2011 Calendar Journal
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Zukofsky), 736–37 , 742–43 Asian American Poetry As, 987–88 “ABC” (Justice), 809–11 “Benefi T” Readings, 1137–138 Abolitionism
Cambridge University Press 978-1-107-00336-1 - The Cambridge History of: American Poetry Edited by Alfred Bendixen and Stephen Burt Index More information Index “A” (Zukofsky), 736–37 , 742–43 Asian American poetry as, 987–88 “ABC” (Justice), 809–11 “benefi t” readings, 1137–138 abolitionism. See also slavery multilingual poetry and, 1133–134 in African American poetry, 293–95 , 324 Adam, Helen, 823–24 in Longfellow’s poetry, 241–42 , 249–52 Adams, Charles Follen, 468 in mid-nineteenth-century poetry, Adams, Charles Frances, 468 290–95 Adams, John, 140 , 148–49 in Whittier’s poetry, 261–67 Adams, L é onie, 645 , 1012–1013 in women’s poetry, 185–86 , 290–95 Adcock, Betty, 811–13 , 814 Abraham Lincoln: An Horatian Ode “Address to James Oglethorpe, An” (Stoddard), 405 (Kirkpatrick), 122–23 Abrams, M. H., 1003–1004 , 1098 “Address to Miss Phillis Wheatley, academic verse Ethiopian Poetess, Who Came literary canon and, 2 from Africa at Eight Year of Age, southern poetry and infl uence of, 795–96 and Soon Became Acquainted with Academy for Negro Youth (Baltimore), the Gospel of Jesus Christ, An” 293–95 (Hammon), 138–39 “Academy in Peril: William Carlos “Adieu to Norman, Bonjour to Joan and Williams Meets the MLA, The” Jean-Paul” (O’Hara), 858–60 (Bernstein), 571–72 Admirable Crichton, The (Barrie), Academy of American Poets, 856–64 , 790–91 1135–136 Admonitions (Spicer), 836–37 Bishop’s fellowship from, 775 Adoff , Arnold, 1118 prize to Moss by, 1032 “Adonais” (Shelley), 88–90 Acadians, poetry about, 37–38 , 241–42 , Adorno, Theodor, 863 , 1042–1043 252–54 , 264–65 Adulateur, The (Warren), 134–35 Accent (television show), 1113–115 Adventure (Bryher), 613–14 “Accountability” (Dunbar), 394 Adventures of Daniel Boone, The (Bryan), Ackerman, Diane, 932–33 157–58 Á coma people, in Spanish epic Adventures of Huckleberry Finn (Twain), poetry, 49–50 183–86 Active Anthology (Pound), 679 funeral elegy ridiculed in, 102–04 activist poetry. -
Spanish Language Broadcasting Collection
Spanish Language Broadcasting Collection NMAH.AC.1404 IrMarie Fraticelli, Edwin A. Rodriguez, and Justine Thomas This collection received Federal support from the Latino Initiatives Pool, administered by the Smithsonian Latino Center. Archives Center, National Museum of American History P.O. Box 37012 Suite 1100, MRC 601 Washington, D.C. 20013-7012 [email protected] http://americanhistory.si.edu/archives Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Arrangement..................................................................................................................... 2 Biographical / Historical.................................................................................................... 2 Scope and Contents........................................................................................................ 2 Names and Subjects ...................................................................................................... 2 Container Listing ............................................................................................................. 4 Series 1: Gilda Mirós, (bulk 1950 - 2016, undated) (bulk 1950 - 2016, undated).................................................................................................................... 4 Series 2: Hector Aguilar, 1940 - 2002, undated.................................................... -
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El Museo Del Barrio 50Th Anniversary Gala Honoring Ella Fontanals-Cisneros, Raphael Montañez Ortíz, and Craig Robins
