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SEPTEMBER 2011 55 99 .. 66 $$ aa dd aa nn aa CC 55 99 .. 55 $$ MEMBER PORTRAIT George Mooradian, ASC rowing up in the Deep South, summers were humid and “G weekend nights were spent watching movies under the cool stars at the drive-in. Talk about escapism! But my real nexus with cinematography came when my family went to the InteInternational rnational Exhibition in MontreMontreal,al, where I was exposed to the National Film Board of Canada and Czech films. From there, it was the Ohio University School of Film, and then the proverbial drive out to Hollywood. “My first encounter with American Cinematographer was at the Atlanta Film Festival, where AC editor Herb Lightman was the guest of honor. AC was like forbidden fruit. CinemCinematographersatographers were virtuosos, and just to be inin their presence, to clap a slate, load a mag — I would gladly do that for the rest of my life! My vision sharpened its focus, and AC was the cynosure. “To paraphrase Ingmar Bergman, AC is my magic lantern, my window to the minds of geniuses, conjuring and illuminating my métier. It encompasses the scope I see in cinema, revealing the soul’s CC SS landscape and encompassing heroes AA , , nn and villains, the yin and the yang. aa mm AC has chronicled cinema’s ii zz oo metamorphometamorphosissis through the decades. RR nn It’s all within AC’s digital and ee ww vellum pages.” OO yy bb tt oo — George Mooradian, ASC oo hh pp ©© TO SU BS CR IIBBEE BY PH ON EE:: Call (800) 448-0145 (U.S. only) (323) 969-4333 or visit the ASC Web site W WWWW .. TT H EE AA SS C .. CCOOMM TOMORROW’S LIGHTINGG AVAILABLE TODAY Own the first LED Fresnels that are ideallylly suited for electronic and film production.n. Daylight balanced Solas utilize just a fractionn of the power of standard fixtures. Plus you'll'll get variable beam control from a 70° floodd to a 10° spot and full-range dimming! Sola 6™ LED Fresnel Litepanels® Sola 6 gives you the illumination ooff a hefty 650W conventional Fresnel (in daylightht output) at 1/6 the power draw and a fraction ooff Litepanels the weight. Plus, dimming and focus can bebe Sola 6 controlled locally by on fixture knobs or remotelyely via integrated DMX interface. Sola ENG™ LED Fresnel Mount this little powerhouse on camera or a standnd to yield as much output as a 250W conventionalnal light while drawing merely 10% of the power.er. Operators appreciate the easy manual focusus and dimming via lens-style ergonomic controls,ls, and battery or AC operation. See us at IBC 2011 stand 11.D61 Litepanels Sola ENG ® Litepanels® ® A Vitec Group brand LitepanelsLi panels [email protected]@litepanels.com • www.litepanels.comwww.litepanels.com A A V Vitecitec GroupGroup brandbrand SEPTEMBER 2011 VOL. 92 NO. 9 TheThe International Journal of Motion Imaging On Our Cover: William Shakespeare (Rafe Spall) is an ego-driven actor serving as a front for the actual playwright in Anonymous, shot by Anna J. Foerster. (Photo by Reiner Bajo, courtesy of Sony Pictures.) FEATURES 28 A Mighty Pen Anna J. Foerster shoots Anonymous with the Alexa 44 Immersive Dance 4444 Hélène Louvart leads a talented cinematography team on the 3-D feature Pina 56 Airing Dirty Laundry Stephen Goldblatt, ASC, BSC brings a best-selling nonovelvel to the big screen with The Help 68 Tips on Location Scouting 5656 Location professionals and cinematographers offer advice on selecting