Exilliteratur Lexikon
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Revisiting Zero Hour 1945
REVISITING ZERO-HOUR 1945 THE EMERGENCE OF POSTWAR GERMAN CULTURE edited by STEPHEN BROCKMANN FRANK TROMMLER VOLUME 1 American Institute for Contemporary German Studies The Johns Hopkins University REVISITING ZERO-HOUR 1945 THE EMERGENCE OF POSTWAR GERMAN CULTURE edited by STEPHEN BROCKMANN FRANK TROMMLER HUMANITIES PROGRAM REPORT VOLUME 1 The views expressed in this publication are those of the author(s) alone. They do not necessarily reflect the views of the American Institute for Contemporary German Studies. ©1996 by the American Institute for Contemporary German Studies ISBN 0-941441-15-1 This Humanities Program Volume is made possible by the Harry & Helen Gray Humanities Program. Additional copies are available for $5.00 to cover postage and handling from the American Institute for Contemporary German Studies, Suite 420, 1400 16th Street, N.W., Washington, D.C. 20036-2217. Telephone 202/332-9312, Fax 202/265- 9531, E-mail: [email protected] Web: http://www.aicgs.org ii F O R E W O R D Since its inception, AICGS has incorporated the study of German literature and culture as a part of its mandate to help provide a comprehensive understanding of contemporary Germany. The nature of Germany’s past and present requires nothing less than an interdisciplinary approach to the analysis of German society and culture. Within its research and public affairs programs, the analysis of Germany’s intellectual and cultural traditions and debates has always been central to the Institute’s work. At the time the Berlin Wall was about to fall, the Institute was awarded a major grant from the National Endowment for the Humanities to help create an endowment for its humanities programs. -
Shoah: Intervention. Methods. Documentation. S:I.M.O.N
01/2016 S: I. M. O. N. SHOAH: INTERVENTION. METHODS. DOCUMENTATION. S:I.M.O.N. – Shoah: Intervention. Methods. DocumentatiON. ISSN 2408-9192 Issue 2016/1 Board of Editors of VWI’s International Academic Advisory Board: Gustavo Corni/Dieter Pohl/Irina Sherbakova Editors: Éva Kovács/Béla Rásky/Philipp Rohrbach Web-Editor: Sandro Fasching Webmaster: Bálint Kovács Layout of PDF: Hans Ljung S:I.M.O.N. is the semi-annual e-journal of the Vienna Wiesenthal Institute for Holocaust Studies (VWI) in English and German. Funded by: © 2016 by the Vienna Wiesenthal Institute for Holocaust Studies (VWI), S:I.M.O.N., the authors, and translators, all rights reserved. This work may be copied and redistributed for non-commercial, educational purposes, if permission is granted by the author(s) and usage right holders. For permission please contact [email protected] S: I. M. O. N. SHOAH: I NTERVENTION. M ETHODS. DOCUMENTATION. TABLE OF CONTENTS ARTICLES Suzanne Swartz Remembering Interactions 5 Interpreting Survivors’ Accounts of Interactions in Nazi-Occupied Poland Ionut Florin Biliuta Sowing the Seeds of Hate 20 The Antisemitism of the Orthodox Church in the Interwar Period Joanna Tokarska-Bakir The Hunger Letters 35 Between the Lack and Excess of Memory Johannes-Dieter Steinert Die Heeresgruppe Mitte 54 Ihre Rolle bei der Deportation weißrussischer Kinder nach Deutschland im Frühjahr 1944 Tim Corbett “Was ich den Juden war, wird eine kommende Zeit besser beurteilen …” 64 Myth and Memory at Theodor Herzl’s Original Gravesite in Vienna Sari J. Siegel The Past and Promise of Jewish Prisoner-Physicians’ Accounts 89 A Case Study of Auschwitz-Birkenau’s Multiple Functions David Lebovitch Dahl Antisemitism and Catholicism in the Interwar Period 104 The Jesuits in Austria, 1918–1938 SWL-READERS Susanne C. -
