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LE MONDE/PAGES<UNE>
www.lemonde.fr 58 ANNÉE – Nº 17915 – 1,20 ¤ – FRANCE MÉTROPOLITAINE --- SAMEDI 31 AOÛT 2002 FONDATEUR : HUBERT BEUVE-MÉRY – DIRECTEUR : JEAN-MARIE COLOMBANI SÉRIES Le président Irak : Chirac ne veut pas de France ’ Télécom sous d’une guerre préventive la pression du DANS un discours prononcé à gouvernement Paris, jeudi 29 août, devant la . OBJETS CULTES conférence annuelle des ambassa- deurs, Jacques Chirac a pris ses dis- FAIT rarissime pour une entre- tances avec la position américaine prise de cette taille, France Télé- La tong sur l’Irak, Washington étant déter- com a annoncé, jeudi 29 août, sa miné à engager une action militaire décision de repousser au 12 septem- De l’Egypte ancienne pour renverser Saddam Hussein. bre la présentation de ses comptes aux créateurs p. 18 « On voit poindre la tentation de légiti- semestriels, initialement prévue mer l’usage unilatéral et préventif de le 4. Ce délai devrait permettre au la force, a déclaré le président de la groupe de définir sa stratégie face à VIEUX MÉTIERS République. Cette évolution est inquié- sa filiale allemande MobilCom, en tante. Elle est contraire à la vision de grande difficulté. Il peut soit acqué- Les couteliers la sécurité collective de la France, une rir la totalité du capital (contre vision qui repose sur la coopération 28,5 % actuellement), soit se retirer, Une profession en des Etats, le respect du droit et l’auto- ce qui reviendrait à provoquer la rité du Conseil de sécurité. » « Nous faillite de cette entreprise. Mais le perte d’emplois p. 11 rappellerons ces règles chaque fois que sort de la filiale allemande n’est pas nécessaire, et notamment à propos de le seul souci du président de France l’Irak, a poursuivi le chef de l’Etat. -
It 2.007 Vc Italian Films On
1 UW-Madison Learning Support Services Van Hise Hall - Room 274 rev. May 3, 2019 SET CALL NUMBER: IT 2.007 VC ITALIAN FILMS ON VIDEO, (Various distributors, 1986-1989) TYPE OF PROGRAM: Italian culture and civilization; Films DESCRIPTION: A series of classic Italian films either produced in Italy, directed by Italian directors, or on Italian subjects. Most are subtitled in English. Individual times are given for each videocassette. VIDEOTAPES ARE FOR RESERVE USE IN THE MEDIA LIBRARY ONLY -- Instructors may check them out for up to 24 hours for previewing purposes or to show them in class. See the Media Catalog for film series in other languages. AUDIENCE: Students of Italian, Italian literature, Italian film FORMAT: VHS; NTSC; DVD CONTENTS CALL NUMBER Il 7 e l’8 IT2.007.151 Italy. 90 min. DVD, requires region free player. In Italian. Ficarra & Picone. 8 1/2 IT2.007.013 1963. Italian with English subtitles. 138 min. B/W. VHS or DVD.Directed by Frederico Fellini, with Marcello Mastroianni. Fellini's semi- autobiographical masterpiece. Portrayal of a film director during the course of making a film and finding himself trapped by his fears and insecurities. 1900 (Novocento) IT2.007.131 1977. Italy. DVD. In Italian w/English subtitles. 315 min. Directed by Bernardo Bertolucci. With Robert De niro, Gerard Depardieu, Burt Lancaster and Donald Sutherland. Epic about friendship and war in Italy. Accattone IT2.007.053 Italy. 1961. Italian with English subtitles. 100 min. B/W. VHS or DVD. Directed by Pier Paolo Pasolini. Pasolini's first feature film. In the slums of Rome, Accattone "The Sponger" lives off the earnings of a prostitute. -
Marzo 2014 Proposte
MARZO 2014 MARZO 2014 PROPOSTE Ogni mese il Centro Audiovisivi di Bolzano mette a disposizione questa brochure contenente Proposte, Ritratti Novità, Ricorrenze. di donne PROPOSTE nel cinema Un’occasione per conoscere e imparare ad amare il grande cinema. Ogni mese viene proposto un tema di- di ieri e di oggi verso per suggerire attraverso la cinematografia d’au- tore spunti di riflessione e valorizzare il patrimonio della mediateca del Centro Audiovisivi di Bolzano. NOVITÀ NOVITÀ Cinema La raccolta cinematografica è in grande crescita e comprende film, documentari e libri a partire dalle Film dalle origini origini della storia del cinema fino a oggi. Ogni mese ai giorni nostri si arricchisce di ulteriori film di qualità che vengono messi a disposizione di tutti i cittadini interessati. Documentari