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Vol.18 No. 11 November - 2017 VISIT BY MR. TAK LEE TO BHAVAN -BBMP PUBLIC SCHOOL

Mr. Tak Lee being received with a flower bouque by the students of Bhavan-BBMP Public School Mr. Tak Lee, Head of given below are his comments Business from Key West Global in the school visitors book. Investments, South Korea made a “Very energetic, visit to Bhavan-BBMP Public compassionate, empowering School on Oct 5, and interacted school faculty and student body! with the students, teaching and Hope this great initiative goes non teaching staff. more and more successful He was immensely happy to going forward” what more we go round the school campus and can report on his visit !

[email protected] 1 Bharatiya Vidya Bhavan Kalabharathi School of Visual and Performing Arts Cordially invites you with family and friends to its Sixteenth Convocation - 2017 at 10.30 a.m., Sunday, November 12, 2017 Venue : Khincha Hall, Bharatiya Vidya Bhavan Chief Guest : Nadoja Dr. B.K. Sumitra, Wellknown playback singer Guest of Honour : Sri Manandi Suresh, Hon. Secretary, Vasavi Educational Trust Kannada Rajyothsava - Music Dance Festival Dr. Mathoor Krishnamurti Memorial Endowment November 12, Sunday, 11.30 a.m. : Khincha Hall 11.30 a.m. : Bharatanatya : Direction - Vidushi Sneha Harish 12.15 p.m.: : Direction - Vidushi Dhara Mavani 12.30 p.m.: Carnatic Vocal : Direction - Vidushi Bhageerathi B.N. 1.00 p.m. : Veena : Direction - Vidushi Rohini 1.30 p.m. : Key Board : Direction - Vidwan Anandaraj Gonwar Accompaning Artists : Mridanga : Vidwan Mukund Violin : Vidwan Bhargav Ravikumar November 18, Saturday, 5.00 p.m. : Venue : KRG Hall 5.00 p.m. : Hindustani Vocal : Direction - Vidushi Rajeshwari Bhat 5.45 p.m. : Mohiniattam : Direction - Vidushi K.P. Shruthi 6.00 p.m. : Key Board : Direction - Vidwan Prasanna Kumar 7.00 p.m. : Veena : Direction - Vidushi Vani Yadhunandan November 19, Sunday at 10.00 a.m. : Venue : KRG / Khincha Hall 10.00 a.m.: Sugama Sangeetha : Direction - Vidwan Kasim Mallige Madav (KRG Hall) 10.00 a.m. : (Khincha) Carnatic Vocal : Direction - Vidushi H.V. Gayathri 10.45 a.m. : (KRG hall) Tabla : Direction - Vidwan Ashwin 11.00 a.m. : (Khincha Hall ) Flute : Direction -Vidushi Dwaraki Krishnaswamy 11.30 a.m. : (KRG Hall) Mridanga : Direction - Vidwan T.A.S. Mani 11.30 p.m. : (Khincha) Bharatanatya : Direction -Vidushi Parvathy Balakrishna

Art Exhibition : Kalabharathi students will display their artwork on all the days at KRG Hall (Timings: 10.00 a.m. - 8.00 p.m.) Direction : Smt. Insha Ummehani and Sri. Karthik ALL ARE2 WELCOME KALA BHARATHI CONVOCATION ON NOV 12. The sixteenth annual The sixteenth annual Kalabharathi Diploma Kalabharathi convocation is Examination were held on scheduled on Sunday, July 30 and 13. November 12, 2017 at 10.30a.m. at Khincha auditorium. In all about 87 students Well- known Kannada play from 10 disciplines took back singer Dr. B.K. Sumitra will examinations both theory be the chief guest and will deliver and practicles. the convocation address and As usual the question papers distribute the diploma certificates were set by external examiners and Smt. Susheelamma and and practical examination were Sri. Nanjundaiah cash awards to assessed by them. The list of the rank holders. Sri. Manandi toppers in all disciplines were N. Suresh, Hon. Secretary, announced. Bhavan news Vasavi Educational Trust, will be congratulates all toppers and the guest of honour. other students who successfully All are cordially invited for completed the Diploma course. the convocation. KALA BHARATHI : 2017 : ‘CASH’ PRIZE AWARDEES

Bhoomi. M N Panchami Lineesha Bharathanatya ( III year) Veena (I year) Carnatic Vocal (II year)

