Collisions with Hegel in Bertolt Brecht's Early Materialism DISSERTATIO
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Film After Authority: the Transition to Democracy and the End of Politics Kalling Heck University of Wisconsin-Milwaukee
University of Wisconsin Milwaukee UWM Digital Commons Theses and Dissertations May 2017 Film After Authority: the Transition to Democracy and the End of Politics Kalling Heck University of Wisconsin-Milwaukee Follow this and additional works at: https://dc.uwm.edu/etd Part of the Film and Media Studies Commons Recommended Citation Heck, Kalling, "Film After Authority: the Transition to Democracy and the End of Politics" (2017). Theses and Dissertations. 1484. https://dc.uwm.edu/etd/1484 This Dissertation is brought to you for free and open access by UWM Digital Commons. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of UWM Digital Commons. For more information, please contact [email protected]. FILM AFTER AUTHORITY THE TRANSITION TO DEMOCRACY AND THE END OF POLITICS by Kalling Heck A Dissertation SubmitteD in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in English at The University of Wisconsin-Milwaukee May 2017 ABSTRACT FILM AFTER AUTHORITY THE TRANSITION TO DEMOCRACY AND THE END OF POLITICS by Kalling Heck The University of Wisconsin-Milwaukee, 2017 Under the Supervision of Professor Patrice Petro A comparison of films maDe after the transition from authoritarianism or totalitarianism to Democracy, this Dissertation aDDresses the ways that cinema can Digest anD extenD moments of political transition. By comparing films from four Different nations—the Italian Germany Year Zero, Hungarian Sátántangó, South Korean Woman on the Beach, anD American Medium Cool—in relation to iDeas Drawn from critical anD political theory, this project examines how anD why these wilDly Diverse films turn to ambiguity as their primary means to Disrupt the ravages of unchecked authority. -
A Theoretical Analysis of ISIS Indoctrination and Recruitment
California State University, Monterey Bay Digital Commons @ CSUMB Capstone Projects and Master's Theses Capstone Projects and Master's Theses 12-2016 A Theoretical Analysis of ISIS Indoctrination and Recruitment Trevor Hawkins California State University, Monterey Bay Follow this and additional works at: https://digitalcommons.csumb.edu/caps_thes_all Part of the Other Political Science Commons, Other Social and Behavioral Sciences Commons, Other Sociology Commons, Political Theory Commons, Quantitative, Qualitative, Comparative, and Historical Methodologies Commons, Social Psychology Commons, and the Theory and Philosophy Commons Recommended Citation Hawkins, Trevor, "A Theoretical Analysis of ISIS Indoctrination and Recruitment" (2016). Capstone Projects and Master's Theses. 7. https://digitalcommons.csumb.edu/caps_thes_all/7 This Capstone Project (Open Access) is brought to you for free and open access by the Capstone Projects and Master's Theses at Digital Commons @ CSUMB. It has been accepted for inclusion in Capstone Projects and Master's Theses by an authorized administrator of Digital Commons @ CSUMB. For more information, please contact [email protected]. Running Head: ISIS RECRUITMENT A Theoretical Analysis of ISIS Indoctrination and Recruitment Tactics Trevor W. Hawkins California State University of Monterey Bay SBS: 402 Capstone II Professor Juan Jose Gutiérrez, Ph.d. Professor Gerald Shenk, Ph.d. Professor Jennifer Lucido, M.A. December 2016 ISIS RECRUITMENT 2 Table of Contents Abstract 3 Introduction 4 Theoretical Framework 6 Influence Psychology 6 Cult Indoctrination 7 Soviet Montage Theory 7 Methodology 8 Execution of Cult Indoctrination Paradigm 9 Execution of Soviet Montage Paradigm 9 Use of Analysis Technology 10 Literature Review 10 I. The Production of Reality Objective Reality 10 Moral Reality 12 Reality of the Self 13 Moral Reality in Context 14 Objective Reality in Context 15 As Context Becomes Reality 16 II. -
ISIS Rhetoric for the Creation of the Ummah TRENDS WORKING PAPER 6/2015
