUNCIL OF MUSEUMS (ICOM)

INVITATION TO ICOM RIO 2013 02 INSTITUTIONAL 05 ICOM RIO 2013 07 MAIN OBJECTIVES OF ICOM RIO 2013 07 CONFERENCE THEME 08 VENUE 11 CIDADE DAS ARTES FLOOR PLAN 12 KEYNOTE SPEAKERS 14 PROGRAMME GUIDE 17 GENERAL PROGRAMME 18 PROGRAMME AT A GLANCE 20 CULTURAL PROGRAMME 41 EXTRA PROGRAMME 44 USEFUL INFORMATION 47 HOTELS 48 USEFUL SENTENCES 49 TRANSPORTATION AND MEALS 49 SUBWAY 50 USEFUL INFORMATION 51 EMERGENCIES 53 CONFERENCE GENERAL GUIDE MAIN EMBASSIES AND CONSULATES 55 INVITATION TO ICOM RIO 2013 RIO ICOM TO INVITATION WWW.ICOMRIO2013.ORG.BR 23RD GENERAL CONFERENCE OF THE INTERNATIONAL COUNCIL OF MUSEUMS – ICOM 23RD GENERAL CONFERENCE OF THE INTERNATIONAL COUNCIL OF MUSEUMS – ICOM WWW.ICOMRIO2013.ORG.BR

INVITATION TO ICOM RIO 2013

Marta Suplicy Minister of Culture Sérgio Cabral Rio de Janeiro State Governor Eduardo Paes Rio de Janeiro City Mayor Angelo Oswaldo de Araujo Santos President of IBRAM

The choice of Brazil to host the 23RD General Conference of the In- Since the early years, Rio de Janeiro, has played a leading role in The great Roman orator Marcus Cicero, speaking about the role AN EMBRACE FROM BRAZILIAN MUSEUMS TO ICOM ternational Council of Museums (ICOM) represents the acknowl- the history of Brazil as the seat of the Royal court and capital of of History for peoples, says that to be ignorant of what occurred The Brazilian Institute of Museums – IBRAM welcomes with joy edgment of the advances we have achieved in the past years. the Republic for many decades. before you were born is to remain always a child. Not only the and enthusiasm the participants of the 23RD ICOM General Con- people as a whole, but each person in particular, becomes more ference, in Rio de Janeiro. Brazil is honored to host this distin- We already had a long tradition of professional education for It is a tradition that lives on: now, our state is getting ready to mature when paying attention to history and valuing what sup- guished meeting, in a moment of great visibility for the more than Brazilian museums, among other initiatives recognized worldwide. host the 23RD ICOM General Conference in 2013, an event that ported it through generations. Complying with the masters, we 3,000 museums throughout the country. Many generations, over the 20TH century, have made their best ef- will welcome museum professionals from all over the world to may say that museums are crucially important for human develop- forts to enhance our museum sector. We have attained significant this triennial meeting. ment and this statement has guided the deliberation meetings of IBRAM develops paradigmatic initiatives, marked by sociocultural improvement of the situation of Brazilian museums in the past the Executive Board of the Brazilian Committee of the Interna- interest and the objectivity of their goals. By stimulating the con- 10 years. Part of this improvement has taken place thanks to the The Conference takes place at a very special moment, a time of tional Council of Museums (ICOM Brazil) to organize this interna- stant improvement of the Brazilian museum system, IBRAM also creation of Ibram (the Brazilian Institute of Museums). great transformations and hope in our state. Once again the eyes tional event in Rio de Janeiro, our city, recently declared World makes efforts towards its growing success and opens itself to of the world are turned to us as we celebrate the declaration Heritage by UNESCO. dialogue with museums throughout the world. This is a sign that Brazil has emerged to the world as a country of Rio de Janeiro as a cultural landscape of humanity, acknowl- that has allied economic growth with social inclusion not only edged by UNESCO, and while we get ready to host the Soccer Cup The moment to host the ICOM Conference could not be more ap- Making IBRAM museums a referential network inside and outside through the distribution of income. We are also concerned with in 2014 and the Olympics in 2016. In addition, we are experienc- propriate. International events, which have contributed to the Brazil, stimulating the formation of collections, emphasizing the so- the preservation of our history and culture. We value, among ing steady economic development. Brazilian human development, such as the 2007 Pan – American cial role of museums, extending the national museum system and other things, our museums and understand their importance for Games and the Rio+20 Summit, have marked the history of Rio de recognizing the work of experts are among the priorities in which learning about the past for the construction of our future. It is with great honor and happiness that we look forward to the Janeiro and, now, the 23RD ICOM General Conference will mark we strive for excellence. In line with the Ministry of Culture and its ICOM delegates to visit Rio de Janeiro. one more memorable page, since Rio de Janeiro is a strong influ- guidelines, IBRAM opens paths to strengthen our institutions and We have a unique cultural diversity rarely found in the world. It ence pole to the museum community worldwide. expand the public that enjoys its cultural richness. With the spirit is expressed through different languages. Our cultural heritage This conference will certainly leave ideas and experiences, in ad- of brotherhood and sharing that must bring museums together, we – tangible and intangible – is alive in communities of Indians, dition to memories about our country, to help us to take better History is made along the process of valuing our cultural heritage, welcome ICOM and the members of the Rio Conference. quilombolas, our suburbs, in large urban centers or in the coun- care of our museums and heritage. This will be very important for supported by the 2003 National Museum Policy, which has stimu- tryside. These facts have certainly contributed to making our mu- your next steps towards the future. lated not only the preservation of historical sites and museums seums develop particular ways of working. around the country, but also the organization of theme museums throughout Brazil, from the creativity of researchers, historians Therefore, events such as this conference and the qualified audi- and museologists, which add novelty to the tradition. Museums ence that will be attending are always very welcome so that we set new paths in History when they register and rescue human may showcase our work abilities. Moreover, so that we may learn deeds and works from oblivion. more about the way other countries work with their museum institutions. Finally, for all participants to be able to exchange In Brazil, we have over twenty thousand professionals working in experiences that may help them think about how to fully take ad- museums in all regions in the country, receiving thousands of visi- vantage of the potential of museums in education, construction of tors seeking to become more mature as people. In Rio de Janeiro, citizenship, and social inclusion of people through culture, which museums are always full of cariocas and tourists from all over Brazil is the goal of the Dilma government and what inspires us here at and the world. Therefore, hosting this 23RD ICOM General Confer- the Ministry of Culture. ence is the crowing of a work Rio de Janeiro has been developing and a unique opportunity to strengthen and celebrate our city.

02 03 INVITATION TO ICOM RIO 2013 RIO ICOM TO INVITATION WWW.ICOMRIO2013.ORG.BR 23RD GENERAL CONFERENCE OF THE INTERNATIONAL COUNCIL OF MUSEUMS – ICOM 23RD GENERAL CONFERENCE OF THE INTERNATIONAL COUNCIL OF MUSEUMS – ICOM WWW.ICOMRIO2013.ORG.BR

INSTITUTIONAL | INSTITUTIONAL

Hans-Martin Hinz President of ICOM Maria Ignez Mantovani Franco President of ICOM Brazil ABOUT ICOM ABOUT ICOM BRAZIL

Dear colleagues of the international museum community, The 23RD ICOM General Conference will be held in Brazil, in one of We are more than thirty thousand professionals in 137 countries ICOM Brazil is the Brazilian National Committee of ICOM, and is part the world’s most welcoming and beautiful cities: Rio de Janeiro. who form a big world network of research, promotion and pres- of ICOM LAC (Regional Committee for Latin America) and of ICOM- The forthcoming 23RD ICOM General Conference marks the event’s ervation of cultural heritage. Divided into 31 International Com- SUR (Regional Committee of Mercosur Countries). first visit to Brazil, and on behalf of ICOM, we will be delighted to The Brazilian government, represented by the Ministry of Cul- mittees, we, members of the International Council of Museums, welcome you in the marvellous city of Rio de Janeiro from 10-17 ture/the Brazilian Institute of Museums, the Rio de Janeiro dedicate ourselves to all questions involved in museum making. It’s participation and collaboration for the main national and in- August, 2013 for what promises to be an exciting event. State and Municipal Government, have joined efforts to turn ternational events in Museology helped consolidate the council’s this important ICOM and ICOM Brazil event into an expressive WHO ARE OUR ALLIES? relevance in the writing of the National Museums Policy and in its This is an opportunity to strengthen ICOM’s presence in the re- international occasion. We mobilize specialists in heritage from all over the world to re- international extensions. ICOM Brazil’s current representativeness gion, allowing museum professionals from across Latin America spond to the challenges faced by museums. Among them is the – which resulted in ICOM Rio 2013 – is the fruit of active work since and around the world to dialogue on the future of our field. The ICOM Brazil is very proud to receive international museological fight against illicit traffic of cultural goods, the management of its foundation, but strengthened since the 2006 Development Plan, theme for Rio 2013, Museums (memory + creativity) = social delegates in Rio de Janeiro, on behalf of all the Latin American risk and emergency preparedness. when the expansion of its actions nationwide was mapped. This change, will promote the exploration of issues confronting us in a and Iberoamerican museological community. decentralization resulted in an increased membership of around 600, number of domains over the course of the conference. Additional- To realize our international missions, we keep direct relations 80% registered into International Committees. ly, in attending, you will have the chance to experience all of the Professionals from Brazilian museums are doing their best to with UNESCO and the Economic and Social Council of the UN, richness and diversity of Brazil’s impressive museum landscape, present a cultural program of excellence during the event, em- besides partnerships with the World Intellectual Property alongside the stimulating sessions, networking opportunities and phasizing shows and programs dedicated to Latin America and Organization, INTERPOL and the World Customs Organization. WHY BRAZIL? committee meetings packing the agenda. This key event on the the Brazilian culture. worldwide museum calendar is set to further reinforce ICOM’s WHAT ARE THE OBJECTIVES OF OUR MEETINGS? The process for selecting the country and city to host the ICOM’s global leadership in cultural heritage issues, in keeping with the Several regions in Brazil have prepared to welcome delegates in • Cooperation between museums and professional exchange Conference resembles the process employed for choosing hosts of Strategic Plan 2011-2013, expanding its reach and impact within pre and post-conference activities and this event is expected to other major international events. It starts with a call to all member • Dissemination of knowledge and increase of public the international museum community – with the help of your spread all over the country, encouraging the Brazilian society to participation in museums countries and the organization of conceptual, financial and logisti- participation. We are looking forward to gathering together next rediscover the emblematic role of museums in the contemporary cal proposals; then a delegation visits the bidding cities and, in the • Professional training for museum professionals in various August for Rio 2013! global context. case of ICOM, the Advisory Committee judges and indicates the city levels and areas of expertise which is endorsed or not by the General Assembly. • Practice and promotion of professional ethics in museums The central theme of the Conference inspires Brazilian professionals and students to invite international visitors to experience • Updating of professional standards in museums We competed with traditional centers in the field of museums, the inclusive social role of Brazilian museums, participating in • Preservation of cultural heritage and the fight against including Milan, which has now been chosen to host the 24th external programs to the conference and enjoying the multicultur- illicit traffic of cultural goods Conference in 2016. The fact that Brazil was selected to host ality offered by the city of Rio de Janeiro and the Brazilian culture. major international events contributes to strengthen the image of the country in general, increasing the eligibility to receive meet- ICOM Brazil and the Brazilian museum professionals will endeav- ings such as ICOM’s. It is important, however, to recognize that or all their efforts to make the 23RD ICOM General Conference the museum field in Brazil shows today innovations that attract a unique and unforgettable experience for each one of its del- professionals from museums around the world, as the community egates, certain that this event will leave an enriching legacy for museums, the social museology and the new museums projects, museums and the Brazilian society. with formats and concepts never seen before.