Triyan Mukherjee Gurukiran Hegde Shashank Gowda. G Drawing & Painting (II year) Hidustani Vocal (III year) Key Board (V year) 3 KALA BHARATHI : TOPPERS : 2017 Carnatic Vocal

Divya Kumar Prakruthi. G S Srilekha. L Carnatic Vocal Carnatic Vocal Carnatic Vocal I year I year I year

Bharatanatya Veena Hindustani Vocal Key Board

Praneetha. I Smitha Shivaprasad Dr. Santhosh M Megha B. Sharma Bharatanatya Veena Hidustani Vocal Key Board I year I year I year I year

Drawing and Painting

Meghanaputty Pavitra K. Khanak Malu Bhavana Iyengar Drawing & Painting Drawing & Painting Drawing & Painting Drawing & Painting I year III year III year IV year

4 BVB-INFOSYS FOUNDATION CUTURAL OUTREACH PROGRAMMES : JULY, AUG & SEP, 2017.

A total 316 programmes was organized by featuring 2572 artists attracting an Thiruvananthapuram Kendra. approximate 86000 audience “Gotipua Dance” & reach has been the result of “Pala” was organized by Bharatiya Vidya Bhavan-Infosys Bhubaneshwar Kendra. Foundation Cultural Outreach A five days Music festival programme since its launch in was organized by Bhavan’s Trichy February 2015. kendra. Notable programmes Interesting programmes like “Musical Melody” – “Annamayaa Sree Comprising of Marathi and Hindi Tatvam” , “Manda yechhulu songs by 15 visually challenged Kaati Kaaparulu”, “Kinnera boys and girls & “ Vadyam, Karrasamu & Folk Sugandh” – Vocal music of Songs” was organized by Kirana Gharana were organized Hyderabad Kendra. by Pune Kendra. MAHARASHTRA “Tholpavakoothu” 04/09/2017- Musical (A form of shadow puppetry), Melody is comprising popular “Sopana Nrutham”, Marathi and Hindi songs, social “Nangiarkoothu” , “Seetha awareness songs and Kawwali ” (Folklore Art form) & “ showcased by 15 visually Flute Kacheri & Music night” challenged boys and girls of

Musical Melody by Visually challenged students of Saptsur Parivar of Lui Breal Andh Apang Kalyan Sanstha held on September 4th at Pune

5 Bhakti Sugandh by Pandit Kaivalyakumar and troupe held on September 22nd at Pune Lui Breal Aandh Apang Kalyan (Harmonium), Kedar Talnikar Sanstha, Wagholi, Pune. and Prasad Vaidya (Tabla) 22/09/2017- A musical accompanied Pandit feature titled Bhakti Sugandh Kaivalyakumar, very efficiently was presented by Pandit and effectively Kaivalyakumar, of Kirana ODISHA Gharana. He rendered one classical raga and also 07/08/2017- Gotipua of Lord , Bhagwan Dance was presented by Shrikrishna, Vitthal and Lord Sri. Chitrasena Swain and Maruti, with his melodious voice. troupe. The incomparable The highlight of this programme richness of our traditional & folk was our School music teachers dances has epitomized the Sri Yogesh Kulkarni essence of socio-cultural and

Gotipua Dance by Sri. Guru Chitrasena Swain and troupe held on August 7th at Bhubaneshwar

6 PALA : MESSENGER OF ART AND LITERETURE religious life of the people of has retained its own identity in Odisha. the profile of performing arts of One such traditional dance is Odisha. Literally Gotipua means Gotipua Dance which had single boy. The dance of a boy contributed immensely for bringing dressed in female garbs and in Odisha and establishing it as costumes is called Gotipua one of the most lyrical & graceful Dance. classical dances of India. 21/08/2017- Pala musical In the process of evolution was presented by Gyanashree from Mahari or Sradjanjali Balavantray. Pala service attached to Lord has been keeping cordial / firm Jagannath, this Gotipua Dance relation with the odiya people with its spiritual essence has been and its cultural heritage since enriched by the basic elements time immemorial. Pala is the new and nuances of Mahari dance. carrier or messenger of literature Later, as an inevitable and culture. ritualistic service of Lord Pala has kept odiya language Jagannath and other gods in sweet and live by the union of different fairs & festivals like vocal and musical instrument. Jhulan Yatra, Chandan Yatra & Pala performer not only have etc., this dance had been made poets of odiya language kept alive. Though treated as a recognizable to its people but precursor to Odisha dance it also made poets of and

