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Home , Angel City (play), A Lie of the Mind, Christopher Abbott, Dane Laffrey, Family Trilogy, Fool for Love (play)

PRODUCER | STEPHEN M. KAUS ARTISTIC DIRECTOR EMERITUS | JENNY GERSTEN WILLIAMSTOWN THEATRE FESTIVAL

PRESENTS

FOOL FOR LOVE

BY

WITH GORDON JOSEPH WEISS

SCENIC DESIGN COSTUME DESIGN LIGHTING DESIGN SOUND DESIGN DANE LAFFREY ANITA YAVICH JUSTIN TOWNSEND RYAN RUMERY

DIRECTOR OF PRODUCTION STAGE MANAGER MOVEMENT & FIGHTS CASTING ERIC NOTTKE KYLE GATES DAVID LEONG CALLERI CASTING

DIRECTED BY DANIEL AUKIN

SPONSORED BY JESSICA & MATT HARRIS and KK & BO PEABODY

FOOL FOR LOVE IS PRESENTED BY SPECIAL ARRANGEMENT WITH DRAMATISTS PLAY SERVICE, INC., NEW YORK

JULY 23 – AUGUST 2, 2014 | NIKOS STAGE

WILLIAMSTOWN THEATRE FESTIVAL 2014 25 IN ORDER OF APPEARANCE

CAST Eddie SAM ROCKWELL May NINA ARIANDA The Old Man GORDON JOSEPH WEISS Martin CHRISTOPHER ABBOTT

SETTING A motel room on the edge of the Mojave Desert.

