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Terracotta Tableau Sculpture in Italy, 1450-1530
PALPABLE POLITICS AND EMBODIED PASSIONS: TERRACOTTA TABLEAU SCULPTURE IN ITALY, 1450-1530 by Betsy Bennett Purvis A thesis submitted in conformity with the requirements for the degree of Doctorate of Philosophy Department of Art University of Toronto ©Copyright by Betsy Bennett Purvis 2012 Palpable Politics and Embodied Passions: Terracotta Tableau Sculpture in Italy, 1450-1530 Doctorate of Philosophy 2012 Betsy Bennett Purvis Department of Art University of Toronto ABSTRACT Polychrome terracotta tableau sculpture is one of the most unique genres of 15th- century Italian Renaissance sculpture. In particular, Lamentation tableaux by Niccolò dell’Arca and Guido Mazzoni, with their intense sense of realism and expressive pathos, are among the most potent representatives of the Renaissance fascination with life-like imagery and its use as a powerful means of conveying psychologically and emotionally moving narratives. This dissertation examines the versatility of terracotta within the artistic economy of Italian Renaissance sculpture as well as its distinct mimetic qualities and expressive capacities. It casts new light on the historical conditions surrounding the development of the Lamentation tableau and repositions this particular genre of sculpture as a significant form of figurative sculpture, rather than simply an artifact of popular culture. In terms of historical context, this dissertation explores overlooked links between the theme of the Lamentation, the Holy Sepulcher in Jerusalem, codes of chivalric honor and piety, and resurgent crusade rhetoric spurred by the fall of Constantinople in 1453. Reconnected to its religious and political history rooted in medieval forms of Sepulchre devotion, the terracotta Lamentation tableau emerges as a key monument that both ii reflected and directed the cultural and political tensions surrounding East-West relations in later 15th-century Italy. -
Introduction
Cambridge University Press 0521452457 - Lorenzo de’ Medici: Collector and Antiquarian Laurie Fusco and Gino Corti Excerpt More information ~ Introduction his book concentrates on a single collector of antiquities, Lorenzo de’ TMedici, the leader of the Republic of Florence (b. 1449–d. 1492). It is based on the discovery of 173 letters, which can be added to 48 other ones that had been previously published. Letters about collecting in the fifteenth century are extremely rare, and so finding them over the course of a decade was a continual surprise. By combining the letters with Renaissance texts and Medici inventories, we can now count 345 documents, the most substantial material about an Early Renaissance collector to date. In particular, the letters give an intimate picture of Lorenzo gathering objects from the age of sixteen until his death at forty-three. They disclose his sources (Chps. 1 and 2) and vividly describe the intricacies and intrigues of the art market (Chp. 3). They show what he collected (Chp. 4) and provide information about the study of objects, their display, why they were selected, and their monetary worth (Chp. 5). During Lorenzo’s life and after his death, texts praised him for his interest in antiquities, but the letters reveal this commitment more immediately as they witness firsthand his appreciation of those who helped him and his ever- increasing determination to collect (Chp. 6). In 1494, two years after Lorenzo died, the French invaded Florence, and his collection was dispersed. A reassessment of the fate of his objects gives new information about what he collected and how his objects were considered, and it creates a poignant picture of the importance of Lorenzo’s collection as a cultural legacy (Chp. -
