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Hugo Award -- Britannica Online Encyclopedia
10/10/2017 Hugo Award -- Britannica Online Encyclopedia Hugo Award Hugo Award, any of several annual awards presented by the World Science Fiction Society (WSFS). The awards are granted for notable achievement in science �ction or science fantasy. Established in 1953, the Hugo Awards were named in honour of Hugo Gernsback, founder of Amazing Stories, the �rst magazine exclusively for science �ction. Hugo Award. This particular award was given at MidAmeriCon II, in Kansas City, Missouri, on August … Michi Trota Pin, in the form of the rocket on the Hugo Award, that is given to the finalists. Michi Trota Hugo Awards https://www.britannica.com/print/article/1055018 1/10 10/10/2017 Hugo Award -- Britannica Online Encyclopedia year category* title author 1946 novel The Mule Isaac Asimov (awarded in 1996) novella "Animal Farm" George Orwell novelette "First Contact" Murray Leinster short story "Uncommon Sense" Hal Clement 1951 novel Farmer in the Sky Robert A. Heinlein (awarded in 2001) novella "The Man Who Sold the Moon" Robert A. Heinlein novelette "The Little Black Bag" C.M. Kornbluth short story "To Serve Man" Damon Knight 1953 novel The Demolished Man Alfred Bester 1954 novel Fahrenheit 451 Ray Bradbury (awarded in 2004) novella "A Case of Conscience" James Blish novelette "Earthman, Come Home" James Blish short story "The Nine Billion Names of God" Arthur C. Clarke 1955 novel They’d Rather Be Right Mark Clifton and Frank Riley novelette "The Darfsteller" Walter M. Miller, Jr. short story "Allamagoosa" Eric Frank Russell 1956 novel Double Star Robert A. Heinlein novelette "Exploration Team" Murray Leinster short story "The Star" Arthur C. -
Program Book
GREETINGS to The 2 1st WO RETD SCIENCE E I C T I O KT C CONVENTION Th.e 2 1st 'WOFiLTD SCIENCE FICTION C ONVENTION VPtz shinqton, <DC 31 August 1 September 1 q e 3 2 September 'y am Cammittee: CRAFTY CHAIRMAN .................................... George Scithers TACHYLEGIC TREASURER ....................................... Bill Evans DESPOTIC DIPLOMAT .......................................... Bob Pavlat EXTEMPORANIZING EDITOR .................................... Dick Eney FLAMBOYANT FOLIATOR .................................... Chick Derry RECRUDESCENT RELIC ....................................... Joe Sarno MEMORIALIST of MISDEEDS.................................... Bob Madle TARTAREAN TABULIST .................................... Bill Osten PUBLICISTEAN PHOTOGRAPHIST .............................. Tom Haughey _A.n Appreciation of Murray £ein$ter It was in the year 1919 or '20, when I was fifteen and every fine fantasy story I read was an electric experience, that I read "The Mad Planet". It was a terrific nightmare vision and instantly I added the name of Murray Leinster to the list that already held A. Merritt, Edgar Rice Burroughs, and a few others. I have been reading and admiring his stories ever since, and I hope they go on forever. Mr. Leinster is a professional, in the finest sense of the word, meaning that he has the skills of his profession at his fingertips. And his profession is that of a master story-teller. His stories take hold of you from the first page and build with a sheer craftmanship and econ omy of effort that are the envy and despair of anyone who has ever tried to do the same thing. In science-fiction, imagination is even more important than writ ing skill, and the boldness of his imaginative concepts is one big rea son why Murray Leinster’s name has been up there in the bright lights for so long. -
Cyclopaedia 15 – Alternate History Overview