Collisions with Hegel in Bertolt Brecht's Early Materialism DISSERTATIO
“Und das Geistige, das sehen Sie, das ist nichts.” Collisions with Hegel in Bertolt Brecht’s Early Materialism DISSERTATION Presented in Partial Fulfillment for the Degree of Doctor of Philosophy in the Graduate School of The Ohio State University By Jesse C. Wood, B.A., M.A. Graduate Program in Germanic Languages and Literatures The Ohio State University 2012 Committee Members: John Davidson, Advisor Bernd Fischer Bernhard Malkmus Copyright by Jesse C. Wood 2012 Abstract Bertolt Brecht began an intense engagement with Marxism in 1928 that would permanently shape his own thought and creative production. Brecht himself maintained that important aspects resonating with Marxist theory had been central, if unwittingly so, to his earlier, pre-1928 works. A careful analysis of his early plays, poetry, prose, essays, and journal entries indeed reveals a unique form of materialism that entails essential components of the dialectical materialism he would later develop through his understanding of Marx; it also invites a similar retroactive application of other ideas that Brecht would only encounter in later readings, namely those of the philosophy of Georg Wilhelm Friedrich Hegel. Initially a direct result of and component of his discovery of Marx, Brecht’s study of Hegel would last throughout the rest of his career, and the influence of Hegel has been explicitly traced in a number Brecht’s post-1928 works. While scholars have discovered proto-Marxist traces in his early work, the possibilities of the young Brecht’s affinities with the idealist philosopher have not been explored. Although ultimately an opposition between the idealist Hegel and the young Bürgerschreck Brecht is to be expected, one finds a surprising number of instances where the two men share an unlikely commonality of imagery. -
Diplomarbeit Aktuell
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by OTHES Andrea Wenighofer Grenzzwischenfall mit Nachspiel Ödön von Horváths „Hin und Her“ und die Nachlassmaterialien im Österreichischen Literaturarchiv Diplomarbeit zur Erlangung des Magistergrades der Philosophie aus der Studienrichtung Deutsche Philologie eingereicht an der Universität Wien Wien, März 2006 Die Person geht in einem solchen Fall zur nächsten ZUSTÄNDIGEN BEHÖRDE und besorgt sich den sogenannten Brückenlichtbildausweis. Personen, die sich mit einem BRÜCKENLICHTBILDAUSWEIS legitimieren, dürfen vom Brückenwärter nicht abgewiesen werden, außer dem Brückenwärter erscheint die Person UNHEIMLICH. Gert Jonke, Geometrischer Heimatroman Inhalt 1. Grenzziehungen ......................................................................................................... 5 2. „[...] eingedenk der Tatsache, daß im ganzen genommen das menschliche Leben immer ein Trauerspiel, nur im einzelnen eine Komödie ist.“........................ 6 3. Entstehungs- und Rezeptionsgeschichte des Stückes Hin und Her........................19 3.1. Exkurs: Wie weit ist’s bis zur Exilliteratur?......................................................25 4. Fragen zur Textgestaltung........................................................................................28 4.1. Horváths Idiolekt: Der „Bildungsjargon“ und seine Realisation in Hin und Her...........................................................................................................................28 -
Die Rechtsextreme Rezeption Des Nibelungenliedes Nach 1945
