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7A Temporada 4.- El Rayo Mortal / Mr. Wonderful Daniel Clowes Gener 2014
7a Temporada 4.- El Rayo Mortal / Mr. Wonderful Daniel Clowes Gener 2014 Índex: Club de Lectura: L’autor: Daniel Clowes ......................................................................................................................................... 1 La seva obra .............................................................................................................................................................. 1 El Rayo Mortal / Daniel Clowes Random House Mondadori, 2013 El Rayo Mortal / Ressenya / Gerardo Vilches.......................................................................................... 2 El Rayo Mortal / Article / Juanjo Villalba................................................................................................... 3 Mr. Wonderful / Daniel Clowes Random House Mondadori, 2012 Mr. Wonderful / Ressenya / Gerardo Vilches........................................................................................... 5 Mr. Wonderful / Article / Antonio Fraguas ................................................................................................ 6 “Wilson es una respuesta triste a Mr. Wonderful ” / Entrevista / Noel Murray ........................................ 8 “El Rayo Mortal no trata de mostrar un mundo, sino insinuarlo” / Entrevista / Albert Fernández .. 9 Altres Recomanacions ....................................................................................................................................................... 10 Novetats de la tardor / Secció Còmics d’Adults / Bib. -
In the Northern Mariana Islands
THE TRADITIONAL AND CEREMONIAL USE OF THE GREEN TURTLE (Chelonia mydas) IN THE NORTHERN MARIANA ISLANDS with recommendations for ITS USE IN CULTURAL EVENTS AND EDUCATION A Report prepared for the Western Pacific Regional Fishery Management Council and the University of Hawaii Sea Grant College Program by Mike A. McCoy Kailua-Kona, Hawaii December, 1997 TABLE OF CONTENTS EXECUTIVE SUMMARY...........................................................................................................................4 PREFACE......................................................................................................................................................8 1. INTRODUCTION....................................................................................................................................9 1.1 BACKGROUND ......................................................................................................................................9 1.2 TERMS OF REFERENCE AND METHODOLOGY ............................................................................10 1.3 DISCUSSION OF DEFINITIONS .........................................................................................................11 2. GREEN TURTLES, ISLANDS AND PEOPLE OF THE NORTHERN MARIANAS ...................12 2.1 SUMMARY OF GREEN TURTLE BIOLOGY.....................................................................................12 2.2 DESCRIPTION OF THE NORTHERN MARIANA ISLANDS ............................................................14 2.3 SOME RELEVANT -
Girls in Graphic Novels
Eastern Illinois University The Keep Masters Theses Student Theses & Publications 2017 Girls in Graphic Novels: A Content Analysis of Selected Texts from YALSA's 2016 Great Graphic Novels for Teens List Tiffany Mumm Eastern Illinois University This research is a product of the graduate program in English at Eastern Illinois University. Find out more about the program. Recommended Citation Mumm, Tiffany, "Girls in Graphic Novels: A Content Analysis of Selected Texts from YALSA's 2016 Great Graphic Novels for Teens List" (2017). Masters Theses. 