Pala by Gyanashree Sradjanjali Balavantray held on August 21st at Bhubaneshwar

7 SOPANA NRUTHAM : IN PRAISE OF other language reorganization to Bharathanatyam. The stories most them. Pala is a strong medium to often narrated through this dance propagate the value of life. That is revolves around the great epics of why pala has kept itself well our country like Ramayanam and established in the minds of odiya Mahabharatham. This traditional people even in this era of dance form was staged by Sri. modernization. Recital / singing, Rajeev Krishna Chaithanya the its explanation and acting is one renowned exponent of Sopana of the important parts of pala. Nrutham and through his While reciting the subject matter, presentation of the epic Gayaka does some dramatic characters like Malliyoor gesture with his / her co- Ganapathi and Krishnan, karnan performer to draw attention of and Narasimhan he tried to ignite the audience to the act. the human and moral values in the minds of children and in his address explained that Sopana 24/07/2017 - Nrutham aims at attaining self Tholpavakoothu was presented realization by treading the divine by Kalashree Ramachandra path of Sathya and Dharma. pulavar and team. 10/08/2017- Sopana 26/08/2017- Nrutham was presented by Nangiarkoothu was presented Shri.Rajeev Krishna Chaitanya. by Kum.Anjana.S.Chakyar. Sopanam means the steps of the sreekovil ie.samyakena upanayathi ithi sopana. This is the real meaning word sopana. This is helpful soul to reach paramatma. According to Bharatha Muni, the aim of natya is or bhakthivardhana. Sopana Nrutham is a refined amalgamation of the various Nangiarkoothu by traditional dance forms of Kum.Anjana.S.Chakyar held on August Chakyarkooth, Kadhakali and 26 th at Manvila, Thiruvanathapuram 8 Seetha Kali by Vijayasree Arts Club held on August 8th at Kollam.

28/08/2017- Seetha Kali . This ethnic art form a dance feature was presented by exhibit the entire story through Vijayasree Arts Club. Seetha kali lyrics edited by an ASSAN well is an indigenous and ethnic art versed in Seetha kali images. form of dance in kollam with a The dance team was visiting the century old heritage.Perinad in houses one by one telling the kollam was also one of the places various episodes of the story in of origin of seetha kali among its most elusive manner to attract other backward class areas in the listeners. As in the case of all kollam. Later in Perinad Seetha other extinct art forms, Seetha Kali became popularized as a kali was also became an extinct festival promoted form of art form of art in Kerala. This irrespective of , creed and indigenous traditional Art form sex. And Seetha kali became an was later eroded as happened to art form of perinad. During the other forms of heritage art forms. past decades Seetha kali was Therefore Perinad Grama organized from Atham till the day Panchayat attempted to revive of thiruvanam in every . the lost heritage of the Art through The entire story of Seetha presenting the program. kali includes the events starting **** from Rama’s embarking in to 24/09/2017- Flute Kacheri forest to Destruction of lanka in & Music night. Flute Kacheri 9 Flute kacheri by students of Asha Bharathi school of music held on September 24th at Ranni was presented by Sri.Saurav young talent, as a part of Bhavan- Sunil & party & Music night by Infosys Foundation outreach students of Asha Bharathi school cultural programme organized of music. at trichy in association with TAMILNADU Sri Raghavendra mutt, Srirangam. Audience and all senior vidwans 08/08/2017- Five days lauded the efforts of Kashyap Music Festival was Mahesh for his achievement of organized in association with getting the Doctorate at a young Sri Raghavendra mutt, Srirangam. age. Carnatic Classical vocal **** concert was presented by 09/08/2017- Vocal concert Dr.Kasyap Mahesh & Party. was presented by Sri. Koviladi 5 days music festival to develop R Madhwaprasad & Party.

Carnatic Classical vocal concert by Dr.Kasyap Mahesh & Party held on August 8th at Srirangam. 10 Vocal concert by Shri. Koviladi R Madhwaprasad & Party held on August 9th at Srirangam. Sri T V Ramanujacharlu’s violin Sri. Karaikudi.S. Mani & Party. support was fully endorsed by The trio embellished the the vocalist and also the audience with a kriti of audience. the thani avarthanam Sri ; ‘sarasa saama’ of mridangam by Sri B.Harikumar and it was followed by and ghatam by S.Krishnaswamy “gnanamosagaradha”, they took was vibrant and they added good the main kriti in the raga Bhairavi color to the concert. the accompanists showed 10/08/2017- Vocal concert their soft following throughout the concert and Tkv’s students was presented by Sri. Karaikudi. did their best. Sruti and Harish S. Mani & Party. both on mridamgam didn’t go 11/08/2017- Violin beyond their master and they Trio was presented by followed like a shade.