04 05 ICOM RIO 2013 RIO ICOM photo: Rio CVB/Marluci Balbino CVB/Marluci Rio photo: 23RD GENERAL CONFERENCE OF THE INTERNATIONAL COUNCIL OF MUSEUMS – ICOM WWW.ICOMRIO2013.ORG.BR

ICOM RIO 2013

Dear participants,

The 2013 ICOM General Conference in the city of Rio de Janeiro as volunteers during the Conference, in an effort to strengthen aims to establish a new era in the triennial international meet- their bonds with our professionals and peer students from abroad. ings of the organization. The proposed program, in comparison Registration fees have been kept at the lowest value possible, with previous editions, has fewer bureaucratic meetings, leav- especially for developing countries. For the first time, an ICOM ing more space for conceptual discussions and strengthening of General Conference will receive non-members with the purpose relationships between museum professional colleagues. ICOM of enriching our discussions even more. In brief, everything has international committees and regional chapters have been of- been planned to offer you a useful and pleasant Conference, in- fered stands at the Museums Fair to advertise their activities cluding visits to many Rio de Janeiro museums and offering inter- and to have a meeting point during the Conference. Light meals esting pre and post-conference tours to cultural destinations all will be offered complimentarily during lunch time at these places over Brazil in South America. to encourage networking. Now it is up to you, dear delegate, to bring your creativity, the The 2013 Rio ICOM Organizing Committee has worked hard with challenges you face daily and your ideas on how to deal with partners and sponsors to offer all those interested parties an them to the most important conference on museums in the globe, enhanced system of scholarships, allowing scholarship holders in order to guarantee that the main problems will be discussed to train in selected Brazilian museums for some weeks before or and reach the museological community throughout the world. after the Conference, reinforced by a mentoring program bring- Let’s take this wonderful opportunity to visit Rio de Janeiro and ing together our young members and museum authorities. At the make the 23RD ICOM General Conference a strong positive mile- same time, Brazilian students of Museology courses will work stone in the history of our organization.

Carlos Roberto F. Brandão President of the Organizing Committee of the 23RD General Conference of ICOM

MAIN OBJECTIVES OF ICOM RIO 2013

ALLOW NETWORKING

STENGTHEN THE IMAGE OF BRAZILIAN MUSEUMS

DISCUSS INCLUSIVENESS AND SUSTAINABILITY STRATEGIES

PROMOTE THE BRAZILIAN CULTURE

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CONFERENCE THEME

MUSEUMS (MEMORY + CREATIVITY) = SOCIAL CHANGE

Museums wish and work to promote change. The mathematical then that the model adopted to seminars was broken off, Spanish log to drive forward in order to achieve our ideal equation. Even to state that we share the concerns and challenges common to equation inspiring the 23RD General Conference of the International was elected as working language and highlight was given to the though another emblematic document, the Quebec Declaration museums worldwide, whereas we have particularities to present Council of Museums suggests that this work arises from a composi- speech of Latin-American scholars. This rupture is expected to (1984) took inspiration in the New Museology for the creation and discuss. We are open and look forward to this meeting. tion between creative freshness and the memory constructed and inspire the first General Conference of the International Council of the International Movement for a New Museology, and that entrusted to these museums. Behind this equation there are numer- of Museums to take place in Brazil, only the 2ND in South America. the Caracas Declaration (1992) celebrates its 20 years reassert- Looking back, we realize how much the field has gained since the ous individuals strengthened each day: professionals and especially ing the principles and museums as a means of communication, it meeting in Santiago. With an eye in the future, we hope that the the public, full of aspirations, acting as engines of this movement. It Brazilian educator Paulo Freire was firstly entrusted with the is essential to consider what really was left from the Santiago 23RD General Conference of the International Council of Museums is the memory activated by creativity in the museum environment chair of the Round Table held in Chile, then under the Popular Unit aspirations 40 years after. will notice the particularities of our cities, our people, our muse- reverberating in the society and promoting social change. government. However, Brazil lived under a dictatorship, and our alization process, our museum experiences. May the international delegate at UNESCO vetoed this representation, leaving Argen- Therefore, the thought about museums and social changes has committees, aware of this reality, contemplate students, com- Ever since its creation, the International Council of Museums tinean urbanist Jorge Enrique Hardoy in charge of the discussions. been built in the American continent for decades. Brazil brings munities and other individuals interested in promoting a dialogue has been the stage for essential debates, actions, documents When the Round Table on the Role of Museums in Latin America this legacy up to date in a very vigorous way. We see growing with ICOM in this passage by Brazil, and may our blow of creativ- and propositions to make museums what they are today: bridges finally took place in May, 1972, a great and new contribution was numbers of museums and museum public, with some of the ity and boldness resonate and distinguish this conference from all between cultures, instruments for transformations in micro and put forward: consideration on the social role of museums, its world’s largest visitation numbers in recent exhibits, opposing others that have already taken place. macro scales. insertion in cities undergoing a population boom, the ideal of a reductive views of Brazilian blindness to culture and museums in whole (or integrated) museum tuned into society’s problems and particular. We have a National Museums Policy grounded on new Manuelina Maria Duarte Cândido In this trajectory, the American continent has granted a memo- capable of acting as a developmental tool. legal milestones, such as the Statute of Museums and guidelines On behalf of the Content Subcommittee of the rable contribution registered in meetings and documents, such created especially for a continental-size country, an almost in- Organizing Committee Goiânia, October 21, 2012 as the pioneering UNESCO Regional Seminar held in 1958 in Nonetheless, it is generally agreed that the Santiago of Chile comparable challenge. We have learned about unique features in Rio de Janeiro, in which the educational and transforming role Declaration took long to be incorporated as a reference to the our professional background with over ten undergraduate courses of museums was by then highlighted. In the following seminars rest of the world, despite the fact that ecomuseums, territory in Museology, in addition to graduate and technical courses, and organized around the world, the meeting irrefutably deemed the museums, community museums and several other models situ- scientific production in rapid progress. We have witnessed an most important contribution of Latin America to the international ated in the so-called New Museology – or in its youngest sibling, exponential increase of territory museums and community mu- Museology was held: the Santiago of Chile Round Table. It was the Sociomuseology – have been grounded on it. We still have a seums, notably slum [favela] museums. Our experience allows us

photo: Nelson Kon

08 09 VENUE

VENUE

CIDADE DAS ARTES

Opened this year, the building is the newest major host of shows and events in Rio de Janeiro, with last generation logistics and infra-structure. And through an unprecedented institutional partnership, Cidade das Artes will be the venue for ICOM’s 23RD General Conference.

Boasting 97 thousand square meters of built area, the complex contains concert halls, multipurpose spaces, three movie the- aters, art galleries, rehearsal halls, classrooms, shops, a coffee shop and a restaurant. Cidade das Artes, built in Trevo das Pal- meiras – Avenida das Americas, 5300 - Barra da Tijuca, West Zone of Rio de Janeiro - was projected by the French architect Christian de Portzamparc, also responsible for the Cité de la Mu- sique in Paris.

“Bringing this meeting to Cidade das Artes, at the very beginning of its activities, will give us immediate and direct relationship with some of the most important institutions,” explains Emilio Kalil, president of the Cidade das Artes Foundation.

ABOUT CHRISTIAN DE PORTZAMPARC Architect and urbanist graduated at the School of Fine Arts in Paris, Christian de Portzamparc is responsible for a wide range of ambitious projects for buildings worldwide. Based on these large objects, urban centers of attraction, Christian de Portzamparc creates environments where indoor and outdoor spaces intersect and act as catalysts for the urban landscape dynamics. Since the 1980s, his passion for music led him to produce a series of projects including the Paris Opera Ballet School in Nanterre / France (awarded the Equerre d’Argent 1988), the Luxembourg Philharmonie, and Cidade das Artes in Rio de Janeiro / Brazil. photo: Andre Vieira Andre photo:

10 11 CIDADE DAS ARTES FLOOR PLAN FLOOR ARTES DAS CIDADE WWW.ICOMRIO2013.ORG.BR 23RD GENERAL CONFERENCE OF THE INTERNATIONAL COUNCIL OF MUSEUMS – ICOM 23RD GENERAL CONFERENCE OF THE INTERNATIONAL COUNCIL OF MUSEUMS – ICOM WWW.ICOMRIO2013.ORG.BR

CIDADE DAS ARTES FLOOR PLAN

ROOM 3 ROOMS 1 and 16 to 30 and 32

ACCREDITATION LUNCH INFORMATION DESK CAFETERIA AMBULATORY MEDICAL SERVICES

ICOM BRAZIL / ORGANIZING COMMITTEE PRESS ROOM

ICOM INFORMATION DESK

VOTING ROOMS GAP TOUR

ROOMS 4 to 9 and 31 ROOM 2 ROOMS 10 to 15

12 13 KEYNOTE SPEAKERS KEYNOTE WWW.ICOMRIO2013.ORG.BR 23RD GENERAL CONFERENCE OF THE INTERNATIONAL COUNCIL OF MUSEUMS – ICOM 23RD GENERAL CONFERENCE OF THE INTERNATIONAL COUNCIL OF MUSEUMS – ICOM WWW.ICOMRIO2013.ORG.BR

KEYNOTE SPEAKERS

Ulpiano Bezerra de Meneses Jorge Melguizo Jorge Wagensberg Mia Couto

Professor Emeritus at the Faculty of Philosophy and Humanities of the Social communication thinker and journalist. He was Secretary of Professor of the Theory of Irreversible Processes at the Faculty of Born in Beira, Mozambique in 1955, Mia Couto is one of the University of São Paulo (USP), retired lecturer of ancient history for Citizen Culture twice – from October 2005 to August 2007 and from Physics of the University of Barcelona. He created and directed most famous African writers of his generation. He is compared the graduate program of Social History, graduate in Classic Studies January 2008 to March 2009 – as well as Secretary of Social Devel- the series Metatemas Tusquets Editores, a reference collection in to Gabriel García Márquez, Guimarães Rosa and Jorge Amado. (USP, 1959), and Doctor of Classical Archaeology (Sorbonne, 1964). Led opment at the City Hall of Medellin from March 2009 to July 2010. the scientific field which celebrated its 25TH anniversary in 2008. His novel Sleepwalking Land is considered one of the ten best USP’s Paulista Museum (1989-1994), and created USP’s Museum of He has published articles in several books, journals and periodicals, From 1991 to 2005, he was head of the Science Museum at the African books of the twentieth century. In 1999, he was awarded Archaeology and Ethnology (1963-1968) of which he was also direc- and has participated to international conferences on many topics, Foundation “La Caixa”, a pioneer institution in its field, where he the Vergílio Ferreira Literary Prize for his entire body of work, and tor (1968-1978). He was a member of the FAPESP Supreme Council including culture, citizen education, cohabitation and security, social also served as Director of the Department for the Environment in 2007, he won the Latin, Union Award of Romance Languages. (Research Support Foundation of the State of São Paulo) from 1977- progress, public policy and management, participation and educa- and Science from 2005 to 2009. He is currently the Scientific 1979, the French Archaeological Mission in Greece (is a former foreign tional communication. He is the director of the Medellin Chair – Bar- Director of the Foundation. He was awarded the Creu Sant Jordi TIMES THERE ARE IN TIME member), CONDEPHAAT (Defence Council for Historical, Archaeologi- celona (Kreanta Foundation, Barcelona) since 2010, and has been a (Cross of Saint George) of the Generalitat of Catalonia in 2007, Mia Couto will talk about times that exist in Time, and how we cal, Artistic and Touristic Heritage) from 1971-1987, 1996-2004 and consultant to the Ministry of the Interior of Uruguay for the National and was named honorary doctorate by the University of Lleida in need to invent a past that gives sense to the present and sup- 2006-2007, and has been a member of the IPHAN Council (Institute of Strategy for Life and Cohabitation since 2012. 2010. He has published hundreds of research papers on a variety ports an idea for the future. He will also discuss different meth- National Historical and Artistic Heritage) since 2005. Has conducted of subjects, including thermodynamics, mathematics, biophysics, ods to perceive Time in African societies, where the oral tradi- research and published works in Brazil and abroad in ancient history WHAT SHOULD HAPPEN WHEN YOU GET OUT OF A MUSEUM? microbiology, palaeontology, entomology, science museum and tion prevails, and will show how in these spaces words, speech (history of culture, Hellenistic painting, and ancient urbanism), material MUSEUMS, CULTURES AND SOCIETIES. the philosophy of science. – more than physical works – are the basis for the invention of culture, visual culture, cultural heritage, museums and museology. He The question of meaning should be key in cultural work and, espe- another open museum where Time speaks throughout things that was awarded the National Order of Scientific Merit of Brazil in 2002. cially, in the work of museums. Why? What kind of society we live THE OBSERVATORY MUSEUM: are heard of as collective symbols. in with our work from, with, and for culture? What do we expect to A NEW CONCEPT BASED ON INTELLECTUAL JOY THE MUSEUM AND THE HUMAN CONDITION: happen to someone once they are out of a museum? Scientific museology has found a powerful language in the last THE SENSORIAL HORIZON few years with what is known today as Total Museology. It is The radical importance that the Museum should have in our lives de- In fact, it is about changing the question: cultural work, especially a combination of intelligence and beauty through real objects, rives from its potential as a strategic platform for understanding the in museums, has almost always focused on answering the opposite: real phenomena, and museum metaphors. It is suspected that human condition – starting with a paramount fact: we have a body or what do we expect to happen when someone comes in, what we of- such a language may bring interesting innovations to museums rather “we are” a body. It is through the body, the senses, and “sensori- fer to those who enter, how can we make more people enter. These with other premises such as art museums, history museums and, ality” that we can leave our intimacy and communicate with fellow hu- questions are only valid today if we are able to answer ourselves – especially, museums dedicated to the global understanding of a man beings, nature and the transcendent. Recognizing materiality does or, at least, if we are able to devote enough energy to try to answer landscape or environment with an important natural and social not mean to exclude, deny or belittle spirituality: if it is unacceptable to them ourselves – to the simple question of what we want to happen value. In this exhibit, we show the way to raise the intellectual say the spirit is reducible to matter, it must be recognized that matter to people, with each single person, once they are out of our museums. joy of citizens on these issues, hoping that landscapes will be is a condition of the spirit in every sense. Museums, however, are not better protected if they love them, and that they will love them accounting for these assumptions and have deserved mounting criti- Culture is not what we show, not what we produce, not what we more deeply if they understand them. We illustrate the idea with cism, including even art museums. I would like to point out three top- install: it is what we generate, what we successfully mobilize in three different projects: a museum in Punta Arenas (Chile) about ics related to this meeting’s theme. Firstly, memory: in our museums thoughts and facts, and what we successfully transform. Heritage is Antarctica, a large exhibition in Brasilia about Cerrado, and a textual memory dominates, one that emphasizes knowledge “about not what we have, it is what we succeed to build. Our objective is not museum in Montevideo on the natural history of South America. things” rather than “from” things, that is, from the sensory experience. what we accumulate, it is what does not exist, the opportunity void, Secondly, creativity and the role played by the hands: man is an animal which today requires thinking and working for and from cultural work. that thinks with his hands, said M. Mauss. Finally, the increasing dematerialization of society is opening loopholes for various forms of un- In this paper, I will try to build on these questions, starting from desirable social control. Furthermore the so-called symbolic capitalism what was done in Medellin, Colombia, in recent years. Medellin takes advantage of this dematerialization to create sublimated spaces made the political and budgetary decision to accept culture as one that ignore our concrete day life, museums may have an important role of its key tools for social and urban transformation. And in the midst to reinsert quality in all instances of our life. of many wars, it continues to build that road.