2860. https://thekeep.eiu.edu/theses/2860 This is brought to you for free and open access by the Student Theses & Publications at The Keep. It has been accepted for inclusion in Masters Theses by an authorized administrator of The Keep. For more information, please contact [email protected]. The Graduate School� EASTERNILLINOIS UNIVERSlTY Thesis Maintenance and Reproduction Certificate FOR: Graduate Candidates Completing Theses in Partial Fulfillment of the Degree Graduate Faculty Advisors Directing the Theses RE: Preservation, Reproduction, and Distribution of Thesis Research Preserving, reproducing, and distributing thesis research is an important part of Booth Library's responsibility to provide access to scholarship. In order to further this goal, Booth Library makes all graduate theses completed as part of a degree program at Eastern Illinois University available for personal study, research, and other not-for-profit educational purposes. Under 17 U.S.C. § 108, the library may reproduce and distribute a copy without infringing on copyright; however, professional courtesy dictates that permission be requested from the author before doing so. Your signatures affirm the following: • The graduate candidate is the author of this thesis. -
Archons (Commanders) [NOTICE: They Are NOT Anlien Parasites], and Then, in a Mirror Image of the Great Emanations of the Pleroma, Hundreds of Lesser Angels
A R C H O N S HIDDEN RULERS THROUGH THE AGES A R C H O N S HIDDEN RULERS THROUGH THE AGES WATCH THIS IMPORTANT VIDEO UFOs, Aliens, and the Question of Contact MUST-SEE THE OCCULT REASON FOR PSYCHOPATHY Organic Portals: Aliens and Psychopaths KNOWLEDGE THROUGH GNOSIS Boris Mouravieff - GNOSIS IN THE BEGINNING ...1 The Gnostic core belief was a strong dualism: that the world of matter was deadening and inferior to a remote nonphysical home, to which an interior divine spark in most humans aspired to return after death. This led them to an absorption with the Jewish creation myths in Genesis, which they obsessively reinterpreted to formulate allegorical explanations of how humans ended up trapped in the world of matter. The basic Gnostic story, which varied in details from teacher to teacher, was this: In the beginning there was an unknowable, immaterial, and invisible God, sometimes called the Father of All and sometimes by other names. “He” was neither male nor female, and was composed of an implicitly finite amount of a living nonphysical substance. Surrounding this God was a great empty region called the Pleroma (the fullness). Beyond the Pleroma lay empty space. The God acted to fill the Pleroma through a series of emanations, a squeezing off of small portions of his/its nonphysical energetic divine material. In most accounts there are thirty emanations in fifteen complementary pairs, each getting slightly less of the divine material and therefore being slightly weaker. The emanations are called Aeons (eternities) and are mostly named personifications in Greek of abstract ideas. -
Land and Sea Tales for Scouts and Guides
LAND AND SEA TALES FOR SCOUTS AND GUIDES Page 1 LAND AND SEA TALES FOR SCOUTS AND GUIDES Downloaded from: “The Dump” at Scoutscan.com http://www.thedump.scoutscan.com/ Editor’s Note: The reader is reminded that these texts have been written a long time ago. Consequently, they may use some terms or use expressions which were current at the time, regardless of what we may think of them at the beginning of the 21st century. For reasons of historical accuracy they have been preserved in their original form. If you find them offensive, we ask you to please delete this file from your system. This and other traditional Scouting texts may be downloaded from the Dump. Page 2 LAND AND SEA TALES FOR SCOUTS AND GUIDES BOOKS BY RUDYARD KIPLING UNIFORM WITH THIS VOLUME PLAIN TALES FROM THE HILLS. LIFE’S HANDICAP. BEING STORIES OF MINE OWN PEOPLE. MANY INVENTIONS. THE LIGHT THAT FAILED. WEE WILLIE WINKIE, and Other Stories. SOLDIERS THREE, and Other Stories. CAPTAINS COURAGEOUS. A STORY OF THE GRAND BANKS. THE JUNGLE BOOK. With Illustrations by J. LOCKWOOD KIPLING and W. H. DRAKE. THE SECOND JUNGLE BOOK. With Illustrations by J. LOCKWOOD KIPLING. THE DAY’S WORK. STALKY & CO. THE NAULAHKA. A STORY OF WEST AND EAST. By RUDYARD KIPLING and WOLCOTT BALESTIER. KIM. JUST SO STORIES FOR LITTLE CHILDREN. With Illustrations by the Author. TRAFFICS AND DISCOVERIES. PUCK OF POOK’S HILL. With Illustrations by H. R. MILLAR. ACTIONS AND REACTIONS. REWARDS AND FAIRIES. With Illustrations by CHARLES E. BROCK, R.I. A DIVERSITY OF CREATURES. -
