Chaucer's "The Pardoner's Tale" in the Canterbury Tales
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Emotional Boundaries in Chaucer's Book of the Duchess
ISSN 2516-8568 Emotional Boundaries in Chaucer’s Book of the Duchess Author: Julia O’Connell Source: Midlands Historical Review, Vol. 2 (2018) Published: 16/07/2018 URL: http://www.midlandshistoricalreview.com/emotional-boundaries-in- chaucers-book-of-the-duchess/ Midlands Historical Review ISSN 2516-8568 Emotional Boundaries in Chaucer’s Book of the Duchess JULIA O’CONNELL Geoffrey Chaucer (early 1340s – 1400) is widely regarded as the greatest English poet of the Middle Ages. Chaucer worked for most of his life as a civil servant in the turbulent political world of the English royal court, whilst also composing some of the most famous and influential works of English literature, such as the Canterbury Tales, Troilus and Criseyde, and The House of Fame. One of his earliest works, the Book of the Duchess, was written between 1368 and 1372 and represents Chaucer’s first experimentation with the dream vision form, the amalgamation of comic and courtly themes, and with the poetic capacity of the English language. It is also a text in which Chaucer skilfully draws upon previous literary models and adapts his French sources to create a work of emotional perspicacity. The poem has a complex narrative structure connecting three main elements: a narrator experiencing a melancholic insomnia, an interpretation of Ovid’s tale of Ceys and Alcyone, and a poignant dream-narrative in which a Man in Black grieves for the lost Lady Whyte. Through a number of coded references in the poem, the Man in Black and his lady are identified as John of Gaunt and his wife Blanche of Lancaster, who died of the plague in 1368. -
Chaucer's Official Life
CHAUCER'S OFFICIAL LIFE JAMES ROOT HULBERT CHAUCER'S OFFICIAL LIFE Table of Contents CHAUCER'S OFFICIAL LIFE..............................................................................................................................1 JAMES ROOT HULBERT............................................................................................................................2 NOTE.............................................................................................................................................................3 INTRODUCTION.........................................................................................................................................4 THE ESQUIRES OF THE KING'S HOUSEHOLD...................................................................................................7 THEIR FAMILIES........................................................................................................................................8 APPOINTMENT.........................................................................................................................................12 CLASSIFICATION.....................................................................................................................................13 SERVICES...................................................................................................................................................16 REWARDS..................................................................................................................................................18 -
Women in Geoffrey Chaucer's the Canterbury Tales: Woman As A
1 Masaryk University Faculty of Arts Department of English and American Studies English Language and Literature Vladislava Vaněčková Women in Geoffrey Chaucer's The Canterbury Tales: Woman as a Narrator, Woman in the Narrative Master's Diploma Thesis Supervisor: Doc. Milada Franková, Csc., M.A. 2007 2 I declare that I have worked on this thesis independently, using only the primary and secondary sources listed in the bibliography. ¼¼¼¼¼¼¼¼¼¼¼¼¼¼¼¼¼.. 3 Table of Contents 1. Introduction 4 2. Medieval Society 7 2.1 Chaucer in His Age 9 2.2 Chaucer's Pilgrims 11 3. Woman as a Narrator: the Voiced Silence of the Female Pilgrims 15 3.1 The Second Nun 20 3.2 The Prioress 27 3.3 The Wife of Bath 34 4. Woman in Male Narratives: theIdeal, the Satire, and Nothing in Between 50 4.1 The Knight's Tale, the Franklin's Tale: the Courtly Ideal 51 4.1.1 The Knight's Tale 52 4.1.2 The Franklin's Tale 56 4.2 The Man of Law's Tale, the Clerk's Tale: the Christian Ideal 64 4.2.1 The Man of Law's Tale 66 4.2.2 The Clerk's Tale 70 4.3 The Miller's Tale, the Shipman's Tale: No Ideal at All 78 4.3.1 The Miller's Tale 80 4.3.2 The Shipman's Tale 86 5. Conclusion 95 6. Works Cited and Consulted 100 4 1. Introduction Geoffrey Chaucer is a major influential figure in the history of English literature. His The Canterbury Tales are read and reshaped to suit its modern audiences. -
Geoffrey Chaucer's House of Fame