9 Serpa Dignum Online.Pdf
GINO BANDELLI Il primo storico di Aquileia romana: Iacobus Utinensis (c. 1410 - 1482)* Per quasi tutto il Medioevo la storia della capitale del Patriarcato, e in particolare la fase antica di essa, non fu oggetto di trattazioni specifiche. Le cose cominciarono a cambiare solo con gl’inizi dell’età umanistica. Una visita di Guarino Veronese nel 1408 non ebbe un seguito immedia- to1. Ma il passaggio di Ciriaco de’ Pizzicolli di Ancona, che giunse nella Patria del Friuli tra il 1432 e il 14332, rappresentò una svolta. Nei codici epigrafici derivati dai materiali ciriacani troviamo iscrizioni di Aquileia, di Forum Iulii * Ringrazio Marco Buonocore, Laura Casarsa, Donata Degrassi, Maria Rosa Formentin, Claudio Griggio, Giuseppe Trebbi per l’aiuto che mi hanno prestato in questa ricerca. 1 Guarino 1916, pp. 678-679, nr. 930 A, 1919, pp. 13-14; cf. Calderini 1930, p. XIX, nn. 3 e 5. Su Guarino Guarini (Verona, 1374 - Ferrara, 1460), da ultimo: King 1986, passim, trad. it. King 1989, I, passim, II, passim; Casarsa - D’Angelo - Scalon 1991, passim; Barbaro 1991, passim, 1999, passim; Storia di Venezia 1996, passim; Canfora 2001; Crisolora 2002, passim; Pistilli 2003; Rollo 2005; Griggio 2006; Tradurre dal greco 2007, passim; Plutarco nelle traduzioni latine 2009, passim; Cappelli 2010, passim. 2 Ciriaco 1742, pp. 77-80, ep. VIII (del 1439), indirizzata al patriarca Ludovico Trevisan (Scarampo Mezzarota). La menzione (ibid., pp. 19-21) dell’aiuto prestatogli a suo tempo da Leonardo Giustinian, Luogotenente della Patria (infra, n. 41), colloca il viaggio dell’Anco- netano tra il 1432 e il 1433: dopo le indicazioni di Theodor Mommsen inCIL V, 1 (1872), p. -
159 Nadbiskup Bartolomeo Zabarella (1400. – 1445.)
NADBISKUP BARTOLOMEO ZABARELLA (1400. – 1445.): Crkvena karijera između Padove, Rima, Splita i Firence J a d r a n k a N e r a l i ć UDK:27-722.52Zabarella, B Izvorni znanstveni rad Jadranka Neralić Hrvatski institut za povijest, Zagreb Biografija Bartolomea Zabarelle slična je bio- grafijama mnogih njegovih vršnjaka iz uglednih padovanskih obitelji. Kao nećak utjecajnoga kar- dinala i uglednoga profesora na drugome najstari- jemu talijanskom Sveučilištu, od rane je mladosti uključen u važna društvena i politička događanja svoga rodnoga grada. Nakon završenoga studija prava, poput mnogih svojih vršnjaka pripremao se za crkvenu karijeru. Poticaji za odlazak u Rim došli su pred kraj pontifikata pape Martina V., iz rimske plemićke obitelji Colonna. Međutim, vrhunac karijere dostigao je obavljajući razne kurijalne službe tijekom pontifikata Eugena IV., Mlečanina Gabriela Condulmera. Novopronađeni i neobjavljeni izvori iz nekoliko serija registara Vatikanskoga tajnog arhiva, međusobno ispre- pleteni s objavljenim dokumentima iz padovan- skoga kruga, osvjetljavaju neke ključne trenutke ove uspješne kurijalne karijere između Rima i Firence, a ukazuju i na rijetke i sporadične veze sa Splitom. Ako je suditi prema suvremenim zapisima kroničara Ulricha Richentala iz Konstanza (1381. – 1437.),1 događanjima na velikome saboru nazočilo je čak 72.460 sudionika. U radovima saborskih sekcija i komisija tijekom njegova če- tverogodišnjega trajanja, izravno je i neizravno bilo uključeno gotovo 18.000 1 Chronik des Konstanzer Konzils 1414-1418 von Ulrich Richental (Konzstanzer Geschi- chts- und Rechtsquellen 41). Eingeleitet und herausgegeben von Thomas Martin Buck, Ostfildern 2010, 207. C. Bianca, »Il Concilio di Costanza come centro di produzione ma- noscritta degli umanisti«, u: Das Konstanzer Konzil als europäisches Ereignis. -
