Jazz Collection: Jobim: the Genius from Ipanema

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Jazz Collection: Jobim: The Genius From Ipanema Dienstag, 23. Dezember 2014, 21.00 - 22.00 Uhr Samstag, 27. Dezember 2014, 22.00 - 24.00 Uhr (Zweitsendung) Antonio Carlos Brasileiro de Almeida Jobim: ein Name wie Musik, und ein Name für die Musik. Jobim ist der Doyen der Brasilianischen Popmusik. Auch wer noch nie von ihm gehört hat, kennt mindestens einen seiner Songs: Das «Girl From Ipanema», der Song, der wie kein anderer für die Bossa Nova steht und seinem Schöpfer Antonio Carlos Jobim Weltruhm beschert hat. Unzählige Male ist der Song gespielt worden, auch in sehr seichten Versionen – was für einen Komponisten, der nur einen grossen Song herausgebracht hat, verheerend sein kann. Nicht für Jobim. Er hat neben «Garota de Ipanema» unzählige Songs geschrieben, die Eingang gefunden haben ins Brasilianische Songbook, und damit noch nicht genug: Jobim steht – zusammen mit ein paar anderen grossen Namen – nicht nur für die Songs der Bossa Nova, sondern für den ganzen Stil. Der brasilianische Musiker Rodrigo Botter Maio hat wie alle Musiker seiner Generation Jobim schon gekannt, bevor er laufen lernte – er erklärt das Phänomen Jobim in der Jazz Collection mit Jodok Hess. Redaktion: Jodok Hess João Gilberto/Stan Getz: Getz/Gilberto CD Verve Track 1: Girl From Ipanema Rodrigo Botter Maio: Live @ Radiostudio Zürich CD EA SRF daraus: Chega de Saudade (No More Blues) Tom Jobim: Stone Flower CD Sony Track 6: Amparo Tom Jobim/Elis Regina: Elis & Tom CD Universal Track 1: Aguas de Março Tom Jobim/Claus Ogerman: The Man Behind The Music CD Universal Track 6: Saudade do Brasil Tom Jobim: Terra Brasilis CD Warner Track 17: Two Kites Tom Jobim/Gal Costa: Gabriela CD RCA Track 2: Tema de Amor De Gabriela Tom Jobim: Passarim CD Passarim Track 1: Passarim Bonustracks – nur in der Samstagsausgabe João Gilberto/Stan Getz: Getz/Gilberto CD Verve Track 3: Para machucar meu coraçao Gonzalo Rubalcaba: Antonio Carlos Jobim and friends CD Verve Track 7: Agua de Beber Tom Jobim: Inédito CD RCA Victor Track 1: Wave = Vou te contar Track 6: Retrato em branco e preto Track 4: Samba do avião Antonio Carlos Jobim: Urubu CD WB Track 1: O bôto (por poise) Frank Sinatra: Sinatra & Company CD Reprise Records Track 3: Triste Tom Jobim/Elis Regina: Elis & Tom CD Universal Track 3: So tinha de ser com você Antonio Carlos Jobim and the New Band: Passarim CD Verve Track 9: Luiza Track 11: Gabriela Jobim-Morelenbaum: Quarteto CD Emarcy Track 13: Aguas de Março Joe Henderson: Double Rainbow. The Music Of Antonio Carlos Jobim CD Verve Track 11: Passarim Stan Getz: Cool velvet/Stan Getz: [with] Voices CD Verve Track 6: Round About Midnight .

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The Historic Recordings of the Song Desafinado: Bossa Nova Development and Change in the International Scene1
The historic recordings of the song Desafinado: Bossa Nova development and change in the international scene1 Liliana Harb Bollos Universidade Federal de Goiás, Brasil [email protected] Fernando A. de A. Corrêa Faculdade Santa Marcelina, Brasil [email protected] Carlos Henrique Costa Universidade Federal de Goiás, Brasil [email protected] 1. Introduction Considered the “turning point” (Medaglia, 1960, p. 79) in modern popular Brazi- lian music due to the representativeness and importance it reached in the Brazi- lian music scene in the subsequent years, João Gilberto’s LP, Chega de saudade (1959, Odeon, 3073), was released in 1959 and after only a short time received critical and public acclaim. The musicologist Brasil Rocha Brito published an im- portant study on Bossa Nova in 1960 affirming that “never before had a happe- ning in the scope of our popular music scene brought about such an incitement of controversy and polemic” (Brito, 1993, p. 17). Before the Chega de Saudade recording, however, in February of 1958, João Gilberto participated on the LP Can- ção do Amor Demais (Festa, FT 1801), featuring the singer Elizete Cardoso. The recording was considered a sort of presentation recording for Bossa Nova (Bollos, 2010), featuring pieces by Vinicius de Moraes and Antônio Carlos Jobim, including arrangements by Jobim. On the recording, João Gilberto interpreted two tracks on guitar: “Chega de Saudade” (Jobim/Moraes) and “Outra vez” (Jobim). The groove that would symbolize Bossa Nova was recorded for the first time on this LP with ¹ The first version of this article was published in the Anais do V Simpósio Internacional de Musicologia (Bollos, 2015), in which two versions of “Desafinado” were discussed.
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