Vocal concert by Shri.Karaikudi.s.Mani & Party held on August 10th at Srirangam. 11 Violin concert (Trio concert) by Sri. T V Ramanujacharlu, Smt.Sruthy Ranjani and Sri.Harish narayanan & Party held on August 11th at Srirangam.

12/08/2017- A Veena on mridangam and kovai duet was presented by Mohanram on ghatam ably Dr B. Sivakumar and Kumari supported the Veena duo. Akilandeswari & Party. Audience and Temple authorities Dr B Sivakumar and Kumari appreciated the efforts of Bhavan Akilandeswari gave a fitting and Infosys foundation for having presentation on the concluding given a platform for young ones to day of the series. exhibit their talents and honor for Akilandeswari on veena the vidwans. supported her guru like a shade HYDERABAD and she also proved her best in raagaa. the accompanists 28/08/2017- Annamayaa Koviladi R Madhwaprasad Sree Krishna Tatvam was

Veena duet by Dr B Sivakumar and Kumari Akilandeswari & Party held on August 12th at Srirangam. 12 Annamayaa Sree Krishna Tatvam by students of Abhinaya Kalaksethram held on 28th August at Hyderabad Krishna. As we proceed to the second half, the stories of youthful Krishna viz. rasaleela, Kolatam and his marriage are depicted. As the story progresses, we see a matured presented by Students of Krishna with Arjuna in his chariot Abhinaya Kuchipudi proceeding to the war after Kalaksethram. Geetopadesa. Mangalam to lord This depicts the story of Krishna brings the recital to the Lord Krishna from birth to the end. The dance ballet was preaching of Bhagavadgita. supported by 17 sankeerthanas Annamayaa sreekrishna tatvam of Annamacharya. is concept based choreography. **** The performance commences 31/08/2017- A unique with the dancers pronouncing folklore - Manda yechhulu & the greatness of lord who Kaati Kaaparulu was presented saved his devotees in different by Sri.S.K.Raju & group. The yugas through his ten incarnations. artists from Janagaon district Dwapara yuga witnessed presented a unique art form Krishna, the eigth incarnation of “Manda Yecchulu” and another lord Vishnu. folk form “ Kaati Kaparlu”, a rare The story of Krishna taking and almost on the edge of extinct, birth in the prison and being by the artists from different taken by vasudeva to nanda’s districts of Khammam. ‘Manda place is shown in the first scene Yecchulu’ is a traditional folk art followed by childhood pranks as performed by a sub caste of well as miracles of young yadava community to praise their 13 STORY OF KING HARISHCHANDRA RECALLED deities like katama raju, berappa, beginning to the end. The second yelamma and others who were presentation ‘Kati Kaparlu’ known for their valor and made is a message oriented art form. the community proud. ‘Manda’ The master of the group is in the refers to herd of sheep, ‘yechhulu attire of King Harishchandra and ‘ or ‘Aechhulu’ refers to greatness other members are supportive of their deities. The story and in an eye catching dresses. narration is generally goes for They wore a long red, black about 8 to10 hours. The and white coat. They played bell, performers clad in their traditional semi circled instrument and dhoti and turban draped bright nadaswaram, an acoustic wind pink saree over the dhoti and instrument to add music to their used the percussion instrument presentation of storytelling. DAMARU as an accompaniment While relating the story of King and narrated the birth scene of Harishchandra for ideal living, the katamaraju. group performed traditional magic The vocal flow of the with the tiny toys and articles to narrator with the rhythmic sounds get the attention of onlookers. of the Damaru created a mood to The team leaders sang Telengana for the involvement of the folk songs about mother and audience. Poetic feel was motherhood and won the hearts dominant throughout the narration of the students and viewers. with purposeful similies and 01/09/2017- Kinnera metaphors. The moment of the Vadyam, Karrasamu & Folk artists enthralled all from the Songs was presented by

Kinnera Vadyam, Karrasamu & Folk Songs by Sri.D.Mogitaiah, Sri.T. Balaiah, Dr. Dasari Ranga & group held on September 1st at Hyderabad.

