PROGRAM SESSIONS All Sessions Will Be Held at the Los Angeles Convention Center (LACC) Unless Otherwise Noted
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Complete List of Books in Library Acc No Author Title of Book Subject Publisher Year R.No
Complete List of Books in Library Acc No Author Title of book Subject Publisher Year R.No. 1 Satkari Mookerjee The Jaina Philosophy of PHIL Bharat Jaina Parisat 8/A1 Non-Absolutism 3 Swami Nikilananda Ramakrishna PER/BIO Rider & Co. 17/B2 4 Selwyn Gurney Champion Readings From World ECO `Watts & Co., London 14/B2 & Dorothy Short Religion 6 Bhupendra Datta Swami Vivekananda PER/BIO Nababharat Pub., 17/A3 Calcutta 7 H.D. Lewis The Principal Upanisads PHIL George Allen & Unwin 8/A1 14 Jawaherlal Nehru Buddhist Texts PHIL Bruno Cassirer 8/A1 15 Bhagwat Saran Women In Rgveda PHIL Nada Kishore & Bros., 8/A1 Benares. 15 Bhagwat Saran Upadhya Women in Rgveda LIT 9/B1 16 A.P. Karmarkar The Religions of India PHIL Mira Publishing Lonavla 8/A1 House 17 Shri Krishna Menon Atma-Darshan PHIL Sri Vidya Samiti 8/A1 Atmananda 20 Henri de Lubac S.J. Aspects of Budhism PHIL sheed & ward 8/A1 21 J.M. Sanyal The Shrimad Bhagabatam PHIL Dhirendra Nath Bose 8/A2 22 J.M. Sanyal The Shrimad PHIL Oriental Pub. 8/A2 Bhagabatam VolI 23 J.M. Sanyal The Shrimad PHIL Oriental Pub. 8/A2 Bhagabatam Vo.l III 24 J.M. Sanyal The Shrimad Bhagabatam PHIL Oriental Pub. 8/A2 25 J.M. Sanyal The Shrimad PHIL Oriental Pub. 8/A2 Bhagabatam Vol.V 26 Mahadev Desai The Gospel of Selfless G/REL Navijvan Press 14/B2 Action 28 Shankar Shankar's Children Art FIC/NOV Yamuna Shankar 2/A2 Number Volume 28 29 Nil The Adyar Library Bulletin LIT The Adyar Library and 9/B2 Research Centre 30 Fraser & Edwards Life And Teaching of PER/BIO Christian Literature 17/A3 Tukaram Society for India 40 Monier Williams Hinduism PHIL Susil Gupta (India) Ltd. -
Odisha Review Dr
Orissa Review * Index-1948-2013 Index of Orissa Review (April-1948 to May -2013) Sl. Title of the Article Name of the Author Page No. No April - 1948 1. The Country Side : Its Needs, Drawbacks and Opportunities (Extracts from Speeches of H.E. Dr. K.N. Katju ) ... 1 2. Gur from Palm-Juice ... 5 3. Facilities and Amenities ... 6 4. Departmental Tit-Bits ... 8 5. In State Areas ... 12 6. Development Notes ... 13 7. Food News ... 17 8. The Draft Constitution of India ... 20 9. The Honourable Pandit Jawaharlal Nehru's Visit to Orissa ... 22 10. New Capital for Orissa ... 33 11. The Hirakud Project ... 34 12. Fuller Report of Speeches ... 37 May - 1948 1. Opportunities of United Development ... 43 2. Implication of the Union (Speeches of Hon'ble Prime Minister) ... 47 3. The Orissa State's Assembly ... 49 4. Policies and Decisions ... 50 5. Implications of a Secular State ... 52 6. Laws Passed or Proposed ... 54 7. Facilities & Amenities ... 61 8. Our Tourists' Corner ... 61 9. States the Area Budget, January to March, 1948 ... 63 10. Doings in Other Provinces ... 67 1 Orissa Review * Index-1948-2013 11. All India Affairs ... 68 12. Relief & Rehabilitation ... 69 13. Coming Events of Interests ... 70 14. Medical Notes ... 70 15. Gandhi Memorial Fund ... 72 16. Development Schemes in Orissa ... 73 17. Our Distinguished Visitors ... 75 18. Development Notes ... 77 19. Policies and Decisions ... 80 20. Food Notes ... 81 21. Our Tourists Corner ... 83 22. Notice and Announcement ... 91 23. In State Areas ... 91 24. Doings of Other Provinces ... 92 25. Separation of the Judiciary from the Executive .. -
