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To Sunday 31St August 2003
The World Science Fiction Society Minutes of the Business Meeting at Torcon 3 th Friday 29 to Sunday 31st August 2003 Introduction………………………………………………………………….… 3 Preliminary Business Meeting, Friday……………………………………… 4 Main Business Meeting, Saturday…………………………………………… 11 Main Business Meeting, Sunday……………………………………………… 16 Preliminary Business Meeting Agenda, Friday………………………………. 21 Report of the WSFS Nitpicking and Flyspecking Committee 27 FOLLE Report 33 LA con III Financial Report 48 LoneStarCon II Financial Report 50 BucConeer Financial Report 51 Chicon 2000 Financial Report 52 The Millennium Philcon Financial Report 53 ConJosé Financial Report 54 Torcon 3 Financial Report 59 Noreascon 4 Financial Report 62 Interaction Financial Report 63 WSFS Business Meeting Procedures 65 Main Business Meeting Agenda, Saturday…………………………………...... 69 Report of the Mark Protection Committee 73 ConAdian Financial Report 77 Aussiecon Three Financial Report 78 Main Business Meeting Agenda, Sunday………………………….................... 79 Time Travel Worldcon Report………………………………………………… 81 Response to the Time Travel Worldcon Report, from the 1939 World Science Fiction Convention…………………………… 82 WSFS Constitution, with amendments ratified at Torcon 3……...……………. 83 Standing Rules ……………………………………………………………….. 96 Proposed Agenda for Noreascon 4, including Business Passed On from Torcon 3…….……………………………………… 100 Site Selection Report………………………………………………………… 106 Attendance List ………………………………………………………………. 109 Resolutions and Rulings of Continuing Effect………………………………… 111 Mark Protection Committee Members………………………………………… 121 Introduction All three meetings were held in the Ontario Room of the Fairmont Royal York Hotel. The head table officers were: Chair: Kevin Standlee Deputy Chair / P.O: Donald Eastlake III Secretary: Pat McMurray Timekeeper: Clint Budd Tech Support: William J Keaton, Glenn Glazer [Secretary: The debates in these minutes are not word for word accurate, but every attempt has been made to represent the sense of the arguments made. -
Hugo Award -- Britannica Online Encyclopedia
10/10/2017 Hugo Award -- Britannica Online Encyclopedia Hugo Award Hugo Award, any of several annual awards presented by the World Science Fiction Society (WSFS). The awards are granted for notable achievement in science �ction or science fantasy. Established in 1953, the Hugo Awards were named in honour of Hugo Gernsback, founder of Amazing Stories, the �rst magazine exclusively for science �ction. Hugo Award. This particular award was given at MidAmeriCon II, in Kansas City, Missouri, on August … Michi Trota Pin, in the form of the rocket on the Hugo Award, that is given to the finalists. Michi Trota Hugo Awards https://www.britannica.com/print/article/1055018 1/10 10/10/2017 Hugo Award -- Britannica Online Encyclopedia year category* title author 1946 novel The Mule Isaac Asimov (awarded in 1996) novella "Animal Farm" George Orwell novelette "First Contact" Murray Leinster short story "Uncommon Sense" Hal Clement 1951 novel Farmer in the Sky Robert A. Heinlein (awarded in 2001) novella "The Man Who Sold the Moon" Robert A. Heinlein novelette "The Little Black Bag" C.M. Kornbluth short story "To Serve Man" Damon Knight 1953 novel The Demolished Man Alfred Bester 1954 novel Fahrenheit 451 Ray Bradbury (awarded in 2004) novella "A Case of Conscience" James Blish novelette "Earthman, Come Home" James Blish short story "The Nine Billion Names of God" Arthur C. Clarke 1955 novel They’d Rather Be Right Mark Clifton and Frank Riley novelette "The Darfsteller" Walter M. Miller, Jr. short story "Allamagoosa" Eric Frank Russell 1956 novel Double Star Robert A. Heinlein novelette "Exploration Team" Murray Leinster short story "The Star" Arthur C. -
University Microfilms International 300 N