26 WILLIAMSTOWN THEATRE FESTIVAL 2014 WHO’S WHO IN THE CAST & CREW *Member of Actors’ Equity Association

SAM SHEPARD | Playwright CHRISTOPHER ABBOTT* | Martin SAM ROCKWELL* | Eddie [6th WTF Season] , , [B’way] The House of Blue [5th WTF Season] A Streetcar , Icarus’ Mother, Operation Sidewinder. Leaves. [Off B’way] Where Named Desire, The Dumb [B’way] True West, (Pulitzer Prize, We’re Born (Rattlestick), Waiter & The Zoo Story, Tony nom., ), Operation Sidewinder. That Face ( Hot L Baltimore. [B’way] [Off B’way] Kicking a Dead Horse, The God of Theatre Club), Good Boys A Behanding in Spokane. Hell, The Late Henry Moss, Eyes For Consuela, and True (Second Stage [Off B’way] The Last Days of , The War in Heaven, When the World Theatre), Mouth to Mouth Judas Iscariot (The Public Was Green (A Chef’s Fable), Stages of Shock, A Lie (New Group), Playlist Theater), Face Divided of the Mind (New York Drama Critics’ Circle (Ars Nova), The Overwhelming (Roundabout (Ensemble Studio Theatre), Goose-Pimples Award, Outer Critics Circle Award), Fool for Theatre Company). [New York] The Happy Sad (New Group). Upcoming films include Lynn Love (Obie Award), The Unseen Hand, , (Summer Play Festival). [Film] Martha Marcy Shelton’s Laggies opposite Keira Knightly Curse of the Starving Class (Obie Award), May Marlene (Sundance, Gotham Award and Chloe Grace Moretz (September 2014), (Obie Award), The Tooth of Crime (Obie nom.) Hello I Must Be Going (Sundace), The Poltergeist opposite Rosemarie DeWitt Award), Forensic and the Navigators (Obie Sleepwalker (Sundance), All That I Am (SXSW) (February 2015), and Jared Hess’ Don Verdean. Award), Melodrama Play (Obie Award), James White, , Criminal Other film credits include: The Way Way Back, Cross (Obie Award), (Obie Award), Activities. [TV] “,” “,” “Law A Single Shot, Better Living Through Chemistry, Icarus’s Mother (Obie Award), Chicago (Obie & Order: Criminal Intent.” [Awards] ‘A Fresh Trust Me, Loitering with Intent, Seven Psychopaths, Award). [Film] Zabriskie Point; Paris, Texas (Palme Face In Film’ Sundance Award. The Sitter, Cowboys and Aliens, Conviction, Iron d’Or, Cannes Film Festival); Far North; Silent Man 2, Assassination of Jesse James by the Coward Tongue; Don’t come Knocking. He had his first NINA ARIANDA* | May Robert Ford, Everybody’s Fine, Moon, Choke, Frost/ New York plays, Cowboys and The Rock Garden [B’way] Nixon, The Hitchhiker’s Guide to The Galaxy, produced by Theatre Genesis. For several (2012 Tony Award), Born Confessions of a Dangerous Mind, Charlie’s seasons, he worked with Off-Off-Broadway Yesterday (Tony Award Angels, Galaxy Quest, The Green Mile, Celebrity, theatre groups including La MaMa and Caffe nom., Outer Critics Clownhouse. [Edu] San Francisco’s High School Cino. Mr. Shepard has had an entire season Circle Award). [Off B’way] of the Performing Arts, William Esper Acting at Signature Theatre Company devoted to his Venus in Fur (CSC, AEA’s Studio. Sam would like to dedicate Eddie to work. Recently, Mr. Shepard continued his Clarence Derwent Award, Philip Seymour Hoffman. fruitful relationship with the Abbey Theatre in Dublin with the commissioned, Ages of and Clive Barnes Award), Tales from Red GORDON JOSEPH the Moon. In 1986, he was inducted into the Vienna (). [Film] The WEISS* | The Old Man American Academy of Arts and Letters. In Humbling, The Disappearance of Eleanor Rigby, [B’way] Sly Fox, The Life, 1992, he received the Gold Medal for Drama Lucky Them, Rob the Mob, Tower Heist, Midnight Jelly’s Last Jam, The Visit, from the Academy and in 1994, he was in Paris, Higher Ground, Win Win. [TV] “30 Ghetto (Tony and Drama inducted into the Theatre Hall of Fame. In Rock,” “Hostages,” “The Good Wife.” [Edu] Desk noms.), Raggedy 2009, Mr. Shepard was honored with the title M.F.A. NYU’s Tisch graduate acting program. Ann, King of Hearts, of “Master” with the Laura Pels Foundation She thanks her incredibly supportive, loving, Goodtime Charley, Jumpers. Award for Drama. and good-looking parents. [Regional] King Lear, Treasure Island, Between the Lines (Actors Theatre of Louisville), The DANIEL AUKIN | Director Investigation, The Murder of Isaac, Queen and [Off B’way] Bad Jews (Roundabout Theatre the Rebels (Baltimore Center Stage) Inherit the Company), What Rhymes With America Wind (Ford’s Theatre), Tartuffe, Tobacco Road, (Atlantic Theater Company), Heartless Anna Christie (Triad Stage). [Film] Joe Gould’s (Signature Theatre Company), 4000 Miles Secret, Howard Stern: Private Parts, Awakenings, (Lincoln Center Theater), This (Playwrights Reversal of Fortune. [TV] “Law and Order,” Horizons), Back Back Back (Manhattan “Third Watch,” “Spin City,” “NYPD Blue,” Theatre Club), Everything Will Be Different, Sic “Pete and Pete,” “All My Children,” “As the (Obie Award), The Year of the Baby, Cat’s-Paw, World Turns,” “One Life to Live”. Love to my Molly’s Dream (Obie Award), The Ugly One, one and only Rosie. Suitcase (Soho Rep). [New York] The Bad and the Better (The Amoralists), [Regional] The Fortress of Solitude (), The Royale (Center Theater Group), This (Center Theater Group), A View From the Bridge (Arena Stage), The Adding Machine (La Jolla Playhouse). [Other] Artistic Director of Soho Rep 1998–2006.