Tang Teaching Museum Receives Transformative Gift of Contemporary Art Works from Peter Norton Collection
Tang Teaching Museum Receives Transformative Gift of Contemporary Art Works from Peter Norton Collection Gift includes works by Matthew Barney, Glenn Ligon, Gabriel Orozco, Lari Pittman, Kara Walker, Carrie Mae Weems, and Fred Wilson SARATOGA SPRINGS, N.Y. (November 13, 2014) – The Frances Young Tang Teaching Museum and Art Gallery at Skidmore College has received a gift of 75 works of contemporary art from the collection of the computer programmer and philanthropist Peter Norton. This is the first in a series of gifts to university art museums and teaching museums throughout the country—drawn from Norton’s personal collection—to support the integration of the visual arts in higher education, foster creative museum practice, and engage diverse audiences with contemporary art. Norton initiated his first large donation project in 2000, gifting over 1,000 pieces from his collection to 32 select institutions. His gift to the Tang Teaching Museum represents the inauguration of his second major donation project. In addition to the Tang, the museums receiving a gift from Norton include: UC Berkeley Art Museum and Pacific Film Archive, Berkeley, California; Mary & Leigh Block Museum of Art, Northwestern University, Evanston, Illinois; California Museum of Photography and Sweeney Art Gallery at UCR ARTSblock, University of California Riverside, Riverside, California; Hammer Museum at UCLA, Los Angeles, California; Mildred Lane Kemper Art Museum, Washington University, St. Louis, Missouri; Rose Art Museum, Brandeis University, Waltham, Massachusetts; and Williams College Museum of Art, Williamstown, Massachusetts. The gift to the Tang includes works by some of today’s leading contemporary artists, including Polly Apfelbaum, Matthew Barney, Nicole Cherubini, Willie Cole, Renee Cox, David Hammons, Glenn Ligon, Gabriel Orozco, Lari Pittman, Martha Rosler, Erika Rothenberg, Lorna Simpson, William Villalongo, Carrie Mae Weems, Fred Wilson, and Millie Wilson. -
The Social and Environmental Turn in Late 20Th Century Art
THE SOCIAL AND ENVIRONMENTAL TURN IN LATE 20TH CENTURY ART: A CASE STUDY OF HELEN AND NEWTON HARRISON AFTER MODERNISM A DISSERTATION SUBMITTED TO THE PROGRAM IN MODERN THOUGHT AND LITERATURE AND THE COMMITTEE ON GRADUATE STUDIES OF STANFORD UNIVERSITY IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY LAURA CASSIDY ROGERS JUNE 2017 © 2017 by Laura Cassidy Rogers. All Rights Reserved. Re-distributed by Stanford University under license with the author. This work is licensed under a Creative Commons Attribution- Noncommercial-Share Alike 3.0 United States License. http://creativecommons.org/licenses/by-nc-sa/3.0/us/ This dissertation is online at: http://purl.stanford.edu/gy939rt6115 Includes supplemental files: 1. (Rogers_Circular Dendrogram.pdf) 2. (Rogers_Table_1_Primary.pdf) 3. (Rogers_Table_2_Projects.pdf) 4. (Rogers_Table_3_Places.pdf) 5. (Rogers_Table_4_People.pdf) 6. (Rogers_Table_5_Institutions.pdf) 7. (Rogers_Table_6_Media.pdf) 8. (Rogers_Table_7_Topics.pdf) 9. (Rogers_Table_8_ExhibitionsPerformances.pdf) 10. (Rogers_Table_9_Acquisitions.pdf) ii I certify that I have read this dissertation and that, in my opinion, it is fully adequate in scope and quality as a dissertation for the degree of Doctor of Philosophy. Zephyr Frank, Primary Adviser I certify that I have read this dissertation and that, in my opinion, it is fully adequate in scope and quality as a dissertation for the degree of Doctor of Philosophy. Gail Wight I certify that I have read this dissertation and that, in my opinion, it is fully adequate in scope and quality as a dissertation for the degree of Doctor of Philosophy. Ursula Heise Approved for the Stanford University Committee on Graduate Studies. Patricia J. -