RICORRENZE La ricorrenza della data di nascita di alcuni dei più RICORRENZE famosi attori, attrici e registi della storia del cinema è occasione per ricordare ogni mese i capolavori che Piera Degli Esposti loro hanno realizzato. Invito tutti a rivedere, scoprire e riscoprire le loro opere nella mediateca. Luc Besson Keira Knightley Buona visione! Quentin Tarantino MARZO 2014 PROPOSTE MARZO 2014 Ritratti Lulu di donne Donne nel cinema L’onorevole Angelina di ieri e di oggi Siamo donne PROPOSTE Sabrina Sedotta e abbandonata Tre donne Il raggio verde Speriamo che sia femmina Thelma & Louise Il cerchio Ti do i miei occhi Vogliamo anche le rose Changeling – Una storia vera Beyond Potiche – La bella statuina Le donne del 6° piano We Want Sex 4 5 LULU SIAMO DONNE DEU / 1929 / DRAMMATICO / 128' / B/N / MUTO ITA / 1953 / EPISODI / 95' / B/N / SONORO REGIA Lulù, una ex fioraia, vuole fare carriera nel mondo del varietà, REGIA Film collettivo diviso in cinque parti. -
Francisco Herrera Luque Y Su Aproximación Literaria a La Historia Venezolana Juan Vicente Ayala University of South Florida, [email protected]
University of South Florida Scholar Commons Graduate Theses and Dissertations Graduate School January 2012 Voces fabuladas contra estatuas míticas: Francisco Herrera Luque y su aproximación literaria a la historia venezolana Juan Vicente Ayala University of South Florida, [email protected] Follow this and additional works at: http://scholarcommons.usf.edu/etd Part of the American Studies Commons, Latin American History Commons, Latin American Literature Commons, and the Latin American Studies Commons Scholar Commons Citation Ayala, Juan Vicente, "Voces fabuladas contra estatuas míticas: Francisco Herrera Luque y su aproximación literaria a la historia venezolana" (2012). Graduate Theses and Dissertations. http://scholarcommons.usf.edu/etd/3962 This Thesis is brought to you for free and open access by the Graduate School at Scholar Commons. It has been accepted for inclusion in Graduate Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. Voces fabuladas contra estatuas míticas: Francisco Herrera Luque y su aproximación literaria a la historia venezolana by Juan Vicente Ayala Millán A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts Department of World Language Education College of Arts and Sciences University of South Florida Major Professor: Pablo Brescia, Ph.D. Adriana Novoa, Ph.D. Carlos Cano, Ph.D. Date of Approval: March 27, 2012 Keywords: Venezuela, nueva novela histórica, Barthes, mantuano, Caracas, Bolívar Copyright © 2012, Juan Vicente Ayala Millán DEDICATORIA Dedico este trabajo a mis padres, quienes aparte de darme todo lo que considero esencial para mi existencia, también me han enseñado que la nacionalidad va más allá de banderas, escudos e himnos, sin tener que idolatrar símbolos ni gobiernos. -
JEANNE MOREAU: NOUVELLE VAGUE and BEYOND February 25 - March 18, 1994
The Museum of Modern Art For Immediate Release February 1994 JEANNE MOREAU: NOUVELLE VAGUE AND BEYOND February 25 - March 18, 1994 A film retrospective of the legendary French actress Jeanne Moreau, spanning her remarkable forty-five year career, opens at The Museum of Modern Art on February 25, 1994. JEANNE MOREAU: NOUVELLE VAGUE AND BEYOND traces the actress's steady rise from the French cinema of the 1950s and international renown as muse and icon of the New Wave movement to the present. On view through March 18, the exhibition shows Moreau to be one of the few performing artists who both epitomize and transcend their eras by the originality of their work. The retrospective comprises thirty films, including three that Moreau directed. Two films in the series are United States premieres: The Old Woman Mho Wades in the Sea (1991, Laurent Heynemann), and her most recent film, A Foreign Field (1993, Charles Sturridge), in which Moreau stars with Lauren Bacall and Alec Guinness. Other highlights include The Queen Margot (1953, Jean Dreville), which has not been shown in the United States since its original release; the uncut version of Eva (1962, Joseph Losey); the rarely seen Mata Hari, Agent H 21 (1964, Jean-Louis Richard), and Joanna Francesa (1973, Carlos Diegues). Alternately playful, seductive, or somber, Moreau brought something truly modern to the screen -- a compelling but ultimately elusive persona. After perfecting her craft as a principal member of the Comedie Frangaise and the Theatre National Populaire, she appeared in such films as Louis Malle's Elevator to the Gallows (1957) and The Lovers (1958), the latter of which she created a scandal with her portrayal of an adultress. -