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PROGRAMME GUIDE

16 17 GENERAL PROGRAMME GENERAL WWW.ICOMRIO2013.ORG.BR 23RD GENERAL CONFERENCE OF THE INTERNATIONAL COUNCIL OF MUSEUMS – ICOM 23RD GENERAL CONFERENCE OF THE INTERNATIONAL COUNCIL OF MUSEUMS – ICOM WWW.ICOMRIO2013.ORG.BR

GENERAL PROGRAMME

10 SATURDAY 11 SUNDAY 12 MONDAY 13 TUESDAY 14 WEDNESDAY 15 THURSDAY 16 FRIDAY 17 SATURDAY

MORNING no event 9:30 am – 12:30 pm 9 am – 9:50 am 9 am – 11 am 9 am – 12:10 pm 9 am – 12:10 pm EXCURSION DAY 9 am – 11:30 am Advisory Committee Opening Ceremony Museums in Emergency – International International General Assembly DRTF and the Blue Shield Committees Meeting Committees Meeting International Committees 10:10 am – 11 am Meeting (off-site) 11:30 am – 12:30 pm Keynote Speech: Ulpiano 9 am – 12:10 pm Closing Ceremony Bezerra de Meneses International Keynote speech: Mia Couto Committees Meeting “Times there are in Time” 11:20 am – 12:10 pm International Committees Meeting Orientation session for new ICOM members and General Conference first-timers ICOM’s International Observatory on Illicit Traffic in Cultural Goods

LUNCH no event 12:30 pm – 1:30 pm 12:30 pm – 1:30 pm 12:30 pm – 1:30 pm 12:30 pm – 1:30 pm 12:30 pm – 1:30 pm EXCURSION DAY 12:30 am – 2 pm Lunch Lunch Lunch Lunch Lunch Lunch International Committees Opening of Museum Fair Mentoring sessions Mentoring sessions Meeting (off-site) Book Launching Book Launching

AFTERNOON 1:30 pm – 6 pm 1:30 pm – 3:30 pm 1:30 pm – 4:40 pm 1:30 pm – 3:30 pm 1:30 pm – 3:30 pm 1:30 – 4:40 pm EXCURSION DAY 2 pm – 3:30 pm Meeting of the Executive Council Separate meeting of International International International International Advisory Committee International Committees Committees Meeting Committees Meeting Committees Meeting Committees Meeting International Committees Meeting (off-site) Separate meeting of 3:50 pm – 4:50 pm National Committees 3:50 pm – 4:40 pm 3:50 pm – 4:40 pm New EC informal meeting 3:45 pm – 4:30 pm Keynote Speech: Jorge Melguizo Keynote Speech: Jorge Advisory Committee – “What should happen when you Wagensberg “The observatory Recommendations leave a museum? Museums, Museum: a new concept based on from the Committees cultures and societies” the intellectual pleasure”

4:50 pm – 6:50 pm Open Forum for Resolutions

EVENING no event 7 pm – 11 pm Until 11 pm 7 pm – 11 pm 8 pm – 11 pm 7 pm – 11 pm EXCURSION DAY 7 pm – 11 pm Receptions by National Opening Party: Isto é Brasil - Receptions by National Carmina Burana - Open rehearsal Receptions by National Closing Party: Samba School Committees and other groups Show (Carlinhos de Jesus Committees and other groups at Teatro Municipal Committees and other groups International Committees Estação Primeira da Mangueira – and Ana Botafogo) Meeting (off-site) ICOM Dances Samba

ALL DAY Registration of exhibitors Registration of exhibitors Registration of Participants Election of the Executive Council Election of the Executive Council Election of the Executive Council EXCURSION DAY no event and participants and participants and Chair of the Advisory and Chair of the Advisory International Committees 1:30 pm – 5 pm Committee Committee Museum Fair Museum Fair Meeting (off-site) Museum Fair Museum Fair Registration of Participants Registration of Participants

18 19 PROGRAMME AT A GLANCE PROGRAMME WWW.ICOMRIO2013.ORG.BR 23RD GENERAL CONFERENCE OF THE INTERNATIONAL COUNCIL OF MUSEUMS – ICOM 23RD GENERAL CONFERENCE OF THE INTERNATIONAL COUNCIL OF MUSEUMS – ICOM WWW.ICOMRIO2013.ORG.BR

ON SITE one committee or ICOM body two committees or ICOM bodies three or more committees or open to all participants PROGRAMME AT A GLANCE OFF SITE one committee or ICOM body two committees or ICOM bodies three or more committees or open to all participants

10 SATURDAY 11 SUNDAY 12 MONDAY 13 TUESDAY 14 WEDNESDAY 15 THURSDAY 16 FRIDAY 17 SATURDAY

GOVERNANCE AFTERNOON MORNING no event MORNING MORNING MORNING no event MORNING ROOM 15 - Executive Council ROOM 10 - Advisory Committee VOTING ROOMS 1 A 4 - Elections VOTING ROOMS 1 A 4 - Elections VOTING ROOMS 1 A 4 - Elections ROOMS 1, 2, 10 E 11 (restricted or by register) (restricted or by register) (restricted or by register) (restricted or by register) (restricted or by register) General Assembly

AFTERNOON AFTERNOON AFTERNOON AFTERNOON Closing Ceremony ROOM 10 - Advisory Committee VOTING ROOMS 1 A 4 - Elections VOTING ROOMS 1 A 4 - Elections VOTING ROOMS 1 A 4 - Elections AFTERNOON (restricted or by register) (restricted or by register) (restricted or by register) (restricted or by register) ROOM 11 - Advisory Committee ROOM 14 - New EC informal meeting (restricted or by register)

GENERAL no event AFTERNOON MORNING AFTERNOON AFTERNOON no event no event AFTERNOON PROGRAM ROOM 13 - NCs separate meeting ROOMS 1,2, 10 E 11 - Opening ROOMS 1, 10 E 11 - Keynote: Jorge ROOMS 1, 10 E 11 - Keynote: Jorge ROOMS 1, 2 10 E 11 - Closing (restricted or by register) ceremony Melguizo - “What should happen Wagensberg - “The observatory ceremony when you leave a Museum? museum: a new concept based on ROOM 12 - ICs separate meeting Keynote: Ulpiano Bezerra Museums, cultures and societies” the intelectual pleasure” Keynote: Mia Couto - “The times (restricted or by register) de Menezes - “The Museum there are in time” and The Human Condition: The Sensorial Horizon”

COFFEE MORNING MORNING MORNING MORNING MORNING MORNING no event MORNING BREAK 11:00 - 11:20 11:00 - 11:20 11:00 - 11:20 11:00 - 11:20 11:00 - 11:20 11:00 - 11:20 11:00 - 11:20 AFTERNOON AFTERNOON AFTERNOON AFTERNOON AFTERNOON AFTERNOON AFTERNOON 15:30 - 15:50 15:30 - 15:50 15:30 - 15:50 15:30 - 15:50 15:30 - 15:50 15:30 - 15:50 15:30 - 15:50

LUNCH 12:30 - 13:30 12:30 - 13:30 12:30 - 13:30 12:30 - 13:30 12:30 - 13:30 12:30 - 13:30 no event 12:30 - 13:30

PARTIES no event no event 19h00 no event 20h00 no event no event 19h00 ROOM 1 - Opening Party “Isto é “Carmina Burana” Closing Party at Mangueira Brasil” at Teatro Municipal Cocktail

MUSEUMS no event no event AFTERNOON MORNING MORNING no event no event no event FAIR GROUND FLOOR - Open GROUND FLOOR - Open GROUND FLOOR - Open

AFTERNOON AFTERNOON GROUND FLOOR - Open GROUND FLOOR - Open

AVICOM no event no event no event no event MORNING MORNING no event no event ROOM 2 - Joint session w/ CECA Oi Futuro

AFTERNOON AFTERNOON ROOM 4 - 5 papers Oi Futuro

CAMOC no event AFTERNOON MORNING MORNING MORNING MORNING NOITE AFTERNOON ROOM 18 - Board meeting ROOM 18 - Room 18 - Welcome ROOM 10 - w/ ICLM - Theme I: ROOM 10 - w/ ICLM - Plennary Option 1: Favela Insight 1ST Meeting of CAMOC’s ROOM 15 - General meeting Speeches CAMOC + 1 lecture “CITY TEXTureS. Reflecting the Lecture by José Miguel Wisnik Option 2: Porto Maravilha Insight new Executive Board City in Literature and Museums” + Theme I: “CITY TEXTureS. AFTERNOON Session I (4 papers ICLM) + Ignite Reflecting the City in Literature AFTERNOON ROOM 18 - Theme III - “The presentations - Themes I, II and and Museums” (8 papers) Option 1: Favela Insight Role of Urban Revitalisation III Option 2: Porto Maravilha Insight in Generating Social Capital” AFTERNOON Session 1 (8 papers) AFTERNOON Public event at Botanical Gardens ROOM 18 - Theme II: “Museums - Theme I: “CITY TEXTureS. (memory + creativity) = social Reflecting the City in Literature change” - Session II (7 papers) and Museums” w/ICLM 20 21 PROGRAMME AT A GLANCE PROGRAMME WWW.ICOMRIO2013.ORG.BR 23RD GENERAL CONFERENCE OF THE INTERNATIONAL COUNCIL OF MUSEUMS – ICOM 23RD GENERAL CONFERENCE OF THE INTERNATIONAL COUNCIL OF MUSEUMS – ICOM WWW.ICOMRIO2013.ORG.BR