FOR IMMEDIATE RELEASE EL MUSEO DEL BARRIO 50TH ANNIVERSARY GALA HONORING ELLA FONTANALS-CISNEROS, RAPHAEL MONTAÑEZ ORTÍZ, AND CRAIG ROBINS For images, click here and here New York, NY, May 5, 2019 - New York Mayor Bill de Blasio proclaimed from the stage of the Plaza Hotel 'Dia de El Museo del Barrio' at El Museo's 50th anniversary celebration, May 2, 2019. "The creation of El Museo is one of the moments where history started to change," said the Mayor as he presented an official proclamation from the City. This was only one of the surprises in a Gala evening that honored Ella Fontanals-Cisneros, Craig Robins, and El Museo's founding director, artist Raphael Montañez Ortiz and raised in excess of $1.2 million. El Museo board chair Maria Eugenia Maury opened the evening with spirited remarks invoking Latina activist Dolores Huerta who said, "Walk the streets with us into history. Get off the sidewalk." The evening was MC'd by WNBC Correspondent Lynda Baquero with nearly 500 guests dancing in black tie. Executive director Patrick Charpenel expressed the feelings of many when he shared, "El Museo del Barrio is a museum created by and for the community in response to the cultural marginalization faced by Puerto Ricans in New York...Today, issues of representation and social justice remain central to Latinos in this country." 1230 Fifth Avenue 212.831.7272 New York, NY 10029 www.elmuseo.org Artist Rirkrit Travanija introduced longtime supporter Craig Robins who received the Outstanding Patron of Art and Design Award. Craig graciously shared, "The growth and impact of this museum is nothing short of extraordinary." El Museo chairman emeritus and artist, Tony Bechara, introduced Ella Fontanals-Cisneros who received the Outstanding Patron of the Arts award, noting her longtime support of Latin artists including early support Carmen Herrera, both thru acquiring her work and presenting it at her Miami institution, Cisneros Fontanals Art Foundation (CIFO). -
View Centro's Film List
About the Centro Film Collection The Centro Library and Archives houses one of the most extensive collections of films documenting the Puerto Rican experience. The collection includes documentaries, public service news programs; Hollywood produced feature films, as well as cinema films produced by the film industry in Puerto Rico. Presently we house over 500 titles, both in DVD and VHS format. Films from the collection may be borrowed, and are available for teaching, study, as well as for entertainment purposes with due consideration for copyright and intellectual property laws. Film Lending Policy Our policy requires that films be picked-up at our facility, we do not mail out. Films maybe borrowed by college professors, as well as public school teachers for classroom presentations during the school year. We also lend to student clubs and community-based organizations. For individuals conducting personal research, or for students who need to view films for class assignments, we ask that they call and make an appointment for viewing the film(s) at our facilities. Overview of collections: 366 documentary/special programs 67 feature films 11 Banco Popular programs on Puerto Rican Music 2 films (rough-cut copies) Roz Payne Archives 95 copies of WNBC Visiones programs 20 titles of WNET Realidades programs Total # of titles=559 (As of 9/2019) 1 Procedures for Borrowing Films 1. Reserve films one week in advance. 2. A maximum of 2 FILMS may be borrowed at a time. 3. Pick-up film(s) at the Centro Library and Archives with proper ID, and sign contract which specifies obligations and responsibilities while the film(s) is in your possession. -
Nazi-Confiscated Art Issues
Nazi-Confiscated Art Issues Dr. Jonathan Petropoulos PROFESSOR, DEPARTMENT OF HISTORY, LOYOLA COLLEGE, MD UNITED STATES Art Looting during the Third Reich: An Overview with Recommendations for Further Research Plenary Session on Nazi-Confiscated Art Issues It is an honor to be here to speak to you today. In many respects it is the highpoint of the over fifteen years I have spent working on this issue of artworks looted by the Nazis. This is a vast topic, too much for any one book, or even any one person to cover. Put simply, the Nazis plundered so many objects over such a large geographical area that it requires a collaborative effort to reconstruct this history. The project