8.5 X12.5 Doublelines.P65
Cambridge University Press 0521452457 - Lorenzo de’ Medici: Collector and Antiquarian Laurie Fusco and Gino Corti Excerpt More information ~ Introduction his book concentrates on a single collector of antiquities, Lorenzo de’ TMedici, the leader of the Republic of Florence (b. 1449–d. 1492). It is based on the discovery of 173 letters, which can be added to 48 other ones that had been previously published. Letters about collecting in the fifteenth century are extremely rare, and so finding them over the course of a decade was a continual surprise. By combining the letters with Renaissance texts and Medici inventories, we can now count 345 documents, the most substantial material about an Early Renaissance collector to date. In particular, the letters give an intimate picture of Lorenzo gathering objects from the age of sixteen until his death at forty-three. They disclose his sources (Chps. 1 and 2) and vividly describe the intricacies and intrigues of the art market (Chp. 3). They show what he collected (Chp. 4) and provide information about the study of objects, their display, why they were selected, and their monetary worth (Chp. 5). During Lorenzo’s life and after his death, texts praised him for his interest in antiquities, but the letters reveal this commitment more immediately as they witness firsthand his appreciation of those who helped him and his ever- increasing determination to collect (Chp. 6). In 1494, two years after Lorenzo died, the French invaded Florence, and his collection was dispersed. A reassessment of the fate of his objects gives new information about what he collected and how his objects were considered, and it creates a poignant picture of the importance of Lorenzo’s collection as a cultural legacy (Chp. -
Verso La Modernità Giuridica Della Chiesa Giovanni Francesco Pavini (Ca
Online-Schrifen des DHI Rom Neue Reihe Pubblicazioni online del DHI Roma Nuova serie Band Volume 2 Silvia Di Paolo Verso la modernità giuridica della Chiesa Giovanni Francesco Pavini (ca. 1424–1485): la stampa, le decisiones, le extravagantes e la disciplina amministrativa www.dhi-roma.it Lizenzhinweis: Diese Publikation unterliegt der Creative-Commons-Lizenz Namensnennung – Keine kommerzielle Nutzung – Keine Bearbeitung (CC BY-NC-ND 2.0), darf also unter diesen Bedingungen elektronisch benutzt, übermittelt, ausgedruckt und zum Download bereitgestellt werden. Den Text der Lizenz erreichen Sie hier: https://creativecommons.org/licenses/by-nc-nd/2.0/legalcode ISBN 978-3-944097-09-1 ISBN-A 10.978.3944097/091 © 2018 Deutsches Historisches Institut in Rom Istituto Storico Germanico di Roma Via Aurelia Antica, 391 I-00165 Roma http://www.dhi-roma.it Das DHI Rom ist Teil der Max Weber Stiftung – Deutsche Geisteswissenschaftliche Institute im Ausland, einer bundesunmittelbaren Stiftung des öffentlichen Rechts, die vom Bundesministerium für Bildung und Forschung (BMBF) gefördert wird. Satz: werksatz ∙ Büro für Typografie und Buchgestaltung, Berlin a Emanuele Conte Indice sommario Ringraziamenti 7 Introduzione 8 1 Padova, Ferrara, Ravenna, Roma: luoghi di incontro con la cultura canonistica 11 1.1 La formazione in diritto e teologia nelle Università di Padova e Ferrara 11 1.2 Le relazioni ecclesiastiche e cittadine a Padova e Ravenna 15 1.3 La nomina a uditore della Sacra Rota Romana 18 1.4 L’attività giudiziaria durante i pontificati di Paolo II -
