Dictionary of Graphic Design and Designers
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The Social and Environmental Turn in Late 20Th Century Art
THE SOCIAL AND ENVIRONMENTAL TURN IN LATE 20TH CENTURY ART: A CASE STUDY OF HELEN AND NEWTON HARRISON AFTER MODERNISM A DISSERTATION SUBMITTED TO THE PROGRAM IN MODERN THOUGHT AND LITERATURE AND THE COMMITTEE ON GRADUATE STUDIES OF STANFORD UNIVERSITY IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY LAURA CASSIDY ROGERS JUNE 2017 © 2017 by Laura Cassidy Rogers. All Rights Reserved. Re-distributed by Stanford University under license with the author. This work is licensed under a Creative Commons Attribution- Noncommercial-Share Alike 3.0 United States License. http://creativecommons.org/licenses/by-nc-sa/3.0/us/ This dissertation is online at: http://purl.stanford.edu/gy939rt6115 Includes supplemental files: 1. (Rogers_Circular Dendrogram.pdf) 2. (Rogers_Table_1_Primary.pdf) 3. (Rogers_Table_2_Projects.pdf) 4. (Rogers_Table_3_Places.pdf) 5. (Rogers_Table_4_People.pdf) 6. (Rogers_Table_5_Institutions.pdf) 7. (Rogers_Table_6_Media.pdf) 8. (Rogers_Table_7_Topics.pdf) 9. (Rogers_Table_8_ExhibitionsPerformances.pdf) 10. (Rogers_Table_9_Acquisitions.pdf) ii I certify that I have read this dissertation and that, in my opinion, it is fully adequate in scope and quality as a dissertation for the degree of Doctor of Philosophy. Zephyr Frank, Primary Adviser I certify that I have read this dissertation and that, in my opinion, it is fully adequate in scope and quality as a dissertation for the degree of Doctor of Philosophy. Gail Wight I certify that I have read this dissertation and that, in my opinion, it is fully adequate in scope and quality as a dissertation for the degree of Doctor of Philosophy. Ursula Heise Approved for the Stanford University Committee on Graduate Studies. Patricia J. -
NEA-Annual-Report-1980.Pdf
National Endowment for the Arts National Endowment for the Arts Washington, D.C. 20506 Dear Mr. President: I have the honor to submit to you the Annual Report of the National Endowment for the Arts and the National Council on the Arts for the Fiscal Year ended September 30, 1980. Respectfully, Livingston L. Biddle, Jr. Chairman The President The White House Washington, D.C. February 1981 Contents Chairman’s Statement 2 The Agency and Its Functions 4 National Council on the Arts 5 Programs 6 Deputy Chairman’s Statement 8 Dance 10 Design Arts 32 Expansion Arts 52 Folk Arts 88 Inter-Arts 104 Literature 118 Media Arts: Film/Radio/Television 140 Museum 168 Music 200 Opera-Musical Theater 238 Program Coordination 252 Theater 256 Visual Arts 276 Policy and Planning 316 Deputy Chairman’s Statement 318 Challenge Grants 320 Endowment Fellows 331 Research 334 Special Constituencies 338 Office for Partnership 344 Artists in Education 346 Partnership Coordination 352 State Programs 358 Financial Summary 365 History of Authorizations and Appropriations 366 Chairman’s Statement The Dream... The Reality "The arts have a central, fundamental impor In the 15 years since 1965, the arts have begun tance to our daily lives." When those phrases to flourish all across our country, as the were presented to the Congress in 1963--the illustrations on the accompanying pages make year I came to Washington to work for Senator clear. In all of this the National Endowment Claiborne Pell and began preparing legislation serves as a vital catalyst, with states and to establish a federal arts program--they were communities, with great numbers of philanthro far more rhetorical than expressive of a national pic sources. -
Real Academia De Bellas Artes De San Telmo De Málaga
ANUARIO 2015 REAL ACADEMIA DE BELLAS ARTES DE SAN TELMO DE MÁLAGA ANUARIO REAL ACADEMIA DE BELLAS ARTES DE SAN TELMO DE MÁLAGA 2015 NÚmero Quince. Segunda ÉPoca REAL ACADEMIA DE BELLAS ARTES DE SAN TELMO ASOCIADA AL INSTITUTO DE ESPAÑA INTEGRADA EN EL INSTITUTO DE ACADEMIAS DE ANDALUCÍA Esta Academia está constituida por treinta y ocho Académicos de Número, cinco Académicos de Honor y un número ilimitado de Académicos Correspondientes. Los Académicos de Número de esta Real Academia pertenecen a las siete secciones que la constituyen: Pintura, Arquitectura, Escultura, Música, Poesía y Literatura, Artes Visuales y Amantes de las Bellas Artes. SECCIÓN 1ª: PINTURA JUNTA DE GOBIERNO Ilmo. Sr. D. Rodrigo Vivar Aguirre La Junta