WILLIAMSTOWN THEATRE FESTIVAL 2014 27 BETWEEN THE LINES

“NO ONE KNOWS BETTER THAN SAM SHEPARD THAT THE TRUE AMERICAN WEST IS GONE FOREVER, but there may be no writer alive more gifted at reinventing it out of pure literary air,” wrote Frank Rich in his review of Fool for Love’s first New York production. Written and first performed in 1983, this play is considered by critics to be an addendum, along with , to Shepard’s written in the late ’70s. These plays—Curse of the Starving Class, Buried Child, and True West—are grouped together because they share a focus on family, and stylistically demonstrate Shepard’s movement toward his particular brand of raw, gritty, sometimes almost magical realism.

This magical realism goes hand in hand with at a horse ranch before graduating from high For Shepard, the two of his Shepard’s interest in the desert as the space school. As a young man, Shepard watched youth—the land of cowboys and the land that embodies the American mythology his the farm country of his youth be wiped away of superstars—are ultimately inextricable. plays often pick apart. Shepard has been as rancho was replaced by the Indeed, much of Shepard’s work explores described as “an all-American literary hero” glitz and glam of Hollywood. this idea of duality. As he said about his play for his quintessentially American subject True West, the most recent in a long line of matter and his contemporary realist style The West was indelible in Shepard’s mind, Shepard plays produced at the Williamstown that is reminiscent of traditional playwrights remaining even after he moved to New Theatre Festival, “I wanted to write a play like and Eugene O’Neill. His York in 1961, determined to have a career about double nature, one that wouldn’t be writing explodes traditional forms in order in acting. Once in New York, he quickly symbolic or metaphorical or any of that stuff. to bring 20th century American drama into became interested in writing. His first play, I just wanted to give a taste of what it feels the modern age. called, appropriately enough, Cowboys, was like to be two-sided. It’s a real thing, double written in 1964, and Shepard continues to nature.” This double nature is personified Shepard was born in 1943 on an army base write to this day. Throughout his body of in the antagonism between the brothers of in southern Illinois and grew up all over work Shepard investigates what it means to True West: Hollywood screenwriter Austin the American Southwest—California, Texas, be an American, and while he has said he and drifting, troubled Lee who has just and New Mexico: desert country. His family never wants to live in the West again, it is emerged from months living alone in the eventually settled in Duarte, California, clear from his plays that the eerie, oppressive desert. In both True West and Fool for Love, where he took a job working as a stable hand allure of the desert still has a hold over him. the presence of the desert is overwhelming

28 WILLIAMSTOWN THEATRE FESTIVAL 2014 and oppressive, yet irresistible and thrilling his tale, a space as expansive as May and The electricity between Shepard’s characters to the play’s characters. Eddie describes its Eddie’s all-encompassing love, but also as draws the audience in and won’t let them power when he tries to convince Martin isolating. Shepard has explained that this go, just as May and Eddie can’t let go of one not to leave the motel room, “Don’t go. play was born out of his own experience another. We get the sense that they have met You’ll just get all blue and lonely out there falling in love: “It’s such a dumbfounding in seedy motels like this before, and that they in the black night. I know. I’ve wandered experience. In one way you wouldn’t trade will again. The play is cyclical in this way. around lonely like that myself. Awful. Just it for the world. In another way it’s absolute As Shepard explains, “the most authentic eats away at ya’.” The characters in Fool for hell.” While a far cry from a conventional endings are the ones which are already Love are well acquainted with the specific romance, Shepard’s capacity to recognize revolving towards another beginning.” He type of loneliness that comes from living in and dramatize the ugliness of love, makes continues, “I love the opening [of the play], an empty, desolate stretch of land like the Fool for Love, in particular, so exceptional. in the sense that I couldn’t get enough of Mojave, and this loneliness influences how this thing between Eddie and May, I just they interact with one another. May and Eddie, like so many of Shepard’s wanted that to go on and on and on.” In characters, are out to destroy each other, a way, it will go on and on and on as the Many of Shepard’s plays center on two but this destruction is colored by shades show repeats on Williamstown’s Nikos Stage characters with a close relationship, who of lust that make it all the more arresting. every evening over the course of its fifteen find themselves locked in an impossible “The audience is forced to be more directly performances. During each performance, and inescapable personal conflict. Lee and involved, more deeply complicit in Fool May and Eddie will meet in that motel room Austin in True West are two such characters, for Love than it has been in earlier plays,” to play out the never-ending narrative of and the double nature that they embody writes theatre scholar Steven Putzel. “The their impossible love as it stretches out into inexorably brings them to blows. In Fool raw emotion, the primal passion, the the black desert night. for Love, unlike the other plays of the constant imminence of physical violence family cycle, the warring double nature momentarily shock spectators out of their is embodied in a pair of lovers. Shepard comfort zone and force a more than aesthetic BY ANNA MORTON once again chose the desert as the stage for involvement.” AND EMMA HORWITZ