ISIS Rhetoric for the Creation of the Ummah TRENDS WORKING PAPER 6/2015 Amaryllis Georges TRENDS Research & Advisory ISIS rhetoric for the creation of the Ummah TRENDS Research & Advisory is a progressive research center that aims to help improve policy and decision-making process through research and analysis. The conclusions and recommendations of any TRENDS publications are solely those of its author(s), and do not reflect the views of the Institution, its management, or its other scholars. P.O. Box 110450, Abu Dhabi, UAE www.trendsinstitution.org 2 TRENDS Research & Advisory ISIS rhetoric for the creation of the Ummah TABLE OF CONTENTS 1 Introduction…………………………………………………………………………………………………4 2 Critical Discourse Analysis……………………………………………………………………………5 3 Study of Al-Baghdadi’s Sermon……………………………………………………………………6 4 Analysis of frequently used words & phrases in Al-Baghdadi’s sermon………18 5 Concluding Remarks…………………………………………………………………………….….…20 6 References…………………………………………………………………………………………………20 3 TRENDS Research & Advisory ISIS rhetoric for the creation of the Ummah Introduction Discourse forms and shapes itself to create and reflect our social world. Therefore, language cannot be measured as neutral (Wijsen, 2012, p. 77). Not only does it outline, regulate and strengthen our understanding of the world, but language also sets out the actions accessible to us, while eliminating and delegitimizing other worldviews (Wijsen, 2012, p. 71). In this respect discourse serves as an instrument of influence and control often used by groups motivated for power to generate and preserve hegemonic regimes (Fairclough, 1992). The purpose of this paper is to examine the linguistic strategy employed by ISIS as a means through which it constructs the notion of the Muslim Ummah (Muslim community), which seeks to lay emphasis on the unity of an international Muslim community based off the supremacy of Islam. -
Vitalism and the Scientific Image: an Introduction
Vitalism and the scientific image: an introduction Sebastian Normandin and Charles T. Wolfe Vitalism and the scientific image in post-Enlightenment life science, 1800-2010 Edited by Sebastian Normandin and Charles T. Wolfe Springer, forthcoming 2013 To undertake a history of vitalism at this stage in the development of the ‘biosciences’, theoretical and other, is a stimulating prospect. We have entered the age of ‘synthetic’ life, and our newfound capacities prompt us to consider new levels of analysis and understanding. At the same time, it is possible to detect a growing level of interest in vitalistic and organismic themes, understood in a broadly naturalistic context and approached, not so much from broader cultural concerns as in the early twentieth century, as from scientific interests – or interests lying at the boundaries or liminal spaces of what counts as ‘science’.1 The challenge of understanding or theorizing vitalism in the era of the synthetic is not unlike that posed by early nineteenth-century successes in chemistry allowing for the synthesis of organic compounds (Wöhler), except that now, whether the motivation is molecular-chemical, embryological or physiological,2 we find ourselves asking fundamental questions anew. What is life? How does it differ from non-living matter? What are the fundamental processes that characterize the living? What philosophical and epistemological considerations are raised by our new understandings?3 We are driven to consider, for example, what metaphors we use to describe living processes as our knowledge of them changes, not least since some of the opprobrium surrounding the term ‘vitalism’ is also a matter of language: of which terms one 1 Gilbert and Sarkar 2000, Laublichler 2000. -
Revisiting Zero Hour 1945
REVISITING ZERO-HOUR 1945 THE EMERGENCE OF POSTWAR GERMAN CULTURE edited by STEPHEN BROCKMANN FRANK TROMMLER VOLUME 1 American Institute for Contemporary German Studies The Johns Hopkins University REVISITING ZERO-HOUR 1945 THE EMERGENCE OF POSTWAR GERMAN CULTURE edited by STEPHEN BROCKMANN FRANK TROMMLER HUMANITIES PROGRAM REPORT VOLUME 1 The views expressed in this publication are those of the author(s) alone. They do not necessarily reflect the views of the American Institute for Contemporary German Studies. ©1996 by the American Institute for Contemporary German Studies ISBN 0-941441-15-1 This Humanities Program Volume is made possible by the Harry & Helen Gray Humanities Program. Additional copies are available for $5.00 to cover postage and handling from the American Institute for Contemporary German Studies, Suite 420, 1400 16th Street, N.W., Washington, D.C. 20036-2217. Telephone 202/332-9312, Fax 202/265- 9531, E-mail: [email protected] Web: http://www.aicgs.org ii F O R E W O R D Since