14 Kinnera Vadyam, Karrasamu & Folk Songs by Sri. D. Mogitaiah, Sri. T. Balaiah, Dr. Dasari Ranga & group held on September 1st at Hyderabad. about Panduga sayanna, a Telangana fighter and records about this practice produced Sri.D.Mogitaiah, Sri.T.Balaiah, information regarding the Dr. Dasari Ranga & group. disappearance of the instrument. Several ancient, primeval forms The only remaining Kinnera of art that exist within the Indian Maestro Sri. Darshanam subcontinent. The Kinnera, a Mogilaiah is literally the only musical instrument, is one such remaining individual who is form of art that has faded into capable of playing the 12 step antiquity. Craftsmen make the Kinnera, hailing from the village kinnera from an array of natural of Mahabhubnagar in Telengana, objects. It can produce a wide Mogilaiah belongs to the Dakkali spectrum of sounds and hones tribe. Image courtesy: Indian tribal Gonthu Kinnera heritage. The kinnera is astringed Sri.T. Balaiah is one among those instrument much like the veena, rare people who can make which has 12 steps mounted with Kinnera instrumental sounds not strings that can produce tones of with kinnera instrument but with varying frequency. It is interesting his throat which is rarely to see the physicality of the unbelievable. instrument itself. Karrasamu Around half a century ago, Karrasamu is a traditional the Kinnera faded from the art used for self protection. It was chenchu context. This occurred learnt by hundreds of students , because the gourd used to make both boys and girls. “ Karrasamu” it died out as well. Natives used was taught over 30 years back the instrument to create music free of cost by “arya samajis”. 15 Bharatiya Vidya Bhavan in association with Sri. D. Subbaramaiah Fine Arts Trust (Regd.) Celebrates 25th Ragasree Sammelanotsava -2017 from 24th to 28th November 2017

at Kincha Auditorium, Bharatiya Vidya Bhavan Sammelan President : Vidushi Neela Ramgopal Guest o f Honour : Sri. V. Aravinda Hebbar Vidushi Neela Ramgopal Special Guests :

Dr..Padmaja Venkatesh Suresh Dr. Pichchalli Srinivas Sri. Rajarama Murthy Dr. Sudhindra Sharma

24– 11- 2017 (Friday)

5.30 p.m. : Inauguration and C.D release. Chief guest : Shrimathi Banashankari V.Angadi, Registrar, Karnataka Sangeetha Nruthya Academy. 6.00 p.m. : Sangitha Kalarathna Vocal : Vidushi M. S. Sheela Violin : Vid. Charulatha Ramanujan Mridanga : Vid. K.U. Jayachandra Rao Kanjari : Vid. G. Guruprasanna.

Vidushi M. S. Sheela 16 25-11-2017 (Saturday) 5.15 p.m. : “Karna Rasayanamalte Bharatam” Kavyavachana-Vyakhyana by Dr. M.A. Jayarama Rao. Dr. M.A. Jayarama Rao. 6.15 p.m. : Jugal Bandi Vocal : Ganakalabhushana R. K. Padmanabha Violin : Ganakalakasturi Vid. C. N. Chandrashekhar Mridanga : Ganakalabhushana Vid Cheluvaraj and Vocal : Pandit Nagarajarao Havaldar Tabla : Pandit Kedarnath Havaldar

Vidwan R.K. Padmanabha Harmonium : Pandit Sameer Havaldar 26- 11 -2017 (Sunday) 10 A.M :- Tribute to the great composers in GOSHTIGANA by Bangalore University Music Students Directed by Dr. Hamsini Nagendra. 11 A.M.a.m –Prashasti Pradana –. Presided by Sri Jayaramaraje Urs, Chairman, S.F.A. Trust.

