Compositions of Andavan Pichai Contents
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The Music Academy, Madras 115-E, Mowbray’S Road
Tyagaraja Bi-Centenary Volume THE JOURNAL OF THE MUSIC ACADEMY MADRAS A QUARTERLY DEVOTED TO THE ADVANCEMENT OF THE SCIENCE AND ART OF MUSIC Vol. XXXIX 1968 Parts MV srri erarfa i “ I dwell not in Vaikuntha, nor in the hearts of Yogins, nor in the Sun; (but) where my Bhaktas sing, there be I, Narada l ” EDITBD BY V. RAGHAVAN, M.A., p h .d . 1968 THE MUSIC ACADEMY, MADRAS 115-E, MOWBRAY’S ROAD. MADRAS-14 Annual Subscription—Inland Rs. 4. Foreign 8 sh. iI i & ADVERTISEMENT CHARGES ►j COVER PAGES: Full Page Half Page Back (outside) Rs. 25 Rs. 13 Front (inside) 20 11 Back (Do.) „ 30 „ 16 INSIDE PAGES: 1st page (after cover) „ 18 „ io Other pages (each) „ 15 „ 9 Preference will be given to advertisers of musical instruments and books and other artistic wares. Special positions and special rates on application. e iX NOTICE All correspondence should be addressed to Dr. V. Raghavan, Editor, Journal Of the Music Academy, Madras-14. « Articles on subjects of music and dance are accepted for mblication on the understanding that they are contributed solely o the Journal of the Music Academy. All manuscripts should be legibly written or preferably type written (double spaced—on one side of the paper only) and should >e signed by the writer (giving his address in full). The Editor of the Journal is not responsible for the views expressed by individual contributors. All books, advertisement moneys and cheques due to and intended for the Journal should be sent to Dr. V. Raghavan Editor. Pages. -
About Lord Shiva
AboutShiva.com - About Lord Shiva http://aboutshiva.com/about_shiva_home.html "Shivo Bhokta, Shiva Bhojya Shivo Karta, Shivah Karma Shivah Karanatmakah" Shiva is the experiencer and the highest object of experience. Shiva is the goal of Sadhana. There is nothing apart from Shiva. There is nothing other than Shiva. Whatever there is, is Shiva. There is nothing, which is not Shiva. There is no place, which is not Shiva. There is no time, which is not Shiva. To be aware of this is to be aware of Shiva. All About Lord Shiva Home About Shiva | Shiva Appearance | Shiva Lingam | Shiva Parivaar | Shiva Avtars | Shiva Maha Purana Wallpapers Shivaratri | Rudraksha | Jyotirlingas | 108 Names of Shiva | Lord Shiva in Nature | Fasting for Lord Shiva Aarti Videos About Lord Shiva ABOUT SHI VA Shiva Stotra Videos Download Shiva Bhajans Shiva (शव) is lord of the lords and it is really not easy to write/explain everything about shiva. However many have tried to explain him and praised him as per their knowledge but the explanation is endless and it is un-imaginable from Shri Guru Gita a human being even devas, asuras and other rishi munis have very little words to explain about the lord almighty. Read Mantras Shiva means the supreme one, the auspicious one, the pure one and for me the beloved one. Shiva is nam ed as Pashupati which means the Lord of all living beings either it is humans, devas, asuras or any creatures. Another name God/ Goddess I mages Mahadeva depicts the great God, supreme in all devas(Gods). -
The Peacock Cult in Asia
The Peacock Cult in Asia By P. T h a n k a p p a n N a ir Contents Introduction ( 1 ) Origin of the first Peacock (2) Grand Moghul of the Bird Kingdom (3) How did the Peacock get hundred eye-designs (4) Peacock meat~a table delicacy (5) Peacock in Sculptures & Numismatics (6) Peacock’s place in history (7) Peacock in Sanskrit literature (8) Peacock in Aesthetics & Fine Art (9) Peacock’s place in Indian Folklore (10) Peacock worship in India (11) Peacock worship in Persia & other lands Conclusion Introduction Doubts were entertained about India’s wisdom when Peacock was adopted as her National Bird. There is no difference of opinion among scholars that the original habitat of the peacock is India,or more pre cisely Southern India. We