Die rechtsextreme Rezeption des Nibelungenliedes nach 1945 Beispiele und Hintergründe einer Vereinnahmung Masterarbeit zur Erlangung des akademischen Grades Master of Arts (MA) an der Karl-Franzens-Universität Graz vorgelegt von Matthias KRASSER am Institut für Germanistik Begutachterin: Ao.Univ.-Prof. Mag. Dr.phil. Brigitte Spreitzer-Fleck Graz, 2019 Ehrenwörtliche Erklärung Ich erkläre ehrenwörtlich, dass ich die vorliegende Arbeit selbstständig und ohne fremde Hilfe verfasst, andere als die angegebenen Quellen nicht benutzt und die den Quellen wörtlich oder inhaltlich entnommenen Stellen als solche kenntlich gemacht habe. Die Arbeit wurde bisher in gleicher oder ähnlicher Form keiner anderen inlän- dischen oder ausländischen Prüfungsbehörde vorgelegt und auch noch nicht veröf- fentlicht. Die vorliegende Fassung entspricht der eingereichten elektronischen Versi- on. Datum: 01.10.2019 Unterschrift: Die Krux mit den Geschlechtern bzw. dem generischen Maskulinum In dieser Arbeit beschäftige ich mich mit dem heiklen Thema Rechtsextremismus. Neben seinen anderen Erscheinungsformen ist der Rechtsextremismus per se stark männlich geprägt1, patriarchale Weltvorstellungen sind zentral. Umso mehr ist also eine besondere Sensibilität beim geschlechtergerechten Formulieren geboten. Allerdings bin ich mit dem vollständigen Ausschreiben der männlichen und der weiblichen Formen aus Gründen der umständlichen Lesbarkeit unzufrieden. Auch das Binnen-I oder die Verwendung von Schrägstrichen, Unterstrichen oder Sternen halte ich aus ästhetischen Aspekten für unzureichend. Deshalb galt es, eine passen- dere Form zu finden: Zuerst hatte ich die Idee ‚neutral‘ zu gendern à la Autoras und Leseras, doch spätestens bei den Pluralformen bzw. den Pronomen wird es hier mühsam und die eigentlich gewünschte Vereinfachung zunichte gemacht. Die übrig- gebliebene Lösung schien nur mehr der Einsatz des generischen Maskulinums2 mit Inklusionsverweis zu sein. -
Foreign-Language Comedy Production in the Third Reich
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Faculty Publications and Creative Activity, School of Theatre and Film Theatre and Film, Johnny Carson School of Spring 2001 Foreign-Language Comedy Production in the Third Reich William Grange University of Nebraska-Lincoln, [email protected] Follow this and additional works at: https://digitalcommons.unl.edu/theatrefacpub Part of the Theatre and Performance Studies Commons Grange, William, "Foreign-Language Comedy Production in the Third Reich" (2001). Faculty Publications and Creative Activity, School of Theatre and Film. 4. https://digitalcommons.unl.edu/theatrefacpub/4 This Article is brought to you for free and open access by the Theatre and Film, Johnny Carson School of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Faculty Publications and Creative Activity, School of Theatre and Film by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. Published in Metamorphoses: A Journal of Literary Translation, vol. 9, no.1 (Spring 2001), pp. 179-196. FOREIGN-LANGUAGE COMEDY PRODUCTION IN THE THIRD REICH The two most frequently performed non-German comic ' on German-language stages from 1933 to 1944 were Carlo Goldoni (1 707-1793) and Oscar Wilde (1 854-1900), whose plays served the purposes of cultural transmission both by the theatre establishment and the political regime in power at the time. Goethe had seen Goldoni productions in Venice during his "Italian Journeys" between 1786 and 1788, and he reported that never in his life had he heard such "laughter and bellowing at a theatre."' It remajns unclear whether he meant laughing and bellowing on the part of audiences or the actors, but since his other remarks on the experience were fairly charitable, Goldoni's status rose a~cordingly.~Goethe himseIf enjoyed the exalted status of cultural arbiter with unimpeachable judgement, so Goldoni remained a solid fixture in German theatre reper- toires throughout the Third Reich. -