The Role of Literature in the Films of Luchino Visconti
From Page to Screen: the Role of Literature in the Films of Luchino Visconti Lucia Di Rosa A thesis submitted in confomity with the requirements for the degree of Doctor of Philosophy (Ph. D.) Graduate Department of ltalian Studies University of Toronto @ Copyright by Lucia Di Rosa 2001 National Library Biblioth ue nationale du Cana2 a AcquisitTons and Acquisitions ef Bibliographie Services services bibliographiques 395 WeOingtOn Street 305, rue Wellington Ottawa ON K1A ON4 Otiawa ON K1AW Canada Canada The author has granted a non- L'auteur a accordé une licence non exclusive licence ailowing the exclusive ~~mnettantà la Natiofliil Library of Canarla to Bibliothèque nation& du Canada de reprcduce, loan, disûi'bute or seil reproduire, prêter, dishibuer ou copies of this thesis in rnicroform, vendre des copies de cette thèse sous paper or electronic formats. la forme de microfiche/nlm, de reproduction sur papier ou sur format é1ectronique. The author retains ownership of the L'auteur conserve la propriété du copyright in this thesis. Neither the droit d'auteur qui protège cette thèse. thesis nor substantial extracts fiom it Ni la thèse ni des extraits substantiels may be printed or otherwise de celle-ci ne doivent être imprimés reproduced without the author's ou autrement reproduits sans son permission. autorisation, From Page to Screen: the Role of Literatuce in the Films af Luchino Vionti By Lucia Di Rosa Ph.D., 2001 Department of Mian Studies University of Toronto Abstract This dissertation focuses on the role that literature plays in the cinema of Luchino Visconti. The Milanese director baseci nine of his fourteen feature films on literary works. -
The Creative Process
The Creative Process THE SEARCH FOR AN AUDIO-VISUAL LANGUAGE AND STRUCTURE SECOND EDITION by John Howard Lawson Preface by Jay Leyda dol HILL AND WANG • NEW YORK www.johnhowardlawson.com Copyright © 1964, 1967 by John Howard Lawson All rights reserved Library of Congress catalog card number: 67-26852 Manufactured in the United States of America First edition September 1964 Second edition November 1967 www.johnhowardlawson.com To the Association of Film Makers of the U.S.S.R. and all its members, whose proud traditions and present achievements have been an inspiration in the preparation of this book www.johnhowardlawson.com Preface The masters of cinema moved at a leisurely pace, enjoyed giving generalized instruction, and loved to abandon themselves to reminis cence. They made it clear that they possessed certain magical secrets of their profession, but they mentioned them evasively. Now and then they made lofty artistic pronouncements, but they showed a more sincere interest in anecdotes about scenarios that were written on a cuff during a gay supper.... This might well be a description of Hollywood during any period of its cultivated silence on the matter of film-making. Actually, it is Leningrad in 1924, described by Grigori Kozintsev in his memoirs.1 It is so seldom that we are allowed to study the disclosures of a Hollywood film-maker about his medium that I cannot recall the last instance that preceded John Howard Lawson's book. There is no dearth of books about Hollywood, but when did any other book come from there that takes such articulate pride in the art that is-or was-made there? I have never understood exactly why the makers of American films felt it necessary to hide their methods and aims under blankets of coyness and anecdotes, the one as impenetrable as the other. -
Conversacion Con Arturo Uslar Pietri)
