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Shepard & Dark
Presents SHEPARD & DARK A DOCUMENTARY BY TREVA WURMFELD 92 min., U.S., 2012 OFFICIAL SELECTION – 2012 TORONTO INTERNATIONAL FILM FESTIVAL OFFICIAL SELECTION – 2013 CANNES CLASSICS – CANNES FILM FESTIVAL WINNER BEST DOC FEATURE – 2012 WOODSTOCK FILM FESTIVAL To download hi-res images and video clips, please visit: http://www.musicboxfilms.com/shepard---dark-movies-71.php Publicity/Marketing Contact: Distribution Contact: Brian Andreotti Andrew Carlin 312-508-5361 312-508-5360 [email protected] [email protected] Rebecca Gordon 312-508-5362 [email protected] Press Contact: Lindsay Firestone 212-373-6131 [email protected] Marian Koltai-Levine 212-373-6130 [email protected] SUMMARY Sam Shepard and Johnny Dark met in Greenwich Village in the early 1960s and, despite leading very different lives, remained close friends ever since. Shepard became a Pulitzer Prize winning playwright (Buried Child) and an Academy Award-nominated actor (THE RIGHT STUFF), while Dark was a homebody who supported himself with odd jobs. Through the decades, they stayed bonded by family ties. Dark married an older woman named Scarlett and Shepard married her daughter. For years, the two couples lived together, until Shepard broke away for a relationship with Jessica Lange in 1983, leaving Johnny to help father his first son. Nevertheless, he and Dark continued writing to each other, amassing hundreds of letters. Director Treva Wurmfeld began filming the two friends in 2010 during a period of transition and reflection for Shepard. At the time, he had quietly ended his relationship with Lange and agreed to publish his correspondence with Dark. The task required them to meet and sift through years of their shared history, stirring memories both good and bad. -
Ewan Mcgregor Tilda Swinton
Presents Ewan McGregor Tilda Swinton YOUNG ADAM “…the best performance of Ewan McGregor's career” Peter Bradshaw, The Guardian WINNER of 4 SCOTTISH BAFTA AWARDS Best Actor (Ewan McGregor) | Best Actress (Tilda Swinton) Best Director (David Mackenzie) | Best Film Nationally in Select Cinemas April 7, 2005 Rating: MA High Level Sex Scenes, Nudity Running Time: 94 minutes www.madman.com.au/incinemas ALL IMAGES AVAILABLE AT: www.image.net Exhibitor contact (and VIC publicity): Publicity (all states excluding VIC) Anna McLeish Edweana Wenkart Theatrical Distribution Manager Director Madman Cinema Tsuki Publicity [email protected] | +61 3 9417 0977 [email protected] | +61 3 8354 1830 RECORDED PICTURE COMPANY, HANWAY, FILM COUNCIL, SCOTTISH SCREEN and SVENO MEDIA present a JEREMY THOMAS production a film by DAVID MACKENZIE EWAN MCGREGOR, TILDA SWINTON, PETER MULLAN, EMILY MORTIMER YOUNG ADAM Casting by DES HAMILTON Costume designer JACQUELINE DURRAN Production designer LAURENCE DORMAN Film editor COLIN MONIE Director of photography GILES NUTTGENS Music by DAVID BYRNE Associate producers PETER WATSON, STEPHAN MALLMANN, GILLIAN BERRIE Based on the novel by ALEXANDER TROCCHI Co-producers ALEXANDRA STONE, NICK O’HAGAN, JIM REEVE Produced by JEREMY THOMAS Written and directed by DAVID MACKENZIE YOUNG ADAM Written and directed by the award-winning short filmmaker David Mackenzie, Young Adam is a hauntingly faithful adaptation of the novel by the Scottish Beat writer Alexander Trocchi. Featuring a strong cast headed by Ewan McGregor, Tilda Swinton, Peter Mullan and Emily Mortimer, Young Adam is a moody, sensual thriller that takes place on the canals between Glasgow and Edinburgh during the 1950s. -
The Singapore Grip Production Notes Low Res FINAL