Cyclopaedia 15 – Alternate History By T.R. Knight (InnRoads Ministries * Article Series) Overview dimensions, or technological changes to explore these historical changes. Steampunk, Alternate History brings up many thoughts dieselpunk, and time/dimensional travel and feelings. To historical purists, this genre stories are good examples of this subcategory of fiction can look like historical revisionism. of Alternate History. Alternate History rides a Speculative fiction fans view these as “What fine line between Historical Fiction and If” scenarios that challenge us to think Science Fiction at this point. outside historical norms to how the world could be different today. Within the science Whatever type of Alternate History you fiction genre, alternate history can take on enjoy, each challenges your preconceived many sub-genres such as time travel, understandings and feelings for a time period alternate timelines, steampunk, and in history, perhaps offering you new dieselpunk. All agree that Alternate History perspectives on the people and events speculates to altered outcomes of key events involved. in history. These minor or major alterations Most common types of have ripple effects, creating different social, political, cultural, and/or scientific levels in Alternate History? the world. Alternate History has so many sub-genres Alternate History takes some queues from associated with it. Each one has its own Science Fiction as a genre. Just like Science unique alteration of history, many of which Fiction, Alternate History can be organized are considered genres or themes unto into two sub-categories that are “Hard” and themselves. “Soft” like Science Fiction. 80s Cold War invasion of United “Hard” Alternate History could be viewed as States stories and themes that stay as true to actual Axis victory in World War II history as possible with just one or two single Confederate victory in American changes that change the outcome, such as Civil War the Confederate Army winning the Civil War Dieselpunk or the Axis winning World War 2. -
Searching for Extraterrestrial Intelligence
THE FRONTIERS COLLEctION THE FRONTIERS COLLEctION Series Editors: A.C. Elitzur L. Mersini-Houghton M. Schlosshauer M.P. Silverman J. Tuszynski R. Vaas H.D. Zeh The books in this collection are devoted to challenging and open problems at the forefront of modern science, including related philosophical debates. In contrast to typical research monographs, however, they strive to present their topics in a manner accessible also to scientifically literate non-specialists wishing to gain insight into the deeper implications and fascinating questions involved. Taken as a whole, the series reflects the need for a fundamental and interdisciplinary approach to modern science. Furthermore, it is intended to encourage active scientists in all areas to ponder over important and perhaps controversial issues beyond their own speciality. Extending from quantum physics and relativity to entropy, consciousness and complex systems – the Frontiers Collection will inspire readers to push back the frontiers of their own knowledge. Other Recent Titles Weak Links Stabilizers of Complex Systems from Proteins to Social Networks By P. Csermely The Biological Evolution of Religious Mind and Behaviour Edited by E. Voland and W. Schiefenhövel Particle Metaphysics A Critical Account of Subatomic Reality By B. Falkenburg The Physical Basis of the Direction of Time By H.D. Zeh Mindful Universe Quantum Mechanics and the Participating Observer By H. Stapp Decoherence and the Quantum-To-Classical Transition By M. Schlosshauer The Nonlinear Universe Chaos, Emergence, Life By A. Scott Symmetry Rules How Science and Nature are Founded on Symmetry By J. Rosen Quantum Superposition Counterintuitive Consequences of Coherence, Entanglement, and Interference By M.P. -
Confiction U.S
Third Class ConFiction U.S. Postage PAID c/o Massachusetts Convention Fandom, Inc. Permit # 228 P. O. Box 46, MIT Branch P. O. Framingham, Mass. Cambridge, MA 02139 United States of America AT 1008 - PR2 George Flynn Po Box 1069, Kendall Sq Stn CAMBRIDGE, MA 02142 VERENIGDE STATEN VAN AMERIKA ADDRESS CORRECTION REQUESTED FORWARDING AND RETURN POSTAGE GUARANTEED Nominated for a Hugo! Nominated for a Hugo Award after its first full year of The Best of Hugo Award Nominee publication, Aboriginal Science Fiction is the successful new, full-color, full-slick magazine that’s changing the way SF is done. ABO's first twelve issues are already collectors’s o Aboriginal r* items, selling for a premium. ABO-featured authors and ar tists include Harlan Ellison, Orson Scott Card, Frederik Science Fiction Pohl, Connie Willis, Brian W. Aldiss, Ben Bova, Charles L. Tales of the Human Kind J 1988 Annual Anthology/$4.50 Grant, Ian Watson, Carl Lundgren, Bob Eggleton and many talented newcomers. Because we have nearly run out of back issues, we have Stories by: published a special full-color anthology. The 80-page anthol ogy includes 12 stories and 19 pages of full-color art from our Orson Scott Card first seven issues and regularly retails for $4.50. But if you subscribe for 12 or 18 issues we’ll give you a FREE copy of the anthology along with your subscription. How good is Aboriginal SF? Here is what people are say ing about it: “Aboriginal is unique even in the science fiction field, a labor of love with a very special, individual character, and always a treat to read." — Poul Anderson “ — the most daring, innovative sf magazine the U.S. -