its inception, AICGS has incorporated the study of German literature and culture as a part of its mandate to help provide a comprehensive understanding of contemporary Germany. The nature of Germany’s past and present requires nothing less than an interdisciplinary approach to the analysis of German society and culture. Within its research and public affairs programs, the analysis of Germany’s intellectual and cultural traditions and debates has always been central to the Institute’s work. At the time the Berlin Wall was about to fall, the Institute was awarded a major grant from the National Endowment for the Humanities to help create an endowment for its humanities programs. -
The Palgrave Handbook of Posthumanism in Film and Television the Palgrave Handbook of Posthumanism in Film and Television
The Palgrave Handbook of Posthumanism in Film and Television The Palgrave Handbook of Posthumanism in Film and Television Edited by Michael Hauskeller University of Exeter, UK Thomas D. Philbeck World Economic Forum, Switzerland Curtis D. Carbonell Khalifa University of Science, Technology and Research, UAE Selection and editorial matter © Michael Hauskeller, Thomas D. Philbeck and Curtis D. Carbonell 2015 Individual chapters © Respective authors 2015 Softcover reprint of the hardcover 1st edition 2015 978-1-137-43031-1 All rights reserved. No reproduction, copy or transmission of this publication may be made without written permission. No portion of this publication may be reproduced, copied or transmitted save with written permission or in accordance with the provisions of the Copyright, Designs and Patents Act 1988, or under the terms of any licence permitting limited copying issued by the Copyright Licensing Agency, Saffron House, 6–10 Kirby Street, London EC1N 8TS. Any person who does any unauthorized act in relation to this publication may be liable to criminal prosecution and civil claims for damages. The authors have asserted their rights to be identified as the authors of this work in accordance with the Copyright, Designs and Patents Act 1988. First published 2015 by PALGRAVE MACMILLAN Palgrave Macmillan in the UK is an imprint of Macmillan Publishers Limited, registered in England, company number 785998, of Houndmills, Basingstoke, Hampshire RG21 6XS. Palgrave Macmillan in the US is a division of St Martin’s Press LLC, 175 Fifth Avenue, New York, NY 10010. Palgrave Macmillan is the global academic imprint of the above companies and has companies and representatives throughout the world. -
Religious Sanctions and Economic Results
Religions 2012, 3, 739–762; doi:10.3390/rel3030739 OPEN ACCESS religions ISSN 2077-1444 www.mdpi.com/journal/religions Article Transfer of Labour Time on the World Market: Religious Sanctions and Economic Results Jørgen Sandemose Department of Philosophy, Classics, History of Art and Ideas, University of Oslo, PO Box 1020, Blindern, Oslo 0315, Norway; E-Mail: [email protected] Received: 18 June 2012; in revised form: 7 August 2012 / Accepted: 10 August 2012 / Published: 21 August 2012 Abstract: This paper investigates the extent to which a term like ―globalization‖, especially in its sense of implying the existence of a system, or of dominant features favouring development towards some system, is adaptable to a theory of a world economy which is to take due notice of the structure of the exchange value of commodities on the world market. A leading idea is that religious outlooks, in the way they were conceptualized by Karl Marx, have a strong bearing upon the difference in labour intensities in countries contributing to the world market, and thereby upon the differences in international values and prices. These differences are expressed in a scale-based, rigid structure on the world market itself—a structure which gives us the fundamental reason why certain specific countries or areas may get steadily poorer in relative terms, while others may constantly get relatively richer through the same mechanism. Consequently, when (as it is done here) religion is taken to express the quintessence of the cultural level of societies, it can be said that the comparative study of religions gives us a key to the understanding of crucial economic differences between nations. -
Video Science: Cinema As Sense Organ Rosalynn Stovall Washington University in St Louis, [email protected]