THE SINGAPORE GRIP PRODUCTION NOTES Contents *** The content of this press pack is strictly embargoed until 0001hrs on Thursday 3 September *** Press Release 3-4 Interview with Jane Horrocks 29-31 Foreword by Sir Christopher Hampton 5 Interview with Charles Dance 33-35 Character Biographies 6-9 Interview with Colm Meaney 36-39 Interview with adaptor and executive producer Sir Christopher Hampton 10-12 Interview with Georgia Blizzard 40-43 Interview with producer Farah Abushwesha 13-16 Episodes One and Two Synopses 45-46 Interview with Luke Treadaway 17-20 Cast and Production Credits 50-52 Interview with David Morrissey 21-24 Publicity Contacts 53 Interview with Elizabeth Tan 25-28 2 Luke Treadaway, David Morrissey, Jane Horrocks, Colm Meaney and Charles Dance star in epic and ambitious adaptation of The Singapore Grip produced by Mammoth Screen Adapted from Booker Prize winner J.G. Farrell’s novel by Oscar winning screenwriter and playwright Sir Christopher Hampton (Atonement, Dangerous Liaisons), The Singapore grip stars Luke Treadaway, David Morrissey, Jane Horrocks, Colm Meaney and Charles Dance. Former Coronation Street actor Elizabeth Tan and rising star Georgia Blizzard will also star as leads in the highly anticipated series. An epic story set during World War Two, The Singapore Grip focuses on a British family living in Singapore at the time of the Japanese invasion. Olivier Award winning actor Luke Treadaway (The Curious Incident of the Dog in the Night-Time, Ordeal By Innocence, Traitors) plays the reluctant hero and innocent abroad Matthew Webb. Award winning actor, David Morrissey (The Missing, Britannia, The Walking Dead) takes the role of ruthless rubber merchant Walter Blackett, who is head of British Singapore’s oldest and most powerful firm alongside his business partner Webb played by Charles Dance OBE (Game of Thrones, And Then There Were None). -
Diplomarbeit
DIPLOMARBEIT Titel der Diplomarbeit „Sarah Kane – die hoffnungslose Romantikerin. Das Wechselspiel von Liebe und Gewalt im Werk von Sarah Kane“ Verfasser Andreas Frießnegg angestrebter akademischer Grad Magister der Philosophie (Mag. phil.) Wien, 2012 Studienkennzahl lt. Studienblatt: A 317 Studienrichtung lt. Studienblatt: Theater-, Film- und Medienwissenschaft Betreuer: Univ. Prof. Dr. habil. Michael Gissenwehrer 2 Inhaltsverzeichnis Danksagung 1. Einleitung 7 2. In-Yer-Face Theatre 11 2.1 Begriffsdefinition 11 2.2 Geschichte & Entwicklung des In-Yer-Face Theatres 13 2.2.1 Die 1990er Jahre 17 2.3 Kennzeichen des In-Yer-Face Theatres 19 2.3.1 Sprache 19 2.3.2 Nacktheit & Sex 19 2.3.3 Gewalt 20 2.3.4 Schock 22 2.4 Bekannteste Vertreter 23 2.4.1 Anthony Neilson 24 2.4.2 Mark Ravenhill 26 3. Sarah Kane 29 3.1 Biografie 30 3.2 Figuren, Sprache und Stil 31 3.3 Einflüsse und Vorbilder 37 3.4 Frühe Werke 39 3.4.1 The Monologues 39 3.4.2 Skin 40 4. Das Wechselspiel von Liebe und Gewalt in Kanes Werk 43 4.1 Sarah und die Liebe 43 5. Blasted 46 5.1 Synopse 47 5.2 Ian & Cate 48 6. Phaedra's Love 54 6.1 Synopse 55 6.2 Phaedra & Hippolytus 56 3 7. Cleansed 62 7.1 Synopse 63 7.2 Rod & Carl 64 8. Crave 71 8.1 Synopse 72 8.2 A 74 9. 4.48 Psychosis 80 9.1 Synopse 81 9.2 Sarah 82 10. Ausblick 87 11. Bibliographie 91 12. Abstracts 97 12.1 Deutsch 97 12.2 English 97 13. -
The Inventory of the Sam Shepard Collection #746
The Inventory of the Sam Shepard Collection #746 Howard Gotlieb Archival Research Center Shepard, Srun Sept,1~77 - Jan,1979 Outline of Inventory I. MANUSCRIPTS A. Plays B. Poetry c. Journal D. Short Prose E. Articles F. Juvenilia G. By Other Authors II. NOTES III. PRINTED MATTER A, By SS B. Reviews and Publicity C. Biographd:cal D. Theatre Programs and Publicity E. Miscellany IV. AWARDS .•, V. FINANCIAL RECOR.EB A. Receipts B. Contracts and Ageeements C. Royalties VI. DRAWINGS AND PHOTOGRAPHS VII. CORRESPONDENCE VIII.TAPE RECORDINGS Shepard, Sam Box 1 I. MANUSCRIPTS A. Plays 1) ACTION. Produced in 1975, New York City. a) Typescript with a few bolo. corr. 2 prelim. p., 40p. rn1) b) Typescript photocopy of ACTION "re-writes" with holo. corr. 4p. marked 37640. (#2) 2) ANGEL CITY, rJrizen Books, 1976. Produced in 1977. a) Typescript with extensive holo. corr. and inserts dated Oct. 1975. ca. 70p. (ft3) b) Typescript with a few holo. corr. 4 prelim. p., 78p. (#4) c) Typescript photocopy with holo. markings and light cues. Photocopy of r.ouqh sketch of stage set. 1 prelim. p., 78p. ms) 3) BURIED CHILD a) First draft, 1977. Typescript with re~isions and holo. corr. 86p. (#6) b) Typescript revisions. 2p. marked 63, 64. (#6) 4) CALIFORNIA HEART ATTACK, 1974. ,•. ' a) Typescript with holo. corr. 23p. (#7) ,, 5) CURSE OF THE STARVING CLASS, Urizen Books, 1976. a) Typescript with holo. corr. 1 prelim. p., 104p. ms) b) Typescript photocopy with holo. corr. 1 prelim. p. 104p. (#9) c) Typescript dialogue and stage directions, 9p. numbered 1, 2, and 2-8. -