Jadranka Neralić Hrvatski Institut Za Povijest
Jadranka Neralić Hrvatski institut za povijest Odnos trogirskog klera s papinskom kurijom u vrijeme Ivana Duknovića Veze trogirskog klera s papinskom kurijom tijekom 15. i prvih desetljeća 16. stoljeća, odnosno u vrijeme u kojemu je živio i djelovao Ivan Duknović, mogu se pratiti na nekoliko razina. Prva, najviša hijerarhijska razina odnosi se na imenovanja biskupa i opata – a tijekom 15. stoljeća na trogirskoj su se biskupskoj stolici izmijenili: Šimun de Dominis, Marin Crnota, Toma Tomasini, Ludovico Trevisan Scarampi, Giovanni Vitelleschi, Angelo Cavazza, Jacopo Turlon, Leonello Clericati i Francesco Marcello. Druga se odvija na nešto nižoj, ali ne manje važnoj razini, i odnosi se na niže svećenstvo – kanonike, župnike i klerike na samom početku crkvene karijere. Razmatraju se njihove veze s Rimskom kurijom i njenim brojnim uredima – prije svega Konsistorijem (na kojem se odlučuje o imenovanjima na visoke crkvene službe), Apostolskom komorom (koja vodi financijske poslove), Apostolskom kancelarijom (koja vodi korespondenciju i čuva dokumentaciju), te sa Svetom Rimskom Rotom (u kojoj se vode sudski sporovi, osobito o nadarbinskim pitanjima) i Svetom Apostolskom Penitencijarijom (koja se bavi pitanjima savjesti i dodjeljuje dozvole, razrješenja i oproste), ali i posebne osobne veze i poznanstva s pojedinim kardinalima. *** Prva su desetljeća petnaestog stoljeća donijela značajne promjene na hijerarhijskom vrhu Zapadne katoličke crkve. Već dovoljno neugodna situacija Zapadnog raskola koja traje od 1378. godine dodatno se zakomplicirala na Saboru održanom 1409. godine u Pizi, ulaskom u igru još jednoga – trećeg pape, Aleksandra V. Okupljeni na Saboru koji se od 1414. do 1417. godine održavao u Konstanzu, crkveni su oci 11. studenog 1417. godine izborom rimskog plemića Odda Colonne za papu s imenom Martin V. -
Nancy Ridel Kaplan Retratos De Humanistas Nas Cortes De Pádua
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Repositorio da Producao Cientifica e Intelectual da Unicamp NANCY RIDEL KAPLAN RETRATOS DE HUMANISTAS NAS CORTES DE PÁDUA, MÂNTUA E FERRARA DURANTE O SÉCULO XV Tese de Doutorado apresentada ao Departamento de História do Instituto de Filososfia e Ciências Humanas da Universidade Estadual de Campinas, sob a orientação do Prof. Dr. Luiz César Marques Filho. Este exemplar corresponde à redação final da Tese defendida e aprovada pela Comissão Julgadora em 18 de outubro de 2004. Prof. Dr. Luiz Cesar Marques Filho ( orientador ) Prof. Dr. Cássio da Silva Fernandes Prof. Dr. Leandro Karnal Prof. Dr. Luciano Migliaccio Prof. Dr. Pedro Paulo Funari Prof. Dr. Edgar Salvadori de Decca ( suplente ) Campinas, 2004. 2 FICHA CATALOGRÁFICA ELABORADA PELA BIBLIOTECA DO IFCH - UNICAMP Kaplan, Nancy Ridel K141r Retratos de humanistas nas cortes de Pádua, Mântua e Ferrara durante o século XV / Nancy Ridel Kaplan. - - Campinas, SP : [s. n.], 2004. Orientador: Luiz César Marques Filho. Tese (doutorado ) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciências Humanas. 1. Jerônimo, Santo, ca. 347-420. 2. Virgílio. 3. Retratos – Séc. XV. 4. Humanistas. 4. Arte italiana – Séc. XV. I. Marques Filho, Luiz César. II. Universidade Estadual de Campinas. Instituto de Filosofia e Ciências Humanas. III.Título. 3 Em memória de minha mãe Nanci e para meus filhos Fayga e José Renato. 4 AGRADECIMENTOS Ao Prof. Luiz Marques, por sua sensibilidade e paciência na orientação deste tema, tão difícil quanto fascinante. Ao Prof. Luciano Migliaccio. Ao Prof. Leandro Karnal e ao Prof. -
