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St Paul's Cathedral Melbourne
T AUL S ATHEDRAL Dean: The Very Revd Dr Andreas Loewe S P ’ C Precentor: The Revd Canon Heather Patacca MELBOURNE Director of Music: Mr Philip Nicholls CONVERSION OF ST PAUL TO EPIPHANY 5: 29 JANUARY TO 5 FEBRUARY, WEEK 5, 2017 Canon in Residence: The Dean Sunday 29 January CONVERSION OF PAUL THE APOSTLE W Thursday 2 February THE PRESENTATION OF CHRIST IN THE TEMPLE W 8am BCP Holy Communion 12.15pm Eucharist 9am Sung Eucharist: Gloria: TiS757b; Grad: Christ is our cornerstone 5.10pm Choral Evensong: Lay Clerks Off: We know God’s love; Dis: Thy hand, O God, has guided (vv.1-2&5) Responses: Ferial 10.30am Choral Eucharist: Boys’ and Men’s Voices Psalm: 48 Chant: William Russell (1777–1813) Setting: ‘Collegium Magdalenae Oxoniense’ – Kenneth Leighton (1929-88) Hymns: Proc: All who walk; Grad: Christ is our cornerstone (GA: G); Anthem: Hail, gladdening light – Charles Wood (1866-1926) Off: We know God’s love; Dis: Thy hand, O God, has guided Hymn: Sing how the age-long promise of a Saviour Setting: Mass, Op. 36 – Charles-Marie Widor (1844-1937) Psalm: 117 Chant: Pelham Humphrey (1647-74) Friday 3 February FIRST ANGLICAN SERVICE AT SYDNEY COVE (1788) W Motet: Te Deum from the Morning Service in B Flat – 12.15pm Eucharist Charles Villiers Stanford (1852-1924) 5.10pm Choral Evensong: Boys’ and Men’s Voices Postlude: Toccata from the Symphony No. 5, Op. 42 – Responses: Ferial Charles-Marie Widor (1844-1937): Mr Lachlan Redd, Sub–Organist Psalm: 14 Chant: John Goss (1800-80) 6pm Choral Evensong: Boys’ and Men’s Voices Setting: Evening Service -
Middle East 1 Middle East
Middle East 1 Middle East Middle East Map of the Middle east. (Green color) Countries 18–38 (varying definitions) Languages Middle East: Arabic, Aramaic, Azerbaijani, French, Greek, Hebrew, Kurdish, Persian, Somali, Turkish Greater Middle East: Arabic, Armenian, Azerbaijani, Balochi, Berber, Dari, French, Greek, Georgian, Hebrew, Kurdish, Pashto, Persian, Somali, Tigrinya, Turkish, Urdu Time Zones UTC +3:30 (Iran) to UTC +2:00 (Egypt) (traditional definition) Largest Cities In rank order: Istanbul, Cairo, Tehran, Baghdad, Riyadh, Jeddah, Ankara The Middle East[1] is a region that roughly encompasses Western Asia. The term is considered to be Eurocentric and used as a synonym for Near East, in opposition to Far East. The corresponding adjective is Middle-Eastern and the derived noun is Middle-Easterner. The largest ethnic group in the middle east are Arabs,[2] with Turks, Turkomans, Persians, Kurds, Azeris, Copts, Jews, Maronites, Assyro-Chaldeans, Circassians, Armenians, Druze and numerous other ethnic groups forming other significant populations. The history of the Middle East dates back to ancient times, and throughout its history, the Middle East has been a major center of world affairs. When discussing ancient history, however, the term Near East is more commonly used. The Middle East is also the historical origin of major religions such as Judaism, Christianity, and Islam as well as the less common Baha'i faith, Mandaeism, Druze faith and others. The Middle East generally has an arid and hot climate, with several major rivers providing for irrigation to support agriculture in limited areas, especially in Mesopotamia and the rest of the Fertile Crescent. Many countries located around the Persian Gulf have large quantities of crude oil, which has resulted in much wealth particularly for nations in the Arabian peninsula. -
CHOIR MUSIC ANDREW NUNN (Dean)