NEA-Annual-Report-1980.Pdf
National Endowment for the Arts National Endowment for the Arts Washington, D.C. 20506 Dear Mr. President: I have the honor to submit to you the Annual Report of the National Endowment for the Arts and the National Council on the Arts for the Fiscal Year ended September 30, 1980. Respectfully, Livingston L. Biddle, Jr. Chairman The President The White House Washington, D.C. February 1981 Contents Chairman’s Statement 2 The Agency and Its Functions 4 National Council on the Arts 5 Programs 6 Deputy Chairman’s Statement 8 Dance 10 Design Arts 32 Expansion Arts 52 Folk Arts 88 Inter-Arts 104 Literature 118 Media Arts: Film/Radio/Television 140 Museum 168 Music 200 Opera-Musical Theater 238 Program Coordination 252 Theater 256 Visual Arts 276 Policy and Planning 316 Deputy Chairman’s Statement 318 Challenge Grants 320 Endowment Fellows 331 Research 334 Special Constituencies 338 Office for Partnership 344 Artists in Education 346 Partnership Coordination 352 State Programs 358 Financial Summary 365 History of Authorizations and Appropriations 366 Chairman’s Statement The Dream... The Reality "The arts have a central, fundamental impor In the 15 years since 1965, the arts have begun tance to our daily lives." When those phrases to flourish all across our country, as the were presented to the Congress in 1963--the illustrations on the accompanying pages make year I came to Washington to work for Senator clear. In all of this the National Endowment Claiborne Pell and began preparing legislation serves as a vital catalyst, with states and to establish a federal arts program--they were communities, with great numbers of philanthro far more rhetorical than expressive of a national pic sources. -
A Critique of Humoristic Absurdism
A Critique of Humoristic Absurdism A Critique of Humoristic Absurdism Problematizing the legitimacy of a humoristic disposition toward the Absurd A Critique of Humoristic Absurdism Copyright © 2020 Thom Hamer Thom Hamer All rights reserved. No part of this thesis may be reproduced, stored or transmitted in any way or by any means without the prior permission of the author or, when applicable, of the publishers of the scientific papers. Image on previous page: Yue Minjun (2003), Garbage Hill Student number: 3982815 Graphic design: Mirelle van Tulder Date: February 5th 2020 Printed by Ipskamp Printing Word count: 32,397 Institution: Utrecht University Contents Study: Research Master Philosophy Summary 9 Document: Final Thesis Foreword 10 Supervisor: prof. dr. Paul Ziche Introduction 12 Second Reader: dr. Hans van Stralen 1. The Philosophy of Humor 21 Third Reader: prof. dr. Mauro Bonazzi 1.1. A history of negligence and rejection 24 1.2. Important distinctions 33 1.3. Theories of humor 34 1.4. Defense of the Incongruity Theory 41 1.5. Relevance of relief and devaluation 52 1.6. Operational definition 54 2. The Notion of the Absurd 59 2.1. Camusian notion: meaninglessness 61 2.2. Tolstoyan notion: mortality 63 2.3. Nagelian notion: trivial commitments 67 2.4. Modified notion: dissolution of resolution 71 2.5. Justificatory guideline for a disposition toward the Absurd 78 3. Humoristic Absurdism 83 3.1. What is Humoristic Absurdism? 85 3.2. Cultural expressions of Humoristic Absurdism 87 3.3. Defense of Humoristic Absurdism 92 4. Objections against the humoristic disposition toward the Absurd 101 4.1. -