have the authority of the Bible* to show that the peacock was one of the Commodities5 that India exported to the Holy Land in ancient times. This splendid bird had reached Athens by 450 B.C. and had been kept in the island of Samos earlier still. The peacock bridged the cultural gap between the Aryans who were * I Kings 10:22 For the king had at sea a navy of Thar,-shish with the navy of Hiram: once in three years came the navy of Thar’-shish bringing gold, and silver,ivory, and apes,and peacocks. II Chronicles 9: 21 For the King’s ships went to Tarshish with the servants of Hu,-ram: every three years once came the ships of Tarshish bringing gold, and silver,ivory,and apes,and peacocks. -
Few Translation of Works of Tamil Sidhas, Saints and Poets Contents
Few translation of works of Tamil Sidhas, Saints and Poets I belong to Kerala but I did study Tamil Language with great interest.Here is translation of random religious works That I have done Contents Few translation of works of Tamil Sidhas, Saints and Poets ................. 1 1.Thiruvalluvar’s Thirukkual ...................................................................... 7 2.Vaan chirappu .................................................................................... 9 3.Neethar Perumai .............................................................................. 11 4.Aran Valiyuruthal ............................................................................. 13 5.Yil Vazhkai ........................................................................................ 15 6. Vaazhkkai thunai nalam .................................................................. 18 7.Makkat peru ..................................................................................... 20 8.Anbudamai ....................................................................................... 21 9.Virunthombal ................................................................................... 23 10.Iniyavai kooral ............................................................................... 25 11.Chei nandri arithal ......................................................................... 28 12.Naduvu nilamai- ............................................................................. 29 13.Adakkamudamai ........................................................................... -
Download the Book from RBSI Archive
AUTHOR'S COPYRIGHT ALLAHABAD LAW JOURNAL PRESS, ALLAHABAD PRINTER M. N. PANDEY DEDICATED WITH PROFOUND RESPECT AND ADMIRATION TO THE MEMORY OF GENERAL SIR ALEXANDER CUNNINGHAM, C.S.T. 1814 1893 FATHER OF INDIAN ARCHAEOLOGY Colonel A. Cunningham, whale he was the Chief Engi- neer of the North-Western Provinces, laid betore Lord Canning in November 1861, a memorandum praying for a complete and systematic archaeological investigation of the ancient historic ruins of Upper India. This led to his appointment as the first Archaeological Surveyor to the Government of India. As director of the Archaeological Survey (1870 1885) he brought to light the immense importance of the archaeological ruins of more than fifty ancient cities including KauSambi in the United Provin- ces. (A.S.R. Vol. I). PREFACE A few of my articles on the early history of KauSambi were published in papers and journals from time to time, and a paper on a controversial point of its history in the second century B.C. was read at the SIXTH ORIENTAL CONFERENCE, held at Baroda. All these formed the nucleus of the present monograph. In it I have endeavoured to present an account of the ancient greatness of KauSambi, now reduced to a ruined fortress. The facts have been arranged to give the story a con- tinuous form, which, however, has been broken on account of the paucity of materials available on the subject. The materials for these pages have been drawn mainly from primary sources Sanskrit and Pali literature. The references in the ancient texts have been used after careful sifting in the light of epigraphic, archaeological and numismatic evi- dences. -