Ahead of Their Time
NUMBER 2 2013 Ahead of Their Time About this Issue In the modern era, it seems preposterous that jazz music was once National Council on the Arts Joan Shigekawa, Acting Chair considered controversial, that stream-of-consciousness was a questionable Miguel Campaneria literary technique, or that photography was initially dismissed as an art Bruce Carter Aaron Dworkin form. As tastes have evolved and cultural norms have broadened, surely JoAnn Falletta Lee Greenwood we’ve learned to recognize art—no matter how novel—when we see it. Deepa Gupta Paul W. Hodes Or have we? When the NEA first awarded grants for the creation of video Joan Israelite Maria Rosario Jackson games about art or as works of art, critical reaction was strong—why was Emil Kang the NEA supporting something that was entertainment, not art? Yet in the Charlotte Kessler María López De León past 50 years, the public has debated the legitimacy of street art, graphic David “Mas” Masumoto Irvin Mayfield, Jr. novels, hip-hop, and punk rock, all of which are now firmly established in Barbara Ernst Prey the cultural canon. For other, older mediums, such as television, it has Frank Price taken us years to recognize their true artistic potential. Ex-officio Sen. Tammy Baldwin (D-WI) In this issue of NEA Arts, we’ll talk to some of the pioneers of art Sen. Sheldon Whitehouse (D-RI) Rep. Betty McCollum (D-MN) forms that have struggled to find acceptance by the mainstream. We’ll Rep. Patrick J. Tiberi (R-OH) hear from Ian MacKaye, the father of Washington, DC’s early punk scene; Appointment by Congressional leadership of the remaining ex-officio Lady Pink, one of the first female graffiti artists to rise to prominence in members to the council is pending. -
Issue Number 118 October 2007 ISSN 0839-7708 in THIS
Issue Number 118 October 2007 Green turtle hatchling from Turkey with extra carapacial scutes (see pp. 6-8). Photo by O. Türkozan IN THIS ISSUE: Editorial: Conservation Conflicts, Conflicts of Interest, and Conflict Resolution: What Hopes for Marine Turtle Conservation?..........................................................................................L.M. Campbell Articles: From Hendrickson (1958) to Monroe & Limpus (1979) and Beyond: An Evaluation of the Turtle Barnacle Tubicinella cheloniae.........................................................A. Ross & M.G. Frick Nest relocation as a conservation strategy: looking from a different perspective...................O. Türkozan & C. Yılmaz Linking Micronesia and Southeast Asia: Palau Sea Turtle Satellite Tracking and Flipper Tag Returns......S. Klain et al. Morphometrics of the Green Turtle at the Atol das Rocas Marine Biological Reserve, Brazil...........A. Grossman et al. Notes: Epibionts of Olive Ridley Turtles Nesting at Playa Ceuta, Sinaloa, México...............................L. Angulo-Lozano et al. Self-Grooming by Loggerhead Turtles in Georgia, USA..........................................................M.G. Frick & G. McFall IUCN-MTSG Quarterly Report Announcements News & Legal Briefs Recent Publications Marine Turtle Newsletter No. 118, 2007 - Page 1 ISSN 0839-7708 Editors: Managing Editor: Lisa M. Campbell Matthew H. Godfrey Michael S. Coyne Nicholas School of the Environment NC Sea Turtle Project A321 LSRC, Box 90328 and Earth Sciences, Duke University NC Wildlife Resources Commission Nicholas School of the Environment 135 Duke Marine Lab Road 1507 Ann St. and Earth Sciences, Duke University Beaufort, NC 28516 USA Beaufort, NC 28516 USA Durham, NC 27708-0328 USA E-mail: [email protected] E-mail: [email protected] E-mail: [email protected] Fax: +1 252-504-7648 Fax: +1 919 684-8741 Founding Editor: Nicholas Mrosovsky University of Toronto, Canada Editorial Board: Brendan J. -
1 Daniel Clowes (1961- ) Is a Highly