Simon Richards Director of Photography
Simon Richards Director of Photography Simon holds a U.S 0-1 Work Visa “We Are Monster” “….while the miasmically unwholesome atmosphere is emphasized by Simon Richards' cinematography: the sickly glow of institutional lighting renders skin tones sallow and even the air itself seems redolent of stale tea bags…..” Hollywood Reporter "This is a confidently hypnotic film with strong cinematography by Simon Richards who delivers excellently framed shot composition and masterful control of light.” People Movies Agents Andrew Naylor Assistant [email protected] Lizzie Quinn +44 (0) 203 214 0899 [email protected] +44 (0)20 3214 0911 Credits Film Production Company Notes MY BUTTERFLY Terra Rossa Films Dir/Writer: Matt Diss 2018 Producers: Leeshon Alexander, Anthony Petrou, Noel Clarke With Leeshon Alexander, Emma Rigby & Noel Clarke United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Production Company Notes WE ARE MONSTER Unstoppable Dir: Antony Petrou 2014 Entertainment Producers: Dean O'Toole, Jean Pierre & Terra Rossa Films Magro, Noel Clarke, Phil Dore, Jason Maza Writer/Prod: Leeshon Alexander *Nominee Michael Powell Award for Best British Feature, Edinburgh Film Festival 2014 X-MEN: FIRST CLASS Fox London Productions Dir: Matthew Vaughn 2011 Ltd D.O.P: Ben Seresin ASC BSC As Director Of Photography, Tests DUPLICITY Universal Tony Gilroy 2008 2nd Unit DOP London and Prods: Kerry Orent Zurich Laura Bickford Jennifer Fox DOP: Robert Elswit ASC -
Sam Shepard's Master Class in Playwriting
Sam Shepard’s Master Class in Playwriting Brian Bartels 7 2 THE MISSOURI REVIEW / SPRING 2007 ( i n t e r v i e w ) Cherry Lane eater, in Manhattan’s West Village, is not located on Cherry Lane at all, but on Commerce Lane (nowhere near the Financial District of Lower Manhattan). It’s a venerable the- ater company that has been around for years, not very big, nowhere near Broadway, tucked in a corner on one of the most beautiful neighborhoods in New York: an urban paradise. It would seem wrong if anything other than a theater company were in this location. After everything is gone, this place feels like it will still be here, waiting for an audience. Monday, November 6, 2006, 7:46 .. Excitement hovers. e crowd is your standard theater audience: median age, late forties, and I am, as always, one of the Photograph by Joan Marcus SPRING 2007 / THE MISSOURI REVIEW 7 3 youngest people in the room. Women dominate the group: sweet, good-natured ladies who all seem to know one another. People meander inside Cherry Lane’s second-stage space, which seats about fi fty or sixty; every seat is taken. Some people are dressed like characters in one of Sam Shepard’s plays. e event is being videotaped: a surprise, given Shepard’s record of determined privacy. He doesn’t do press junkets or interviews for the fi lms he acts in. is is written into his contracts. Nor does he really like fl ying all that much. He has, however, in recent years, opened up somewhat, off ering glimpses into his artistic and personal life such as he’s generally shied away from. -
“Everything in Me Lies” Razieh.S