Eastern Illinois University The Keep Masters Theses Student Theses & Publications 1996 Geoffrey Chaucer's House of Fame: From Authority to Experience Victoria Frantseva Eastern Illinois University This research is a product of the graduate program in English at Eastern Illinois University. Find out more about the program. Recommended Citation Frantseva, Victoria, "Geoffrey Chaucer's House of Fame: From Authority to Experience" (1996). Masters Theses. 1905. https://thekeep.eiu.edu/theses/1905 This is brought to you for free and open access by the Student Theses & Publications at The Keep. It has been accepted for inclusion in Masters Theses by an authorized administrator of The Keep. For more information, please contact [email protected]. THESIS REPRODUCTION CERTIFICATE TO: Graduate Degree Candidates (who have written formal theses) SUBJECT: Permission to Reproduce Theses The University Library is rece1v1ng a number of requests from other institutions asking permission to reproduce dissertations for inclusion in their library holdings. Although no copyright laws are involved, we feel that professional courtesy demands that permission be obtained from the author before we allow theses to be copied. PLEASE SIGN ONE OF THE FOLLOWING STATEMENTS: Booth Library of Eastern Illinois University has my permission to lend my thesis to a reputable college or university for the purpose of copying it for inclusion in that institution's library or research holdings. I respectfully request Booth Library of Eastern Illinois University not allow my thesis to be reproduced because: Author Date GEOFFREY CHAUCER'S HOUSE OF FAME: FROM AUTHORITY TO EXPERIENCE BY Victoria Frantseva THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS IN THE GRADUATE SCHOOL, EASTERN ILLINOIS UNIVERSITY CHARLESTON, ILLINOIS 1996 I HEREBY RECOMMEND THIS THESIS BE ACCEPTED AS FULFILLING THIS PART OF THE GRADUATE DEGREE CITED ABOVE DATE DATE Abstract Geoffrey Chaucer's House of Fame is one of the most provocative dream-vision poems written in the fourteenth century. -
News, Information, and Documentary Culture in Late Medieval England
ABSTRACT Title of dissertation: “TAKE WRITING”: NEWS, INFORMATION, AND DOCUMENTARY CULTURE IN LATE MEDIEVAL ENGLAND Hyunyang Kim Lim, Doctor of Philosophy, 2006 Dissertation directed by: Professor Theresa Coletti Department of English This dissertation analyzes late medieval English texts in order to understand how they respond to the anxieties of a society experiencing the growing passion for news and the development of documentary culture. The author’s reading of the Paston letters, Chaucer’s Man of Law’s Tale , and the Digby Mary Magdalene demonstrate these texts’ common emergence in an environment preoccupied with the production and reception of documents. The discussion pays particular attention to actual and fictional letters in these texts since the intersection of two cultural forces finds expression in the proliferation of letters. As a written method of conveying and storing public information, the letters examined in this dissertation take on importance as documents. The author argues that the letters question the status of writing destabilized by the contemporary abuse of written documents. The dissertation offers a view of late medieval documentary culture in connection with early modern print culture and the growth of public media. The Introduction examines contemporary historical records and documents as a social context for the production of late medieval texts. Chapter 1 demonstrates that transmitting information about current affairs is one of the major concerns of the Pastons. The chapter argues that late medieval personal letters show an investment in documentary culture and prepared for the burgeoning of the bourgeois reading public. Whereas Chapter 1 discusses “real” letters, Chapter 2 and 3 focus on fictional letters. -
Copy 2 of DOC003
DIVISION OF THE HUMANITIES AND SOCIAL SCIENCES CALIFORNIA INSTITUTE OF TECHNOLOGY PASADENA, CALIFORNIA 91125 MUTAVIT VULTUM: FORTUNE AND THE WIFE OF BATH'S TALE David Burchmore HUMANITIES WORKING PAPER 33 August 1979 MUTAVIT VULTUM: FORTUNE AND THE WIFE OF BATH'S TALE The Wife of Bath concludes the lengthy discussion of marriage in her Prologue with an account of the means by which she taught obedience to her fifth husband, Jankyn. The immediate result of his submission, according to her story, was a sudden and dramatic transformation in her character. Where before she had been stubborn and shrewish, a "janglaresse" at home who wandered abroad without Jankyn's permission and against his will, she is now as kind to him and as true as any wife from Denmark to India. Having made this rather astonishing confession, she then proceeds to tell a story which embodies the lessons of her experience in a striking emblem: the physical trans formation of a loathly hag into a young and beautiful woman upon being granted sovereignty in marriage. Clearly this transformation is meant to represent in a symbolic way the kind of change in demeanor which the Wife claims to have displayed herself., But in her figurative or emblematic characterization the Hag bears an even more striking resemblance to another figure familiar to every member of Chaucer's audience. That is the image of Fortune, who was often portrayed as a woman with two different faces: young, lovely and smiling on one side, but hideously old and unpleasant on the other. Exactly how the likeness of this familiar image to Chaucer's transformed Hag might have influenced the response of his audience to the Wife of Bath's Tale will be the subject of this essay. -