Diplomarbeit
DIPLOMARBEIT Titel der Diplomarbeit „Giftzwerge – klettenheimers KleinKunstCafé – L.E.O.“ Wiener Kleinkunstbühnen im Vergleich verfasst von Margarete Binder angestrebter akademischer Grad Magistra der Philosophie (Mag.phil.) Wien, 2015 Studienkennzahl lt. Studienblatt: A 317 Studienrichtung lt. Studienblatt: Theater- Film- und Medienwissenschaft Betreut von: Univ. Prof. Dr. Hilde Haider-Pregler In der vorliegenden Arbeit bemühte sich die Verfasserin redlich, einer gendergerechten Sprache Rechnung zu tragen. Falls es ihr nicht immer gelungen ist, bittet sie in aller Form um Verzeihung. Gemeint sind selbstverständlich immer weibliche und männliche Formen. 1 INHALTSVERZEICHNIS 1 EINLEITUNG 5 1.1 Kleinkunst - Versuch einer Begriffserklärung 7 2 BÜHNEN 9 2.1 Comedy versus Kabarett – Humor im Wandel 10 2.1.1 Comedy 10 2.1.2 Kabarett 11 2.2 Kabarett in Wien 13 2.3 GIFTZWERGE 24 2.3.1 Anfänge bis heute 25 2.3.2 Abgrenzung zur Comedy 27 2.3.3 „Zeitkritik lächelnd verkaufen“ – Beispiele 27 2.3.4 Betriebsform, Werbung, Administratives 31 2.3.5 Kabarett für besondere Gelegenheiten 33 2.3.6 Interaktion mit dem Publikum 35 2.3.7 Ensemblemitglieder 35 2.3.8 Abschließendes 35 2.4 Theater 38 2.4.1 Theatercafé, Café im Theater 38 2.4.2 Café-théâtre 39 2.4.3 Pub Theatres 40 2.4.4 Extemporieren 41 2.5 KLETTENHEIMERS KLEINKUNSTCAFÉ 41 2.5.1 Das Ensemble 42 2.5.2 Klettenheimers im KleinKunstCafé 44 2.5.3 Anfänge bis heute 44 2.5.4 Das KleinKunstCafé - Austattung 46 2.5.5 Inszenierung 46 2.5.6 Unternehmensform, Finanzielles 57 2.5.7 Aktuelle Situation 58 2.5.8 Abschließendes 58 2.5.9 Aktuelle Situation 59 2.5.10 Bisherige Stücke, chronologisch 59 2.6 Musik 62 2.6.1 Oper 62 2.6.2 Operette 63 2.7 L.E.O. -
Bibliography
Bibliography Adorno, Theodor. Minima Moralia: Reflections from Damaged Life. Translated by E. F. N. Jephcott. London: New York: Verso, 1978 [1951]. Aleichem, Sholem. Tevye’s Daughters: Collected Stories of Sholom Aleichem. NY: Crown, 1949 [1894]. Aleichem, Sholem, and Maurice Schwartz, dirs. Tevye. Magna Tech and International Cinema. 1939. Film. Améry, Jean: Bez viny a bez trestu: pokus o zvládnutí nezvládnutelného. Translated by Daniela Petříčková and Miroslav Petříček. Praha: Prostor, 2011. Anderson, Mark M. “The Child Victim as Witness to the Holocaust: An American Story?” Jewish Social Studies 14, no. 1 (Fall 2007): 1-22. Arendt, Hannah. Eichmann in Jerusalem: A Report on the Banality of Evil. Harmondsworth: Penguin Books, 1984. Banki, Peter. “The Survival of the Question: Simon Wiesenthal’s The Sunflower,” in The Forgiveness to Come: The Holocaust and the Hyper- Ethical. 20-48. New York: Fordham University Press, Modern Language Initiative, 2017. Benvenga, Nancy. “Frankl, Newman and the Meaning of Suffering.” Journal of Religion and Health 37, no. 1 (Spring 1998): 63-65. Bílek, Petr. A. “Existencialismus v poválečné próze a poezii—tematika a kladení otázek.” Česká literature 51, no. 6 (December 2003): 735-737. Biller, Karlheinz, Jay I. Levinson, and Timothy Pytell. “Viktor Frankl: Opposing Views.” Journal of Contemporary History 37, no. 1 (January 2002): 105-113. Broch, Hermann. The Sleepwalkers. New York: Vintage International; Random House, 1996. ———. Hofmannsthal and His Time. Chicago: The University of Chicago Press, 1984 [1948]. Brown, Wendy. “Tolerance as Museum Object: The Simon Wiesenthal Center Museum of Tolerance,” in Regulating Aversion: Tolerance in the Age of Identity and Empire, 107-148. Princeton: Princeton University Press, 2006. -