www.ssoar.info "Everything in me lies" Ghasemi, Parvin; Falasiri, Razieh S. Veröffentlichungsversion / Published Version Zeitschriftenartikel / journal article Empfohlene Zitierung / Suggested Citation: Ghasemi, P., & Falasiri, R. S. (2015). "Everything in me lies". International Letters of Social and Humanistic Sciences, 64, 35-51. https://doi.org/10.18052/www.scipress.com/ILSHS.64.35 Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer CC BY Lizenz (Namensnennung) zur This document is made available under a CC BY Licence Verfügung gestellt. Nähere Auskünfte zu den CC-Lizenzen finden (Attribution). For more Information see: Sie hier: https://creativecommons.org/licenses/by/4.0 https://creativecommons.org/licenses/by/4.0/deed.de International Letters of Social and Humanistic Sciences Online: 2015-11-30 ISSN: 2300-2697, Vol. 64, pp 35-51 doi:10.18052/www.scipress.com/ILSHS.64.35 © 2015 SciPress Ltd., Switzerland “Everything in me lies” Razieh.S. Falasiri1, Dr. Parvin Ghasemi2 1Faculty of Foreign Languages, Shiraz University Eram Square, Faculty of Humanities, Shiraz University 2Ph.D., Professor, English Literature, Faculty of Foreign Languages, Shiraz University E-mail address: [email protected] [email protected] Keywords: Sam Shepard, Myth, Reality, Hyperreality, Postmodern Society, Media ABSTRACT. In Sam Shepard's plays, America is full of traditional and mythical symbols. He uses these emblems in order to subvert their meanings and manifest the discrepancies between characters’ living in the West and the realities they confront. In his play, A Lie of the Mind, Sam Shepard reflects on the traditional meanings of myth and the erasure of them in the postmodern societies. Furthermore, the postmodern universe in these three plays is bombarded with representation and distortions of reality, and hyperreality which make reality be masked and obscure. -
October 2019 – March 2020
13 September 2019 National Theatre On-Sale: October 2019 – March 2020 Just announced: • Emma Rice adapts and directs Emily Brontë’s iconic masterpiece WUTHERING HEIGHTS, in a new co-production with Wise Children in association with York Theatre Royal. Opening in the Lyttelton Theatre in autumn 2020 before touring across the UK • Lucy Briers, Crystal Condie and Kevin Hely join the cast of Francesca Martinez’s debut play ALL OF US, directed by Ian Rickson • Ben Daniels joins Nancy Carroll in Moira Buffini's timely new play MANOR, directed by Fiona Buffini On sale: • Sarah Niles joins Natalie Simpson and Racheal Ofori in THREE SISTERS, Inua Ellams’ adaptation of Chekhov’s classic play, relocated to 1960s Nigeria and directed by Nadia Fall • Hugo Weaving joins Lesley Manville in Tony Kushner’s new adaptation of Friedrich Dürrenmatt’s masterpiece THE VISIT or THE OLD LADY COMES TO CALL • Further casting announced for Lucy Kirkwood’s new play THE WELKIN, directed by James Macdonald, with a cast including Maxine Peake, Cecilia Noble and Ria Zmitrowicz • Ex Machina’s epic THE SEVEN STREAMS OF THE RIVER OTA, directed by Robert Lepage, returns to the NT as part of a world tour • Clint Dyer becomes the first Black British artist to have acted, written and directed at the NT with DEATH OF ENGLAND, written by Roy Williams and Dyer, and performed by Rafe Spall • Ciarán Hinds and Judith Roddy reprise their roles with Fra Fee joining the cast of Brian Friel’s TRANSLATIONS, directed by Ian Rickson • Further performances on sale for MY BRILLIANT FRIEND, adapted by April De Angelis from Elena Ferrante’s bestselling Neapolitan Novels To download high-resolution images for on-sale productions, please see here. -
Sam Shepard's States of Shock, Or “A Vaudeville Nightmare”
Text Matters: A Journal of Literature, Theory and Culture Number 7 Drama, Performance, Media / Emma Article 20 & Edvard October 2017 Negotiating Reality: Sam Shepard’s States of Shock, or “A Vaudeville Nightmare” Paulina Mirowska University of Łódź Follow this and additional works at: https://digijournals.uni.lodz.pl/textmatters Recommended Citation Mirowska, Paulina. "Negotiating Reality: Sam Shepard’s States of Shock, or “A Vaudeville Nightmare”." Text Matters: A Journal of Literature, Theory and Culture, no.7, 2020, pp. 368-385, doi:10.1515/ texmat-2017-0020 This Article is brought to you for free and open access by the Arts & Humanities Journals at University of Lodz Research Online. It has been accepted for inclusion in Text Matters: A Journal of Literature, Theory and Culture by an authorized editor of University of Lodz Research Online. For more information, please contact [email protected]. Text Matters, Volume 7, Number 7, 2017 DOI: 