VENEZUELA: HISTORIA, POLITICA Y LITERATURA (CONVERSACION CON ARTURO USLAR PIETRI) POR ANTONIO LOPEZ ORTEGA Antonio Lopez Ortega: En Ud. han convivido muchos personajes: el escritor, el ensayista, el hombre puiblico. Ud. atraviesa verticalmente todo ei siglo XX venezolano y ha sido testigo de sus momentos mayores y menores. Ud. ha sostenido en diferentes tribunas que el hilo democratico venezolano comienza inmediatamente despuds de la caida de G6mez y que ese ensayo de recuperacion fue abortado por el derrocamiento del general Medina. llasta que punto el gobierno de Medina nos hubiera podido conducir hacia una democracia moderna? iNo ilevaban los gobiernos de Lopez Contreras y Medina el estigma del Gomecismo? Arturo UslarPietri: G6mez fue el precio que pagamos los venezolanos Para tener una democracia. Hemos podido comprarla a un precio ma's barato, es verdad, Pero la compramos a ese precio y la teniamos. Cuando lleg6 un hombre como Eleazar Lopez Contreras, que es uno de los hombres ma's extraordinarios de la historia de Venezuela, y le toc6 esa chucheria que era recibir la dictadura de G6mez y desarmarla (yo vivi esa dpoca, tenia treinta afios Para entonces), la impresion que habia en el pals era que el pai's iba al caos, que todo aquello se habia sostenido por la voluntad de Gomez que estaba arribaPero que, desaparecido Gomez, el pals volvia a la anarquia desenfrenada, al caos administrativo, que iban a volver los alzamientos, los jefes y jefecitos, y que el pai's se perdia. Lopez Contreras tuvo la inmensa virtud, por su carActer y por su manera de entender el momento historico, de evitar eso, de no permitir la ruptura, de mantener las instituciones y de iniciar una transformacion muy seria, muy solida y muy sincera, de un monumento de gobierno personalista hacia una democracia. -
This Is the Published Version of a Chapter Published in Russische Und Sowjetische Geschichte Im Film
http://www.diva-portal.org This is the published version of a chapter published in Russische und Sowjetische Geschichte im Film: Von Väterchen Zar, tragischen Helden, russischen Revolutionären und "kalten Krieger"n. Citation for the original published chapter: Kotljarchuk, A. (2016) Invisible Victims: The Cold War and Representation of the Roma Genocide in Soviet Feature Films, Teleplays and Theater Performances. In: Alexander Friedman ; Frank Jacob (ed.), Russische und Sowjetische Geschichte im Film: Von Väterchen Zar, tragischen Helden, russischen Revolutionären und "kalten Krieger"n (pp. 129-150). New York: ALTIJA N.B. When citing this work, cite the original published chapter. Permanent link to this version: http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-32100 Powered by TCPDF (www.tcpdf.org) RUSSISCHE UND SOWJETISCHE GESCHICHTE IM FILM Von bolschewistischen Revolutionären, antifaschistischen Widerstandskämpfern, jüdischen Emigranten und „Kalten Kriegern“ Alexander FRIEDMAN und Frank JACOB (Hrsg.) New York Geschichte und Film, Bd. 1 Hrsg. Frank JACOB und Alexander FRIEDMAN Alexander Friedman und Frank Jacob: Russische und Sowjetische Geschichte im Film: Von bolschewistischen Revolu- tionären, antifaschistischen Widerstandskämpfern, jüdischen Emigranten und „Kalten Kriegern“ © ALTIJA, Frank Jacob, New York 2016. Coverdesign: Judith Weber / Smakelig ISBN: 978-1541360853 Inhaltsverzeichnis 1. Kino als „wichtigste aller Künste“: Einleitung Alexander FRIEDMAN und Frank JACOB 5 2. „Das weite Land und die Reichtümer der Rus lockten die Eroberer an“ – Das bedrohte Russland im Film Alexander QUERENGÄSSER 15 3. The Images of Dying and New Jewish Worlds in the Soviet Ci- nema: “The Jews on the Land” versus “Jewish Luck (Menachem Mendel)” Andrei ZAMOISKI 33 4. „Kube, Hitlers Gauleiter in Minsk, war der leibhaftige Teufel“. -
LE MONDE/PAGES<UNE>
www.lemonde.fr er 57e ANNÉE – Nº 17398 – 7,50 F - 1,14 EURO FRANCE MÉTROPOLITAINE DIMANCHE 31 DÉCEMBRE 2000 - LUNDI 1 JANVIER 2001 FONDATEUR : HUBERT BEUVE-MÉRY – DIRECTEUR : JEAN-MARIE COLOMBANI Le gouvernement est censuré 2000-2001, d’un millénaire à l’autre b Pour fêter l’entrée dans le XXIe siècle, « Le Monde » vous propose un numéro renversant une nouvelle fois b Côté face, toute l’actualité du jour b Côté pile, un bilan de l’an 2000 illustré par Plantu par le Conseil b Une vaste enquête sur les surprises d’hier pour mieux comprendre celles de demain constitutionnel LE CONSEIL constitutionnel a censuré, vendredi 29 décembre, l'extension de la taxe générale sur les activités polluantes (TGAP). Il a rejeté, aussi, le transfert d'un reliquat de recettes du tabac sur les comptes de la Sécurité sociale. Le financement des 35 heures est donc remis en