10 SATURDAY 11 SUNDAY 12 MONDAY 13 TUESDAY 14 WEDNESDAY 15 THURSDAY 16 FRIDAY 17 SATURDAY

CECA MORNING MORNING AFTERNOON MORNING MORNING MORNING no event MORNING ROOM 15 - Board meeting ROOMS 14 E 15 - Workshop 1 ROOM 2 - CECA Openning + ROOM 2 - CECA General Assembly ROOM 2 - Main session + debate + ROOM 2 - Best practices ROOM 14 - Board meeting by Gabriela Aidar “Inclusive lecturer: Adriana M. Almeida / Elections + main session + joint session w/ AVICOM (2 papers) educational projects in museums” Museal Education in Brazil + debate Main Session + debate + 2 papers MORNING AFTERNOON Workshop 2 by Ricardo Rubiales on research + debate AFTERNOON ROOM 2 - Thematic articles Off-site “Ideas factory: education, ( 2 papaers) + market of ideas experience” ROOM 2 - Thematic articles (2 papers) + market of ideas (4 papers) + books presentation (4 papers) + research session AFTERNOON (2 papers) + best pratices ROOMS 14 E 15 - cont. Workshops session (2 papers)

CIDOC no event no event AFTERNOON no event MORNING MORNING no event no event ROOM 16 - General meeting w/ COSTUME and ICMS - Museu w/ ICOFOM + ICTOP - Museu da República Nacional de Belas Artes

AFTERNOON AFTERNOON w/ COSTUME and ICMS - Museu w/ ICOFOM + ICTOP meeting at da República UNIRIO Theme - “Exploring Museology Terminology: from conceptualization to knowledge transfer”

CIMAM no event no event MORNING MORNING MORNING MORNING MORNING no event Theme: “A New Dynamic Theme: “A New Dynamic Theme: “A New Dynamic Museu Castro Maya + Museu Post Conference Tour to Brasilia Between Curator and Art Work” Between Curator and Public” Between Curator and Museum do Açude Governance” Lecturer: Tania Bruguera + case Lecturer: Stephen Wright + AFTERNOON study (2 papers) case study (2 papers) + panel Lecturer: Paulo Herkenhoff + case AFTERNOON Post Conference Tour to Brasilia discussion study (2 papers) Visit to Niterói

AFTERNOON AFTERNOON AFTERNOON Afternoon visits to museums Afternoon visit to MAR + Casa Workshops + general assembly + and galleries Daros afternoon visits to art galleries

CIMUSET no event AFTERNOON MORNING MORNING MORNING MORNING no event no event ROOM 4 - Board meeting ROOM 3 - w/ MPR Theme: ROOM 3 - Theme: Connecting w/ ROOM 3 - Theme: “Creativity” Museu de Astronomia e Cências “Controversy” communities Afins + Vassouras Lecturer: Marek Kukula Lecturer: Erminia Pedretti Lecturer: Claude Faubert “What “Creative programming and “Controversies in science museum makes Science and Technology audience building at the Royal AFTERNOON exhibitions” Center Unique?” Observatory UK” + 2 papers MPR Museu de Astronomia e Cências + 3 papers CIMUSET Afins + Vassouras AFTERNOON Lecturer: Seb Chan “ How the internet can build audiences for ROOM 3 - w/ MPR Theme: AFTERNOON technology and science museums?” “Controversy 2” papers CIMUSET w/ MPR Museu

+ 2 papers MPR da Ciência e Vida Lecturer: Carol A. Scott “Shifting perceptions: how the public view technology and science museums”

AFTERNOON ROOM 3 - Theme: Connecting w/ communities + 2 papers MPR + 4 papers CIMUSET

CIPEG no event no event no event no event no event MORNING no event no event Museu Nacional de História Natural da Quinta da Boa Vista

AFTERNOON Museu Nacional de História Natural da Quinta da Boa Vista 22 23 PROGRAMME AT A GLANCE PROGRAMME WWW.ICOMRIO2013.ORG.BR 23RD GENERAL CONFERENCE OF THE INTERNATIONAL COUNCIL OF MUSEUMS – ICOM 23RD GENERAL CONFERENCE OF THE INTERNATIONAL COUNCIL OF MUSEUMS – ICOM WWW.ICOMRIO2013.ORG.BR

10 SATURDAY 11 SUNDAY 12 MONDAY 13 TUESDAY 14 WEDNESDAY 15 THURSDAY 16 FRIDAY 17 SATURDAY

COMCOL AFTERNOON no event AFTERNOON MORNING MORNING MORNING no event no event ROOM 8 - Board meeting ROOM 15 - Session I: “Collections ROOM 1 - Contemporary Collecting ROOM 14 - Session II: Generating w/ MINOM - Museu da Maré Between different Ideologies” for Reinterpreting (Older) new meaning for collections (4 papers) Collections w/ COMCOL, ICMAH, (4 papers) ICME, ICR, and ICOM Korea AFTERNOON Session III: Sustainable re- w/ MINOM - Museu da Maré Sessions I and II interpretations of collections (5 papers) AFTERNOON ROOM 1 - Contemporary Collecting AFTERNOON for Reinterpreting (Older) ROOM 14 - COMCOL annual Collections w/ COMCOL, ICMAH, meeting and elections ICME, ICR, and ICOM Korea Sessions III and IV

COSTUME AFTERNOON no event AFTERNOON MORNING MORNING MORNING no event MORNING Student Saturday, ROOM 4 - “Brazilian Dress and ROOM 4 - “Dress as Art” w/ ICMS + CIDOC ROOM 4 - Open forum (12 papers) Fashion Walk Ipanema + Leblon Museum of Fine Arts. Collections”- Lecture Session project + open forum Museu da República “Costume in Portraits” AFTERNOON AFTERNOON AFTERNOON ROOM 4 - Roundtable w/ ICMS + CIDOC ROOM 4 - Bussines meeting “Establishing a Costume Museu da República Group in Brazil”

DEMHIST no event AFTERNOON MORNING MORNING MORNING MORNING no event no event ROOM 6 - Board meeting ROOM 10 - Opening DEMHIST w/ w/ ICFA + ICDAD + Glass w/ ICFA + ICDAD + Glass ROOM 10 - w/ ICFA + ICDAD + GLASS, ICDAD, ICFA Fundação Eva Klabin Glass Museu da Maré + Museu do Açude Communications AFTERNOON AFTERNOON Theme: “The social role of museums” w/ ICFA + ICDAD + Glass Lecturer: AFTERNOON w/ ICFA + ICDAD + Glass Casa de Eduardo Subirats “Museums, w/ ICFA + ICDAD + Glass Rui Barbosa muses, memories” AFTERNOON Museu Chácara do Céu + Casa de ROOM 10 - w/ ICFA Benjamin Constant + ICDAD + Glass General assembly

GLASS no event no event MORNING MORNING MORNING MORNING no event no event ROOM 10 - Opening GLASS w/ w/ ICFA + ICDAD + DEMHIST w/ ICFA + ICDAD + DEMHIST Museu Nacional + Biblioteca DEMHIST, ICDAD, ICFA Museu da Maré + Museu Fundação Eva Klabin Nacional do Açude AFTERNOON AFTERNOON AFTERNOON ROOM 10 - w/ ICFA + AFTERNOON Instituto Art Decô + Real ROOM 8 - Board meeting ICDAD + DEMHIST Centro de Cultura Gabinete Português de Leitura

Lectures da Justiça Federal

ICAMT no event no event AFTERNOON MORNING MORNING MORNING no event no event ROOM 6 - Theme: “History of ROOM 6 - Theme: “Sustainable ROOM 6 - Theme: “Sustainable Instituto Moreira Salles Museums in Brazil” (5 papers) Museums in the tropics” Museums in the tropics” (4 papers) (4 papers) AFTERNOON Instituto Moreira Salles

AFTERNOON AFTERNOON ROOM 6 - Theme: “Sustainable Casa de Rui Barbosa Museums in the tropics (5 papers)

24 25 PROGRAMME AT A GLANCE PROGRAMME WWW.ICOMRIO2013.ORG.BR 23RD GENERAL CONFERENCE OF THE INTERNATIONAL COUNCIL OF MUSEUMS – ICOM 23RD GENERAL CONFERENCE OF THE INTERNATIONAL COUNCIL OF MUSEUMS – ICOM WWW.ICOMRIO2013.ORG.BR

10 SATURDAY 11 SUNDAY 12 MONDAY 13 TUESDAY 14 WEDNESDAY 15 THURSDAY 16 FRIDAY 17 SATURDAY

ICDAD no event no event MORNING MORNING MORNING MORNING no event no event ROOM 10 - Opening ICDAD w/ w/ ICFA + GLASS + DEMHIST w/ ICFA + GLASS + DEMHIST ROOM 10 - c/ ICFA + DEMHIST, GLASS, ICFA Fundação Eva Klabin GLASS + DEMHIST Museu da Maré + Museu do AFTERNOON Açude AFTERNOON Communications ROOM 10 - w/ ICFA + AFTERNOON w/ ICFA + GLASS + DEMHIST AFTERNOON GLASS + DEMHIST w/ ICFA + GLASS + DEMHIST Casa de Rui Barbosa ROOM 10 - c/ ICFA + GLASS + DEMHIST Lectures Museu Chácara do Céu + Casa de Benjamin Constant General assembly

ICEE no event no event AFTERNOON MORNING MORNING MORNING no event no event ROOM 31 - Lecturer + Session 1 Off-site ROOM 1 - Session 2 “Public- ROOM 31 - Previous Session “Sponsoring and Fundraising for private Partnership in exhibition (2 papers) Museum - the (dis) advantage of AFTERNOON projects – examples of (un) special relationships” (3 papers) Off-site successfull cooperation projects” AFTERNOON (7 papers) + markeplace of ideas ROOM 31 - ICEE bussiness and exhibitions meeting + elections

ICFA no event no event MORNING MORNING MORNING MORNING no event no event ROOM 10 - Opening ICFA w/ w/ ICDAD + GLASS + DEMHIST w/ ICDAD + GLASS + DEMHIST ROOM 10 - w/ DEMHIST + DEMHIST, GLASS, ICFA Fundação Eva Klabin GLASS + ICDAD Museu da Maré + Museu do Açude Communications AFTERNOON AFTERNOON ROOM 10 - w/ ICDAD + GLASS + AFTERNOON w/ ICDAD + GLASS + DEMHIST AFTERNOON DEMHIST w/ ICDAD + GLASS + DEMHIST Casa de Rui Barbosa ROOM 10 - w/ ICDAD + GLASS + DEMHIST Lectures Museu Chácara do Céu + Casa de Benjamin Constant General assembly

ICML no event no event AFTERNOON MORNING MORNING MORNING no event no event ROOM 5 - ICLM General meeting + ROOM 10 - w/CAMOC ROOMS 10 E 12 -c/CAMOC Casa de Rui Barbosa + Real board elections Theme 1 Session 1 (4 papers Lecturer: José Wisnik + Theme 1 Gabinete Português de ICLM) + Ignite Sessions (7 papers) Literatura

AFTERNOON ROOM 16 - Theme 2 session 2 (8 papers)

ICMAH no event no event AFTERNOON MORNING MORNING MORNING no event MORNING ROOM 11 - Session I (3 papers) + ROOM 1 - ”Contemporary Collecting ROOM 18 - “The Atlantic Museu Nacional de História ROOM 9 - Chairpersons Session II (2 papers) + Session III for Reinterpreting (Older) Slave Trade” Natural da Quinta da Boa Vista informal meeting (1 paper) + discussions Collections” w/ COMCOL, ICMAH, - “Material culture, memory and ICME, ICR, and ICOM Korea Session I (4 papers) + discussions settlements”

Sessions I and II AFTERNOON AFTERNOON AFTERNOON ROOM 18 - “The Atlantic w/ ICME no Museu Nacional de ROOM 1 - ”Contemporary Collecting Slave Trade” História Natural da Quinta da Boa for Reinterpreting (Older) Vista - “Material culture, memory Session II ( 4 papers) + and settlements” Collections” w/ COMCOL, ICMAH, board meeting ICME, ICR, and ICOM Korea Sessions I and II