PETER WRIGHT (Organist) STEPHEN DISLEY (Assistant Organist) FEBRUARY 2019 SOUTHWARK CATHEDRAL RACHEL YOUNG (Succentor) GILLY MYERS (Canon Precentor) CHOIR MUSIC ANDREW NUNN (Dean) DAY SERVICE RESPONSES PSALMS HYMNS SETTINGS ANTHEMS 1 Friday 5.30pm Evensong Smith 62 157 Stanford in B flat Look up, sweet babe (Lennox Berkeley) 3 SUNDAY 11.00am Eucharist 24 (7-end) 336; 44; SP 13 Missa Aeterna Christi munera O thou, the central orb (Charles Wood) CANDLEMAS (Palestrina) O nata lux (Thomas Tallis) Nunc dimittis (Dyson in F) 3.00pm Evensong Smith 132 (1-10) 156 (t. 288); CP 65 (t. 33) Stanford in A When to the temple Mary went (Johannes Eccard) 6.00pm Eucharist (Trad Rite) (men’s voices) 157; 57; 373 (t. CP 466); Missa Aeterna Christi munera Tout puissant (Francis Poulenc) 338 (Palestrina) Seigneur, je vous en prie (Francis Poulenc) 4 Monday 5.30pm Evensong Rawsthorne 4 457 (ii) Rubbra in A flat Mother of God, here I stand (John Tavener) 5 Tuesday 5.30pm Evensong Smith 9 (1-12) 346 Wise in F Hail, gladdening light (Charles Wood) 6 Wednesday 5.30pm Evensong (Cranleigh Voices) Byrd 34 373 (t. Coe Fen) Stanford in G And I saw a new heaven (Edgar Bainton) 7 Thursday 5.30pm Evensong (treble voices) Plainsong 118 (19-end) 338 (omit *) Rawsthorne in F Auf meinen lieben Gott (J. S. Bach) 8 Friday 5.30pm Evensong (men’s voices) Moore 22 245 Tonus peregrinus (Plainsong) Laudem dicite Deo (John Sheppard) 10 SUNDAY 11.00am Eucharist 138 377; CP 390; Darke in F Let all mortal flesh keep silence (Edward Bairstow) IV BEFORE 353 (omit v.3); CP 470 Ave verum corpus (William Byrd) LENT 3.00pm Evensong Shephard 2 254 (t. -
Flags and Banners
Flags and Banners A Wikipedia Compilation by Michael A. Linton Contents 1 Flag 1 1.1 History ................................................. 2 1.2 National flags ............................................. 4 1.2.1 Civil flags ........................................... 8 1.2.2 War flags ........................................... 8 1.2.3 International flags ....................................... 8 1.3 At sea ................................................. 8 1.4 Shapes and designs .......................................... 9 1.4.1 Vertical flags ......................................... 12 1.5 Religious flags ............................................. 13 1.6 Linguistic flags ............................................. 13 1.7 In sports ................................................ 16 1.8 Diplomatic flags ............................................ 18 1.9 In politics ............................................... 18 1.10 Vehicle flags .............................................. 18 1.11 Swimming flags ............................................ 19 1.12 Railway flags .............................................. 20 1.13 Flagpoles ............................................... 21 1.13.1 Record heights ........................................ 21 1.13.2 Design ............................................. 21 1.14 Hoisting the flag ............................................ 21 1.15 Flags and communication ....................................... 21 1.16 Flapping ................................................ 23 1.17 See also ............................................... -
LCOM175 Fall
LITURGICAL CHORAL AND ORGAN MUSIC Fall 2017 GRACE CATHEDRAL LITURGICAL CHORAL AND ORGAN MUSIC GRACE CATHEDRAL SAN FRANCISCO FALL 2017 31 AUGUST 5:15PM CHORAL EVENSONG • CATHEDRAL CHOIR OF MEN AND BOYS Canticles: Magnificat & Nunc dimittis “Collegium Regale” – Herbert Howells The Responses: Kenneth Leighton Psalm 34 – C. Hylton Stewart Great is the Lord – Edward Elgar Hymns: 24, 662 3 SEPTEMBER 11AM THE HOLY EUCHARIST • MEN OF THE CATHEDRAL CHOIR PROPER 17 Service: Communion Service in E-flat – Edward Bairstow Introit: Miserere mihi, mode viii Pslam 26 – Jeffrey Goodsite Corpus Christi carol – Benjamin Britten Ubi caritas – Maurice Duruflé Hymns: 435, 513, 450 4PM GIFT TO THE CITY ORGAN RECITAL • CHRIS LYNCH 7 SEPTEMBER 5:15PM CHORAL EVENSONG • CATHEDRAL CHOIR OF MEN AND BOYS Canticles: Magnificat & Nunc dimittis in a minor – T. Tertius Noble The Responses: Bernard Rose Psalm 15 – Vernon Hoyle Grieve not the holy spirit of God – T. Tertius Noble 10 SEPTEMBER 11AM THE HOLY EUCHARIST • CATHEDRAL CHOIR OF MEN AND BOYS PROPER 18 Service: Mass for five voices – William Byrd Introit: Psalm 15 – Vernon Hoyle Psalm 119 – George Elvey Teach me, O Lord – William Byrd Sing joyfully – William Byrd Hymns: 518, 593, 376 14 SEPTEMBER 5:15PM FESTIVAL EVENSONG • CATHEDRAL CHOIR OF MEN AND BOYS HOLY CROSS Canticles: Magnificat & Nunc dimittis in F – George Dyson The Responses: Herbert Howells Psalm 146 – George Elvey Greater love hath no man – John Ireland Hymns: 442, 473 Recessional: Psalm 150 – George Talbot 17 SEPTEMBER 11AM THE HOLY EUCHARIST • CATHEDRAL CHOIR OF MEN AND BOYS PROPER 19 Service: Communion Service “Collegium Regale” – Herbert Howells Introit: Psalm 146 – George Elvey Psalm 103 – H. -