WILLIAMSTOWN THEATRE FESTIVAL 2014 29 WHO’S WHO IN THE CAST & CREW *Member of Actors’ Equity Association

DANE LAFFREY | Scenic Design JUSTIN TOWNSEND | Lighting Design DAVID LEONG | Movement & Fights [Off B’way] Bad Jews, Tigers Be Still (Roundabout [B’way] Casa Valentina, A Night with Janis Joplin, [3rd WTF Season] The Rainmaker, Corners. Theatre Company), (Lincoln Center Vanya and Sonia and Masha and Spike, The Other [B’way] A Time to Kill, Billy Elliott, , Theater), Arlington (Vineyard Theatre), Place, Bloody Bloody Andrew Jackson (Outer Macbeth, The Rainmaker, Carousel, Company, American Hero, The Talls (Second Stage Critics Circle and Henry Hewes noms.). [Off , Conversations With My Father, Ma Theatre), The Maids (Red Bull), I Remember B’way] Here Lies Love (, Rainey’s Black Bottom, King Hedley, A Delicate Mama, The Patsy (Transport Group), The Other Lucille Lortel Award), Vanya and Sonia and Balance, The Homecoming, Sex and Longing, In Place (MCC Theater), Sixty Miles to Silver Lake Masha and Spike (Lincoln Center Theater), the Summer House, Picnic, Solitary Confinement. (Soho Rep), The Few, Rag and Bone (Rattlestick), Milk Like Sugar (Playwrights Horizons), The [Film] Alien Resurrection, Titus. [Regional] Bad Jazz (Play Company), 12 Chairs, Exit Other Place (MCC Theater), Unnatural Acts Shakespeare Theatre, Arena Stage, American (Keigwin and Company, The Joyce Theatre). (Lortel nom.), Galileo (), Repertory Theater, American Conservatory [Regional] Huntington Theatre Company, The Monstrosity (13P), Opus (Primary Stages), Speech Theater, Berkeley Repertory Theatre, Seattle Old Globe, The Humana Festival, Denver and Debate (Roundabout Theatre Company), Repertory Theatre, Denver Center Theatre, Center Theatre Company, Baltimore Center The Treatment (Culture Project), Beauty on the Alley Theatre, Goodman Theatre, McCarter Stage, Dallas Theatre Center, New York Stage Vine, Palace of the End, Mahida’s Extra Key to Theatre, Yale Repertory Theatre, The Long and Film, Asolo Rep., Signature Theatre Heaven (Epic Theatre). [New York] Drums of the Wharf Theatre, Hartford Stage, Huntington Company, Yale Opera, Two River Theatre, Waves of the Horikawa (Theatre of a Two Headed Theatre, The Mark Taper Forum, the Guthrie others. [Int’l] The Roman Spring of Mrs. Stone Calf). [Regional] The Onion Cellar (American Theater, others. [Faculty] Current: Chair of (Parco Productions, Tokyo and Osaka), The Rep, Elliot Norton Award), The Blue Flower Theatre at Virginia Commonwealth University. Colour of Panic ( Opera House and Det (American Rep, Elliot Norton Award, IRNE Previous: Juilliard School, Brandeis University, Apne Teater, ). [TV] “The Roast,” (ABC2, Award), Hamlet (Folger Shakespeare Library, University of Maryland. Australia). [Awards] Drama Desk Award nom., nom.), Apollo (Douglas Theatre, three Henry Hewes Award noms. and a Sydney Ovation nom.). [Awards] 2014 Obie Award