® Iie Jm Irm Tl of Jrtftafcias
J ®iie Jm irm tl of jrtftafcias m A QUARTERLY DEVOTED TO THE ADVANCEMENT OF THE SCIENCE AND ART OF MUSIC V o l . X V 1944 P a r t s I-IV m ^ f t g ifa m x n “ I dwell not in Vaikuntha, nor in the hearts of Yogis, nor in the sun; (but), where my Bhaktas sing, there be I, Narada! ” . EDITED BY T. V. SUBBA RAO, b.a ., b.l . AND V. RAGHAVAN, m .a., p h .d. PUBLISHED BY THE MUSIC ACADEMY, MADRAS ‘ KESARI KUTEEBAM BUILDINGS ’ ROYAPETTAH, MADRAS Annual Subscription:-lnland Rs. 4 ;Foreign 8 shs.Post Paid. } L y P i u M C m / L THE TEACHERS’ COLLEGE OF MUSIC MUSIC ACADEMY > MADRAS In response to numerous requests from the public in generPp upon the insistent representations from authorities in charge of the various Educational Institutions in the country and in realisation of a long cherished ideal, the Music Academy, Madras, opened a Training College of Music for Teachers. The College is called The Teachers’ College of Music, Madras. Instruction is imparted to pupils not only in theory and practice of Indian Music, but also in the correct and approved methods of teaching music. The trained pupils will be competent to teach at least the School Final Class. The training class is of the duration of one year of three terms and, for the present, is eonfim r to Vocal Music only. The working hours of the College are between 11 a.m. and 4 p.m. The fee for the whole course is Rs. -
Full Story of Ramayana in English Pdf
Full story of ramayana in english pdf Continue Rama with Lakshmana, killing Ravana Ramayana (pronounced roughly as Raa-Maye-a-na), resembles an Odyssey, while Mahabharata is somewhat reminiscent of the Iliad. Composed around the same time as Mahabharata, Ramayana is written in 24,000 pairs. In fact, it is a story of love and exile. The symbolism of history has been interpreted in several ways, but is widely seen as a story of good overcoming evil, with dharma or duty. (Source: BBC) Valmiki or Sanskrit Ramayana contains about 50,000 lines of verse. It's much longer than both iliad and Odyssey. The narrative is divided into seven books. There are numerous translations of Ramayan available in English. One popular but extremely condensed version based on the Tamil language of Kamban is the R.K. Narayan version (Penguin Books); in India, just as popular version, also in prose, but longer, K. Rajagopalachari (Bharatiya Vidya Bhavan). Another easily available abbreviated version in William Buck's poems. The most scientific and complete English translation of Ramayana is a multivolume version of Robert Goldman, Sheldon Pollock and others, published by Princeton websites and Hindu resources: Hinduism today hinduismtoday.com; The Heart of Hinduism (Krishna Movement) iskconeducationalservices.org; India Divine indiadivine.org; Religious tolerance of the Hindu page religioustolerance.org/hinduism; Hindu index uni- giessen.de/~gk1415/hinduism; Wikipedia article Wikipedia ; Oxford Centre for Hindu Studies ochs.org.uk; Hindu-web-hinduwebsite.com/hinduindex; -
Stotras in Sanskrit, Tamil, Malayalam and Krithis Addressed To
Stotras in Sanskrit, Tamil, Malayalam and Krithis addressed to Guruvayurappan This document has 10 sanskrit stotras, 5 Tamil prayers ,56 Malayalam prayers and 8 Krithis Table of Contents 1. Stotras in Sanskrit, Tamil, Malayalam and Krithis addressed to Guruvayurappan .......... 1 2. Guruvayu puresa Pancha Rathnam(sanskrit)........................................................................... 5 3. Sri Guruvatha pureesa stotram .................................................................................................. 7 4. Sampoorna roga nivarana stotra of Guryvayurappan ......................................................... 9 5. Solve all your problems by worshiping Lord Guruvayurappan ........................................ 