Washington University in St. Louis Washington University Open Scholarship Graduate School of Art Theses Graduate School of Art Spring 5-16-2014 Video Science: Cinema as Sense Organ Rosalynn Stovall Washington University in St Louis, [email protected] Follow this and additional works at: https://openscholarship.wustl.edu/samfox_art_etds Part of the Art and Design Commons Recommended Citation Stovall, Rosalynn, "Video Science: Cinema as Sense Organ" (2014). Graduate School of Art Theses. ETD 11. https://doi.org/10.7936/ K7QJ7F7F. This Thesis is brought to you for free and open access by the Graduate School of Art at Washington University Open Scholarship. It has been accepted for inclusion in Graduate School of Art Theses by an authorized administrator of Washington University Open Scholarship. For more information, please contact [email protected]. Video Science: Cinema as Sense Organ by Rosalynn Stovall A thesis presented to the Sam Fox School ofDesign & Visual Arts Washington University in St. Louis In partial fulfillment of the requirements for the degree of Master ofFine Arts Thesis Advisor Monika Weiss, Associate Professor of Art Primary Advisors Monika Weiss, Associate Professor of Art Zlatko Cosic, Lecturer of Art Graduate Committee Cheryl Wassenaar, Associate Professor of Art Ila Sheren, Assistant Professor of Art History and Archaeology Stovall 1 Abstract The moving image exists at the interstice of art and science not only because it acts as a representation of human sight but also because it exemplifies the observational processes related to the scientific gaze. As such, film and video have extended human sense-perception properties by mimicking and manipulating the natural processes of the optic nerve. -
Foreign-Language Comedy Production in the Third Reich
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Faculty Publications and Creative Activity, School of Theatre and Film Theatre and Film, Johnny Carson School of Spring 2001 Foreign-Language Comedy Production in the Third Reich William Grange University of Nebraska-Lincoln, [email protected] Follow this and additional works at: https://digitalcommons.unl.edu/theatrefacpub Part of the Theatre and Performance Studies Commons Grange, William, "Foreign-Language Comedy Production in the Third Reich" (2001). Faculty Publications and Creative Activity, School of Theatre and Film. 4. https://digitalcommons.unl.edu/theatrefacpub/4 This Article is brought to you for free and open access by the Theatre and Film, Johnny Carson School of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Faculty Publications and Creative Activity, School of Theatre and Film by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. Published in Metamorphoses: A Journal of Literary Translation, vol. 9, no.1 (Spring 2001), pp. 179-196. FOREIGN-LANGUAGE COMEDY PRODUCTION IN THE THIRD REICH The two most frequently performed non-German comic ' on German-language stages from 1933 to 1944 were Carlo Goldoni (1 707-1793) and Oscar Wilde (1 854-1900), whose plays served the purposes of cultural transmission both by the theatre establishment and the political regime in power at the time. Goethe had seen Goldoni productions in Venice during his "Italian Journeys" between 1786 and 1788, and he reported that never in his life had he heard such "laughter and bellowing at a theatre."' It remajns unclear whether he meant laughing and bellowing on the part of audiences or the actors, but since his other remarks on the experience were fairly charitable, Goldoni's status rose a~cordingly.~Goethe himseIf enjoyed the exalted status of cultural arbiter with unimpeachable judgement, so Goldoni remained a solid fixture in German theatre reper- toires throughout the Third Reich. -
Chapter 3 [PDF]
Chapter 3 Was There a Crisis of Opera?: The Kroll Opera's First Season, 1927-28 Beethoven's "Fidelio" inaugurated the Kroll Opera's first season on November 19, 1927. This was an appropriate choice for an institution which claimed to represent a new version of German culture - the product of Bildung in a republican context. This chapter will discuss the reception of this production in the context of the 1927-28 season. While most accounts of the Kroll Opera point to outraged reactions to the production's unusual aesthetics, I will argue that the problems the opera faced during its first season had less to do with aesthetics than with repertory choice. In the