for KYLE GATES* | Stage Manager Theatre Award nom. Sustained Excellence in Lighting Design. [B’way] The Country Girl, The Seafarer, Shining City. [Off B’way] Fly by Night; Mr. Burns, a post- ANITA YAVICH | Costume Design RYAN RUMERY | Sound Design electric play; Assistance; Milk Like Sugar; Go Back [2nd WTF Season] As You Like It. [B’way] Venus [B’way] Thurgood. [Off B’way] Between Riverside To Where You Are; A Small Fire; ; in Fur, Chinglish, Anna in the Tropics. [Off B’way] and Crazy, What Rhymes With America (Atlantic THIS (Playwrights Horizons); Choir Boy; That Caucasian Chalk Circle, Orlando, Venus in Fur, Theater Company), A Mind-Bending Evening Face; Humor Abuse; Back Back Back; Regrets New Jerusalem, Texts For Nothing (Classic Stage of Beckett, The Emperor Jones (Irish Rep, Lortel Only (Manhattan Theatre Club); What Rhymes Company), Kung Fu, Golden Child, Iphigenia Award nom.), 4000 Miles (Lincoln Center with America; 10x25, Offices (Atlantic Theatre 2.0 (Signature Theatre Company), The Theater), Horsedreams (Rattlestick), The Company); Appropriate; The Mound Builders Explorer’s Club (Manhattan Theatre Club), All Hatmaker’s Wife (Playwrights Realm, Lortel (Signature Theatre Company); Harrison, TX in the Timing (Primary Stages), The Submission, Award nom.), We Live Here (Manhattan Theatre (Primary Stages); The Bad Guys (Second Stage Coraline the Musical, The Wooden Breeks (MCC Club), Neighbors (Public Theater). [Regional] The Uptown); Tigers Be Still (Roundabout Theatre Theater), Measure for Pleasure, Kit Marlowe, Royale (Center Theater Group, Ovation nom.), Company); The Flying Machine’s Frankenstein The Winter’s Tale, Civil Sex, Pericles (The Public Be A Good Little Widow (The Old Globe), An (Soho Rep). [Regional] Clever Little Lies (George Theater), Macbeth, Coriolanus, Svejk (Theatre for Enemy of the People (Center Stage), Tigers Be Still, Street Playhouse), Ghosts, Waiting for Godot a New Audience). [Opera] Cyrano (La Scala, Met The Who’s Tommy (Dallas Theater Company), (Berkshire Theatre Festival). [Tour] Brooklyn (1st Opera, Royal Opera), Les Troyens (Met Opera), Macbeth 1969 (Long Wharf Theatre), Behind National) [Edu] B.F.A., North Carolina School Facing Goya, Der Fliegende Hollander, The Silver The Eye (Cincinnati Playhouse in the Park, of the Arts. River (Spoleto Festival), The Gambler (Opera Acclaim Award), Golden Age (Philadelphia Zuid-Holland), Three Tales (Int’l Tour), Salome, Theatre Company, Barrymore nom.), The Fidelio, Die Walkure, Das Rheingold (Washington Convert (Woolly Mammoth, Helen Hayes Opera). [Other] The Sound of Music (Saltzburger nom.), The Heavens are Hung in Black (Ford’s Marionette Theater, Puppet and Costume Theatre, Helen Hayes nom.), Stunning, Vigils Design) [Awards] 2006 Obie Award. (Woolly Mammoth, Helen Hayes noms.), Thief River (Theatre Alliance, Helen Hayes nom.), Cradle of Man (Florida Stage, Carbonell nom.).