Website Important Books Final Revised Aug2010
Tom Lombardo’s Library: Important Books on Philosophy, Religion, Evolution, Science, Psychology, Science Fiction, and the Future A - C • Abrahamson, Vickie, Meehan, Mary, and Samuel, Larry The Future Ain’t What it Used to Be. New York: Riverhead Books, 1997. • Ackroyd, Peter The Plato Papers: A Prophecy. New York: Doubleday, 1999. • Adams, Douglas The Ultimate Hitchhiker’s Guide to the Galaxy. New York: Ballantine, 1979-2002. • Adams, Fred and Laughlin, Greg The Five Ages of the Universe: Inside the Physics of Eternity. New York: The Free Press, 1999. • Adams, Fred Our Living Multiverse: A Book of Genesis in 0+7 Chapters. New York: Pi Press, 2004. • Adler, Alfred Understanding Human Nature. (1927) Greenwich, CT: Fawcett Publications, 1965. • Aldiss, Brian Billion Year Spree: The True History of Science Fiction. New York: Schocken Books, 1973. • Aldiss, Brian and Wingrove, David Trillion Year Spree: The History of Science Fiction. North Yorkshire, UK: House of Stratus, 1986. • Allman, William Apprentices of Wonder: Inside the Neural Network Revolution. Bantam, 1989. • Amis, Kingsley and Conquest, Robert (Ed.) Spectrum Vols. 1-5. New York: Berkley, 1961-1966. • Ammerman, Robert (Ed.) Classics in Analytic Philosophy. New York: McGraw-Hill, 1965. • Anderson, Poul Brainwave. New York: Ballantine Books, 1954. • Anderson, Poul Time and Stars. New York: Doubleday, 1964. • Anderson, Poul The Horn of Time. New York: Signet Books, 1968. • Anderson, Poul Fire Time. New York: Ballantine Books, 1974. • Anderson, Poul The Boat of a Million Years. New York: Tom Doherty Associates, 1989. • Anderson, Walter Truett Reality Isn’t What It Used To Be. New York: Harper, 1990. • Anderson, Walter Truett (Ed.) The Truth About the Truth: De-Confusing and Re Constructing the Postmodern World. -
Lan's Lantern 28
it th Si th ir ©o Lmis £antmi 2 8 An Arthur £. £(ar£c Special Table of Contents Arthur C. Clarke................................................... by Bill Ware..Front Cover Tables of contents, artists, colophon,......................................................... 1 Arthur C. Clarke...............................................................Lan.......................................2 I Don’t Understand What’s Happening Here...John Purcell............... 3 Arthur C. Clarke: The Prophet Vindicated...Gregory Benford....4 Of Sarongs & Science Fiction: A Tribute to Arthur C. Clarke Ben P. Indick............... 6 An Arthur C. Clarke Chronology.......................... Robert Sabella............. 8 Table of Artists A Childhood's End Remembrance.............................Gary Lovisi.................... 9 My Hero.................................................................................. Mary Lou Lockhart..11 Paul Anderegg — 34 A Childhood Well Wasted: Some Thoughts on Arthur C. Clarke Sheryl Birkhead — 2 Andrew Hooper.............12 PL Caruthers-Montgomery Reflections on the Style of Arthur C. Clarke and, to a Lesser — (Calligraphy) 1, Degree, a Review of 2061: Odyssey Three...Bill Ware.......... 17 2, 3, 4, 6, 8, 9, 11, About the Cover...............................................................Bill Ware.......................17 12, 17, 18, 19, 20, My Childhood’s End....................................................... Kathy Mar.......................18 21, 22, 24, 28, 31 Childhood’s End.......................Words & Music -
The Multidimensional Guide to Science Fiction and Fantasy of the Twentieth Century, Volume 1