'The Canterbury Tales'
CHAUCER BIOGRAPHY Chaucer was the first great poet writing in English, whose best-known work is 'The Canterbury Tales'. Geoffrey Chaucer was born between 1340 and 1345, probably in London. His father was a prosperous wine merchant. We do not know any details of his early life and education. In 1357, he was a page to Elizabeth, Countess of Ulster, wife of Edward III's third son. Chaucer was captured by the French during the Brittany expedition of 1359, but was ransomed by the king. Edward III later sent him on diplomatic missions to France, Genoa and Florence. His travels exposed him to the work of authors such as Dante, Boccaccio and Froissart. Around 1366, Chaucer married Philippa Roet, a lady-in-waiting in the queen's household. They are thought to have had three or four children. Philippa's sister, Katherine Swynford, later became the third wife of John of Gaunt, the king's fourth son and Chaucer's patron. In 1374, Chaucer was appointed comptroller of the lucrative London customs. In 1386, he was elected member of parliament for Kent, and he also served as a justice of the peace. In 1389, he was made clerk of the king's works, overseeing royal building projects. He held a number of other royal posts, serving both Edward III and his successor Richard II. Chaucer's first major work was 'The Book of the Duchess', an elegy for the first wife of his patron John of Gaunt. Other works include 'Parlement of Foules', 'The Legend of Good Women' and 'Troilus and Criseyde'. -
Geoffrey Chaucer's
Geoffrey Chaucer’s The Prologue to the Canterbury Tales Lecture by Dr. Sudesh Bhowate Lecture by Dr. Sudesh B. Bhowate 1 Geoffrey Chaucer (1340-1400) . Known as the father of English Poetry . A courtier, Office Holder, Soldier, Ambassador & Legislator . His father John Chaucer was a wine merchant who was related the royal household . His association with royal family help Geoffrey serve the court lifelong. We don’t have any information about Chaucer's schooling but we learned that he was bibliophile and studious reader. It was a certain that he has acquaintace with Latin grammar, rhetoric, logic, classical literature, arithmetic, geometry and astronomy. 2 Lecture by Dr. Sudesh B. Bhowate . When Chaucer in his teen age he was taken into service of Lionel and later in the service of Duke Clarence. At 19 he accompanied Duke of Clarence in the several expedition of Hundred years War. In the attempt by English army in sieging of Rheims, Chaucer was taken as prisoner and later released on ransom paid by the royal family. On return he bacame the squire and personal attendant to the King. He was married to Philippa Roet, sister to the wife of John of Gaunt, the Duke of Lancaster. It is supposed that the marriage was not a happy one. (may be a supposition) . From 1370-1378 he was on diplomatic mission to foreign countries. In 1372 he came to Italy to settle a commercial treaty with Genoa and Florence. Here he met men of letters like, Dante, Petrach and Boccassio Lecture by Dr. Sudesh B. Bhowate 3 . -
The Ethics of Mourning: the Role of Material Culture and Public Politics in the 'Book of the Duchess' and the 'Pearl' Poem
University of Montana ScholarWorks at University of Montana Graduate Student Theses, Dissertations, & Professional Papers Graduate School 2015 THE ETHICS OF MOURNING: THE ROLE OF MATERIAL CULTURE AND PUBLIC POLITICS IN THE 'BOOK OF THE DUCHESS' AND THE 'PEARL' POEM Tarren Andrews University of Montana - Missoula Follow this and additional works at: https://scholarworks.umt.edu/etd Part of the Cultural History Commons, Literature in English, British Isles Commons, Medieval History Commons, Medieval Studies Commons, and the Other English Language and Literature Commons Let us know how access to this document benefits ou.y Recommended Citation Andrews, Tarren, "THE ETHICS OF MOURNING: THE ROLE OF MATERIAL CULTURE AND PUBLIC POLITICS IN THE 'BOOK OF THE DUCHESS' AND THE 'PEARL' POEM" (2015). Graduate Student Theses, Dissertations, & Professional Papers. 4487. https://scholarworks.umt.edu/etd/4487 This Thesis is brought to you for free and open access by the Graduate School at ScholarWorks at University of Montana. It has been accepted for inclusion in Graduate Student Theses, Dissertations, & Professional Papers by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. THE ETHICS OF MOURNING: THE ROLE OF MATERIAL CULTURE AND PUBLIC POLITICS IN THE BOOK OF THE DUCHESS AND THE PEARL POEM By TARREN LEE ANDREWS Bachelor of Arts in English Literature, University of Montana, Missoula, MT, 2013 Thesis presented in partial fulfillment of the requirements for the degree of Master of Arts in English Literature The University of Montana Missoula, MT May 2015 Approved by: Sandy Ross, Dean of The Graduate School Graduate School Dr. -