of determining what was plundered and what subsequently happened to these objects must be a team effort. And in fact, this is the way the work has proceeded. Many scholars have added pieces to the puzzle, and we are just now starting to assemble a complete picture. In my work I have focused on the Nazi plundering agencies1; Lynn Nicholas and Michael Kurtz have worked on the restitution process2; Hector Feliciano concentrated on specific collections in Western Europe which were 1 Jonathan Petropoulos, Art as Politics in the Third Reich (Chapel Hill: The University of North Carolina Press). Also, The Faustian Bargain: The Art World in Nazi Germany (New York/Oxford: Oxford University Press, forthcoming, 1999). 2 Lynn Nicholas, The Rape of Europa: The Fate of Europe's Treasures in the Third Reich and the Second World War (New York: Alfred Knopf, 1994); and Michael Kurtz, Nazi Contraband: American Policy on the Return of European Cultural Treasures (New York: Garland, 1985). -
APRIL 2011 ISSUE from the EDITOR Volume 21, Number 3
APRIL 2011 ISSUE FROM THE EDITOR Volume 21, Number 3, April 2011 issue of Latin Beat Magazine Online features the up and coming young boricua singer Vanelis who’s enjoying the release of her debut CD production Esa Soy Yo. Our Puerto Rico collaborators Elmer Gonzalez (writer) and Julio Costoso (photographer) covered this year’s annual Puerto Rico “Dia Nacional de la Salsa”. As always, Latin Beat Magazine Online also brings you exciting monthly columns from New York (by Vicki Sola), Los Angeles (this writer), Puerto Rico (por Elmer Gonzalez en Español), and the popular Latin Beat Music Update column by Nelson Rodriguez (covering the latest Latin music scene from all over the world). Music news, national and international independent hit parades, concerts and CD reviews, calendar of events, streaming music tracks and music videos complete the Latin Beat Magazine Online experience. Musically yours, Rudy Mangual Latin Beat Magazine is number one in the world of authentic Latin music. For advertising opportunities in www.lbmo.com and/or www.latinbeatmagazine.com, call (310) 516-6767 or request advertising information at [email protected]. Back issues are still in print and available! Enjoy 19 years of documented Latin music history and evolution in the pages of Latin Beat Magazine. Please order through the shopping section or by telephone at (310) 516-6767. Collectors: Please ask about previously unavailable issues! VANELIS: NOW IS THE TIME By Rudy Mangual VANELIS: NOW IS THE TIME By Rudy Mangual A native of Puerto Rico, the Tampa-based vocalist Vanelis Vázquez is a fresh female voice in the current salsa and Latin pop fields, bringing a pleasant soprano timbre and youthful attitude to the temporary salsa sound and to the often predictable Latin pop scene. -
Sitios Arqueológicos De Ponce
Sitios Arqueológicos de Ponce RESUMEN ARQUEOLÓGICO DEL MUNICIPIO DE PONCE La Perla del Sur o Ciudad Señorial, como popularmente se le conoce a Ponce, tiene un área de aproximadamente 115 kilómetros cuadrados. Colinda por el oeste con Peñuelas, por el este con Juana Díaz, al noroeste con Adjuntas y Utuado, y al norte con Jayuya. Pertenece al Llano Costanero del Sur y su norte a la Cordillera Central. Ponce cuenta con treinta y un barrios, de los cuales doce componen su zona urbana: Canas Urbano, Machuelo Abajo, Magueyes Urbano, Playa, Portugués Urbano, San Antón, Primero, Segundo, Tercero, Cuarto, Quinto y Sexto, estos últimos seis barrios son parte del casco histórico de Ponce. Por esta zona urbana corren los ríos Bucaná, Portugués, Canas, Pastillo y Matilde. En su zona rural, los barrios que la componen son: Anón, Bucaná, Canas, Capitanejo, Cerrillos, Coto Laurel, Guaraguao, Machuelo Arriba, Magueyes, Maragüez, Marueño, Monte Llanos, Portugués, Quebrada Limón, Real, Sabanetas, San Patricio, Tibes y Vallas. Ponce cuenta con un rico ajuar arquitectónico, que se debe en parte al asentamiento de extranjeros en la época en que se formaba la ciudad y la influencia que aportaron a la construcción de