10.1515/texmat-2017-0020 Paulina Mirowska University of Łódź Negotiating Reality: Sam Shepard’s States of Shock, or “A Vaudeville Nightmare” A BSTR A CT In the course of a career that spans half a century, from the Vietnam era to the America of Barack Obama, Sam Shepard has often been labelled as a “quintes- sentially American” playwright. According to Leslie Wade, “[d]rawing from the disparate image banks of rock and roll, detective fiction, B-movies, and Wild West adventure shows,” Shepard’s texts “function as a storehouse of im- ages, icons, and idioms that denote American culture and an American sen- sibility” (Sam Shepard 2). -
Glasgow University Students' Representative Council the Guide 05/06
glasgow university students' representative council council representative 05/06 students' guide the university glasgow guidethe 2005 - 2006 STUDENTS’ REPRESENTATIVE COUNCIL UNIVERSITY OF GLASGOW rab's da the guide No part of this publication may be reproduced or stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, recording or otherwise without prior written permision of Glasgow University Students’ Representative Council, whose work is ©2005 The text in this book is provided for information only, and is used at the reader’s own risk. Glasgow University Students’ Representative Council assumes neither responsibility nor liability for any errors or inaccuracies that may appear. The Guide is published by Glasgow University Students’ Representatives Council, John McIntyre Building, University Avenue, Glasgow, G12 8QQ contents introduction p6 a quick overview of student life and this guide succeed p14 getting more out of uni - media, clubs, sports, volunteering learn p44 keeping on top of your degree and what to do if you don't live p66 organising your finances & housing, and keeping healthy play p128 having fun outside of study - bars, museums, shopping appendix p160 people, index, maps, bus and subway info introduction a quick overview of life as a student and a look at what this guide has to offer student life p8 opportunities, problems, solutions the src p8 your representatives and how they can help unions p10 two options, the choice is yours the city p10 exploring glasgow beyond campus introduction guidethe guidethe introduction Introduction About the Guide It's not always easy starting something new or being in a new place or situation though. -
THEATRE in ENGLAND 2012-13 UNIVERSITY of ROCHESTER Mara Ahmed
THEATRE IN ENGLAND 2012-13 UNIVERSITY OF ROCHESTER Mara Ahmed The Master and Margarita Barbican Theatre 12/28/12 Based on Mikhail Bulgakov’s novel, this adaptation by Simon McBurney is as inventive and surprising as the book’s storyline. Satan disguised as Professor Woland visits Stalinist Russia in the 1930s. He and his violent retinue use their black magic and death prophesies to dispose of people and take over their apartments; most villainy and betrayal in the play is in fact motivated by the acquisition of apartment space. Bulgakov is satirizing the restriction of private space in Stalin’s Russia but buildings are also a metaphor for the structure of society as a whole. Rooms are demarcated by light beams, in the constantly changing set design, in order to emphasize relative boundaries and limits. The second part of the play focuses on Margarita and her lover, a writer who has just finished a novel about the complex relationship between Pontius Pilate (the Roman procurator of Judaea) and Yeshua ha-Nostri (Jesus, a wandering philosopher). Margarita calls him the Master on account of his brilliant literary chef d’oeuvre. She is devoted to him. However, the Master’s novel is ridiculed by the Soviet literati and after being denounced by a neighbor, he is taken into custody and ends up at a lunatic asylum. The parallels between his persecution and that of his principal character, Jesus, are brought into relief by constant shifts in time and place, between Moscow and Jerusalem. Margarita makes a bargain with Satan on the night of his Spring Ball, which she agrees to host, and succeeds in saving the Master.