THE MULTIDIMENSIONAL GUIDE TO SCIENCE FICTION AND FANTASY OF THE TWENTIETH CENTURY, VOLUME 1 EDITED BY NAT TILANDER 2 Copyright © 2010 by Nathaniel Garret Tilander All rights reserved. No part of this book may be reproduced, stored, or transmitted by any means—whether auditory, graphic, mechanical, or electronic—without written permission of both publisher and author, except in the case of brief excerpts used in critical articles and reviews. Unauthorized reproduction of any part of this work is illegal and is punishable by law. Cover art from the novella Last Enemy by H. Beam Piper, first published in the August 1950 issue of Astounding Science Fiction, and illustrated by Miller. Image downloaded from the ―zorger.com‖ website which states that the image is licensed under a Creative Commons Public Domain License. Additional copyrighted materials incorporated in this book are as follows: Copyright © 1949-1951 by L. Sprague de Camp. These articles originally appeared in Analog Science Fiction. Copyright © 1951-1979 by P. Schuyler Miller. These articles originally appeared in Analog Science Fiction. Copyright © 1975-1979 by Lester Del Rey. These articles originally appeared in Analog Science Fiction. Copyright © 1978-1981 by Spider Robinson. These articles originally appeared in Analog Science Fiction. Copyright © 1979-1999 by Tom Easton. These articles originally appeared in Analog Science Fiction. Copyright © 1950-1954 by J. Francis McComas. These articles originally appeared in Fantasy and Science Fiction. Copyright © 1950-1959 by Anthony Boucher. These articles originally appeared in Fantasy and Science Fiction. Copyright © 1959-1960 by Damon Knight. These articles originally appeared in Fantasy and Science Fiction. -
Vop #141 / 3 Are on My Own Recommended Reading List, So I Ordered the Following Books
Visions of Paradise #141 Visions of Paradise #141 Contents Out of the Depths...............................................................................................page 3 Favorite SF Movies ... Paperback Swap Will F. Jenkins Day..............................................................................................page 4 A celebration of the life and career of Murray Leinster The Passing Scene................................................................................................page 6 Homes ... May 2009 Wondrous Stories................................................................................................page 9 Going For Infinity … F&SF ... Deathworld ... Heat On the Lighter Side............................................................................................page 13 _\\|//_ ( 0_0 ) ___________________o00__(_)__00o_________________ Robert Michael Sabella E-mail [email protected] Personal blog: http://adamosf.blogspot.com/ Sfnal blog: http://visionsofparadise.blogspot.com/ Fiction blog: http://bobsabella.livejournal.com/ Available online at http://efanzines.com/ Copyright ©May 2009, by Gradient Press Available for trade, letter of comment or request Artwork Franz H. Miklis … Cover Terry Jeeves … p. 9 http://www.sfsite.com/~silverag/leinster.html … page 4 Out of The Depths I am not a huge movie fan, partly because I don’t have a lot of available time to watch them (without depleting my limited reading time), and partly because movies rarely interest me as much as a good book does. So when I was -
Twentieth-Century Wars and Science Fiction
1 Kilgore Trout English 480: Science Fiction Dr. Rudnicki 01/01/2001 Wars of the World: Twentieth-Century Wars and Science Fiction Science fiction and its respective literature tells stories that represent the hopes and futuristic dreams of its audience; whether one looks to Star Trek or Star Wars, the audience finds hope in both the narrative, and the potential worlds these stories present. It is no surprise that some of the greatest science fiction stories would find their geneses in one of the most traumatic and trying times in human history, that is, the early twentieth-century. While the world, and Europe especially, prepared itself for war, science fiction writers noticed and put to paper the intense and hostile atmosphere present all around them. Writers like H.G. Wells predicted warring technologies and tactics years before their debut, likely due to their environment and war preparations present in Europe. This trend of interpreting the warring world around them serves as inspiration for science fiction writers to criticize, analyze, and