5000611-439114-635212047521.Pdf
A NEW HEAVEN writer of the Book of Revelation, describing the A NEW HEAVEN ravaging of the world through divine judgement, The theme of this recording is ‘relevation’, both the battles between good and evil, and the divine revelation (particularly the apocalyptic world’s eventual remaking as ‘a new heaven visions of the Book of Revelation) and revelatory and a new earth’ in which death and suffering visions of earth and heaven. The inspiration are no more. Two of these works are also new 1 Alpha and Omega James MacMillan (b. 1959) [7.22] for the recording came from the extraordinarily commissions, by Toby Young and Marco Galvani, 2 Bring us, O Lord God William Harris (1883-1973) [3.33] moving and powerful funeral service for a dear who was a final-year student at Queen’s at 3 Stetit angelus Rihards Dubra (b. 1964) [4.40] colleague of mine, Dr Jackie Stedall, a service the time of recording. 4 And I saw a new heaven Edgar Bainton (1880-1956) [5.20] devised by Jackie herself shortly before her 5 Ecce venio cito Gabriel Jackson (b. 1962) [5.58] death, and for which she chose both readings The disc presents two pairs of works which 6 I know that my Redeemer liveth Cecilia McDowall (b. 1951) [5.29] and music. Among the readings were words exemplify composers’ contrasting responses 7 Seven Trumpets Toby Young (b. 1990) [6.33] from Revelation, and ‘Jottings’ made during to a single text. The first such pair – James 8 Bring us, O Lord God James MacMillan [5.38] her final illness, when the imminence of MacMillan’s Alpha and Omega and Edgar 9 Et vidi angelum Marco Galvani (b. -
August 1923) James Francis Cooke
Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 8-1-1923 Volume 41, Number 08 (August 1923) James Francis Cooke Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Ethnomusicology Commons, Fine Arts Commons, History Commons, Liturgy and Worship Commons, Music Education Commons, Musicology Commons, Music Pedagogy Commons, Music Performance Commons, Music Practice Commons, and the Music Theory Commons Recommended Citation Cooke, James Francis. "Volume 41, Number 08 (August 1923)." , (1923). https://digitalcommons.gardner-webb.edu/etude/704 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. ■MeiJi, Theo. Presser Co.. Publishers, Philadelphia, Pa. PRESSER’S MUSICAL MAGAZINE NEWMAN ALBUM BRAHMS ALBUM OF OF CLASSICAL DANCES PIANOFORTE COMPOSITIONS fourteen beautiful dances with music Edited by Louis Oesterle Price, $2.50 By Albert W. Newman Pr,C*’. * • A superb compilation of all the most ;fm«ently An attractive volume of terpsichorean novelties for played piano compositions of this master comPoser' dancers and teachers seeking new material to enrich This album has been edited by the well-known author¬ their repertoire. It is also of considerable value to ity, Louis Oesterle, with a view to study use as well those desiring material of this kind for use in Play-* as for the library of the virtuos9 pianist grounds Schools, May D'ay Festivals, Carnivals, Particular attention has been given to the rhythmic grouping, articulating and phrasing, all dynamic FFuli descriptions of each dance are given by illus¬ markings and tempo indications being given care trations of all the movements, diagrams of all the fully. -
Music at Christ Church, 2014-2015