Reading the Dream Visions and Troilus and Criseyde
University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Doctoral Dissertations Graduate School 8-2006 Chaucer's Questioning Impulse: Reading the Dream Visions and Troilus and Criseyde Anita K. Bergeson University of Tennessee, Knoxville Follow this and additional works at: https://trace.tennessee.edu/utk_graddiss Part of the English Language and Literature Commons Recommended Citation Bergeson, Anita K., "Chaucer's Questioning Impulse: Reading the Dream Visions and Troilus and Criseyde. " PhD diss., University of Tennessee, 2006. https://trace.tennessee.edu/utk_graddiss/4290 This Dissertation is brought to you for free and open access by the Graduate School at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. To the Graduate Council: I am submitting herewith a dissertation written by Anita K. Bergeson entitled "Chaucer's Questioning Impulse: Reading the Dream Visions and Troilus and Criseyde." I have examined the final electronic copy of this dissertation for form and content and recommend that it be accepted in partial fulfillment of the equirr ements for the degree of Doctor of Philosophy, with a major in English. Laura L. Howes, Major Professor We have read this dissertation and recommend its acceptance: Tom Heffernan, Tom Burman, Joe Trahern Accepted for the Council: Carolyn R. Hodges Vice Provost and Dean of the Graduate School (Original signatures are on file with official studentecor r ds.) To the Graduate Council: I am submitting herewith a dissertation written by Anita K. Bergeson entitled "Chaucer's Questioning Impulse: Reading the Dream Visions and Troi/us and Criseyde." I have examined the final paper copy of this dissertation for form and content and recommend that it be accepted in partial fulfillment of the requirements forthe degree of Doctor of Philosophy, with a major in English. -
Chaucer (1340 A.D
www.Padasalai.Net www.TrbTnpsc.com Chaucer (1340 A.D. – 1400 A.D.) Geoffrey Chaucer was born in 1340 A.D. He was of the bourgeois class He descended from an affluent family who made their money in the London wine trade. He attended the St. Paul’s Cathedral School, where he probably first became acquainted with the influential writing of Virgil and Ovid. In 1357, Chaucer became a public servant to Countess Elizabeth of Ulster, the Duke of Clarence’s wife, for which he was paid a small stipend enough to pay for his food and clothing. In 1359, the teenage Chaucer went off to fight in the Hundred Years’ War in France, and at Rethel he was captured for ransom. King Edward III helped pay Chaucer’s ransom. After Chaucer’s release, he joined the Royal Service He travelled throughout France, Spain and Italy on diplomatic missions throughout the early to mid-1360s. King Edward granted Chaucer a pension of 20 marks. In 1366, Chaucer married Philippa Roet, the daughter of Sir Payne Roet, and the marriage conveniently helped further Chaucer’s career in the English court. By 1368, King Edward III had made Chaucer one of his esquires. The death of the queen in 1369, served to strengthen Philippa’s position and subsequently Chaucer’s as well. From 1370 to 1373, Chaucer went abroad again and fulfilled diplomatic missions in Florence and Genoa, helping establish an English port in Genoa. Chaucer familiarized himself with the work of Italian poets Dante and Petrarch. He was rewarded for his diplomatic activities with an appointment as Comptroller of Customs, a lucrative position. -
Katherine Roet's Swynfords
-122- KATHERINE ROET'S SWYNFORDS KATHERINE ROET'S SWYNFORDS: A RE-EXAMINATION OF INTERFAMILY RELATIONSHIPS AND DESCENT – PART 1 by Judy Perry1 ABSTRACT Katherine (Roet) Swynford’s association with the family of the poet Geoffrey Chaucer has been the focus of much speculation. This article investigates some of the claims that have been made by examining the heraldry, lives, and offspring of the Roet, Swynford and Chaucer families. It will be concluded in the next issue of Foundations. Foundations (2003) 1 (2): 122-131 © Copyright FMG The Chaucer connection Katherine Swynford, nee Roet, is probably best known to students of English history as the ancestor of the Tudors via her remarkable liaison and eventual marriage to John of Gaunt2, fourth son of Edward III and Philippa of Hainault. However, since Katherine’s sister Phillipa was married to the poet Geoffrey Chaucer, she is also of interest to Chaucer-life scholars. Many of them have examined Katherine’s connection to the Swynford family and have concluded that the status of her first husband’s family raises questions about the matrimonial relationship between Phillipa and Geoffrey. The current study is an attempt to flesh-out the immediate Swynford family into which Katherine Roet married and, in the process, re-examine some of the claims of the Chaucer-life scholars. The Swynford family tree has concerned many researchers, including Bentley (1831), Harris Nicolas (1833), and Cole (1911, pp.40-86). None were able to trace an ancestry beyond Hugh Swynford’s father Thomas nor much of a descendancy beyond the occasional son or grandson of Hugh.