incentivize the world and its drastically changing ideologies. These authors, using their sometimes-horrific imaginations, present their readers with impossible situations and outcomes arising out of the turmoil and horror that the wars of the twentieth-century beheld. Whether these criticisms predict situations arising from mounting war-pressure, or analyze past actions presciently, the first two World Wars serve as the testing grounds and foundations for science fiction as the twenty-first century understands it. Twentieth-century authors find their influence for many of their greatest works from the devastating and insurmountable wars of the twentieth-century. -
The Mutual Influence of Science Fiction and Innovation
Nesta Working Paper No. 13/07 Better Made Up: The Mutual Influence of Science fiction and Innovation Caroline Bassett Ed Steinmueller George Voss Better Made Up: The Mutual Influence of Science fiction and Innovation Caroline Bassett Ed Steinmueller George Voss Reader in Digital Media, Professor of Information and Research Fellow, Faculty of Arts, Research Centre for Material Technology, SPRU, University University of Brighton, Visiting Digital Culture, School of of Communication Sussex Fellow at SPRU, University of Media, Film and Music, Sussex University of Sussex Nesta Working Paper 13/07 March 2013 www.nesta.org.uk/wp13-07 Abstract This report examines the relationship between SF and innovation, defined as one of mutual engagement and even co-constitution. It develops a framework for tracing the relationships between real world science and technology and innovation and science fiction/speculative fiction involving processes of transformation, central to which are questions of influence, persuasion, and desire. This is contrasted with the more commonplace assumption of direct linear transmission, SF providing the inventive seed for innovation– instances of which are the exception rather than the rule. The model of influence is developed through an investigation of the nature and evolution of genre, the various effects/appeals of different forms of expression, and the ways in which SF may be appropriated by its various audiences. This is undertaken (i) via an inter- disciplinary survey of work on SF, and a consideration the historical construction of genre and its on-going importance, (ii) through the development of a prototype database exploring transformational paths, and via more elaborated loops extracted from the database, and (iii) via experiments with the development of a web crawl tool, to understand at a different scale, using tools of digital humanities, how fictional ideas travel. -
Archive II: Laughs
Archive II: laughs. As with Stranger, I reread it every year, and Back to Live I still haven’t worn it down to the parts that annoy An e-zine by Arthur D. Hlavaty me and “I know that.” [email protected] AND ALSO Shea went on to write good, solid <https://supergee.dreamwidth.org/> historical novels with a beginning, a middle, and <http://www.maroney.org/hlavaty/> an end in that order, but also with fascinating © 2003, 2018 by Arthur D. Hlavaty. Staff: characters and small hints of metaphysical and Bernadette Bosky, Kevin J. Maroney, other weirdness. I particularly liked Shike and All Shekinah Dax, and the Valentine’s Castle Things Are Lights. Wilson’s novels were more like Rat Pack. Permission to reprint in any Illuminatus!, centered on initiation. Schrödinger’s nonprofit publication is hereby granted, on Cat was based on quantum theory, among other condition that I am credited and sent a things. James Joyce, to whom there are many copy. This is an e-zine, available in .txt, references in Wilson’s other fiction, showed up as .pdf, and *feh* landscape .pdf only. a character in Masks of the Illuminati, which actually had a tight plot structure, along with the Wilsonian stuff. In 2003 I had been doing zines for a quarter of a century, writing 100 genzines, and many many apazines. I had joined up with the Internet, with trufen, fmzfen, alt.polyamory, and rasff, among Joseph Heller others. Then I noticed livejournal, where I could do Catch-22 a blog with all the technical stuff done for me and hang out with a lot of the interesting people from Anybody who’s trying to get you killed is your the aforementioned sites.