INFORMATION TO USERS This was produced from a copy of a document sent to us for microfilming. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of the mateiial submitted. The following explanation of techniques is provided to help you understand markings or notations which may appear on this reproduction. 1. The sign or “target” for pages apparently lacking from the document photographed is “Missing Page(s)”. If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting through an image and duplicating adjacent pages to assure you of complete continuity. 2. When an image on the film is obliterated with a round black mark it is an indication that the film inspector noticed either blurred copy because of movement during exposure, or duplicate copy. Unless we meant to delete copyrighted materials that should not have been filmed, you will find a good image of the page in the adjacent frame. 3. When a map, drawing or chart, etc., is part of the material being photo graphed the photographer has followed a definite method in “sectioning” the material. It is customary to begin filming at the upper left hand corner of a large sheet and to continue from left to right in equal sections with small overlaps. If necessary, sectioning is continued again—beginning below the first row and continuing on until complete. 4. For any illustrations that cannot be reproduced satisfactorily by xerography, photographic prints can be purchased at additional cost and tipped into your xerographic copy. -
1: for Me, It Was Personal Names with Too Many of the Letter "Q"
1: For me, it was personal names with too many of the letter "q", "z", or "x". With apostrophes. Big indicator of "call a rabbit a smeerp"; and generally, a given name turns up on page 1... 2: Large scale conspiracies over large time scales that remain secret and don't fall apart. (This is not *explicitly* limited to SF, but appears more often in branded-cyberpunk than one would hope for a subgenre borne out of Bruce Sterling being politically realistic in a zine.) Pretty much *any* form of large-scale space travel. Low earth orbit, not so much; but, human beings in tin cans going to other planets within the solar system is an expensive multi-year endevour that is unlikely to be done on a more regular basis than people went back and forth between Europe and the americas prior to steam ships. Forget about interstellar travel. Any variation on the old chestnut of "robots/ais can't be emotional/creative". On the one hand, this is realistic because human beings have a tendency for othering other races with beliefs and assumptions that don't hold up to any kind of scrutiny (see, for instance, the relatively common belief in pre-1850 US that black people literally couldn't feel pain). On the other hand, we're nowhere near AGI right now and it's already obvious to everyone with even limited experience that AI can be creative (nothing is more creative than a PRNG) and emotional (since emotions are the least complex and most mechanical part of human experience and thus are easy to simulate). -
Science Fiction List Literature 1
Science Fiction List Literature 1. “The Unparalleled Adventure of One Hans Pfaall,” Edgar Allan Poe (1835, US, short story) 2. Looking Backward, Edward Bellamy (1888, US, novel) 3. A Princess of Mars, Edgar Rice Burroughs (1912, US, novel) 4. Herland, Charlotte Perkins Gilman (1915, US, novel) 5. “The Comet,” W.E.B. Du Bois (1920, US, short story) 6. Fahrenheit 451, Ray Bradbury (1951, US, novel) 7. Limbo, Bernard Wolfe (1952, US, novel) 8. The Stars My Destination, Alfred Bester (1956, US, novel) 9. Venus Plus X, Theodore Sturgeon (1960, US, novel) 10. Do Androids Dream of Electric Sheep?, Philip K. Dick (1968, US, novel) 11. The Left Hand of Darkness, Ursula K. Le Guin (1969, US, novel) 12. The Female Man, Joanna Russ (1975, US, novel) 13. “The Screwfly Solution,” “The Girl Who Was Plugged In,” “The Women Men Don’t See,” “Houston, Houston Do You Read?”, James Tiptree Jr./Alice Sheldon (1977, 1973, 1973, 1976, US, novelettes, novella) 14. Native Tongue, Suzette Haden Elgin (1984, US, novel) 15. Stars in My Pocket Like Grains of Sand, Samuel R. Delany (1984, US, novel) 16. Neuromancer, William Gibson (1984, US-Canada, novel) 17. The Handmaid’s Tale, Margaret Atwood (1985, Canada, novel) 18. The Gilda Stories, Jewelle L. Gómez (1991, US, novel; extended edition 2016) 19. Dawn, Octavia E. Butler (1987, US, novel); Parable of the Sower, Butler (1993, US, novel); Bloodchild and Other Stories, Butler (1995, US, short stories; extended edition 2005) 20. Red Spider, White Web, Misha Nogha/Misha (1990, US, novel) 21. The Rag Doll Plagues, Alejandro Morales (1991, US, novel) 22. -