Integrity of the Page: The Creative Process of Daniel Clowes Daniel Clowes (1961- ) is a highly-regarded cartoonist, graphic novelist, and screenwriter. He is best known for his Eightball comic book series (1989-2004) and for his graphic novels Ghost World (1997), Ice Haven (2005), Wilson (2010), Mister Wonderful (2011), and The Death-Ray (2011). The Special Collections Research Center acquired Clowes’ archive in 2015. The acquisition honors Clowes’ personal ties to the University of Chicago – Clowes was born in Chicago and spent much of his childhood in Hyde Park where he attended the University of Chicago Laboratory School until 1979. His grandfather, James Lea Cate (1899-1981), was a history professor at the University of Chicago from 1930 to 1969, and Dr. Cate’s personal papers reside in the Special Collections Research Center. Clowes’ archive also anchors a growing collection of Chicago-related contemporary comics at the Library. The collection supports a burgeoning, cross-disciplinary interest in comics for research and teaching at the University. The Clowes archive contains notes, outlines, narrative drafts, character sketches, draft layouts, and more for three of Clowes’ books: Ice Haven, Mister Wonderful, and The Death-Ray. The exhibition pieces this material together, tracing the evolution of Clowes’ art from conception to production to publication. The materials on display emphasize the exceptional tangibility of Clowes’ work in an era when art can easily be made, and then unmade, on a computer. Throughout his career, the physicality of his craft has been a vital component of his artistic vision and creative process. Clowes remains dedicated to simple paper, pencil, and ink – to what he calls the “integrity of the page.” Explanatory panels throughout the exhibition are composed of excerpts from interviews with Clowes in which he articulates aspects of his style and technique. -
1994 a Novel of Politics
1994 a novel of politics by Jack Miller White Tiger Press Portland, Oregon ©2019 This book is dedicated to my students, whose curiosity, dedication, and outrage have always driven me to explain what I know about politics as clearly as I possibly can. "People who claim to know jackrabbits will tell you they are primarily motivated by Fear, Stupidity, and Craziness. But I have spent enough time in jack rabbit country to know that most of them lead pretty dull lives; they are bored with their daily routines: eat, fuck, sleep, hop around a bush now and then… No wonder some of them drift over the line into cheap thrills once in a while; there has to be a powerful adrenalin rush in crouching by the side of a road, waiting for the next set of headlights to come along, then streaking out of the bushes with split-second timing and making it across to the other side just inches in front of the speeding front wheels." ― Hunter S. Thompson, Fear and Loathing on the Campaign Trail '72 "Power is not an institution, and not a structure; neither is it a certain strength we are endowed with; it is the name that one attributes to a complex strategical situation in a particular society." ― Michel Foucault, The History of Sexuality PART 1 THREE SCORES DOWN TUESDAY, SEPTEMBER 27TH 6:49AM We are not going down. Only it seems like they are. The wheels of the plane just left the ground, but the takeoff feels tenuous, the aircraft moving too slowly to maintain flight. -
Race War Draft 2
Race War Comics and Yellow Peril during WW2 White America’s fear of Asia takes the form of an octopus… The United States Marines #3 (1944) Or else a claw… Silver Streak Comics #6 (Sept. 1940)1 1Silver Streak #6 is the first appearance of Daredevil Creatures whose purpose is to reach out and ensnare. Before the Octopus became a symbol of racial fear it was often used in satirical cartoons to stoke a fear of hegemony… Frank Bellew’s illustration here from 1873 shows the tentacles of the railroad monopoly (built on the underpaid labor of Chinese immigrants) ensnaring our dear Columbia as she struggles to defend the constitution from such a beast. The Threat is clear, the railroad monopoly is threating our national sovereignty. But wait… Isn’t that the same Columbia who the year before… Yep… Maybe instead of Columbia frightening away Indigenous Americans as she expands west, John Gast should have painted an octopus reaching out across the continent grabbing land away from them. White America’s