30 WILLIAMSTOWN THEATRE FESTIVAL 2014 SAM SHEPARD @WTF 34 YEARS OF SHEPARD

1970 Operation Sidewinder Directed by Tom Haas With Sam Waterston

1970 Icarus’ Mother Directed by Gregory Mosher With Tom Hulce

1977 Angel City Directed by Martin Kapell

1978 Tooth of the Crime Directed by Martin Kapell

2009 True West Directed by Daniel Goldstein With Nate Corddry, Paul Sparks, and Debra Jo Rupp

[top] Sam Waterston in Operation Sidewinder, 1970. [second row] Donald Berman, Jamey Sheridan, Matt Ransom, Howard Samuelsohn, David Miller, and Kermit Frazier in Tooth of Crime, 1978; Peter Harris and Lisa Sloan in Angel City, 1977. [third row] Viveca Parker and Jamey Sheridan in Tooth of Crime, 1978; Paul Sparks and Nate Corddry in True West, 2009. [bottom row] Nate Corddry, Paul Sparks and Debra Jo Rupp in True West, 2009; Philip Cates and Gregg Daniel in Angel City, 1977.

WILLIAMSTOWN THEATRE FESTIVAL 2014 31 WHO’S WHO IN THE CAST & CREW

FOOL FOR LOVE IN MEMORIAM PRODUCTION STAFF WTF KEEPS ’EM “The highest tribute to the dead is not grief but COMING BACK. Assistant Director JAKI BRADLEY gratitude.”—Thornton Wilder These members of the 2014 Company have Assistant Stage Managers EMMA EWEL been with the Festival for We are so grateful for the myriad contributions of the MELANIE GERTZMAN Festival family members we have lost over the past year. Assistant Scenic Designer MARTHE HOFFMAN 5+ SEASONS Assistant Costume Designer JENNY O’DONNELL BRIAN CABRAL, a longtime WTF trustee, Assistant Lighting Designer JOE THOMPSON 5 Seasons supporter, and valued advisor. Assistant Sound Designer ALEX DIETZ-KEST Vanessa Coakley, Stage Manager Justin Long, Actor WILLIAM EVERETT, President Emeritus, who Production Manager ISAAC KATZANEK Lawrence Moten, Associate Properties Master led the WTF Board of Trustees for 20 years and skillfully guided Associate Production Manager BRIDGET VAN DYKE Sam Rockwell, Actor the Festival through the turbulent period following the death of Laura Savia, Workshop Artistic Producer founding Artistic Director Nikos Psacharopoulos. Assistant Production Manager KARA SINCLAIR Ben Truppin-Brown, Sound Department Supervisor Technical Director SAMUEL MAHAN Alexander Woodward, Scenic Design Supervisor MARY FLYNT, a beloved and fervent supporter of Associate Technical Director DYLAN LUKE the Festival and wife of WTF co-founder Hank Flynt. 6 Seasons Assistant Technical Director DERRICK PEMBERTON Jeff Croiter, Designer , a SAMUEL “SANDY” LAITMAN Master Carpenter CHRISTIAN MIKKELSEN Eric Kerns, Director of Marketing & Development gracious host and generous supporter who provided sage Kayln Lummis, Assistant Costume Shop Manager counsel as a Trustee. Nikos Stage Supervisor SHANNON PERRY Derek McLane, Designer Scenic Design Supervisor ALEXANDER WOODWARD Willie Reale, Lyricist NICHOLAS MARTIN, who served the Festival Sam Shepard, Playwright as Artistic Director from 2008-2010 and directed over 20 Scenic Charge KEELEY DORWART memorable WTF productions. Associate Scenic Charge SAMANTHA PAGNOTTA 7 Seasons Properties Master KATHRYN DUNHAM