Teaching Speculative Fiction in College: a Pedagogy for Making English Studies Relevant
Georgia State University ScholarWorks @ Georgia State University English Dissertations Department of English Summer 8-7-2012 Teaching Speculative Fiction in College: A Pedagogy for Making English Studies Relevant James H. Shimkus Follow this and additional works at: https://scholarworks.gsu.edu/english_diss Recommended Citation Shimkus, James H., "Teaching Speculative Fiction in College: A Pedagogy for Making English Studies Relevant." Dissertation, Georgia State University, 2012. https://scholarworks.gsu.edu/english_diss/95 This Dissertation is brought to you for free and open access by the Department of English at ScholarWorks @ Georgia State University. It has been accepted for inclusion in English Dissertations by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. TEACHING SPECULATIVE FICTION IN COLLEGE: A PEDAGOGY FOR MAKING ENGLISH STUDIES RELEVANT by JAMES HAMMOND SHIMKUS Under the Direction of Dr. Elizabeth Burmester ABSTRACT Speculative fiction (science fiction, fantasy, and horror) has steadily gained popularity both in culture and as a subject for study in college. While many helpful resources on teaching a particular genre or teaching particular texts within a genre exist, college teachers who have not previously taught science fiction, fantasy, or horror will benefit from a broader pedagogical overview of speculative fiction, and that is what this resource provides. Teachers who have previously taught speculative fiction may also benefit from the selection of alternative texts presented here. This resource includes an argument for the consideration of more speculative fiction in college English classes, whether in composition, literature, or creative writing, as well as overviews of the main theoretical discussions and definitions of each genre. -
Star Trek STAG NL 40
April, 1980 NEWSLETTER No. 40 President, Janet Quarton, 15 Letter Daill, Cairnbaan, Lochgilphead, Argyll" Scotland. Vice President, Sheila Clark, 6 Craigmill Cottages, Strathmartine, by Dundee, Scotland. Committee, Beth Hallam, Flat 3, 36 Clapham Road; Bedford, England: Sylvia Billings, 49 Southampton Road,Far Cotton, Northampton,NN4 9EA, England. Valerie Piacentini, 20 Ardrossan Road, Saltcoats, Ayrshire, Scotland. Honorary JViembers: Gene Roddenberry, ~jajel Barrett, Hilliam Shatner, De Forest Kelley, James Doohan, George Takei, Susan Sackett, Grace 1,00 \4hitnoy, Impert Evans, Sonni Cooper, Anne Jl'JcCaffroy, Anne Page, Bjo Trimble. , DUES U.K. & Eiro - £2.50 U;K. currency Europe - £4.50 airmail, £3.50 surface U.S.A. - t13.00 or £5.50 airmail, t8.50 or £3.50 surface. Australia & Japan - £6.00 airmail; £3.50 surface. The' U.S. dollar rate includes a one dollar bank clearing charge. Surface mail outside Europe can take a minimum of 2 - 3 months. Hi folks, As you can see it is newsletter time again, although this one has turned out to be more like a book. We had hoped to keep tho lengtp down a bit but we had a lot on'merchan dise to tell you and also a lot of comments on the movie. We decided to print as many comments as 1'10 could in this newsletter rather than spread them out bot1'leen a fe1'l nowsletters incase you got rather fed up reading them. At this point we don't plan to print any more movie comments as we think just about everything has been said, but if you feel y'qu really 1'Iant to make a comment on something Which is said about the movie in this n81;sletter send your comment to Sheila and we will consider printing it. -
JUDITH MERRIL-PDF-Sep23-07.Pdf (368.7Kb)