relationship with hegemony has always been hypocritical… When White America views the immigration of Chinese laborers to California as inevitably leading to the eradication of “native” White Americans, it can only be because when White Americans themselves migrated to California they brought with them an agenda of eradication. In this way White European and American “Yellow Peril” has largely been based on the view that China, Japan, and India represent the only real threats to white colonial dominance. The paranoia of a potential competitor in the game of rule-the-world, especially a competitor perceived as being part of a different species of humans, can be seen in the motivation behind many of the U.S.A.’s military involvement in Asia. -
Xero Comics 3
[A/katic/Po about Wkatto L^o about ltdkomp5on,C?ou.l5on% ^okfy Madn.^5 and klollot.-........ - /dike U^eckin^z 6 ^Tion-t tke <dk<dfa............. JlaVuj M,4daVLi5 to Tke -dfec'iet o/ (2apta Ln Video ~ . U 1 _____ QilkwAMyn n 2t £L ......conducted byddit J—upo 40 Q-b iolute Keto.................. ............Vldcjdupo^ 48 Q-li: dVyL/ia Wklie.... ddkob dVtewait.... XERO continues to appall an already reeling fandom at the behest of Pat & Dick Lupoff, 21J E 7Jrd Street, New York 21, New York. Do you want to be appalled? Conies are available for contributions, trades, or letters of comment. No sales, no subs. No, Virginia, the title was not changed. mimeo by QWERTYUIOPress, as usual. A few comments about lay ^eam's article which may or lay not be helpful. I've had similar.experiences with readers joining fan clubs. Tiile at Penn State, I was president of the 3F‘Society there, founded by James F. Cooper Jr, and continued by me after he gafiated. The first meeting held each year packed them in’ the first meeting of all brought in 50 people,enough to get us our charter from the University. No subsequent meeting ever brought in more than half that, except when we held an auction. Of those people, I could count on maybe five people to show up regularly, meet ing after meeting, just to sit and talk. If we got a program together, we could double or triple that. One of the most popular was the program vzhen we invited a Naval ROTO captain to talk about atomic submarines and their place in future wars, using Frank Herbert's novel Dragon in the ~ea (or Under Pressure or 21 st Century Sub, depending upon where you read itj as a starting point. -
Ruth Prawer Jhabvala's Adapted Screenplays
Absorbing the Worlds of Others: Ruth Prawer Jhabvala’s Adapted Screenplays By Laura Fryer Submitted in fulfilment of the requirements of a PhD degree at De Montfort University, Leicester. Funded by Midlands 3 Cities and the Arts and Humanities Research Council. June 2020 i Abstract Despite being a prolific and well-decorated adapter and screenwriter, the screenplays of Ruth Prawer Jhabvala are largely overlooked in adaptation studies. This is likely, in part, because her life and career are characterised by the paradox of being an outsider on the inside: whether that be as a European writing in and about India, as a novelist in film or as a woman in industry. The aims of this thesis are threefold: to explore the reasons behind her neglect in criticism, to uncover her contributions to the film adaptations she worked on and to draw together the fields of screenwriting and adaptation studies. Surveying both existing academic studies in film history, screenwriting and adaptation in Chapter 1 -- as well as publicity materials in Chapter 2 -- reveals that screenwriting in general is on the periphery of considerations of film authorship. In Chapter 2, I employ Sandra Gilbert’s and Susan Gubar’s notions of ‘the madwoman in the attic’ and ‘the angel in the house’ to portrayals of screenwriters, arguing that Jhabvala purposely cultivates an impression of herself as the latter -- a submissive screenwriter, of no threat to patriarchal or directorial power -- to protect herself from any negative attention as the former. However, the archival materials examined in Chapter 3 which include screenplay drafts, reveal her to have made significant contributions to problem-solving, characterisation and tone.