26 27 PROGRAMME AT A GLANCE PROGRAMME WWW.ICOMRIO2013.ORG.BR 23RD GENERAL CONFERENCE OF THE INTERNATIONAL COUNCIL OF MUSEUMS – ICOM 23RD GENERAL CONFERENCE OF THE INTERNATIONAL COUNCIL OF MUSEUMS – ICOM WWW.ICOMRIO2013.ORG.BR

10 SATURDAY 11 SUNDAY 12 MONDAY 13 TUESDAY 14 WEDNESDAY 15 THURSDAY 16 FRIDAY 17 SATURDAY

ICME no event AFTERNOON AFTERNOON MORNING MORNING MORNING no event no event ROOM 9 - Board meeting ROOM 12 - Sessions I and II ROOM 1 - “Contemporary ROOM 16 - Session III and IV Museu da Maré Collecting for Reinterpreting (Older) Collections” AFTERNOON AFTERNOON w/ COMCOL, ICMAH, ROOM 1 - Annual meeting w/ ICMAH no Museu Nacional de ICME, ICR, and ICOM Korea História Natural da Quinta da Boa Sessions I and II Vista - Material culture, memory and settlements

AFTERNOON ROOM 1 - “Contemporary Collecting for Reinterpreting (Older) Collections” w/ COMCOL, ICMAH, ICME, ICR, and ICOM Korea Sessions I and II

ICMEMO no event no event AFTERNOON no event AFTERNOON no event MORNING no event ROOM 15 - Conference of the ROOM 12 - General meeting Visit to Petrópolis “Memorial institutions in Latin America” (3 papers) AFTERNOON Special visit to Casa da Morte

ICMS AFTERNOON AFTERNOON AFTERNOON MORNING MORNING MORNING no event no event ROOM 7 - Board meeting ROOM 7 - Board meeting ROOM 14 - Elections + 2 papers ROOM 14 - Lecture + 1 paper w/ CIDOC + COSTUME - Museu w/ COSTUME + CIDOC - da República rountables + good practices

AFTERNOON AFTERNOON AFTERNOON ROOM 14 - 3 papers w/ COSTUME + ICMS - Museu da ROOM 12 - 5 papers República

ICOFOM no event no event AFTERNOON MORNING no event MORNING MORNING no event ROOM 13 - Lecture + discussion ROOM 13 - Panel + discussion w/ CIDOC + ICTOP - Museu Visit to Petrópolis Nacional de Belas Artes AFTERNOON AFTERNOON ROOM 13 - Lecture + AFTERNOON Visit to Petrópolis panel + discussion w/ CIDOC + ICTOP meeting at UNIRIO Theme: “Exploring Museology Terminology: from conceptualization to knowledge transfer”

ICOM-CC no event no event no event no event MORNING MORNING no event no event ROOM 11 - “The ‘value’ of TBD conservation in the twenty-first century” (8 papers) AFTERNOON AFTERNOON TBD ROOM 11 - “The ‘value’ of conservation in the twenty-first century” (3 papers) Open forum on environmental standards in museums globally

28 29 PROGRAMME AT A GLANCE PROGRAMME WWW.ICOMRIO2013.ORG.BR 23RD GENERAL CONFERENCE OF THE INTERNATIONAL COUNCIL OF MUSEUMS – ICOM 23RD GENERAL CONFERENCE OF THE INTERNATIONAL COUNCIL OF MUSEUMS – ICOM WWW.ICOMRIO2013.ORG.BR

10 SATURDAY 11 SUNDAY 12 MONDAY 13 TUESDAY 14 WEDNESDAY 15 THURSDAY 16 FRIDAY 17 SATURDAY

ICOMAM no event AFTERNOON MORNING MORNING MORNING MORNING MORNING no event ROOM 30 - Board meeting ROOM 17 - Session I ROOM 17 - Session III ROOM 17 - Session V Museu Histórico Nacional or Barra da Tijuca + Petrópolis + Museu Naval Ilha Fiscal

AFTERNOON AFTERNOON AFTERNOON AFTERNOON ROOM 17 - Session II ROOM 17 - Session IV Museu Naval + Ilha Fiscal Copacabana + Ipanema + Navy Officers Club

ICOMON AFTERNOON no event AFTERNOON MORNING MORNING MORNING no event no event ROOM 9 - Board meeting ROOM 30 - ICOMON ROOM 30 - International Lecture ROOM 30 - Session A Casa da Moeda general guidelines about Financial Education “Experiences w/ Financial Education + Session B “School AFTERNOON AFTERNOON Attendance” + Session C Casa da Moeda ROOM 30 - Panel Discussion: AFTERNOON “Looking Forward: Best Practices ROOM 30 - Session D “Using in Numismatic Conservation” interactivity in monetary museums” + ICOMON elections + general guidelines

ICR no event no event AFTERNOON MORNING MORNING MORNING no event AFTERNOON ROOM 7 - Board meeting ROOM 1 -“Contemporary ROOM 13 - Theme: “Reshaping Sítio Burle Marx ROOM 7 - Board meeting Collecting for Reinterpreting Regional Identities - making new (Older) Collections” memories, preserving the old” AFTERNOON w/ COMCOL, ICMAH, ICME, ICR, Lecture: “Museums w/ a Social Museu do Pontal and ICOM Korea Approach” Dr. Marco Barrera Bassols + session I (7 papers) + Sessions I and II session II

AFTERNOON Lecture: “Memory and Identity ROOM 1 - “Contemporary in Brazilian Regional Museums” Collecting for Reinterpreting Henrique de Freitas (Older) Collections” w/ COMCOL, ICMAH, ICME, ICR, AFTERNOON and ICOM Korea ROOM 13 - Session III “Critical Issues and Critical Case Studies” Sessions III and IV (7 papers) + session IV “Exhibits and programs” (2 papers)

ICTOP no event MORNING no event MORNING MORNING MORNING no event no event ROOM 9 - Board meeting ROOM 32 - Session III (3 papers) ROOM 32 - Lecture: Maria w/ CIDOC + ICOFOM - Museu Cristina O. Bruno “Reflections Nacional de Belas Artes on Profesisonal Development: AFTERNOON Brazilian Perspectives” AFTERNOON ROOM 32 - Lecture: Mário Chagas w/ CIDOC + ICTOP “Education in Museology in Brazil Brazilian educators presentations meeting at UNIRIO from 2003 to 2013: ten years of profound changes + Professional Theme: “Exploring AFTERNOON Museology Terminology: from Development Progress” ROOM 32 - Roudtable: (3 papers) conceptualization to knowledge Museum Pedagic Futures transfer”

INTERCOM no event no event no event MORNING MORNING AFTERNOON no event no event ROOM 31 - Welcome + lecture - ROOM 31 - Lecture - Amareswar Workshop at MAR David Flemming: “Museums Galla “ Rights-based rethinking and Human Rights” (2 papers) + of museums - responsive panel discussion governance and first voice primare stakeholders” (3 papers) + panel discussion AFTERNOON ROOM 31 - cont. (4 papers) + AFTERNOON panel discussion ROOM 31 - cont. (3 papers) + panel discussion + elections

30 31 PROGRAMME AT A GLANCE PROGRAMME WWW.ICOMRIO2013.ORG.BR 23RD GENERAL CONFERENCE OF THE INTERNATIONAL COUNCIL OF MUSEUMS – ICOM 23RD GENERAL CONFERENCE OF THE INTERNATIONAL COUNCIL OF MUSEUMS – ICOM WWW.ICOMRIO2013.ORG.BR

10 SATURDAY 11 SUNDAY 12 MONDAY 13 TUESDAY 14 WEDNESDAY 15 THURSDAY 16 FRIDAY 17 SATURDAY

MPR AFTERNOON no event MORNING MORNING MORNING MORNING no event no event ROOM 32 - Board meeting ROOM 3 - w/ CIMUSET Theme: ROOM 3 - Theme: “Connecting w/ ROOM 3 - Theme: “Creativity” Museu do Meio Ambiente + “Controversy” communities” Botanical Garden Lecturer: Marek Kukula Lecturer: Erminia Pedretti Lecturer: Claude Faubert “Creative programming and AFTERNOON “Controversies in science “What makes Science and audience building at the Royal Museu do Meio Ambiente + museum exhibitions” Technology Center Unique?” Observatory UK” + 2 papers MPR Botanical Garden + 3 papers CIMUSET Lecturer: Seb Chan “How AFTERNOON the internet can build audiences ROOM 3 - w/ CIMUSET for technology and science AFTERNOON museums?” Theme: “Controversy” 2 papers w/ CIMUSET Museu da Ciência CIMUSET + 2 papers MPR Lecturer: Carol A. Scott e Vida “Shifting perceptions: how the public view technology and science museums”

AFTERNOON ROOM 3 - Theme: “Connecting w/ communities” + 2 papers MPR + 4 papers CIMUSET

NATHIST no event no event MORNING MORNING MORNING MORNING no event no event ROOM 32 - NATHIST Welcome ROOM 15 - Theme: “Challenges ROOM 15 - Theme: “Educational Museu Nacional for Preserving Natural History Role of Natural History de Historia Natural AFTERNOON Collections” (8 papers) + panel Collections” discussions (8 papers) + panel discussions ROOM 32 - Lecturer TBD + news AFTERNOON from 10 museus AFTERNOON AFTERNOON Museu Nacional ROOM 15 - General meeting + ROOM 15 - Theme: “Scientific Role de Historia Natural elections + board meeting of Natural History Collections” (8 papers) + panel discussions

UMAC no event AFTERNOON MORNING MORNING MORNING MORNING no event MORNING ROOM 32 - Board meeting ROOM 1 - Welcome + ROOM 5 - Session 2 - ROOM 5 - Session 5 - “Managing Museu Nacional ROOM 8 - Board meeting Session 1 - “Changing Values and “Technological changes and dilemmas, changing attitudes” História Natural and Evaluating changes” (4 papers) changing collections” (3 papers) + (3 papers) + Session 6 - Museu de Astronomia Session 3 - “Experimenting “Emerging policies and e Ciências Afins on the politics of exhibitions” practices” (4 papers) (3 papers) AFTERNOON AFTERNOON AFTERNOON Museu de Astronomia e ROOM 5 - Session 4 - “Responses ROOM 5 - Session VII - “The role of Ciências Afins and Fundação to political and social changes” teaching” + research ( 3 papers) + Oswaldo Cruz (3 papers) + inform Session IIX - “Panel on Museum Studies” ( 4 papers) All social event ( 3 papers)

NATIONAL � � COMMITTEES

ICOM no event no event no event 12:10-13:30 12:10-13:30 no event no event no event NETHERLANDS ROOM 18 - Conscious Heritage ROOM 3 - Conscious Heritage + BUTTERLFY WORKS

32 33 PROGRAMME AT A GLANCE PROGRAMME WWW.ICOMRIO2013.ORG.BR 23RD GENERAL CONFERENCE OF THE INTERNATIONAL COUNCIL OF MUSEUMS – ICOM 23RD GENERAL CONFERENCE OF THE INTERNATIONAL COUNCIL OF MUSEUMS – ICOM WWW.ICOMRIO2013.ORG.BR

10 SATURDAY 11 SUNDAY 12 MONDAY 13 TUESDAY 14 WEDNESDAY 15 THURSDAY 16 FRIDAY 17 SATURDAY

ICOM KOREA no event no event no event MORNING em evento no event no event no event ROOM 1 - Joint session w/ ICME, ICMAH, COMCOL

AFTERNOON ROOM 1 - Joint session w/ ICME, ICMAH, COMCOL

REGIONAL � � ALLIANCES

ICOM ARAB no event AFTERNOON no event MORNING no event no event no event no event ROOM 8 - Meeting ROOM 7 - Meeting

ICOM EUROPE no event MORNING no event no event no event no event no event no event ROOM 14 - Meeting

ICOM LAC no event no event no event MORNING no event no event no event no event ROOM 7 - Academic panel + general assembly

AFFILIATED � � ORGANISATIONS

AFRICOM no event no event no event no event no event MORNING no event no event Meeting at UniRio