Chief Guests - Sri B.N. Vijayakumar Dr. Hamsini Nagendra M.L.A, Government Of Karnataka. Sri. H. N. Suresh, Director, Bharatiya Vidya Bhavan, Bengaluru Gandharva Vidyanidhi to Vidushi Neela Ramgopal Lalithakalashraya to Sri Aravinda Hebbar Special felicitations to Dr. Pichchalli Srinivas ( Folk music), Dr. Padmaja Venkatesh Suresh (Dance), Dr. Sudhindra Sharma (Theatre), Sri. Rajarama Murthy (Kavya Vachana). 5 P.M – Dance by Kumari Nayana Somayaji and Smt. Deeksha Shastri. 6 P.M – Dance Ballet “Tat Tvam Asi” by artists of NUPURA : Guru Dr. Lalitha Srinivasan. Direction Dr. Lalitha Srinivasan

17 27 – 11 – 2017 (Monday) 6.00 p.m. : Demonstration by Vidushi T. S. Rama on the contribution of Sangita Ratna Mysore T. Choudaiah 7.00 p.m. : Sugama Sangeetha by Smt Manasa Holla and Party

28 – 11 – 2017 (Tuesday)

6.00 p.m. : Valedictory Chief Guest – Sri K.N. Venkatanarayana, President, Akhila Karnataka Mahasabha. 6.30 p.m. : Gita Vadya Laya Sammelana Vocal : instrumental and Percussion ensemble Participants Vocal : Vidushis Archana Bhoj, Shilpa Shashidhar, Aishwarya Nityananda, Anuradha Badree, Shruthi Rajalakshmi, Anjana P.Rao, R. Kavitha, Lavanya Krishna Murthy, Shruthi H.V, Manasa Holla, Supraja, Vishrutha, Vinutha Prasad. Instruments : Aniruddh R. Nadig ; Subrahmanya Shastry ; Gopal V; Govinda ; Anoor Vinod Shyam ; Sunaad Anoor ; Uttam ; Chidananda; Pranav Dutt ; Nagendra Prasad. Instruments and Percussion ensemble Direction by Vidwan Anoor Ananthakrishna Sharma Vidwan Anoor Ananthakrishna Concept and Direction by Vidushi Vasanthamadhavi Sharma

All programs to be webcast live by SHAALE.COM

ALL ARE WELCOME

18 Fri, Sat, & Sun - 6.00 p.m. 03, 04, & 05. - Khincha Hall Three-day discourse on PROGRAMME : Sanyasa - NOVEMBER - 2017 5th chapter of the Speaker : Sri ‘M’ Fri 6.30 p.m. - Khincha Hall Fri 6.30 p.m. - Khincha Hall 17. Every Friday Evening 03. Every Friday Evening Cultural Programme – Cultural Programme –Bharatanatya: Bharatanatya : Ms. Manjula S Pruthvi Parthasarathy Sat 5.30 p.m. - KRG Hall Fri 6.30 p.m. - Khincha Hall 18. Dr. Mathoor Krishnamurti 10. Every Friday memorial endowment music and Evening Cultural Programme – dance programme. Bharatanatya : Sagara B.S. (for more details pl see page no.- 2)

Sat 10.30 a.m. - Sun 10.30 a.m. - Khincha & KRG 11. Smt. Saraswathi Endowment 19. Dr. Mathoor Krishnamurti by memorial endowment music and Ms.Dhanya Dinesh and party dance programme. Venue : Indian Institute of World (for more details pl see page no.- 2) Culture, Basavanagudi, Bengaluru. Fri to Tue 6.00 p.m. - Sat 6.30 p.m. - Khincha Hall 24 to 28. Khincha Hall 11. Horizon series - Silver Jubilee celebrations: Cultural programme - Puppet Show Ragashree Sammelanotsava - 2017. by Puthali Kalaranga Puppet theatre Inauguration and CD release. (Sri Dattatreya Aralikatte) In association with Bengaluru. D. Subbaramaiah Fine Arts Trust – Sun 10.30 a.m. - Khincha & KRG (for more details pl see page no.16-18) 12. Bhavan’s Kalabharathi 16th convocation : Distribution of Sat 6.30 p.m. - Diploma certificates and 28. BVB -Infosys Foundation Smt. Susheelamma and Outreach programme : Sri Nanjundaiah Cash awards Carnatic vocal : Chief Guest : Dr. B.K. Sumithra, well Lavanya Krishnamurthi & known Kannada play back singer Sri. Jagadeesh A.R. Followed by Kannada Rajyotsava Violin : Vid. Venkatesh Iyer celebrations. : Dr. Mathoor Mridanga : Vid. Raghu Bhagavat Krishnamurti memorial endowment music and dance programme Venue : Indiranagara Sangeetha (for more details pl see page no.- 2) Sabha, Indiranagar, Bengaluru. 19 BOOK POST

November - 2017

AND20 ASSISTANT EDITOR : DR. SHOBHA. G