case of "Fidelio" itself, other factors were responsible for the controversy over the production, which was a deliberately pessimistic reading of the opera. I will go on to discuss the notion of a "crisis of opera", a prominent issue in the musical press during the mid-1920s. The Kroll had been created in order to renew German opera, but was the state of opera unhealthy in the first place? I argue that the "crisis" discussion was more optimistic than it has generally been portrayed by scholars. The amount of attention generated by the Kroll is evidence that opera was flourishing in Weimar Germany, and indeed was a crucial ingredient of civic culture, highly important to the project of reviving the ideals of the Bildungsbürgertum. 83 84 "Fidelio" in the Context of Republican Culture Why was "Fidelio" a representative German opera, particularly for the republic? This work has not always been viewed as political in nature. -
Comprehensive Annotated Listing of All Journals Selected
5. Chang Pilwha. Annotated Listing of All Periodicals Selected7. forISSN Feminist 1225-9276. Periodicals Note: Not every periodical will have table of contents pages reproduced in this issue of Feminist Periodicals. See page 4 for a listing 8. OCLC 33094607. of periodicals in this issue. 9. Alternative Press Index; Current Contents: Social & Behavioral Sciences; IOWA Guide; Social Sciences AFFILIA: JOURNAL OF WOMEN AND SOCIAL WORK Citation Index. 1. 1986. 10. GenderWatch. 2. 4/year. 11. “AJWS is an interdisciplinary journal, publishing articles 3. $129 (indiv. print only), $779 (inst. print only), $716 (inst. pertaining to women’s issues in Asia from a feminist e-access), $795 (inst. combined), $42 (indiv. single print perspective.” issue), $214 (inst. single print issue). 4. Sage Publications, 2455 Teller Rd., Thousand Oaks, CA ASIAN WOMEN 91320 [email: [email protected]] [website: http:// 1. 1995. aff.sagepub.com]. 2. 4/year. 5. Debora Ortega & Noël Busch-Armendariz 3. $60 (student), $80 (indiv.), $120 (inst.). 6. Affilia, Howard University School of Social Work, 601 4. Asian Women, Research Institute of Asian Women, Howard Pl. N.W., Washington DC 20059; book reviews: Sookmyung Women's University, Cheongpa-ro 47gil 100, Dr. Patricia O’Brien [email: [email protected]]. Youngsan-gu, Seoul, 140-742, Korea [email: 7. ISSN 0886-1099. [email protected]] [website: http://riaw.sookmyung. 8. OCLC 12871850. ac.kr]. 9. Criminal justice, family, social science, and women’s 5. So Jin Park studies indexes. Also available on microfilm from Bell & 7. ISSN 1225-925X. Howell Information and Learning, Ann Arbor, MI. 8. OCLC 7673725, 36782501. -
Nietzsche's Conception of Friendship
The University of Notre Dame Australia ResearchOnline@ND Theses 2007 Nietzsche’s Conception of Friendship Ryan C. Kinsella University of Notre Dame Australia Follow this and additional works at: https://researchonline.nd.edu.au/theses Part of the Philosophy Commons COMMONWEALTH OF AUSTRALIA Copyright Regulations 1969 WARNING The material in this communication may be subject to copyright under the Act. Any further copying or communication of this material by you may be the subject of copyright protection under the Act. Do not remove this notice. Publication Details Kinsella, R. C. (2007). Nietzsche’s Conception of Friendship (Master of Philosophy (MPhil)). University of Notre Dame Australia. https://researchonline.nd.edu.au/theses/14 This dissertation/thesis is brought to you by ResearchOnline@ND. It has been accepted for inclusion in Theses by an authorized administrator of ResearchOnline@ND. For more information, please contact [email protected]. - 1- Nietzsche’s Conception of Friendship A Master of Philosophy dissertation by Ryan Kinsella University of Notre Dame Australia, July 2007 Dr. Marc Fellman, Internal Advisor, University of Notre Dame Australia Dr. Jeff Gauthier, External Advisor, University of Portland - 2- Table of Contents Introduction 5 Chapter One – Nietzsche and Friendship 14 A. Passages on Friendship 15 B. Friends as his Intended Audience 20 C. Nietzsche’s Friends 24 Chapter Two – Nietzsche’s Conception of Friendship 33 A. Human Being as Animal 34 B. Relationships and the Development of the Human Being 40 C. Nietzsche’s Conception of Friendship 44 D. Self-Interestedness and Instrumentality 55 E. Solitude 64 F. Unhealthy Friendship 69 Chapter Three – Friendship and Morality 73 A.