ASPAC no event no event no event MORNING no event no event no event no event ROOM 16 - Meeting

CAM no event no event AFTERNOON no event no event no event no event no event ROOM 14 - Meeting during luch time

EXARC no event AFTERNOON no event no event no event no event no event no event ROOM 17 - Meeting

MINOM no event no event no event no event AFTERNOON MORNING no event no event ROOM 3 - Session “Experiences w/ COMCOL - and Methodology of Museu da Maré Sociomuseology in Brazil“ AFTERNOON w/ COMCOL - Museu da Maré

34 35 PROGRAMME AT A GLANCE PROGRAMME WWW.ICOMRIO2013.ORG.BR 23RD GENERAL CONFERENCE OF THE INTERNATIONAL COUNCIL OF MUSEUMS – ICOM 23RD GENERAL CONFERENCE OF THE INTERNATIONAL COUNCIL OF MUSEUMS – ICOM WWW.ICOMRIO2013.ORG.BR

10 SATURDAY 11 SUNDAY 12 MONDAY 13 TUESDAY 14 WEDNESDAY 15 THURSDAY 16 FRIDAY 17 SATURDAY

OTHER � � MEETINGS

IBRAM no event no event no event MORNING no event no event no event no event ROOM 11 - Institutional Presentation and Memory Points Experience (restricted or by register)

IBERMUSEUS no event no event no event AFTERNOON MORNING no event no event no event ROOM 5 - 6 papers ROOM 4 - 6 papers

AFTERNOON ROOM 7 - w/ AFRICOM and NEMO board meeting

BLUE SHIELD no event no event no event MORNING no event no event no event no event ROOM 18 - Museums in Emergency w/ DRTF

MEMORIAL no event no event no event AFTERNOON no event no event no event no event LECTURES ROOM 31 - Luisa de Pena “Stephen E. Weil Memorial Lecture” Richard Sandell “Alma S. Wittlin Memorial Lecture”

MOW no event no event AFTERNOON no event no event no event no event no event ROOM 15 - Lunch time panel: “Museum Education and Research and the UNESCO Memory of the World Programme: New Perspectives”

SECRETARIAT no event no event MORNING AFTERNOON AFTERNOON no event no event no event ROOM 8 - Orientation sessions ROOM 15 - Mentoring ROOM 15 - Mentoring for new-comers and first-timers sessions during lunch time sessions during lunch time (restricted or by register) (restricted or by register) (restricted or by register)

AFTERNOON ROOM 9 - Lunch time: “ICOM’s International Observatory on Illicit Traffic in Cultural Goods”

WFFM + no event no event no event no event AFTERNOON no event no event no event FEAMBRA ROOM 6 - Meeting

36 37 PROGRAMME AT A GLANCE PROGRAMME WWW.ICOMRIO2013.ORG.BR 23RD GENERAL CONFERENCE OF THE INTERNATIONAL COUNCIL OF MUSEUMS – ICOM 23RD GENERAL CONFERENCE OF THE INTERNATIONAL COUNCIL OF MUSEUMS – ICOM WWW.ICOMRIO2013.ORG.BR

10 SATURDAY 11 SUNDAY 12 MONDAY 13 TUESDAY 14 WEDNESDAY 15 THURSDAY 16 FRIDAY 17 SATURDAY

TECHNICAL � � COMMITTEES

ETHCOM no event AFTERNOON no event no event no event no event no event no event ROOM 9 - Meeting

DRTF no event no event no event MORNING no event no event no event no event ROOM 18 - Session w/ Blue Shield

LEAC no event no event AFTERNOON AFTERNOON no event no event no event no event ROOM 16 - Resolving Cultural ROOM 16 - Museum copyright and Property Disputes the Easier Way intellectual property rights

NEC MORNING no event no event no event no event MORNING no event no event ROOM 8 - Meeting ROOM 8 - Meeting (restricted or by register) (restricted or by register)

RESOLUTIONS AFTERNOON no event no event no event no event no event no event no event ROOM 2 - Open forum (restricted or by register)

ICOM’S INTERNATIONAL OBSERVATORY MUSEUMS IN EMERGENCY – ORIENTATION SESSION FOR ICOM NEW-COMERS MENTORING SESSIONS ON ILLICIT TRAFFIC IN CULTURAL GOODS ICOM AND THE BLUE SHIELD AND GENERAL CONFERENCE FIRST-TIMERS Lunch time mentoring sessions will be held on Tuesday 13 and This year, ICOM is launching an ambitious programme called From emergency preparedness to emergency response, a two- To make the most out of your General Conference experience, Wednesday 14 August from 12:10 pm to 1:30 pm featuring per- the International Observatory on Illicit Traffic in Cultural Goods hour session will explore how the role of ICOM has shifted in ICOM invites participants to the orientation session on Monday, sonal accounts and professional career advice from museum and is delighted to give participants in the General Conference the past two years, adapting to the large number of disasters 12 August at 11:20 am. The session will provide tips for first- directors for students of museum studies or emerging profes- a preview of the project. It will also be an opportunity to discuss threatening heritage around the world. Discover ICOM’s activi- timers and will present ICOM for those who are new to the orga- sionals. Prior registration is required at general.conference@ ICOM’s long-standing role in preventing illicit trade in art and ties in this field as well as the organisation’s Disaster Relief Task nization. It is also an opportunity to connect with fellow museum icom.museum. Please indicate your name, e-mail address, and antiquities, namely through the publication of its Red List series. Force for Museums’ (DRTF) invaluable involvement in protecting professionals. preferred date. ICOM will present its most recent Red Lists, published and in heritage in danger. Specific cases of museums facing conflict preparation. or natural disasters will be presented, and the role of the Blue Shield will be explained.

38 39 CULTURAL PROGRAMME CULTURAL photo: Karmel Tebet Karmel photo: 23RD GENERAL CONFERENCE OF THE INTERNATIONAL COUNCIL OF MUSEUMS – ICOM WWW.ICOMRIO2013.ORG.BR

CULTURAL PROGRAMME

EVENTS

ISTO É BRASIL OPENING CEREMONY CARMINA BURANA – CARL ORFF

The dance company Carlinhos de Jesus presents the history of Created by German composer Carl Orff (1895-1982) in 1937, the popular dance in Rio de Janeiro through samba and jongo, seek- cantata Carmina Burana has several well-known themes, which ing its origins in the African culture. Carlinhos de Jesus and have been extensively used in films and advertising campaigns. eighteen dancers present chorinho, percussive samba, a samba It is divided into 25 ‘movements’, based on profane poems of the de roda (gathering), samba no pé (solo presentation), samba of 13TH century, and was written as a type of mixture between ar- Mangueira School of Samba, sambas de gafieira (partner dances), chaic German, French, Greek and Latin. Carmina is actually the among other popular Brazilian dances. plural of Carmen, which in Vulgar Latin means ‘songs’. Burana, on the other hand, refers to where the lyrics of this masterpiece The renowned Brazilian classical ballet dancer Ana Botafogo will were found: at an old monastery by the name of Benediktbeuren take part of the show, in a great reference to the mix of cultures in Germany. Elements of eroticism, seduction, conquest and that make up the city’s music scene of today. Aquarela do Brasil even voluptuousness mingle in this magnificent musical tribute closes the show as a special homage to ‘carioca’ carnival. to Nature. It is performed in a great orchestra with two choirs, solo singers, a piano and percussion, making it musically unique, 12 August, 7 pm original and admirable.

Room 1, Cidade das Artes. 14 August, 8 pm

The event is Free for Conference participants. Rio de Janeiro Opera House

The event is free for Conference participants, pending registration via email: [email protected]. Limited availability.

40 41 CULTURAL PROGRAMME CULTURAL WWW.ICOMRIO2013.ORG.BR 23RD GENERAL CONFERENCE OF THE INTERNATIONAL COUNCIL OF MUSEUMS – ICOM 23RD GENERAL CONFERENCE OF THE INTERNATIONAL COUNCIL OF MUSEUMS – ICOM WWW.ICOMRIO2013.ORG.BR

CULTURAL EXCURSION DAY - 16 AUGUST Cultural and historic tours through nature and points of PROGRAMME interest of the City of Rio de Janeiro. There are free and paid options.

nearly two centuries. The tour includes a Burle Marx’s Estate – The estate is MANGUEIRA CLOSING CEREMONY PETRÓPOLIS GUANABARA BAY visit to the São Bento Monastery (1590), located in Guaratiba and amasses over Estimated tour length: 8 hours Estimated tour length: 5 hours considered one of the most important 3,500 species of domestic and foreign heritages of Brazilian architecture; Cande- plants (many of them threatened with ex- lária Church, built in the Neoclassic style tinction), a fabulous collection of works of from 1630 to 1775; We then walk along art and a library with over 2,500 books. Rua Primeiro de Março, highlighting Casa França-Brasil, the Banco do Brasil Cul- CORCOVADO AND SUGAR LOAF tural Centre and the Correios (Post Office) Estimated tour length: 6 hours building until we reach Praça XV (Square XV), where we find the Paço Imperial (Im- At just one hour away from Rio, the town perial Palace), which was built to be the Schooner adventure along the world’s To close the week of intense activities and crown the 23RD Confer- of Petrópolis is undoubtedly presents in home of colonial governors and served as third largest bay in water volume, with ence, ICOM is going to celebrate. its urban landscape many buildings dating residence of the Royal Family; and the Pa- views to the Sugar Loaf, São João For- back to the Portuguese Empire. lácio Tiradentes (Tiradentes Palace); Con- tress, Santa Cruz Fortress, Lage Fortress, We are going to have a show that will underline the comeback of feitaria Colombo for coffee (optional); and the city of Niterói, the Rio-Niterói Bridge, Estação Primeira de Mangueira to its recently renovated square at The tour includes Quitandinha Palace Cinelândia, where the Municipal Theatre, Fiscal Island, Villegaignon Island and Mo- Palácio do Samba. The samba school is composed of 36 members, (1944), Built to be the biggest Casino in the Legislative Assembly, the National Li- canguê Island. including 15 samba musicians, the Master of Ceremony and Flag South America, a visit the Patrone choco- brary and the Museum of Beaux-Arts are Corcovado – One of the seven wonders Bearer, dancers, Bahian African-Brazilian ladies and celebrities late factory founded in Petrópolis (1945) located. of modern world, the statue of Christ the JEEP TOUR wearing luxurious costumes. It is the cream of the crop of the and the first to create Easter chocolate Redeemer (1932) is located at 709 meters Estimated tour length: 8 hours carioca samba inspired by the Green and Rose robe of the dearest eggs in Brazil; the Summer Palace of D. above sea level. It is built of reinforced con- CASA DO PONTAL MUSEUM and most traditional Brazilian samba school. Pedro II, today the Imperial Museum; The crete and soapstone and is 38 meters high. AND BURLE MARX’S ESTATE Palace was the governmental seat in the It presents one of the world’s most beauti- Estimated tour length: 5 hours Traditional Mangueira cooks will take over the kitchen and serve summers the Emperor spent in Petrópo- ful views: the north and south regions of Brazilian delicacies accompanied by our unforgettable caipirinha. lis; the Petrópolis Cathedral (São Pedro Rio de Janeiro and the city of Niterói. Ac- ICOM is going to sway to the rhythm of samba! de Alcântara Cathedral), which holds the cess is done through Corcovado Train, the mortal remains of the imperial family; the first Brazilian electric train, inaugurated August 17, from 7 pm to 11 pm house of Santos Dumont, known as “the by D. Pedro II in 1884. The tours also in- father of aviation”; and the Crystal Palace, clude a visit to the metropolitan Cathedral Grounds of G.R.E.S. Mangueira with architecture is inspired by London’s and Cinelândia, passing by the Municipal We will tour the Tijuca Forest, in the heart Rua Visconde de Niterói, 1072 – Mangueira and Porto’s Crystal Palaces. Theatre, the Flamengo Park (Aterro do of the city, driving by the Chinese View, Flamengo) and Urca. the Emperor’s Table, Taunay Waterfall This is a paid event charged per person and is exclusive to Casa do Pontal Museum – Casa do and Mayrink Chapel – with a stopover for HISTORIC RIO conference participants. Further information is available in Pontal is the largest museum of Brazilian Sugar Loaf – Opened in 1912, the Sugar a splash at Macacos Waterfall. Then we Estimated tour length: 5 hours the conference website or at information desks at Cidade popular art. Boasting a collection of 3,500 Loaf cable car works in two lines connect- walk along an accessible trail allowing di- das Artes. pieces of over 200 artists. It is located in ing the mountains (one to the Urca Mount rect contact with nature, in company of a estate with 12,000 m2, at Recreio dos and then to the Sugar Loaf Mountain). our expert guides, explaining the refores- Buses leave from Cidade das Artes and MAM to Mangueira at Bandeirantes, and boasts spacious gar- Atop the Sugar Loaf, it’s possible to see tation of the region. The tour also includes 18h. Buses leave from Mangueira to hotels from 22:00h. Last dens displaying a little of the tropical the whole Guanabara Bay and the dis- a special visit to Museu do Açude and buses leaving at 23h. fauna and flora. tricts in the South Zone, from Niterói to Oscar Niemeyer’s house. the Christ the Redeemer.