Leonardo Dati: Vorbemerkung
LEONARDO DATI, Trophaeum Anglaricum (1443; nach dem Codex Riccardianus 1207, fol. 47v-58r) herausgegeben und übersetzt von GREGOR MAURACH und kommentiert von CLAUDIA ECHINGER-MAURACH (zweite, korrigierte Fassung) FONTES 74 [29. April 2013] Zitierfähige URL: http://archiv.ub.uni-heidelberg.de/artdok/volltexte/2013/2177 urn:nbn:de:bsz:16-artdok-21775 1 SACRVM LEONARDO DATHO CIVI FLORENTINO VIRO DOCTISSIMO OPTIMOQ PAVLI SECVNDI ET SIXTI IIII . SECRE- TARIO EPISCOPO MASSANO VIX . ANN . L X I I I . MENS . II . M.CCCCLXXII. Grabinschrift des Leonardo Dati in Santa Maria sopra Minerva in Rom („Dall’Anonimo Sepoltuario ( –– f. 223) che la vide in lap. marm. cui effigies nobilis civis habitu.“; in: Vincenzo Forcella, Iscrizioni delle chiese e d’altri edifici di Roma, Bd. I, Roma 1869, S. 420, Nr. 1601) 2 INHALTSVERZEICHNIS 4 VORBEMERKUNG 5 WÜRDIGUNG 8 GREGOR MAURACH LEONARDO DATI: TROPHAEUM ANGLARICUM 20 GREGOR MAURACH UND CLAUDIA ECHINGER-MAURACH ÜBERSETZUNG UND KOMMENTAR LEONARDO DATI: TROPHAEUM ANGLARICUM 34 CLAUDIA ECHINGER-MAURACH LEONARDO DA VINCIS KONZEPTION DER ANGHIARI-SCHLACHT IM ANHALT AN SCHRIFTLICHE UND BILDLICHE QUELLEN, IM BESONDEREN AN LEONARDO DATIS TROPHAEUM ANGLARICUM 48 VERZEICHNIS DER ABGEKÜRZT ZITIERTEN LITERATUR 53 ABBILDUNGSVERZEICHNIS 54 ABBILDUNGEN 3 Incipit: Florenz, Biblioteca Riccardiana, Codex Riccardianus 1207, fol. 47 verso (Ausschnitt) 4 VORBEMERKUNG Leonardo di Piero Dati wurde ca. 1408 in Florenz als Sohn eines Kaufmanns geboren, erhielt eine gute Ausbildung im Lateinischen, wurde Notar und dann Doktor der Rechte, ließ sich dann aber zum Priester weihen und trat in die Dienste bedeutender Kardinäle, zunächst in die des Giordano Orsini, dann des Francesco Condulmer.1 Es kam dann aber zum Zerwürfnis mit dem Kardinal und auch dem Papst, Eugen IV. -
Preachers and Governance in Fifteenth-Century Italian Towns: a Comparative Investigation of Three Case Studies
PREACHERS AND GOVERNANCE IN FIFTEENTH-CENTURY ITALIAN TOWNS: A COMPARATIVE INVESTIGATION OF THREE CASE STUDIES Stefan Visnjevac A Thesis Submitted for the Degree of PhD at the University of St Andrews 2012 Full metadata for this item is available in St Andrews Research Repository at: http://research-repository.st-andrews.ac.uk/ Please use this identifier to cite or link to this item: http://hdl.handle.net/10023/3631 This item is protected by original copyright Preachers and Governance in Fifteenth-Century Italian Towns: A Comparative Investigation of Three Case Studies Stefan Visnjevac Submitted for the degree of PhD in History Date of Submission: 22/05/2012 i Acknowledgments I would like to thank for their kind and generous financial support, without whose funding this thesis would not have been possible, the Arts and Humanities Research Council, the Gladys Krieble Delmas Foundation, the Society for Renaissance Studies, and the Institute of Historical Research. I also wish to express my deepest gratitude to my supervisor, Professor Frances Andrews, who found a place for my proposal for a PhD within her project on Religion and Public Life in Late Medieval Italy , and gave up a great deal of her time and energy to guide and mould that idea. I would also like to acknowledge the participants of the September 2009 Religion and Public Life in Late Medieval Italy conference and the 2010 International Medieval Sermon Studies Symposium in Salamanca for the advice and comments they freely and generously offered, especially Nicole Bériou, Brenda Bolton, Pietro Delcorno, George Ferzoco, Laura Gaffuri, and Carolyn Muessig. -