de Gobierno de esta Real Academia está constituida Ilmo. Sr. D. Francisco Peinado Rodríguez por los Académicos de Número, que son elegidos de entre sus Ilmo. Sr. D. José Manuel Cabra de Luna miembros mediante las correspondientes elecciones convocadas de forma periódica. Actualmente está conformada por los académicos Ilmo. Sr. D. José Manuel Cuenca Mendoza (Pepe Bornoy) siguientes: Ilmo. Sr. D. Jorge Lindell Díaz Ilmo. Sr. D. José Guevara Castro Presidente: Excmo. Sr. D. José Manuel Cabra de Luna Ilmo. Sr. D. Manuel Pérez Ramos Vicepresidente 1°: Ilma. Sra. Dña. Rosario Camacho Martínez Ilmo. Sr. D. Fernando de la Rosa Ceballos Vicepresidente 2°: Ilmo. Sr. D. Ángel Asenjo Díaz Vicepresidente 3°: Ilmo. Sr. D. Francisco Javier Carrillo Montesinos SECCIÓN 2ª: ARQUITECTURA Secretaria: Ilma. Sra. Dña. Marion Reder Gadow Ilmo. Sr. D. Álvaro Mendiola Fernández Bibliotecaria: Ilma. Sra. Dña. María Pepa Lara García Ilmo. Sr. -
GOOSE LIVER Aittald
Aa Bb Cc Dd EeFf Gg Hh liJj Kk LI Mm Nn OoPp Qq RrSsTt UuVvWwXxYyZz1234567890&/ECE$$(£%!?( UPPER AND LOWER CASE THE INTERNATIONAL JOURNAL OF 1 YPOGRAPHICS PUBLISHED BY THE INTERNATIONAL TYPEFACE CORPORATION, VOLUME TWO, NUMBER ONE 1975 In This Issue: The Washington Seminar An historic two-day typographic forum took place last October, bringing together a who's who of distinguished designers and typographic craftsmen from all over the THE ART OF TYPEFACE DESIGN world. Subject of discussion: "The Art of Typeface AND VISUAL COMMUNICATIONS Design and Visual Communications?' The seminar was called by the Library of Congress, the National Endowment for the Arts, and the Graduate School of An historical two-day typographic symposium took place October PAGE 4 15-16 in Washington, D.C. It answered and asked many questions. The the U.S. Department of Agriculture. Highlights of the symposium evolved from a need to teach approximately twenty attor- program are presented, along with editorial comment neys of the Copyright section of the Library of Congress how to dis- supporting copyright protection for typefaces. tinguish between typefaces, the differences between the various The Letterform In Illustration typographic systems and their applications, the problems faced by a The art of illustration and letterforms is a relatively designer of new typefaces, and the relationship of technology to typeface design and use. In addition to the attorneys, the audience new means of enhancing communications. U&lc has included art directors, typographers, and printers from government put together several extraordinary examples of the art, agencies and departments. Sponsors were the Library of Congress, coupled with a few words of wisdom on the subject. -
A Report on the Art and Technology Program of the Los Angeles County Museum of Art
Cover A&T Copyright ® 197 I by the Los Angeles County Museum of Art Library of Congress Catalog Card Number: 74-146884 SBN: 87587-044-9 A Report on the Art and Technology Program of the Los Angeles County Museum of Art 1967-1971 Contents: A&T 7 Acknowledgments 9 Introduction: Maurice Tuchman 43 Thoughts on Art and Technology: Jane Livingston 49 Participating Artists 361 Participating Corporations Acknowledgments A&T The Museum's Contemporary Art Council has sponsored In organizing the preview exhibition of eight artists' and supported /4rt amy Technology from its inception in work from the A&T program for the United States late 1966 to the present time. I am grateful to this Pavilion at Expo 70, I worked closely with Jack Masey, devoted group, and particularly to its Chairmen during Deputy Commissioner General, Patricia Ezell, Exhibits the five-year development of the program— Harry Sher- Project Officer, and Designer Ray Komai. In Los wood, Dr. Judd iVlarmor and Mrs. Joann Phillips. Angeles, New York and Osaka, Japan there were con- tinual meetings with the designers of the Expo Exhibi- Mrs. Otis Chandler was the primary figure responsible tion Design Team, Davis, Brody, Chermayeff, Geismar, for corporation involvement. She worked indefatigably de Harak, Associates. Designers David Sutton, Yasuo with me to obtain company support for almost three Uesaka, Gary Jacquemin and Tom Kuboda were also at years. the site and involved in the installation of that exhibition. David Antin, Director of the Art Gallery, University of California, San Diego, was commissioned by Viking Press Eric Saarinen & Associates were commissioned by us and in January, 1968 to write a book about the A&T Container Corporation of America to make a film on the program. -