13 6. Guruvayu puresa Bhujanga stotra ............................................................................................ 17 7. Guruvayupuresa Suprabatham ................................................................................................. 25 8. Gurvayurappan Suprabatham .................................................................................................. 31 9. Guruvayurappan Pratha Smaranam ...................................................................................... 37 10. Sri Guruvatha puresa Ashtotharam ........................................................................................ 39 11. Sampoorna roga nivarana stotra of Guryvayurappan ....................................................... 45 12. Srimad Narayaneeyamrutham(Tamil summary of Narayaneeyam) -
A Method for Quantifying Raga Similarity
INTERNATIONAL JOURNAL OF SCIENTIFIC & TECHNOLOGY RESEARCH VOLUME 10, ISSUE 06, JUNE 2021 ISSN 2277-8616 Ragadist: A Method For Quantifying Raga Similarity Vinuraj Devaraj Abstract: Raga Similarity had been a topic of fascination among Karnatik music followers. Though the topic remains active and interesting, a lack of appropriate similarity quantification method leads to subjective interpretations which in turn can be ambiguous intermittently. In this paper, we propose a raga similarity method, RagaDist, that quantifies similarities between raga pairs, based on their semantic structure and classifies the similarity into a 4- scale measure. Similarities derived using RagaDist is compared with popular string similarity methods using clustering approaches – Hierarchical clustering and Partition Around Medoids (PAM) and Multi-Dimensional Scaling (MDS) methods to analyze emerging patterns and characteristics among Melakarta raga similarities. Empirical measurements were conducted using one-way ANOVA and post hoc analysis. We also determined that using RagaDist, a threshold of 0.79 may be used as a cut off to distinguish ragas based on similarity. Index Terms: Multi-Dimensional Scaling, Correlation Analysis, Clustering, Partition Around Medoids (PAM), Levenshtein distance, ANOVA, Karnatik Ragas. ———————————————————— 1 INTRODUCTION KARNATIK Music is an ancient, sophisticated yet refined art form of delivering mesmerizing music through a structured In its core, Karnatik ragas are based on sapta swaras or seven method. This form of art is predominantly practiced in South musical notes viz. ―Sa‖, ―Ri‖, ―Ga‖, ―Ma‖, ―Pa‖, ―Dha‖ and ―Ni‖. India and this form of music is still the foundation for various The figure 1 below represents solfeggio of Karnatik raga as musical compositions that are emerging in several forms of represented on a single octave of a piano. -
ICT Initiative for Workers Marks Major Milestone
BUSINESS | Page 1 SPORT | Page 1 Lukaku brace lift s Everton past Chelsea INDEX DOW JONES QE NYMEX QATAR 3 – 9, 30, 31 COMMENT 28, 29 in FA Cup REGION 10 BUSINESS 1 – 7, 18 – 20 17,091.00 10,386.44 38.50 ARAB WORLD 11 – 13 CLASSIFIED 8 – 18 Laff an Refi nery sets two +191.00 +7.74 +0.66 INTERNATIONAL 14 – 27 SPORTS 1 – 12 quarter-fi nals +1.13% +0.07% +1.74% major safety milestones Latest Figures published in QATAR since 1978 SUNDAY Vol. XXXVII No. 10026 March 13, 2016 Jumada II 4, 1437 AH GULF TIMES www. gulf-times.com 2 Riyals ICT initiative In brief for workers YEMEN | Security President’s troops break siege of Taiz Troops loyal to Yemen’s president have captured the western marks major entrance to the strategic city of Taiz, partially breaking a siege by Houthi fighters allied with Iran, medical and military sources said yesterday. At least 48 people have been killed in heavy clashes milestone in Yemen’s third biggest city, the medics and local fighters said, Inaugurating the 100th ICT and at least 120 people have been facility takes the number of wounded. Witnesses said there worker beneficiaries beyond were bodies scattered in the 50,000 streets. Page 