production sites DEPARTMENTS 8 Editor’s Note President’s Desk 6868 1210 Short Takes: “Sleep Forever” 16 Production Slate: Circumstance •• Brighton Rock 78 Post Focus: Cinelicious 84 Filmmakers’ Forum: 24-Frame Video Playback 88 New Products & Services 96 International Marketplace 97 Classified Ads 98 Ad Index 100 ASC Membership Roster 102 Clubhouse News 104 ASC Close-Up: Dante Spinotti, ASC, AIC — VISIT WWW.THEASC.COM TO ENJOY THESE WEB EXCLUSIVES — Podcasts: Michael Slovis, ASC on Breaking Bad • Oliver Stapleton, BSC on Don’t Be Afraid of the Dark DVD Playback: The Sacrifice • New York, New York • Kiss Me Deadly September 2011 Vol. 92, No. 9 The International Journal ofMotion Imaging Visit us online at www.theasc.com ———————————————————————————————————— PUBLISHER Martha Winterhalter ———————————————————————————————————— EDITORIAL EXECUTIVE EDITOR Stephen Pizzello SENIOR EDITOR Rachael K. Bosley ASSOCIATE EDITOR Jon D. Witmer TECHNICAL EDITOR Christopher Probst CONTRIBUTING WRITERS Stephanie Argy, Benjamin B, Douglas Bankston, Robert S. Birchard, John Calhoun, MicMichaelhael Goldman, Simon Gray, Jim HeHemphill,mphill, David Heuring, Jay Holben, Mark HopeHope-Jones,-Jones, Noah KadneKadner,r, Jean OppenhOppenheimer,eimer, John Pavlus, Chris PPizzello,izzello, Jon SilbeSilberg,rg, Iain StasukeStasukevich,vich, Kenneth Sweeney, Patricia Thomson ———————————————————————————————————— ART DEPARTMENT CREATIVE DIRECTOR Marion Gore ———————————————————————————————————— ADVERTISING ADVERTISING SALES DIRECTDIRECTOR OR Angie Gollmann 323-936-3769 FAX 323-936-9188 e-mail: [email protected]@pacbell.netnet ADVERTISING SALES DIRECTODIRECTOR R Sanja Pearce 323-952-2114 FAX 323-876-4973 e-mail: [email protected]@ascmag.comm ADVERTISING SALES DIRECTDIRECTOR OR Scott Burnell 323-936-0672 FAX 323-936-9188 e-mail: sburnell@[email protected] CLASSIFIEDS/ADVECLASSIFIEDS/ADVERTISINGRTISING COORDINATOR Diella Nepomuceno 323-952-2124 FAX 323-876-4973 e-mail: [email protected]@ascmag.comcom ———————————————————————————————————— CIRCULATION, BOOKS & PRODUCTS CIRCULATION DIRECTOR Saul Molina CIRCULATION MANAGER Alex Lopez SHIPPING MANAGER Miguel Madrigal ———————————————————————————————————— ASC GENERAL MANAGER Brett Grauman ASC EVENTS COORDINATOCOORDINATOR R Patricia Armacost ASC PRESIDENT’S ASSISTANT Kim Weston ASC ACCOUNTING MANAGER Mila Basely ASC ACCOUNTS RECEIVABLRECEIVABLEE Corey Clark ———————————————————————————————————— American Cinematographer (ISSN 0002-7928), established 1920 and in its 91st year of publication, is published monthly in Hollywood by ASC Holding Corp., 1782 N. Orange Dr., Hollywood, CA 90028, U.S.A., (800) 448-0145, (323) 969-4333, Fax (323) 876-4973, direct line for subscription inquiries (323) 969-4344. Subscriptions: U.S. $50; Canada/Mexico $70; all other foreign countries $95 a year (remit international Money Order or other exchange payable in U.S. $). Advertising: Rate card upon request from Hollywood office. Article Reprints: Requests for high-quality article reprints (or electrelectroniconic reprints) should be made to Sheridan Reprints at (at (800) 635-7181 ext. 8065 or by e-mail [email protected]. Copyright 2011 ASC Holding Corp. (All rights reserved.) Periodicals postage paid at Los Angeles, CA and at additional mailing offices. Printed in the USUSA.A. POSTMASTER: Send address change to American Cinematographer , P.O. Box 2230, Hollywood, CA 90078. 