The German Literature in American Exile – Great Writers and Their Wives: Perspectives from Russian Scholars
SHS Web of Conferences 55, 04018 (2018) https://doi.org/10.1051/shsconf/20185504018 ICPSE 2018 The German literature in American exile – great writers and their wives: perspectives from Russian scholars Svetlana Averkina1,*, Angelika Kalinina1, and Tatiana Suchareva1 1Linguistics University of Nizhny Novgorod, 603115, 31-a Minina str., Nizhniy Novgorod, Russia Abstract. The article focuses on the life and art of the famous Germane writers, namely Thomas Mann, Lion Feuchtwanger, and Franz Werfel. After the outbreak of WWII, when the Nazi forces invaded these lands, a lot of emigres managed to leave for the USA. For many of them, the escape route was extremely turbulent. The German writers in the USA settled closely together in California, forming a tight community. The famous Germane writers had to decide upon two principal questions: what they could do for the culture of their home country while staying in exile, and how to interact with the culture of the country where they live. In this connection, it is of great importance to analyze not their works, but the books of their wives. They took care of the house and children on a daily basis, as well as became secretaries, councilors, and closest associates of their great husbands. The authors also propose the main perspectives on a future research on this topic, focusing on the social and political phenomenon of “the community of German writers in American exile”, analyzing how the intellectual community was formed, discussing the documents of this age, studying the memories about their time in America in the context of the contemporary gender theory. -
![Chapter 3 [PDF]](https://docslib.b-cdn.net/cover/3751/chapter-3-pdf-963751.webp)
Chapter 3 [PDF]
Chapter 3 Was There a Crisis of Opera?: The Kroll Opera's First Season, 1927-28 Beethoven's "Fidelio" inaugurated the Kroll Opera's first season on November 19, 1927. This was an appropriate choice for an institution which claimed to represent a new version of German culture - the product of Bildung in a republican context. This chapter will discuss the reception of this production in the context of the 1927-28 season. While most accounts of the Kroll Opera point to outraged reactions to the production's unusual aesthetics, I will argue that the problems the opera faced during its first season had less to do with aesthetics than with repertory choice. In the case of "Fidelio" itself, other factors were responsible for the controversy over the production, which was a deliberately pessimistic reading of the opera. I will go on to discuss the notion of a "crisis of opera", a prominent issue in the musical press during the mid-1920s. The Kroll had been created in order to renew German opera, but was the state of opera unhealthy in the first place? I argue that the "crisis" discussion was more optimistic than it has generally been portrayed by scholars. The amount of attention generated by the Kroll is evidence that opera was flourishing in Weimar Germany, and indeed was a crucial ingredient of civic culture, highly important to the project of reviving the ideals of the Bildungsbürgertum. 83 84 "Fidelio" in the Context of Republican Culture Why was "Fidelio" a representative German opera, particularly for the republic? This work has not always been viewed as political in nature. -