JUDITH MERRIL: AN ANNOTATED BIBLIOGRAPHY AND GUIDE Compiled by Elizabeth Cummins Department of English and Technical Communication University of Missouri-Rolla Rolla, MO 65409-0560 College Station, TX The Center for the Bibliography of Science Fiction and Fantasy December 2006 Table of Contents Preface Judith Merril Chronology A. Books B. Short Fiction C. Nonfiction D. Poetry E. Other Media F. Editorial Credits G. Secondary Sources About Elizabeth Cummins PREFACE Scope and Purpose This Judith Merril bibliography includes both primary and secondary works, arranged in categories that are suitable for her career and that are, generally, common to the other bibliographies in the Center for Bibliographic Studies in Science Fiction. Works by Merril include a variety of types and modes—pieces she wrote at Morris High School in the Bronx, newsletters and fanzines she edited; sports, westerns, and detective fiction and non-fiction published in pulp magazines up to 1950; science fiction stories, novellas, and novels; book reviews; critical essays; edited anthologies; and both audio and video recordings of her fiction and non-fiction. Works about Merill cover over six decades, beginning shortly after her first science fiction story appeared (1948) and continuing after her death (1997), and in several modes— biography, news, critical commentary, tribute, visual and audio records. This new online bibliography updates and expands the primary bibliography I published in 2001 (Elizabeth Cummins, “Bibliography of Works by Judith Merril,” Extrapolation, vol. 42, 2001). It also adds a secondary bibliography. However, the reasons for producing a research- based Merril bibliography have been the same for both publications. Published bibliographies of Merril’s work have been incomplete and often inaccurate. -
Fancyclopedia: F – Version 1 (May 2009)
The Canadian Fancyclopedia: F – Version 1 (May 2009) An Incompleat Guide To Twentieth Century Canadian Science Fiction Fandom by Richard Graeme Cameron, BCSFA/WCSFA Archivist. A publication of the British Columbia Science Fiction Association (BCSFA) And the West Coast Science Fiction Association (WCSFA). You can contact me at: [email protected] Canadian fanzines are shown in red, Canadian Apazines in Green, Canadian items in purple, Foreign items in blue. F FACES / FAERIE / FALCON / FALCON SF&F SOCIETY / FANACTIC / FANADIAN / FANATICUS / FANCESTOR WORSHIP / FANCYCLOPEDIA / FANDOM / FANDOMS (Numbered Eras) / FANDOMS CANADIAN (Numbered Eras) / THE FANDOM ZONE / FAN DRINKS / FANED - FAN ED / FANERGY / FAN FEUD / FAN FILMS / FAN FILMS ( AMERICAN ) / FAN FILMS ( BRITISH ) / FAN FILMS ( CANADIAN ) / FANICHE / FANNISH DRINKSH BOOK / FANNISH LEGENDS / FANTARAMA / FAN-TASMS / FANTASTELLAR ASSOCIATION / FANTASTOLOGY / FANTASY / FANTASY CLASSIFICATION SYSTEM / FANTASY PICTORIAL / FANTHOLOGY 76 / FANTIQUARIAN / THE FANTIQUARIAN CHRONICLER / FANUCK - FANUCKER / FAST- FORWARD / FAT, OLD, AND BORING / FAZZ BAZZ / FELTIPIXINE / FEM FAN - FEMME FAN / FEN / FENAISSANCE / FEN AND THE ART OF FANZINE PUBLISHING / FEN COMMANDMENTS / FERGONOMICS / FERSHIMMELT / FEWMETS / FIAGGH / FIAWOL / FICTONS FREE-FOR-ALL / FIE / FIJAGH / FILK / FILKSONG / FILKER / FILK ROOM / FILKZINE / FILLER / FILLERS / FINAL FRONTIER / THE FINAL FRONTIER / FIRST CANADIAN CARBONZINE / FIRST CANADIAN FAN CLUB / FIRST CANADIAN FAN DIRECTORY / FIRST CANADIAN FAN ED / FIRST CANADIAN -
The Multidimensional Guide to Science Fiction and Fantasy of the Twentieth Century, Volume 1
THE MULTIDIMENSIONAL GUIDE TO SCIENCE FICTION AND FANTASY OF THE TWENTIETH CENTURY, VOLUME 1 EDITED BY NAT TILANDER 2 Copyright © 2010 by Nathaniel Garret Tilander All rights reserved. No part of this book may be reproduced, stored, or transmitted by any means—whether auditory, graphic, mechanical, or electronic—without written permission of both publisher and author, except in the case of brief excerpts used in critical articles and reviews. Unauthorized reproduction of any part of this work is illegal and is punishable by law. Cover art from the novella Last Enemy by H. Beam Piper, first published in the August 1950 issue of Astounding Science Fiction, and illustrated by Miller. Image downloaded from the ―zorger.com‖ website which states that the image is licensed under a Creative Commons Public Domain License. Additional copyrighted materials