Antonello Da Messina
ANTONELLO DA MESSINA This volume has been published in conjunction with the exhibition "Antonello da Messina: Sicily's Renaissance Master" held at The Metropolitan Museum of Art, New York, December 13, 2005-March 5, 2006 The exhibition was organized and made possible by the Cultural Commissioner for the Sicilian Region, Hon. Alessandro Pagano, and the Foundation for Italian Art and Culture, with the generous support of Bulgari and ACP Group. Additional support has been provided by the Gail and Parker Gilbert Fund and the Italian Cultural Institute of New York. This exhibition catalogue is made possible by the Drue E. Heinz Fund. All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or any information storage or retrieval system, without permission in writing from the publishers. Published by The Metropolitan Museum of Art, New York Copyright © 2005 by The Metropolitan Museum of Art, New York John P. O'Neill, Editor in Chief Gwen Roginsky, Associate General Manager of Publications Ellen Shultz, Editor Bruce Campbell, Designer Margaret Rennolds Chace, Managing Editor Peter Antony, Chief Production Manager Sally Van Devanter, Production Manager Robert Weisberg, Assistant Managing Editor Jean Wagner, Bibliographer The essay and three entries by Gioacchino Barbera translated from the Italian by Lawrence Jenkens Library of Congress Cataloging-in-Publication Data Barbera, Gioacchino. Antonello da Messina : Sicily's Renaissance master / Gioacchino Barbera, with contributions by Keith Christiansen and Andrea Bayer. p. em. Catalog of an exhibition to be held at the Metropolitan Museum of Art, New York, Dec. -
PAPAL COINAGE to 1605 NOTES on PAPAL COINAGE the Papal Mint Is the Pope's Institute for the Production of Hard Cash
PAPAL COINAGE To 1605 NOTES ON PAPAL COINAGE The Papal Mint is the pope's institute for the production of hard cash. Papal Mint may also refer to the buildings in Avignon, Rome and elsewhere which used to house the mint. (The Italian word for mint is Zecca). The right to coin money being one of the regalia (sovereign prerogatives), there can be no papal coins of earlier date than that of the temporal power of the popes. Nevertheless, there are coins of Pope Zacharias (741-52), of Gregory III (Ficoroni, "Museo Kircheriano"), and possibly of Gregory II (715-741). There is no doubt that these pieces, two of which are of silver, are true coins, and not merely a species of medals, like those which were distributed as "presbyterium" at the coronation of the popes since the time of Valentine (827). Their stamp resembles that of the Byzantine and Merovingian coins of the seventh and eighth centuries, and their square shape is also found in Byzantine pieces. Those that bear the inscription GREII PAPE — SCI PTR (Gregorii Papæ — Sancti Petri) cannot be attributed to Pope Gregory IV (827-44), because of the peculiarity of minting. The existence of these coins, while the popes yet recognized the Byzantine domination, is explained by Hartmann (Das Königreich Italien, Vol. III), who believes that, in the eighth century, the popes received from the emperors the attributes of "Præfectus Urbis". Under the empire, coins that were struck in the provinces bore the name of some local magistrate, and those coins of Gregory and of Zacharias are simply imperial Byzantine pieces, bearing the name of the first civil magistrate of the City of Rome.