Music at Christ Church, 2014-2015 September 9 Look at the world – John Rutter 8 He never failed me – Robert Ray 7 There’s a wideness in God’s mercy Grant us your peace Precious Lord, take my hand – Maurice Bevan – Felix Mendelssohn – Thomas Dorsey Draw us in the Spirit’s tether 16 O how amiable 15 I got shoes – Parker/Shaw – Harold Friedell – Ralph Vaughan Williams We will march through the valley 14 O Praise the Lord – Adrian Batten O Salutaris Hostia – Malcolm Archer – Alice Parker Here, O my Lord – Eleanor Daley 23 A Celebration of the Ministry of the 18 Miserere Mei – William Byrd 21 The heart worships – Gustav Holst Rev. Pierce Klemmt 22 Lead me, Lord – S.S. Wesley Esto les digo – Kinley Lange Guest Organist, Brent Erstad, Fellow in Call to remembrance, O Lord 28 Let this mind be in you – Lee Hoiby Music at St. Paul’s School, Concord, NH – Richard Farrant Teach me, O Lord – Philip Stopford 30 An Advent Litany – Peter Hallock Thou shalt know him when he comes – Mark Sirrett March October 1 A Prayer of St. Richard of Chichester 5 God be in my head – Philip Wilby – Malcolm Archer O taste and see – Richard DeLong December O Lord, increase my faith 5:00 p.m. Choral 7 Zion, at thy – Henry Loosemore shining gates Evensong with 5:00 p.m. Choral – George Guest Zach Hemenway, Evensong with Director of Every valley guest organist Music, St. Paul’s – G.F. Handel Bobby Stubbs, Chestnut Hill, A Service of Music Intern at Philadelphia Nine Lessons West End UMC, Prelude: Fantasy in and Carols at Nashville F Minor, D. -
CHAN 10019 BOOK.Qxd 4/5/07 2:21 Pm Page 2
CHAN 10019 Front.qxd 4/5/07 2:20 pm Page 1 CHAN 10019 premiere recordings CHANDOS CLIFFORD BAINTON VOLUME TWO Martyn Brabbins Paul Whelan Martyn Brabbins baritone CHAN 10019 BOOK.qxd 4/5/07 2:21 pm Page 2 Edgar Bainton (1880–1956) premiere recordings 1 Epithalamion (1929) 13:12 Rhapsody for Full Orchestra Performing edition by Rodney Newton Molto vivace – Meno allegro – Tempo I – Più allegro – L’istesso tempo ma tranquillo – Più mosso – Lento – Calando An English Idyll (1946)* 18:15 for baritone and orchestra 2 1 Pastoral. Andante, molto tranquillo 3:50 3 2 London. Andante grazioso, con moto – Poco vivace – Tempo I 4:24 Courtesy of Bainton (UK) Society the Edgar 4 3 The Cathedral. Andante, un poco mosso 9:54 Hubert Clifford (1904–1959) premiere recordings A Kentish Suite (1935) 19:48 5 I Dover. Introduction – Alla hornpipe 3:40 6 II A Choral Prelude on ‘Canterbury’. With dignity 2:39 7 III Pastoral and Folk Song. Lento pastorale – 4:52 Andante buccolica – Lento pastorale Edgar Bainton 8 IV Swift Nicks of Gad’s Hill: A Scherzo. Allegro con brio 3:28 9 V Greenwich: A Pageant of the River. Maestoso 5:00 3 CHAN 10019 BOOK.qxd 4/5/07 2:21 pm Page 4 Clifford/Bainton: Orchestral Works, Volume 2 Our programme presents two Anglo-Australian 10 The Casanova Melody (1949) 3:40 Fritz Hart (himself a pupil of Stanford at the from Carol Reed’s production The Third Man composers. Hubert Clifford, though born in Royal College of Music), Clifford sailed for Australia, came to Europe in his mid-twenties London to study at the RCM with Vaughan Written under the name Michael Sarsfield and lived in or near London for nearly half his Williams. -
We Will Remember Them Saturday 1St November 2014 Queens’ College Chapel, Cambridge
We Will Remember Them Saturday 1st November 2014 Queens’ College Chapel, Cambridge In aid of the Poppy Appeal and Queens’ music Founded by graduates from Cambridge chapel choirs, the Godwine Choir was set up to capture the atmosphere of chamber music at university and bring it to London as part of professional life. The group is comprised of twenty-five young singers who rehearse together weekly at the church of St George the Martyr in Borough. The choir specialises in a capella music from the 20th and 21st century; they have recently performed works by a number of contemporary composers, such as Gabriel Jackson. Future plans include performances in several London venues, a recital in Buckfast Abbey and a tour to the Amalfi coast. This evening we present a reflective sequence of music and readings for All Souls' Day. We especially remember all those who lost their lives in the Great War. Find out more about us at godwinechoir.org PROGRAMME When David Heard | Thomas Tomkins Reading: Anthem for Doomed Youth, by Wilfred Owen Heraclitus | Charles Villiers Stanford Lay a Garland | Robert Pearsall Reading: Remember, by Christina Rossetti Valiant-for-Truth | Ralph