3-Kilometer walking of the historic city centre, which was capital of Brazil for

photos: CVB, RioTour and TurisRio 42 43 EXTRA PROGRAMME EXTRA WWW.ICOMRIO2013.ORG.BR 23RD GENERAL CONFERENCE OF THE INTERNATIONAL COUNCIL OF MUSEUMS – ICOM 23RD GENERAL CONFERENCE OF THE INTERNATIONAL COUNCIL OF MUSEUMS – ICOM WWW.ICOMRIO2013.ORG.BR

EXTRA PROGRAMME

FOR ACCOMPANYING PERSONS

Parallel to the Conference Program, the The statue of the Christ is located at Departure: Marina da Glória on a barge R$ 157,00 (per person) Museum of the Republic – It was inau- try the restaurant Amarelinho in Cinelandia organizers planned a series of tours that 709 meters above sea level. It is built of at 9:30 am with estimated return to the gurated on November 15, 1960, after the (Praça Floriano, 55). can please the participants and accompa- reinforced concrete and soapstone. It is Marina at 11:30 am. Suggested complement: option is to transfer of the capital to Brasília. It is struc- nying persons. These tours can be made 38 meters high. It presents one of the skip (at own expense) the shuttle back tured around three basic functions: preser- HIPPIE FAIR AND BOTANICAL GARDEN every day. There are paid options, of- world’s most beautiful views: the north The Guanabara Bay is the world’s third to the hotel and dinner at one of the res- vation, research and communication of ma- Take a tour at the Hippie Fair (on Sunday) fered by the official travel agency of the and south regions of Rio de Janeiro and largest bay in water volume, with an area taurants of the Jockey Club Gastronomic terial and non-material testimonies related and then through the Botanical Garden. Conference, and free options, which are the city of Niterói. After visiting the of 413 square meters and extension of 33 Center (Rua Mario Ribeiro, 410 – Gávea). to the history of the republic in Brazil. For dinner, the suggestion is a typical suggested itineraries to guide you on the Corcovado, we will drive by Copacabana, km, 84 islands of various sizes, among steakhouse: Porcão (Rua Barão da Torre, tours you may want to do by yourself. Ipanema and Leblon beaches. The tours them Ilha do Governador (where the Rio 3. MUSEUM OF FINE ARTS & MAR 218 - Ipanema). OPTION 4 then goes on to the city center, passing de Janeiro International Airport is located), TOUR OF MUSEUMS The tours are available for 13, 14, August by the Municipal Theather, Cinelândia, Ilha do Fundão and Ilha das Cobras. Museum of Fine Arts – The collection Estimated tour length: 8 hours TOURISTIC PACKAGES 15, with transfers (round trip) included, the Flamengo Park (Aterro do Flamengo) consists of over 70,000 items represent- provided that the departure is made in and ends in the district of Urca for a visit During the tour, we will see some sites Three programs combined to a minimum ing various periods of art history until one of the official hotels for ICOM be- at the Sugar Loaf. such as the Sugar Loaf, the São João of ten participants contemporanitie. tween 9.30am and 10am. Choose your Fortress, the Santa Cruz Fortress, the De preferred option and, in case of doubts Sugar Loaf – Opened in 1912, the Sugar Lage Fortress, the city of Niterói, the Rio– 1. INDIAN MUSEUM & NATIONAL MUSEUM Art Museum of Rio (MAR) – The museum or reservations, please contact via email Loaf cable car works in two lines connect- Niterói Bridge, Fiscal island, Villegaignon promotes a reading of the history of the [email protected]. Reservations ing the mountains. The first line is 600 me- island and Mocanguê island. Indian Museum – It is a reference center city (social life, conflicts, contradictions, must be made at least 24 hours in ad- ters long and connects the main station to for research, education and adoption of challenges and expectations). His exhibi- vance. the Urca Mount. The second line stretches R$ 115,00 (per person) new practices in favor of the partnership tions bind together historical and contem- 850 meters connecting the Urca Mount to with indigenous groups aiming to foster- porary dimensions of art through exhibi- GAP Tour , official tour operator for ICOM GUIDED TOURS the Sugar Loaf Mountain. Atop the Sugar Suggested complement: option is to ing and preserving its cultural heritage. tions of long and short term, nationally Rio 2013, organized special travel packages Are offered by the official travel agency Loaf, it is possible to see the whole Guana- skip (at own expense) the shuttle back to and internationally. The museum also has for conference participants. Check out de- of the Conference. Include round trip to bara Bay and the districts in the South Zone. the hotel and to follow the walk around National Museum – It is the oldest sci- the mission of placing art in public educa- tails of pre and post General Conference the hotels. Reservations: icom2013@gap- From there it is also possible to see the city Flamengo Park and dinner at Paris Gas- entific institution in Brazil. Its constitution tion system through the Escolha do Olhar. packages and experience Brazil in a dif- tour.com.br of Niterói and the Christ the Redeemer. trô at Julieta de Serpa House (Praia do dates back to the founding of the Royal ferentiated way. There are offers to Belém After visiting the Sugar Loaf, we start our Flamengo, 340 – Flamengo). Museum by D. John VI, in 1818, whose R$ 155,00 (per person) (PA), Belo Horizonte, historic cities and In- return trip to the hotels driving along the mission was to spread the knowledge and hotim (MG), Bonito (MS), Brasília and Cha- OPTION 1 seafront. study of the natural sciences in Brazilian pada dos Veadeiros (DF/ GO), Búzios (RJ), CORCOVADO AND SUGAR LOAF OPTION 3 SUGGESTED TOURS lands. It is the largest museum dedicated Fortaleza (CE), Foz do Iguaçu (PR), Manaus Estimated tour length: 6 hours JEEP TOUR R$ 300,00 (per person) to natural history and anthropology in Latin Here are suggested itineraries for free (AM), Paraty (RJ), Porto Alegre and Gram- Estimated tour length: 8 hours Corcovado – The tour takes to Cosme America. time or extra days in the city. ado (RS), Recife and Olinda (PE), Salvador Velho station, passing by the Leblon and Suggested complement: option is to skip We will tour the Tijuca Forest and show (BA), São Luís and Lençóis Maranhenses Lagoa districts. We will take the cog- (at own expense) the shuttle back to the the contrast between the Concrete Jungle 2. HISTORY MUSEUM & BARRA DA TIJUCA (MA), São Paulo (SP). wheel train from the station to the Corco- hotel and have dinner at the Zozô Restau- and the Forest in the heart of the city. We MUSEUM OF THE REPUBLIC In the morning, a good option is to go to vado Mount, crossing the Tijuca Forest rant (Av. Pasteur, 520 – Urca). will make a stop at waterfall “Cachoeira the beach in the extensive coastline of Look out for GAP Tour’s participants in- towards one of the modern world’s seven dos Macacos” for a well-deserved swim. Historical Museum – It offers an exhibi- Barra da Tijuca. In the afternoon, try to formation desk at Cidade das Artes or re- wonders: Christ the Redeemer. We will continue our adventure on wheels tion circuit that covers from Brazilian pre- go to Barra Shopping (Av. Das Américas, quest further info on 21 2215 4476. OPTION 2 driving by the Chinese View, the Emper- history to Republican times. The collection 4666 - Barra). Dine at: Salitre, Gula-Gula, GUANABARA BAY Opened in 1884 by Emperor D. Pedro II, the or’s Table, Taunay Waterfall and Mayrink includes more than 348 thousand items. Antiquarius. Estimated tour length: 5 hours Corcovado cogwheel train was Brazil’s first Chapel. Then we walk along an accessible electric train. The statue of Christ the Re- On January 1ST, 1502, a Portuguese fleet trail allowing direct contact with nature. SOUTH AND CENTRAL NEIBORHOODS deemer was opened in 1931 and became an headed by André Gonçalves discovered and Our expert guides are always present, ex- In the morning, choose one of the beaches icon of Rio de Janeiro’s hospitality, welcom- sailed the Guanabara Bay and under the im- plaining the reforestation history and the in the south of the city: São Conrado, Leb- ing all with open arms. pression the bay was the mouth of a great importance of the Atlantic Woods. The lon, Ipanema, Copacabana, Praia Vermelha. river, named the place Rio de Janeiro. tour also includes a special visit to Museu If willing, in the afternoon, take a walk do Açude and Oscar Niemeyer’s house. through the historic city center. For dinner,

44 45 USEFUL INFORMATION

46 47 HOTELS WWW.ICOMRIO2013.ORG.BR 23RD GENERAL CONFERENCE OF THE INTERNATIONAL COUNCIL OF MUSEUMS – ICOM 23RD GENERAL CONFERENCE OF THE INTERNATIONAL COUNCIL OF MUSEUMS – ICOM WWW.ICOMRIO2013.ORG.BR | HOTELS USEFUL TRANSPORTATION SENTENCES USEFUL SENTENCES AND MEALS

In partnership with ICOM Rio 2013, the LEME OTHON PALACE RIO OTHON PALACE Shuttles between official Conference hotels and Cidade das | TRANSPORTATION AND MEALS hotels listed offer special prices for Avenida Atlântica, 656 Avenida Atlântica, 3.264 Artes is offered by the Conference organizers. Ask for further the Conference participants and have Leme Copacabana information at your hotel front desk or at information desks at international standard services. (+55 21) 2106-0200 (+55 21) 2106-0200 OLÁ! Cidade das Artes. HELLO! PROMENADE BARRA FIRST MARINA PALACE ROYAL GOLDEN TULIP Lunch will be served at the foyer of Room 1 from 10 to 17 August, HOTEL OFICIAL DA CONFERÊNCIA Avenida Delfim Moreira, 630 Rua Aquarela do Brasil, 75 except for the 16 August. Avenida das Américas, 7.897 Leblon São Conrado PRAZER EM CONHECÊ-LO. Condomínio Novo Mundo (+55 21) 2172-1000 (+55 21) 3323-2200 NICE TO MEET YOU. Lunch times will vary according to the Conference genera pro- Barra da Tijuca gramme, and may be served between 12:10 / 13:30 or 12:30 / (+55 21) 2169-1500 MIRADOR COPACABANA ROYAL RIO PALACE COPACABANA 13:30h. Rua Tonelero, 338 Rua Duvivier, 82 TCHAU! ASTORIA PALACE HOTEL Copacabana Copacabana GOOD BYE! Coffee Breaks will be served in the times listed below on several Avenida Atlântica, 1.886 (+55 21) 3816-9999 (+55 21) 2122-9292 food islands throughout the Conference floor Esplanade and in Copacabana the Museum Trade Fair. (+55 21) 2545-9550 PORTINARI RIO DESIGN HOTEL ROYALTY BARRA OBRIGADO. Rua Francisco Sá, 17 Avenida do Pepê, 690 THANK YOU. MORNING: 11:00h / 11:20h BOURBON RESIDENCE BARRA PREMIUM Copacabana Barra da Tijuca Rua Malibu, 1.355 (+55 21) 3222-8800 (+55 21) 2483-5373 AFTERNOON: 15:30 / 15:50h Barra da Tijuca MEU NOME É… (+55 21) 3622-4600 PORTO BAY RIO INTERNACIONAL SHERATON BARRA MY NAME IS… Avenida Atlântica, 1.500 Avenida Lucio Costa, 3.150 BRISA BARRA HOTEL Copacabana Barra da Tijuca Avenida Lucio Costa, 5.700 (+55 21) 2546-8000 (+55 21) 3139-8000 DESCULPE. Barra da Tijuca SORRY. (+55 21) 3433-6600 PRAIA LINDA HOTEL TRANSAMÉRICA BARRA Avenida do Pepê, 1.430 Avenida Gastão Senges, 395 HOTEL MAJESTIC Barra da Tijuca Barra da Tijuca QUANTO CUSTA? Rua Cinco de Julho, 195 (+55 21) 2494-2186 (+55 21) 2123-7000 HOW MUCH? Copacabana (+55 21) 2548-2030 PROMENADE CASA DEL MAR WINDSOR ATLÂNTICA Avenida Sernambetiba, 5.740 Avenida Atlântica, 1.020 RESTAURANTE HOTEL SOL DA BARRA Barra da Tijuca Copacabana RESTAURANT Avenida Lucio Costa, 880 (+55 21) 2158-6999 (+55 21) 2195-7800 Barra da Tijuca (+55 21) 2493-7823 PROMENADE PARADISO ALL SUITES WINDSOR BARRA POR FAVOR, LEVE-ME PARA... Avenida das Américas, 487 Avenida Lucio Costa, 2.630 PLEASE, DRIVE ME TO... IPANEMA PLAZA Barra da Tijuca Barra da Tijuca Rua Farme de Amoedo, 34 (+55 21) 2111-8700 (+55 21) 2195-5000 Ipanema ONDE FICA O TOILET? WHERE IS THE RESTROOM? (+55 21) 3687-2000 RAMADA HOTEL & SUITES RIO CENTRO WINDSOR PLAZA Avenida Salvador Allende, 500 Avenida Princesa Isabel, 263 Jacarepaguá Copacabana (+55 21) 2483-5373 (+55 21) 2195-5500 CONFERÊNCIA GERAL DO ICOM THE GENERAL CONFERENCE OF ICOM