10 E the Minister of Transport and Communications Jassim BRITAIN | Study Palestinian mourners carrying the body of Israa Abu Khoussa, 6, during her funeral in Beit Lahiya in the north of the Gaza HSeif Ahmed al-Sulaiti has in- Most French want strip yesterday. augurated an information and com- munication technology (ICT) unit at EU membership vote a Doha Metro compound where Qatar Most French people want to follow Rail labourers live, marking the com- Britain by holding a referendum pletion of the first 100 ICT facilities on the country’s European Union as planned for Phase 2 of the minis- membership, although they would Gaza siblings die try’s Better Connections Programme. -
ANNEXURE 5.8 (CHAPTER V, PARA 25) FORM 9 List of Applica Ons For
ANNEXURE 5.8 (CHAPTER V, PARA 25) FORM 9 List of Applicaons for inclusion received in Form 6 Designated locaon identy (where Constuency (Assembly/£Parliamentary): Maduravoyal Revision identy applicaons have been received) From date To date @ 2. Period of applicaons (covered in this list) 1. List number 01/12/2020 01/12/2020 3. Place of hearing* Serial $ Date of Name of Father / Mother / Husband Date of Time of number Name of claimant Place of residence of receipt and (Relaonship)# hearing* hearing* applicaon NO 27/A, DEVI NARAYANA LAKSHMI STREET 1 01/12/2020 C E PRAKASAN C E NARAYANAN (F) MARUTHI RAM NAGAR, AYAPPAKKAM, , Thiruvallur NO 27/A, DEVI NARAYANA LAKSHMI STREET 2 01/12/2020 C E PRAKASAN C E NARAYANAN (F) MARUTHI RAM NAGAR, AYAPPAKKAM, , Thiruvallur No 2319, 5th Main 3 01/12/2020 Sumathi R Ramesh (H) Road, Ayapakkam, , Thiruvallur 2785, 5th main 4 01/12/2020 Jaiganesh Rangan (F) road, Ayyappakkam, , Thiruvallur 5 01/12/2020 Hemalatha D Dhatshinamoorthy K (H) 8640, TNHB, Ayapakkam, , Thiruvallur MOHAMMED 10 FA JAIN NAKSHTRA, 86 UNION 6 01/12/2020 MOHAMMED NORULLA (F) NASRULLA ROAD, NOLAMBUR, , Thiruvallur HAJIRA 10 FA JAIN NAKSHTRA, 86 UNION 7 01/12/2020 MOHAMMED MOHAMMED NASRULLA (H) ROAD, NOLAMBUR, , Thiruvallur NASRULLA C16, DABC Gokulam Phase 3, Sriram Nagar 8 01/12/2020 S SURIYAKRISHNAN K S SATHISH (F) Main Road, Nolambur, , Thiruvallur 42 sri Lakshmi apartments, 3rd Avenue 9 01/12/2020 sijo mathew biju mathew (F) millennium town, adayalampau, , Thiruvallur 312 VNR Milford, 7th 10 01/12/2020 Sundaram savarimuthu (F) Street, -
Raga (Melodic Mode) Raga This Article Is About Melodic Modes in Indian Music
FREE SAMPLES FREE VST RESOURCES EFFECTS BLOG VIRTUAL INSTRUMENTS Raga (Melodic Mode) Raga This article is about melodic modes in Indian music. For subgenre of reggae music, see Ragga. For similar terms, see Ragini (actress), Raga (disambiguation), and Ragam (disambiguation). A Raga performance at Collège des Bernardins, France Indian classical music Carnatic music · Hindustani music · Concepts Shruti · Svara · Alankara · Raga · Rasa · Tala · A Raga (IAST: rāga), Raag or Ragam, literally means "coloring, tingeing, dyeing".[1][2] The term also refers to a concept close to melodic mode in Indian classical music.[3] Raga is a remarkable and central feature of classical Indian music tradition, but has no direct translation to concepts in the classical European music tradition.[4][5] Each raga is an array of melodic structures with musical motifs, considered in the Indian tradition to have the ability to "color the mind" and affect the emotions of the audience.[1][2][5] A raga consists of at least five notes, and each raga provides the musician with a musical framework.[3][6][7] The specific notes within a raga can be reordered and improvised by the musician, but a specific raga is either ascending or descending. Each raga has an emotional significance and symbolic associations such as with season, time and mood.[3] The raga is considered a means in Indian musical tradition to evoke certain feelings in an audience. Hundreds of raga are recognized in the classical Indian tradition, of which about 30 are common.[3][7] Each raga, state Dorothea