T. Charles Erickson, Photographer David Turner, Actor WILLIAMSTOWN THEATRE FESTIVAL is a professional Associate Properties Master LAWRENCE MOTEN Benjamin M. Zawacki, Costume Shop Manager theatre employing members of Actors’ Equity Association, Costume Shop Manager BENJAMIN M. ZAWACKI Asst. Costume Shop Manager KALYN LUMMIS 8 Seasons the union of professional Actors and Stage Managers in Libby Unsworth, Production Stage Manager the . Wardrobe Supervisor JAMIE BERTOLUZZI Lighting Department Supervisor WILBURN BONNELL 9 Seasons Wilburn Bonnell, Lighting Supervisor Assoc. Lighting Supervisor MATT TAYLOR Nate Corddry, Actor ACTORS’ EQUITY ASSOCIATION Production Electrician BRAD GRAY Roger Rees, Actor (“AEA” or “Equity”), founded in 1913, is the Jessica Stone, Director labor union that represents more than 48,000 Master Electrician AARON TACY Actors and Stage Managers in the United States. Electrics Foreman HILLARY LUONG 10 Seasons Equity seeks to advance, promote and foster the Assistant Master Electrician/ CHEYENNE SYKES Kris Kukul, Music Director Lighting Programmer art of live theatre as an essential component of 11 Seasons our society. Equity negotiates wages and working 2nd Asst. Lighting Designer JACQUELINE MALENKE Stephen M. Kaus, Producer conditions and provides a wide range of benefits, Sound Department Supervisor BEN TRUPPIN-BROWN including health and pension plans, for its Associate Sound Supervisor STEPHEN DEE 12 Seasons members. Actors’ Equity is a member of the AFL- Corissa Bryant, Front of House Coordinator Production Sound Engineer ADRIANNA BRANNON Christopher Fitzgerald, Actor CIO, and is affiliated with FIA, an international Sound Board Operator JAMES BRENNER Michael Krass, Designer organization of performing arts unions. Drew Levy, Designer Rep. Sound System Designer BEN TRUPPIN-BROWN Rep. Lighting System Designer WILBURN BONNELL 13 Seasons Dylan Baker, Guest Artist Company Manager LIZ MAHAN Lisa Bender, Director of Audience Services Associate Company Manager ZACHARY KROHN Lewis Black, Guest Artist Assistant Company Manager KAYLA PRATA 17 Seasons Maria Tucci, Guest Artist CREDITS APPRENTICE RUN CREW: CHRIS CALLAHAN, Legal by CAROL M. KAPLAN BRIANA LOTAN, JESSICA MAHON, LILIANA TANDON, 18 Seasons HANNAH WATZKE Accounting & Bookkeeping Services by James Naughton, Guest Artist M. LUCY PAVALOCK & KRISTINA JEWETT, 19 Seasons CUSTOM BUSINESS SOLUTIONS Kate Burton, Guest Artist SPECIAL THANKS Insurance by CHUBB INSURANCE GROUP Cinch ‘Em Up Stables 20 Seasons Year-round press by MOLLY BARNETT & RICK MIRAMONTEZ, Edward Herrmann, Guest Artist O&M CO. Kyle Gardner WTF art direction/design by Casey Martin 27 Seasons LIGATURE CREATIVE GROUP ligcreative.com Juan Romero Peter Hunt, Guest Artist

Program layout design by Amy Russell 40 Seasons LARISSA JANTONIO, ROBERTA LAMB, and ANDREW MEYER Robert Vaughan Juliet Flynt, Archivist Production Photographer T. CHARLES ERICKSON 43 Seasons Lighting Equipment supplied by PRG Steve Lawson, Director Sound Equipment supplied by MASQUE SOUND

32 WILLIAMSTOWN THEATRE FESTIVAL 2014