48 49 SUBWAY WWW.ICOMRIO2013.ORG.BR 23RD GENERAL CONFERENCE OF THE INTERNATIONAL COUNCIL OF MUSEUMS – ICOM 23RD GENERAL CONFERENCE OF THE INTERNATIONAL COUNCIL OF MUSEUMS – ICOM WWW.ICOMRIO2013.ORG.BR

SUBWAY USEFUL INFORMATION INFORMATION USEFUL

With 35 stations spread throughout WATER CREDIT CARD SHOPPING WORKING HOURS North Zone, Central area and South Zone, Water provision in Rio de Janeiro is in line American Express, Visa, Diner’s Club and Offices usually work from 9 am to 6 pm. the subway offers a satisfactory and with international standards, but due to Master Card are accepted in most shops. Shops usually open from 9h to 19h. Lunch practical service. the strong taste of chlorine the use of min- In general, traveler’s checks are accepted, is usually from 12 noon to 2 pm. Most of- eral water for drinking is advised. which does not happen with personal fices are closed on Saturdays and Sun- OPENING HOURS checks from foreign banks. days. Week days: from 5 am to midnight. CAR RENTAL Sundays and holidays: from 7 am to 11 pm. All main car rental companies have POST OFFICE INTERNATIONAL PHONE CALLS branches in Rio de Janeiro. Bookings There are agencies spread throughout the The international code for telephone calls ADDITIONAL INFORMATION: should be done from place of origin. For city, which operate according to interna- to Brazil is +55. 0800-595-1111 shorter 1-2-day rentals, request assis- tional standards. • For long-distance phone calls within tance from your hotel concierge. the country: Dial 0 + telephone service MAP OF THE SUBWAY IN RIO DE JANEIRO Opening hours: week days from 8 an to provider code + city code without 0 + BANKS 5 pm (Rio Sul Shopping branch is open till destination phone number. Bank branches are open on weekdays 10 pm). Most hotels offer postal and pack- • For collect calls, just replace 0 with 90 Pavuna from 10 am to 4 pm. Withdrawals in Reais aging of goods services. Subway in the beginning of your call. LINE 1 can be done with all major cards, all days Eng. Rubens Paiva • For international calls from Brazil: Dial of the week, at ATM Machines from 6 an VOLTAGE AND ELETRIC OUTLET STANDARD 00 + telephone service provider code + Acari/ Fazenda Botafogo Subway to 10 pm. Voltage in Brazil ranges from 110V to LINE 2 country code without 00 + destination Coelho Neto 220V 60Hz. There are 220V plugs in most phone number. EXCHANGES AND REIMBURSEMENTS hotel bathrooms. Colégio Subway Clarify with shop vendors their policy on Outside hotels, long distance calls may be Irajá SURFACE Vicente de Carvalho exchanges and reimbursements. It is pos- done from DDI Public Phones or on card sible to exchange purchased good in most phones in several places. Thomaz Coelho shops, but reimbursement is not common Engenho da Rainha (New standard outlet type in Brazil) Inhaúma practice, if not inexistent. CLOTHING Jacarepaguá Barra Nova América / Del Castilho In Rio de Janeiro, informal attires prevail. Pres. Vargas Fundão WEATHER WARRANTY AND RECEIPTS Light coats are frequently necessary once São Cidade Weather is amenable, regardless of sea- When shopping for expensive electronic hotels, restaurants and bars, as well as Cristóvão Nova Uruguaiana Maria da Graça son. In the month of August, average tem- items, make sure the Warranty Card is subway and most taxis, are air-condi- Carioca Triagem perature is 22ºC. filled out, stamped and that it is valid tioned. Maracanã Central Praça Cinelândia worldwide. Ask for an itemized till re- Usina Saens São Fco. Afonso Onze Muda Glória ceipt (nota fiscal detalhada). Tax free Peña Xavier Pena Estácio Andaraí purchases in Brazil are mostly restricted Catete Grajaú to airports. Largo do Machado Rodoviária Vila Isabel São Cristóvão/ Caju Flamengo Méier Cosme Velho Urca Hosp. da Lagoa Humaitá Botafogo Marquês de São Vicente Jardim Maria Cobal do Leme Botânico Angélica Humaitá PUC Cardeal Arcoverde Siqueira Campos Alto Leblon Afrânio de Nossa Sra. Barra Melo Franco da Paz Baixo Leblon Antero de Anibal de Prudente Cantagalo Quintal Mendonça de Morais Ipanema/ Gal. Osório

50 51 EMERGENCIES photo: Rio CVB/Pedro Gama CVB/Pedro Rio photo: 23RD GENERAL CONFERENCE OF THE INTERNATIONAL COUNCIL OF MUSEUMS – ICOM WWW.ICOMRIO2013.ORG.BR

EMERGENCIES

193 FIRE DEPARTMENT 199 CIVIL DEFENSE 197 CIVIL POLICE 190 MILITARY POLICE 192 EMERGENCY UNIT

MEDICAL CARE North Zone TOURTIST INFORMATION DESKS Most hotels have 24h medical services and a list of recommended practices. See HOSPITAL FEDERAL DE BONSUCESSO Rio de Janeiro below the list of the main public and pri- Av. Londres, 616 – Bonsucesso International Airport - Galeão vate hospitals that attend to emergencies in the city: HOSPITAL QUINTA D’OR TERMINAL 1 Rua Almirante Baltazar, 435 – São International Arrivals, blue zone South Zone Cristóvão +55 21 3398-4077

HOSPITAL MUNICIPAL MIGUEL COUTO West Zone Domestic Arrivals, green zone Avenida Bartolomeu Mitre, 1.108 – Leblon +55 21 3398-3034 HOSPITAL MUNICIPAL LOURENÇO JORGE HOSPITAL COPA D’OR Avenida Ayrton Senna, 2.000 – Barra da TERMINAL 2 Rua Figueiredo de Magalhães, 875 – Tijuca International Arrivals Copacabana +55 21 3398-2245 +55 21 2545-3600 HOSPITAL BARRA D’OR Av. Ayrton Senna, 2.541 – Barra da Domestic Arrivals HOSPITAL SAMARITANO Tijuca +55 21 3398-2246 Rua Bambina, 98 – Botafogo +55 21 2535-4000 SAFETY AND SECURITY Copacabana As in most big world cities, the safest HOSPITAL PRÓ CARDÍACO - way for a smooth stay in Rio de Janeiro Av. Atlântica, corner PRONTO SOCORRO CARDIOLÓGICO is self-awarenss against petty thefts, and with Av. Rainha Elizabeth Rua General Polidoro, 192 – Botafogo carrying a minimum amount of cash and + 55 21 2513-0077 +55 21 2286-4242 valuables. Av. Princesa Isabel, 183 CLÍNICA SÃO VICENTE Rio de Janeiro Military Police and Munici- +55 21 2541-7522 Rua João Borges, 204 – Gávea pal Guard Units have stations and service +55 21 2529-4422 | 2529-4505 points throughout the city.

TOURIST SUPPORT POLICE STATION Av. Afrânio de Melo Franco, 159 – Leblon +55 21 2332-2924 | 2332-2885 | deat@ pcerj.rj.gov.br

CENTRAL TOURIST INFORMATION 1746 | 0800-285-0555 | +55 21 3398-3034

ALÔ RIO +55 21 2542-8080 | 2542-8004

52 53 MAIN EMBASSIES AND CONSULATES AND EMBASSIES MAIN photo: Rio CVB/Jean Jacques Limbourg Jacques CVB/Jean Rio photo: 23RD GENERAL CONFERENCE OF THE INTERNATIONAL COUNCIL OF MUSEUMS – ICOM WWW.ICOMRIO2013.ORG.BR

MAIN EMBASSIES AND CONSULATES

CENTRE OF INFORMATION OF THE CHILE MEXICO UNITED NATIONS FOR BRAZIL – UNIC RIO Praia do Flamengo 344 /701 – Flamengo Praia de Botafogo, 242 – Botafogo Av. Mal. Floriano, 196 – Centro +55 21 3579-9660 / 3579-9658 +55 21 2553-5925 +55 21 2253-2211 http://chileabroad.gov.cl/rio-de-janeiro/ www.unicrio.org.br NORWAY CHINA R. Lauro Müller, 116 – Botafogo GERMANY R. Muniz Barreto, 715 – Botafogo +55 21 2541-7732 R. Pres. Carlos de Campos, 417 – +55 21 3237-6600 Laranjeiras br.china-embassy.org PORTUGAL +55 21 2554-0004 Av. Mal. Câmara, 160 – Centro www.rio-de-janeiro.diplo.de EGYPT +55 21 2544-3262 R. Muniz Barreto, 741 – Botafogo www.consuladoportugalrj.org.br ANGOLA +55 21 2554-6318 Av. Rio Branco, 311 – Centro www.opengate.com.br/embegito/ UNITED KINGDOM +55 21 3526-9439 Praia do Flamengo, 284 – Flamengo consuladodeangola.org SPAIN +55 21 2553-5507 R. São Francisco Xavier, 524 – São www.gov.uk ARGENTINA Francisco Xavier Praia de Botafogo, 228 – Botafogo +55 21 2569-6810 RUSSIA +55 21 2553-1646 www.embajadaenbrasil.maec.es R. Prof. Azevedo Marques, 50 – Leblon crioj.mrecic.gov.ar +55 21 2274-0097 UNITED STATES www.consrio.mid.ru AUSTRALIA Av. Presidente Wilson, 147 – Castelo Av. Presidente Wilson, 231, 23º andar – +55 21 3823-2000 Centro www.embaixada-americana.org.br +55 21 3824-4624 www.cdasp.org.br FRANCE Av. Pres. Antônio Carlos, 58 – Centro BELGIUM +55 21 3974-6699 R. Lauro Müller, 116 – Botafogo +55 21 2543-8558 ITALY www.diplomatie.be/riodejaneiro/ Av. Pres. Antônio Carlos, 40 – Centro +55 21 2282-1315 CANADA www.conssanpaolo.esteri.it Av. Atlântica, 1.130 – Copacabana +55 21 3873-4843 JAPAN Praia do Flamengo, 200 – Flamengo +55 21 3461-9595 www.rio.br.emb-japan.go.jp

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