las estructuras del casco urbano. Su arquitectura junto con los yacimientos arqueológicos que se han descubierto en el municipio, son parte del Inventario de Recursos Culturales de Ponce. Esta arquitectura se puede apreciar en las casas que fueron parte de personajes importantes de la historia de Ponce como la Casa Paoli (PO-180), Casa Salazar (PO-182) y Casa Rosaly (PO-183), entre otras. Se puede ver también en las escuelas construidas a principios del siglo XX: Ponce High School (PO-128), Escuela McKinley (PO-131), José Celso Barbosa (PO-129) y la escuela Federico Degetau (PO-130), en sus iglesias, la Iglesia Metodista Unida (PO-126) y la Catedral Nuestra Señora de Guadalupe (PO-127) construida en el siglo XIX. -
Doral Con Que Hemos Diseñado Para Asegurar La Participación De Todos Los Miembros Y Proyectos Desarrollados Durante El Una Magnífica Concurrencia
EXCELLENCE & OPPORTUNITY | EXCELENCIA Y OPORTUNIDAD YEARS CELEBRATING CELEBRANDO AÑOS ANNUAL DIRECTORY DIRECTORIO ANUAL www.argentineamerican.org 25º Aniversario Argentine American Chamber of Commerce of Florida | AACC | 1 Nota del Presidente Make booking your next trip to Argentina easier. Luis Cariola Book your Argentina ight, hotel, car rental and more on EXPEDIA. Presidente AACC on gran placer y orgullo me toca presentar Con nuestros variados eventos (Seminarios, cursos, este nuevo anuario en su número muy desayunos, foros y otros), nuestras periódicas “Newsletters”, especial, ya que en esta oportunidad se nuestro actualizado website, nuestra presencia en las cumplen los 25 años de existencia de Redes Sociales y en especial este directorio anual en el que nuestra cámara. presentamos los temas que más interesan a las personas C que desean radicarse en este país o bien interactuar con Para mi el haber aceptado la responsabilidad de presidir empresas ya instaladas, notamos que estamos presentes TWO DAILY FLIGHTS BETWEEN MIAMI AND la AACC es un honor y desafío a la vez, ya que junto a en nuestra comunidad. BUENOS AIRES. MORE DESTINATIONS AND un distinguido grupo de entusiastas y activos directores FLIGHTS IN ARGENTINA THAN ALL OTHER estamos todos dedicados a hacer lo mejor por nuestros Con nuevos socios, nuevos proyectos y con la organización AIRLINES COMBINED. miembros y por todos aquellos que de una forma u otra de un gran evento de fin de año, tratamos de dar un llevan a cabo algún tipo de relación de negocios con importante impulso a nuestra institución para comenzar nuestro país. una nueva etapa, en la que esperamos nos acompañen y se sumen cada vez mas miembros a esta iniciativa que no Desde los primeros pasos que dimos con esta nueva dudamos va a seguir cumpliendo años. -
When Honor Will Not Suffice: the Need for a Legally Binding International Agreement Regarding Ownership of Nazi-Looted Art
COMMENTS WHEN HONOR WILL NOT SUFFICE: THE NEED FOR A LEGALLY BINDING INTERNATIONAL AGREEMENT REGARDING OWNERSHIP OF NAZI-LOOTED ART KELLY ANN FALCONER* 1. INTRODUCTION The casualties of the Second World War were not limited to the human victims. Along with the millions of lives lost during the Holocaust, millions of works of art fell victim to the Nazi Regime.1 Although the capture of art and cultural property dur- ing a war is an ancient practice, the Nazis systematically looted Europe's art during World War II on an unprecedented scale.2 The theft of this art was not simply a case of the victors claiming the spoils. For Hitler, both the acquisition and cleansing of art * J.D. Candidate, 2000, University of Pennsylvania Law School;B.A., 1996, University of Virginia. I would like to thank my family for their uncondi- tional love and support. I would also like to thank Karen Hook for casually mentioning THE LOST MUSEUM and thereby providing me with a wonderfu comment topic. Lastly, I would like to thank my father, Russell Falconer, for his generosity and encouragement over the last three years. This Comment is dedicated to my mother, Carol Falconer, because even after three years of law school I still do not know how to begin to thank her. 1 See Lynn H. Nicholas, World War Il and the Displacement ofArt and Cul- tural Property, in THE SPOILS OF WAR 39, 39 (Elizabeth Simpson ed., 1997); Stephen K. Urice, World War II and the Movement of CulturalProperty: An In- troduction and BriefBibliographyfor the Museum Administrator,SC40 ALI-ABA 1, *4 (1998), availablein 'WESTLAW. -