Vaughan Williams Greater Love | John Ireland Reading: Lament, by Wilfrid Wilson Gibson And I Saw A New Heaven | Edgar Bainton Geistliches Lied | Johannes Brahms Reading: Drummer Hodge, by Thomas Hardy Lord, Thou hast been Our Refuge | Ernest Walker My Soul, There is a Country | Charles Hubert Hastings Parry Reading: Ecclesiastes, Ch. 3, v. 1-8 For the Fallen | Douglas Guest Bring us, O Lord God | William Henry Harris Reading: A Valediction: Forbidding Mourning, by John Donne Justorum Animae | Gabriel Jackson When David Heard Thomas Tomkins When David heard that Absalom was slain he went up to his chamber over the gate and wept; and thus he said: O my son, my son, Absalom my son, would God I had died for thee, O Absalom my son. -
About the Choirs at All Saints’
Music All Saints’ 2018-2019 WELCOME September 2018 Dear Friends, We are delighted to welcome you to this season of Music at All Saints’! The coming year continues our tradition of offering glorious sacred choral music at both Sunday Eucharist, monthly Evensong, Compline, Lessons and Carols for Advent and Christmas, and in concert. In addition, we are thrilled share the first season of All Saints’ Chamber Choir’s concert series offering George Frederic Handel’s The Messiah in its entirety on December 2nd as well as small scale sacred cantatas by Dieterich Buxtehude, J. S. Bach, and Heinrich Schutz in early March. We also celebrate the opening of All Saints’ Music School, a community outreach of All Saints’ Parish. Our Sunday Evensong Organ recital series resumes in October and continues through May. This booklet outlines the musical offering for the coming season, particularly the 9 & 11 AM Holy Eucharist services on Sunday mornings. Also included is an envelope for your support of Friends of Music at All Saints’. Whether you are a parishioner or a friend of music, we hope you will consider making a donation to support our musical presence in North Central Phoenix, for the worship or concert setting. We hope to see you at All Saints’ for worship, music education or concert very soon! Joseph Ripka Director of Music Joseph Ripka Ilona Kubiaczyk-Adler Trevor Carolan Director of Music Associate Director of Music Assistant Organist 2 About the Choirs at All Saints’ Music is central to the worship life at All Saints’. All who enjoy music and would like to assist in enriching our worship services are encouraged to join our music program. -
A Paean of Praise for Choir and Organ
ABERDEEN BACH CHOIR Patrons: Dame Emma Kirkby, Professor John Butt OBE Musical Director: Peter Parfitt I WAS GLAD A Paean of Praise for Choir and Organ Accompanied by organist David Gerrard with organ solos by Dr Roger Williams MBE Sunday 28 April 2019 at 7.45pm St Machar’s Cathedral PROGRAMME Zadok The Priest George Frideric Handel (1685-1759) Greater Love Hath No Man John Ireland (1879-1962) My Beloved Spake Patrick Hadley (1899-1973) The Beatitudes Arvo Pärt (b1935) Organ Solo – King’s Toccata John McLeod (b1934) Magnificat And Nunc Dimittis (St Paul’s) Herbert Howells (1892-1983) Like As The Hart Herbert Howells Let All The World In Every Corner Sing Ralph Vaughan Williams (1872-1958) INTERVAL Before the concert please check that you have switched off your mobile phone. God Is Gone Up Gerald Finzi (1901-1956) Photography and recording are not permitted. And I Saw A New Heaven Edgar Bainton (1880-1956) Please return to your seats promptly after the interval. Blest Pair Of Sirens Charles Hubert Hastings Parry (1848-1918) Organ Solo - Wild Mossy Mountains Judith Weir (b1954) Toilets are located in the choir vestry at the back of the Cathedral, and in the Give Unto The Lord Edward Elgar (1857-1934) Gatehouse. Viri Galilæi Patrick Gowers (1946-2014) In an emergency remain seated until given instructions by the stewards. I Was Glad When They Said Unto Me Charles Hubert Hastings Parry Programme notes and musical commentary by Peter Parfitt. 1 “With antique pillars, massy proof, composed under the patronage of the Earl of Caernarvon (James Brydges, 1st Duke of Chandos and prominent patron of the arts).