question, les deux dispositions étant affectées aux DEUX NUMÉROS EN UN aides à la réduction du temps de travail. En outre, la portée de LE MONDE vous propose deux l'écotaxe, chère aux Verts, est quotidiens en un. Face : le journal du considérablement réduite. C’est jour. Pile : le journal de l’année. En un nouveau revers constitution- renversant ce numéro, vous visiterez nel pour le gouvernement, déjà tous les temps forts de l’an 2000. De privé des baisses de CSG sur les l’explosion d’une nouvelle Intifada au bas salaires qu’il avait prévues décryptage du génome humain, du pour 2001. Le Medef et la droite rebond de la crise de la vache folle à se sont félicités des décisions du notre enquête sur Joanne K. -
Periodos Y Procesos Del Cuento Venezolano
íillÜ*® Periodos y procesos del cuento venezolano LuisBarrera Linares a finalidad general de este artículo u orden discursivo se distingue por algún rasgo es proponer un estudio del cuento que la hace única y distinta de las otras venezolano más allá del inventario (Charaudeau, 1983, 1992; Sánchez, 1993). de los nombres importantes y los Una de ellas es la narración, probablemente la temas tratados por ellos, que ofrezca una mira más importante, por tratarse de una "materia da crítica centrada fundamentalmente en el de discursiva primaria", como se argumenta en Ba sarrollo histórico, estético, formal y temático, rrera (1995). con la base teórica que proporciona la narra- Para la delimitación de la narración literaria, tología. Para ello, hemos creído conveniente se hacenecesario un incisoque diferencie lo que asumir, en primer lugar, un enfoque conceptual Teun van Dijk (1983) categorizó alguna vez que precise qué es lo que vamos a entender como "narrativa natural" y "narrativa artificial". como cuento y cuáles son sus categorías forma La narrativa natural (o factual, como la llama les más importantes. Propondremos luego una Genette, 1993) compromete al narrador con la posibilidad de periodización cronológica del verdad de los hechos que refiere. Categorías fenómeno en el marco casi completo del siglo como la noticia, la biografía, el parte policial o XX venezolano (1900-1995). forense, el reporte científico y el curriculo, con propósitos primordialmente informativos, for marían parte de este rubro. En cambio, la na Caracterización del cuento rrativa artificial (o ficticia) establece compro miso con la noción aristotélica de verosimili La significación de lo literario se entiende aquí tud y suele tener propósitos recreativos. -
INFORMATION ISSUED by Rhf ASSOCIATION of JEWISH REFUGEES in GREAT BRITAIN a FAIRFAX MANSIONS, FINCHLEY RD
Vol. XVIII No. 7 July, 1963 INFORMATION ISSUED BY rHf_ ASSOCIATION OF JEWISH REFUGEES IN GREAT BRITAIN a FAIRFAX MANSIONS, FINCHLEY RD. (corner Fairfax Rd). London, N.W.S Office and Consulting Hours: Telephone : MAIda Vale 9096/7 (General Office and Welfare for the Aged), Monday to Tiiursday 10 a.m.—l p.m. 3—6 p.n MAIda Vale 4449 (Empioyment Agency, annually licensed by the L.C.C., and Social Services Dept.) Friday 10 a.m.—l p.m. '*^- W. Simpson and however strong may be her traditional links with and interest in Western Europe she cannot overlook the proximity of Eastern POLISH RETROSPECT Germany nor ignore the views of Eastern Germans about their West German neighbours. The Rev. W. W. Simpson, General Secretary of the Council of Christians and It was in no way surprising, therefore, that Jews, paid a visit to Poland on the occasion of the Twentieth Anniversary of the speeches delivered at the official ceremonies ^Varsaw Ghetto Uprising. We are greatly indebted to him for having kindly put the in connection with the Commemoration were following article at our disposal.—The Ed. critical of the West in general and of Western Germany in particular, especially in respect of Going through some old files in anticipation those who once lived under Nazi domination, the " failure" of the West to respond to oi a recent move, I came across some photo can hardly begin to appreciate. appeals for help at the time of the uprising, graphs I took in Warsaw in 1934. They were It was in the light of these memories and and of the continuance in offlce in Western Neither very many nor verj' good, but at least impressions that I found myself a few months Germany of former Nazi leaders.