44 ———————————————————————————————————— our extended family of lightweight Optimo zooms now includes 45 – 120mm. The perfect portrait lens has finally arrived… 45-120mm Optimo zoom lens joins our award winning 15-40mm and 28-76mm family of hand-held lenses to provide a combined focal range of 15-120mm. They allow you to take fewer lenses on location without any sacrifice in performance – and without the excess weight of all the prime lenses they replace. Plus Optimo 35mm Zoom Lenses deliver the extremely fast apertures and outstanding contrast and color reproduction that have made them the optics of choice for DPs all over the world. Take our extended family of Optimo 35mm Zoom Lenses on your next shoot and experience the difference. NEW 45mm - 120mm Actual product image may vary 15mm - 40mm 28mm - 76mm 973.812.3858 [email protected] • www.angenieux.com ee Eastern Enterprises The very best in Japanese precision engineering for lens conversions. American Society of Cine mamatogtograraphersphers The ASC is not a labor union or a guild, but an educational, cultural and pro fes sion al See website and contact us oror ga ga ni zzaa tiotion.n. MembMembershipership is by invitinvitationation to those who are actively en gaged as for further information. di rec tors of photography and have demdemonon strated out stand ing ability. ASC membership has be come one of the highest honors that can be bestowed upon a www.easternenterprises.biz pro pro fes fes siosionalnal ccinin e mmaa tog ra phepherr — a mark of prestige and excellence. OFFICERS - 2011/2012 Michael Goi President Richard Crudo Vice President Owen Roizman Vice President John C. Flinn III Vice President Victor J. Kemper Treasurer Frederic Goodich Secretary Stephen Lighthill Sergeant At Arms ALEXA On-Board MEMBERS OF THE Mains Power BOARD John Bailey Supply System Stephen H. 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    2012 Twenty-Seven Years of Nominees & Winners FILM INDEPENDENT SPIRIT AWARDS BEST FIRST SCREENPLAY 2012 NOMINEES (Winners in bold) *Will Reiser 50/50 BEST FEATURE (Award given to the producer(s)) Mike Cahill & Brit Marling Another Earth *The Artist Thomas Langmann J.C. Chandor Margin Call 50/50 Evan Goldberg, Ben Karlin, Seth Rogen Patrick DeWitt Terri Beginners Miranda de Pencier, Lars Knudsen, Phil Johnston Cedar Rapids Leslie Urdang, Dean Vanech, Jay Van Hoy Drive Michel Litvak, John Palermo, BEST FEMALE LEAD Marc Platt, Gigi Pritzker, Adam Siegel *Michelle Williams My Week with Marilyn Take Shelter Tyler Davidson, Sophia Lin Lauren Ambrose Think of Me The Descendants Jim Burke, Alexander Payne, Jim Taylor Rachael Harris Natural Selection Adepero Oduye Pariah BEST FIRST FEATURE (Award given to the director and producer) Elizabeth Olsen Martha Marcy May Marlene *Margin Call Director: J.C. Chandor Producers: Robert Ogden Barnum, BEST MALE LEAD Michael Benaroya, Neal Dodson, Joe Jenckes, Corey Moosa, Zachary Quinto *Jean Dujardin The Artist Another Earth Director: Mike Cahill Demián Bichir A Better Life Producers: Mike Cahill, Hunter Gray, Brit Marling, Ryan Gosling Drive Nicholas Shumaker Woody Harrelson Rampart In The Family Director: Patrick Wang Michael Shannon Take Shelter Producers: Robert Tonino, Andrew van den Houten, Patrick Wang BEST SUPPORTING FEMALE Martha Marcy May Marlene Director: Sean Durkin Producers: Antonio Campos, Patrick Cunningham, *Shailene Woodley The Descendants Chris Maybach, Josh Mond Jessica Chastain Take Shelter