Roz Leader Art Poster Collection, 1957-1991
http://oac.cdlib.org/findaid/ark:/13030/kt1s2033wm No online items Finding Aid for the Roz Leader Art Poster collection, 1957-1991 Processed by Rachel H. Wen-Paloutzian in the Center for Primary Research and Training (CFPRT), with assistance from Kelley Wolfe Bachli, 2010; machine-readable finding aid created by Caroline Cubé. UCLA Library, Department of Special Collections Manuscripts Division Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 Email: [email protected] URL: http://www.library.ucla.edu/libraries/special/scweb/ © 2010 The Regents of the University of California. All rights reserved. Finding Aid for the Roz Leader Art 1774 1 Poster collection, 1957-1991 Descriptive Summary Title: Roz Leader Art Poster collection Date (inclusive): 1957-1991 Collection number: 1774 Creator: Leader, Roz (1923- ) Extent: 131 poster folders in collection Abstract: Roz Leader is the former owner of Art Leaders, Ltd., a company in Los Angeles specialized in museum and gallery posters. During her years as a poster publisher and distributor, Leader assembled a collection of over 1300 art posters, which documents exhibitions held in major museums and galleries from the 1960s to 1980s. Language: Finding aid is written in English. Repository: University of California, Los Angeles. Library. Department of Special Collections. Los Angeles, California 90095-1575 Physical location: Stored off-site at SRLF. Advance notice is required for access to the collection. Please contact the UCLA Library, Department of Special Collections Reference Desk for paging information. Restrictions on Access COLLECTION STORED OFF-SITE AT SRLF: Open for research. Advance notice required for access. -
Hot-Wiring Your Creative Process
This page intentionally left blank HOT-WIRING YOUR CREATIVE PROCESS STRATEGIES FOR PRINT AND NEW MEDIA DESIGNERS CURT CLONINGER Hot-Wiring Your Creative Process: Strategies for print and new media designers Curt Cloninger New Riders 1249 Eighth Street Berkeley, CA 94710 510/524-2178 800/283-9444 510/524-2221 (fax) Find us on the Web at www.newriders.com To report errors, please send a note to [email protected] New Riders is an imprint of Peachpit, a division of Pearson Education Copyright © 2007 by Curt Cloninger Project Editor: Alison Kelley Development Editor: Camille Peri Production Editor: Hilal Sala Copyeditor: Liz Welch Proofreader: Haig MacGregor Compositor: Kim Scott, Bumpy Design Indexer: Valerie Perry Cover design: Mimi Heft Cover Illustrator: iStockphoto.com Interior design: Mimi Heft Notice of Rights All rights reserved. No part of this book may be reproduced or transmitted in any form by any means, elec- tronic, mechanical, photocopying, recording, or otherwise, without the prior written permission of the pub- lisher. For information on getting permission for reprints and excerpts, contact [email protected]. Notice of Liability The information in this book is distributed on an “As Is” basis without warranty. While every precaution has been taken in the preparation of the book, neither the author nor Peachpit shall have any liability to any per- son or entity with respect to any loss or damage caused or alleged to be caused directly or indirectly by the instructions contained in this book or by the computer software and hardware products described in it. Trademarks Many of the designations used by manufacturers and sellers to distinguish their products are claimed as trademarks. -
The Anatomy of Information Design
Rochester Institute of Technology RIT Scholar Works Theses 5-22-1997 The Anatomy of information design Young-Kook Kim Follow this and additional works at: https://scholarworks.rit.edu/theses Recommended Citation Kim, Young-Kook, "The Anatomy of information design" (1997). Thesis. Rochester Institute of Technology. Accessed from This Thesis is brought to you for free and open access by RIT Scholar Works. It has been accepted for inclusion in Theses by an authorized administrator of RIT Scholar Works. For more information, please contact [email protected]. The Anatomy of Information Design Young Kook Kim Approvals Chief Adviser: R. Roger Remington Dole ? Associate Adviser: Deborah Beardslee 1 Dole .22 #l1/ '1r Associate Adviser: Bruce Ian Meader Department Chairperson: Mary Ann Begland Dote ~4 ·/ff~ I, Young-Kook Kim, hereby grant permission to the Wallace Memorial Library of RIT to reproduce my thesis in whole or in part. Any reproduction will not be for commercial use or profit. Dole Rochester Institute of Technology A Thesis Submitted to the Faculty of The College of Imaging Arts and Sciences in Candidacy for the Degree of Master of Fine Arts. The Anatomy of Information Design by Young-Kook Kim May 22, 1997 Table of Contents Thesis Project Definition Introduction Course Experience Team Involvement Research and Analysis Personal Experience Research Representative Books, Articles, Theories Synthe General Schedule Fall 1996 Winter 1 996-97 Spring 1997 Development Development of the Matrix Development of the Study Guide Development -
PROGRAM SESSIONS All Sessions Will Be Held at the Los Angeles Convention Center (LACC) Unless Otherwise Noted
Wednesday PROGRaM SESSIONS All sessions will be held at the Los Angeles Convention Center (LACC) unless otherwise noted. Wednesday, February 22 The Materiality of Art: Evidence, Interpretation, Theory, part I 9:30 AM–12:00 PM Concourse Meeting Room 405, Level 2 Chairs: Francesco Lucchini, University of Warwick; Kathryn B. Gerry, redefining Mediterranean Aesthetics University of Kansas Concourse Meeting Room 406AB, Level 2 Memory and Materiality in Ancient Maya Monuments Chairs: John Baldacchino, University College Falmouth; Megan E. O’Neil, College of William and Mary Elena Stylianou, European University Cyprus Rupestrian Paintings: On the Vibrant Ontology of Picture Making Christoforos Savva’s Ifasmatografies (1959–1968): Avant-Garde on in the Early Modern Period the Periphery, as a Manifestation of “Mediterranean Aesthetics”? Christopher J. Nygren, University of Pennsylvania Antonis Danos, Cyprus University of Technology Shimmer: The Materiality of Domestic Objects in Early Modern Wanted! Dead or Alive: The Influence of Politics on Archaeology and England and America Contemporary Art on the Island of Cyprus Ann Smart Martin, University of Wisconsin, Madison Yiannis Toumazis, Frederick University and Pierides Foundation; Sophia Antoniadou, Pierides Foundation Ephemeral Materiality: Toward an Understanding of Jean-Léon Gérôme’s Ultra-Thin Facture Art in the Balkans: The Condition of Contemporary Art in Croatia Gülru Çakmak, University of Massachusetts, Amherst Amy Vena, Rochester Institute of Technology Discussant: Francesco Lucchini, -
Paul Rand: Life, Work, Philosophy, and Influence on Modern Design
Running head: PAUL RAND 1 Paul Rand Life, Work, Philosophy, and Influence on Modern Design Benjamin Nicholes A Senior Thesis submitted in partial fulfillment of the requirements for graduation in the Honors Program Liberty University Spring 2016 PAUL RAND 2 Acceptance of Senior Honors Thesis This Senior Honors Thesis is accepted in partial fulfillment of the requirements for graduation from the Honors Program of Liberty University. ______________________________ Edward Edman, M.A. Thesis Chair ______________________________ Monique Maloney, M.F.A. Committee Member ______________________________ Michael Davis, Ph.D. Committee Member ______________________________ Brenda Ayres, Ph.D. Honors Director ______________________________ Date PAUL RAND 3 Abstract Paul Rand is one the most influential graphic designers of the 21st Century. This thesis will cover his biography and show how the events of his life shaped him into the famed and prestigious designer we know him to be today. The thesis will then cover the many projects Rand designed and show the influences on his style and how his design philosophy is evident in his work. Finally, the thesis will look at how Rand’s style and philosophy has impacted graphic design in the modern era. This study will show why Paul Rand is considered to be one of the greatest graphic designers in history, and why his principles translate into good design, so the reader can learn how to improve their own work. PAUL RAND 4 Paul Rand: Life, Work, Philosophy, and Influence on Modern Design On November 26, 1996, Paul Rand died of cancer in Norwalk, Connecticut. He left behind a large body of work created over the course of his lifetime, which included book covers, magazine spreads, posters, corporate identities, as well as articles and books he wrote himself.