Visitor Figures 2016 Exhibition & Museum Attendance Survey
2 THE ART NEWSPAPER REVIEW Number 289, April 2017 SPECIAL REPORT VISITOR FIGURES 2016 EXHIBITION & MUSEUM ATTENDANCE SURVEY Christo helps 1.2 million people to walk on water While the Whitney breaks the hold of New York’s big two hristo’s triumph in Italy, a space in New York to five artists, including Steve Children admiring Louise Bourgeois at Tate Modern: ravenous appetite for French art McQueen, Lucy Dodd and Michael Heizer, for the institution has hung on to its spot as the world’s abroad and a shake-up in New several weeks at a time. On average, more than most popular Modern and contemporary art museum York are the big stories of The 4,000 visitors saw each of the five presentations, Art Newspaper’s 2016 attend- roughly equivalent to the number that visited the FEMALE ARTISTS DRAW BIG CROWDS ance survey. museum’s Frank Stella retrospective. Christo’s Floating Piers (2016) Despite the Whitney’s rapid rise, MoMA and Female artists feature prominently in our survey. on Lake Iseo—the New York-based artist’s first the Met continue to lead the league in New York. At the Guggenheim Bilbao, Louise Bourgeois’s Cells Coutdoor installation since 2005—was the world’s MoMA remains at the top, thanks to staffers who attracted around 4,600 visitors a day. The Japanese most-visited work of art last year. Christo erected performed each afternoon over a long weekend artist Yayoi Kusama, who in 2014 proved a phenom- 3km of fabric-covered pontoons between an island last October in a production directed by the enon in South America and Asia, continued to pull and the shore and invited the public to walk on French choreographer Jérôme Bel. -
The Geography of the Class Culture Wars
The Geography of the Class Culture Wars Lisa R. Pruitt† I. CULTURE WARS ACROSS THE RURAL–URBAN AXIS 770 II. CLASS COMPLICATIONS IN RURAL AMERICA: THE WELL OFF, THE WORKERS, AND THE WHITE TRASH 791 III. POLITICS, POLICY, AND WORK-FAMILY STRUGGLES IN RURAL AMERICA 804 IV. MAKING AMENDS: WORK AS A BRIDGE TO SOMEWHERE 809 As suggested by the title of her new book, Reshaping the Work- Family Debate: Why Men and Class Matter, Joan Williams takes class seriously. Class matters, Williams argues, because “socially conscious progressives”1 need political allies to achieve progress with their agenda for work-family reform.2 Williams calls us not only to think about class and recognize it as a significant axis of stratification and (dis)advantage, but also to treat the working class with respect and dignity. Emblematic of Williams’s argument is her challenge to us to “[d]iscard[] Marxian analyses from 30,000 feet” and “come down to learn enough about work- ing-class life to end decades of casual insults.”3 In other words, be nice † Professor of Law, U.C. Davis School of Law, [email protected]. Thanks to Monica J. Bau- mann, Rebecca Lovell, Patricija Petrac, Rachel R. Ray, Maytak Chin, James R. Beck, and Monica Crooms for excellent research and editorial assistance, and to students in my Law and Rural Livelih- oods class for engagement with these ideas. Jennifer Sherman, Angela P. Harris, Will Rhee, Ezra Rosser, Ruth Ann Bertsch, and Robert T. Laurence provided very helpful comments on an earlier draft, and the faculties at the Salmon P. -