incorporated in this book are as follows: Copyright © 1949-1951 by L. Sprague de Camp. These articles originally appeared in Analog Science Fiction. Copyright © 1951-1979 by P. Schuyler Miller. These articles originally appeared in Analog Science Fiction. Copyright © 1975-1979 by Lester Del Rey. These articles originally appeared in Analog Science Fiction. Copyright © 1978-1981 by Spider Robinson. These articles originally appeared in Analog Science Fiction. Copyright © 1979-1999 by Tom Easton. These articles originally appeared in Analog Science Fiction. Copyright © 1950-1954 by J. Francis McComas. These articles originally appeared in Fantasy and Science Fiction. Copyright © 1950-1959 by Anthony Boucher. These articles originally appeared in Fantasy and Science Fiction. Copyright © 1959-1960 by Damon Knight. These articles originally appeared in Fantasy and Science Fiction. -
Vop #141 / 3 Are on My Own Recommended Reading List, So I Ordered the Following Books
Visions of Paradise #141 Visions of Paradise #141 Contents Out of the Depths...............................................................................................page 3 Favorite SF Movies ... Paperback Swap Will F. Jenkins Day..............................................................................................page 4 A celebration of the life and career of Murray Leinster The Passing Scene................................................................................................page 6 Homes ... May 2009 Wondrous Stories................................................................................................page 9 Going For Infinity … F&SF ... Deathworld ... Heat On the Lighter Side............................................................................................page 13 _\\|//_ ( 0_0 ) ___________________o00__(_)__00o_________________ Robert Michael Sabella E-mail [email protected] Personal blog: http://adamosf.blogspot.com/ Sfnal blog: http://visionsofparadise.blogspot.com/ Fiction blog: http://bobsabella.livejournal.com/ Available online at http://efanzines.com/ Copyright ©May 2009, by Gradient Press Available for trade, letter of comment or request Artwork Franz H. Miklis … Cover Terry Jeeves … p. 9 http://www.sfsite.com/~silverag/leinster.html … page 4 Out of The Depths I am not a huge movie fan, partly because I don’t have a lot of available time to watch them (without depleting my limited reading time), and partly because movies rarely interest me as much as a good book does. So when I was -
File 770:144
February 2005 1 144 2 File 770:144 Best Dramatic Presentation Retrospective Hugo Awards Long Form (363 ballots) for work done in 1953 The Lord of the Rings: The Return of the King (New Line Cinema). Directed by Peter Jackson; screenplay by Fran Walsh, Best Novel of 1953 (113 ballots) Philippa Boyens & Peter Jackson. Fahrenheit 451 — Ray Bradbury (Ballantine) Best Novella of 1953 (67 ballots) Best Dramatic Presentation “A Case of Conscience” — James Blish (If, Sept. 1953) Short Form (212 ballots) “Gollum’s Acceptance Speech at the 2003 Best Novelette of 1953 (66 ballots) MTV Movie Awards” (Wingnut 144 “Earthman, Come Home” — James Blish Films/New Line Cinema). Written and (Astounding, Nov. 1953) directed by Fran Walsh, Philippa Boyens File 770:144 is edited by Mike & Peter Jackson. Best Short Story of 1953 (96 ballots) Glyer at 705 Valley View Ave., “The Nine Billion Names of God” — Arthur Monrovia CA 91016. File 770 is Best Professional Editor C. Clarke (Star Science Fiction Stories #1, available for news, artwork, (319 ballots) Ballantine) arranged trades, or by subscription: Gardner Dozois $8 for 5 issues, $15 for 10 issues, Best Related Book of 1953 (21 ballots) air mail rate is $2.50. Best Professional Artist Conquest of the Moon — Wernher von Braun, Telephone: (626) 305-1004 Fred L. Whipple & Willy Ley (Viking E-Mail: [email protected] (241 ballots) Press) Art Credits Bob Eggleton Taral: Cover, Bacover Best Dramatic Presentation, Bill Rotsler: 2,3,9,22,23,27,37 Best Semi-Prozine (199 ballots) Short Form, of 1953 (96 ballots) Diana Glyer (photos): 4 Locus, ed.