La Diáspora Puertorriqueña: Un Legado De Compromiso the Puerto Rican Diaspora: a Legacy of Commitment
Original drawing for the Puerto Rican Family Monument, Hartford, CT. Jose Buscaglia Guillermety, pen and ink, 30 X 30, 1999. La Diáspora Puertorriqueña: Un Legado de Compromiso The Puerto Rican Diaspora: A Legacy of Commitment P uerto R ican H eritage M o n t h N ovember 2014 CALENDAR JOURNAL ASPIRA of NY ■ Centro de Estudios Puertorriqueños ■ El Museo del Barrio ■ El Puente Eugenio María de Hostos Community College, CUNY ■ Institute for the Puerto Rican/Hispanic Elderly La Casa de la Herencia Cultural Puertorriqueña ■ La Fundación Nacional para la Cultura Popular, PR LatinoJustice – PRLDEF ■ Música de Camara ■ National Institute for Latino Policy National Conference of Puerto Rican Women – NACOPRW National Congress for Puerto Rican Rights – Justice Committee Puerto Rico Federal Affairs Administration www.comitenoviembre.org *with Colgate® Optic White® Toothpaste, Mouthwash, and Toothbrush + Whitening Pen, use as directed. Use Mouthwash prior to Optic White® Whitening Pen. For best results, continue routine as directed. COMITÉ NOVIEMBRE Would Like To Extend Is Sincerest Gratitude To The Sponsors And Supporters Of Puerto Rican Heritage Month 2014 City University of New York Institute for the Puerto Rican/Hispanic Elderly Colgate-Palmolive Company Puerto Rico Convention Bureau The Nieves Gunn Charitable Fund Embassy Suites Hotel & Casino, Isla Verde, PR Bronx Lebanon Hospital Center American Airlines John Calderon Rums of Puerto Rico United Federation of Teachers Hotel la Concha Compañia de Turismo de Puerto Rico Hotel Copamarina Acacia Network Omni Hotels & Resorts Carlos D. Nazario, Jr. Banco Popular de Puerto Rico Dolores Batista Shape Magazine Hostos Community College, CUNY MEMBER AGENCIES ASPIRA of New York Centro de Estudios Puertorriqueños El Museo del Barrio El Puente Eugenio María de Hostos Community College/CUNY Institute for the Puerto Rican/Hispanic Elderly La Casa de la Herencia Cultural Puertorriqueña, Inc. -
ABSTRACT AMERICAN BORN IMAMS: NEGOTIATING CLERICAL RESPONSIBILITIES and EXPECTATIONS by Anas Askar April, 2017 Director of Thesi
ABSTRACT AMERICAN BORN IMAMS: NEGOTIATING CLERICAL RESPONSIBILITIES AND EXPECTATIONS by Anas Askar April, 2017 Director of Thesis: Dr. Lee Maril Department of Sociology This inductive, exploratory study seeks to understand in detail the personal perspectives and career paths that American born Imams experience as they become religious leaders. In doing so, this study will examine their objectives and goals for the religious communities in which they reside and are integrally related. More specifically, this study analyzes the responsibilities and expectations with which imams must contend on a daily basis. Symbolic interactionism frames these issues and, at the same time, is the driving force behind an understanding of the imams’ experiences as well as those of other important actors in Muslim communities. Employing structured and in-depth interviews, this convenience sample of American born imams addresses key questions which inductively give rise to three major themes: imams currently receive inadequate training for their positions as religious leaders in their communities; the relationship between the mosque board and an imam can directly reinforce or mitigate against problems within the religious community; and certain fundamental advantages along with disadvantages emerge for imams who are American born. AMERICAN BORN IMAMS: NEGOTIATING CLERICAL RESPONSIBILITIES AND EXPECTATIONS A Thesis Presented to the Faculty of the Department of Sociology East Carolina University In Partial Fulfillment of the Requirements for the Degree Master