Real Academia De Bellas Artes De San Telmo De Málaga
ANUARIO 2015 REAL ACADEMIA DE BELLAS ARTES DE SAN TELMO DE MÁLAGA ANUARIO REAL ACADEMIA DE BELLAS ARTES DE SAN TELMO DE MÁLAGA 2015 NÚmero Quince. Segunda ÉPoca REAL ACADEMIA DE BELLAS ARTES DE SAN TELMO ASOCIADA AL INSTITUTO DE ESPAÑA INTEGRADA EN EL INSTITUTO DE ACADEMIAS DE ANDALUCÍA Esta Academia está constituida por treinta y ocho Académicos de Número, cinco Académicos de Honor y un número ilimitado de Académicos Correspondientes. Los Académicos de Número de esta Real Academia pertenecen a las siete secciones que la constituyen: Pintura, Arquitectura, Escultura, Música, Poesía y Literatura, Artes Visuales y Amantes de las Bellas Artes. SECCIÓN 1ª: PINTURA JUNTA DE GOBIERNO Ilmo. Sr. D. Rodrigo Vivar Aguirre La Junta de Gobierno de esta Real Academia está constituida Ilmo. Sr. D. Francisco Peinado Rodríguez por los Académicos de Número, que son elegidos de entre sus Ilmo. Sr. D. José Manuel Cabra de Luna miembros mediante las correspondientes elecciones convocadas de forma periódica. Actualmente está conformada por los académicos Ilmo. Sr. D. José Manuel Cuenca Mendoza (Pepe Bornoy) siguientes: Ilmo. Sr. D. Jorge Lindell Díaz Ilmo. Sr. D. José Guevara Castro Presidente: Excmo. Sr. D. José Manuel Cabra de Luna Ilmo. Sr. D. Manuel Pérez Ramos Vicepresidente 1°: Ilma. Sra. Dña. Rosario Camacho Martínez Ilmo. Sr. D. Fernando de la Rosa Ceballos Vicepresidente 2°: Ilmo. Sr. D. Ángel Asenjo Díaz Vicepresidente 3°: Ilmo. Sr. D. Francisco Javier Carrillo Montesinos SECCIÓN 2ª: ARQUITECTURA Secretaria: Ilma. Sra. Dña. Marion Reder Gadow Ilmo. Sr. D. Álvaro Mendiola Fernández Bibliotecaria: Ilma. Sra. Dña. María Pepa Lara García Ilmo. Sr. -
Vlassis Caniaris
www.TeamGallery.com Vlassis Caniaris 1928 Born Athens, Greece Lives and works in Athens, Greece Education: 1959 School of Fine Arts, Rome, Italy 1950-1955 School of Fine Arts, Athens, Greece (studios of Umberto Argyros, Yiannis Pappas, Panos Sarafianos and Yiannis Moralis) 1949-1950 University of Athens, School of Medicine, Greece One Person Exhibitions: 2010 Galerie Giti Nourbakhsch, Berlin, Germany, As it was before the day before yesterday, so it will be the day after the day after tomorrow Art 41 Basel, Basel, Switzerland, Art Feature, Vlassis Caniaris (under the auspices of the Breeder) 2009 The Breeder, Athens, Greece Arnados School, Tinos, Greece, Genethlion Kalfayan Gallery, Athens, Greece, Arrivederci-Wilkommen 2008 Benaki Museum, Athens, Greece, Anniversary 2004 Municipal Art Gallery of Chania, Crete, Greece Zina Anastasiadou Gallery, Thessaloniki, Greece 2003 Foundation for Hellenic Culture, New York, United States 2000 State Museum of Contemporary Art, Thessaloniki, Greece, Retrospective Zina Anastasiadou Gallery, Thessaloniki, Greece 1999 National Gallery, Athens, Greece, Retrospective 1996 Aria Gallery, Argostaoll, Kefalona Island, Greece 1993 Galerie 3, Athens, Greece Team gallery, inc., 83 grand st New york, ny 10013 tel. 212.279.9219 fax. 212.279.9220 www.TeamGallery.com 1992 Staatliche Kunsthaus, Berlin, Germany 1991 Cultural Center Vafopoulou, Thessaloniki, Greece Paratiritis Gallery, Thessaloniki, Greece Karl Ernst Osthaus-Museum, Hagen, Germany 1989 Titanium Gallery, Athens, Greece Municipal Gallery, Patras, Greece -
School of Art 2016–2017