Inhaltsverzeichnis
Inhaltsverzeichnis Hinweis 9 Das Theater der Republik 11 Weimar und der Expressionismus 11 Die Väter und die Söhne 12 Die Zerstörung des Dramas 14 Die neuen Schauspieler 16 Die Provinz regt sich 18 Los von Berlin - Los von Reinhardt 20 Berlin und Wien 22 Zersetzter Expressionismus 24 Die große Veränderung 25 Brecht und Piscator 27 Wirklichkeit! Wirklichkeit! 30 Hitler an der Rampe 33 Der große Rest *35 Wieviel wert ist die Kritik? 37 Alte und neue Grundsätze 38 Selbstverständnis und Auseinandersetzungen 41 Die Macht und die Güte 44 *9*7 47 Rene Schickele, Hans im Schnakenloch 48 rb., Frankfurter Zeitung 48 Alfred Kerr, Der Tag, Berlin 50 Siegfried Jacobsohn, Die Schaubühne, Berlin 52 Georg Kaiser, Die Bürger von Calais 53 Kasimir Edschmid, Neue Zürcher Zeitung 54 Heinrich Simon, Frankfurter Zeitung 55 Alfred Polgar, Vossische Zeitung, Berlin 56 Georg Kaiser, Von Morgens bis Mitternachts 57 Richard Elchinger, Münchner Neueste Nachrichten 58 Richard Braungart, Münchener Zeitung 60 P. S., Frankfurter Zeitung 61 Richard Specht, Berliner Börsen-Courier 62 Oskar Kokoschka, Mörder, Hoffnung der Frauen - Hiob - Der bren nende Dornbusch 63 Robert Breuer, Die Schaubühne, Berlin 64 Bernhard Diebold, Frankfurter Zeitung 66 Alfred Kerr, Der Tag, Berlin 69 Gerhart Hauptmann, Winterballade .. 72 Siegfried Jacobsohn, Die Schaubühne, Berlin 73 Julius Hart, Der Tag, Berlin 75 Emil Faktor, Berliner Börsen-Courier 77 1248 http://d-nb.info/207309981 Georg Kaiser, Die Koralle 79 Bernhard Diebold, Frankfurter Zeitung 79 Kasimir Edschmid, Vossische Zeitung, Berlin, und Neue Zürcher Zei tung 82 Emil Faktor, Berliner Börsen-Courier 83 Alfred Kerr, Der Tag, Berlin 84 Hanns Johst, Der Einsame, ein Menschenuntergang 86 Artur Kutscher, Berliner Tageblatt . -
Jewish Vienna – Heritage and Mission Contents
Jewish Vienna – Heritage and Mission Contents The History of the Jews in Austria . 4 The Jewish Community . 12 ESRA means “Help” in Hebrew . 15 Jewish Welcome Service Vienna . 16 Commemoration, Remembrance, Information . 19 Jewish Museum Vienna . 19 City Temple . 21 Sigmund Freud Museum Vienna . 22 Arnold Schönberg Center . 22 Palais Epstein . 23 Documentation Center of Austrian Resistance (DÖW) . 23 Contact Addresses for Restitution Matters . 24 Services & Contacts . 25 Media owner and publisher: Vienna City Administration, Municipal Department 53 – Press and Information Services, A-1082 Vienna, City Hall Responsible for the contents: Susanne Kapeller, Susanne Trauneck, Inge Bauer-Manhart Draw up: Camillo Schaefer, English translation: Sigrid Szabó Design: Type&Publish KG, 2345 Brunn am Gebirge Print: AV+Astoria Druckzentrum, 1030 Wien, Faradaygasse 6 XII/10, official publication, printed on ecological printing paper from the sample folder of “ÖkoKauf Wien” All information is non-binding and subject to alteration. The brochure makes no claim to completeness. A co-operation of Municipal Department 53 – Press and Information Services, Vienna Tourist Board and Jewish Welcome Service Vienna. Cover: Kullmann, Centropa, János Kalmár; pg. 3 Kurt Keinrath, pg. 4 Kullmann, pg. 5, 6 top Picture Archive of the Austrian National Library, pg. 6 Archive of the Arbeiter Zeitung newspaper (Adler), pg. 7, 8, 9 Documentation Center of Austrian Resistance (DÖW), pg. 10 Sigmund Freud copyrights, pg. 12 János Kalmár, pg. 13 Jewish Community (Muzi- cant), other photos: Kullmann, pg. 14 János Kalmár, pg. 15 ESRA, pg. 16 Jewish Welcome Service, Ray Krieser, pg. 17 both photos: Jewish Welcome Service, pg. 18 Jewish Wel- come Service, bottom media wien (Anton Weber), pg.