www.ssoar.info "Everything in me lies" Ghasemi, Parvin; Falasiri, Razieh S. Veröffentlichungsversion / Published Version Zeitschriftenartikel / journal article Empfohlene Zitierung / Suggested Citation: Ghasemi, P., & Falasiri, R. S. (2015). "Everything in me lies". International Letters of Social and Humanistic Sciences, 64, 35-51. https://doi.org/10.18052/www.scipress.com/ILSHS.64.35 Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer CC BY Lizenz (Namensnennung) zur This document is made available under a CC BY Licence Verfügung gestellt. Nähere Auskünfte zu den CC-Lizenzen finden (Attribution). For more Information see: Sie hier: https://creativecommons.org/licenses/by/4.0 https://creativecommons.org/licenses/by/4.0/deed.de International Letters of Social and Humanistic Sciences Online: 2015-11-30 ISSN: 2300-2697, Vol. 64, pp 35-51 doi:10.18052/www.scipress.com/ILSHS.64.35 © 2015 SciPress Ltd., Switzerland “Everything in me lies” Razieh.S. Falasiri1, Dr. Parvin Ghasemi2 1Faculty of Foreign Languages, Shiraz University Eram Square, Faculty of Humanities, Shiraz University 2Ph.D., Professor, English Literature, Faculty of Foreign Languages, Shiraz University E-mail address:
[email protected] [email protected] Keywords: Sam Shepard, Myth, Reality, Hyperreality, Postmodern Society, Media ABSTRACT. In Sam Shepard's plays, America is full of traditional and mythical symbols. He uses these emblems in order to subvert their meanings and manifest the discrepancies between characters’ living in the West and the realities they confront. In his play, A Lie of the Mind, Sam Shepard reflects on the traditional meanings of myth and the erasure of them in the postmodern societies. Furthermore, the postmodern universe in these three plays is bombarded with representation and distortions of reality, and hyperreality which make reality be masked and obscure.