BULLETIN OF YALE UNIVERSITY BULLETIN OF YALE BULLETIN OF YALE UNIVERSITY Periodicals postage paid New Haven ct 06520-8227 New Haven, Connecticut School of Art 2016–2017 School of Art 2016–2017 BULLETIN OF YALE UNIVERSITY Series 112 Number 1 May 15, 2016 BULLETIN OF YALE UNIVERSITY Series 112 Number 1 May 15, 2016 (USPS 078-500) The University is committed to basing judgments concerning the admission, education, is published seventeen times a year (one time in May and October; three times in June and employment of individuals upon their qualifications and abilities and a∞rmatively and September; four times in July; five times in August) by Yale University, 2 Whitney seeks to attract to its faculty, sta≠, and student body qualified persons of diverse back- Avenue, New Haven CT 0651o. Periodicals postage paid at New Haven, Connecticut. grounds. In accordance with this policy and as delineated by federal and Connecticut law, Yale does not discriminate in admissions, educational programs, or employment against Postmaster: Send address changes to Bulletin of Yale University, any individual on account of that individual’s sex, race, color, religion, age, disability, PO Box 208227, New Haven CT 06520-8227 status as a protected veteran, or national or ethnic origin; nor does Yale discriminate on the basis of sexual orientation or gender identity or expression. Managing Editor: Kimberly M. Go≠-Crews University policy is committed to a∞rmative action under law in employment of Editor: Lesley K. Baier women, minority group members, individuals with disabilities, and protected veterans. PO Box 208230, New Haven CT 06520-8230 Inquiries concerning these policies may be referred to Valarie Stanley, Director of the O∞ce for Equal Opportunity Programs, 221 Whitney Avenue, 3rd Floor, 203.432.0849. -
Robert E. Harrist, Jr. Department of Art History and Archaeology 826 Schermerhorn Hall Columbia University New York, New York 10027 Tel
Robert E. Harrist, Jr. Department of Art History and Archaeology 826 Schermerhorn Hall Columbia University New York, New York 10027 Tel. (212) 854-4505 (office) (212) 854-8080 (home) email: [email protected] Education Princeton University, Ph.D. in Chinese Art and Archaeology, 1989 Inter-University Program for Chinese Language Studies, Taipei, 1981-82 Columbia University, M.A. in East Asian Studies, 1980 Indiana University, M.A. in Art History, 1978; B. S. in Music and Art History, 1975 Teaching Experience Jane and Leopold Swergold Professor of Chinese Art, Department of Art History and Archaeology, Columbia University, 2001-; Associate Professor 1997-2001. Department chairman, 2007-2011 Visiting Professor, Lingnan Univeristy, Hong Kong, March 2012 Professeur invité, Université de Paris 1/Sorbonne, November 2011 Slade Professor of Fine Art, University of Cambridge, 2006-07 Visiting Associate Professor, Department of Art History and Archaeology, Princeton University, Spring 2001 Associate Professor of Art and East Asian Studies, Oberlin College, 1987-1997; Director of the Program in East Asian Studies, 1996-1997 Visiting Associate Professor of the History of Art, The University of Michigan, Winter Term, 1993 Publications 2 Books and Exhibition Catalogues: The Landscape of Words: Stone Inscription in Early and Medieval China. Seattle: University of Washington Press, 2008. (Winner of the Joseph Levenson Prize, Association of Asian Studies, 2010.) With Wen C. Fong et al., The Embodied Image: Chinese Calligraphy from the John B. Elliott Collection. Princeton: The Art Museum, 1999. Japanese adaptation, Umi o watatta Chūgoku no sho (Chinese calligraphy overseas). Osaka: Osaka Municipal Museum, 2003. Painting and Private Life in Eleventh-Century China: Mountain Villa by Li Gonglin.