DID GOD FULFILL EVERY GOOD PROMISE? TOWARD a BIBLICAL UNDERSTANDING of JOSHUA 21:43–45 (Part 2)
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Solomon's Legacy
Solomon’s Legacy Divided Kingdom Image from: www.lightstock.com Solomon’s Last Days -1 Kings 11 Image from: www.lightstock.com from: Image ➢ God raises up adversaries to Solomon. 1 Kings 11:14 14 Then the LORD raised up an adversary to Solomon, Hadad the Edomite; he was of the royal line in Edom. 1 Kings 11:23-25 23 God also raised up another adversary to him, Rezon the son of Eliada, who had fled from his lord Hadadezer king of Zobah. 1 Kings 11:23-25 24 He gathered men to himself and became leader of a marauding band, after David slew them of Zobah; and they went to Damascus and stayed there, and reigned in Damascus. 1 Kings 11:23-25 25 So he was an adversary to Israel all the days of Solomon, along with the evil that Hadad did; and he abhorred Israel and reigned over Aram. Solomon’s Last Days -1 Kings 11 Image from: www.lightstock.com from: Image ➢ God tells Jeroboam that he will be over 10 tribes. 1 Kings 11:26-28 26 Then Jeroboam the son of Nebat, an Ephraimite of Zeredah, Solomon’s servant, whose mother’s name was Zeruah, a widow, also rebelled against the king. 1 Kings 11:26-28 27 Now this was the reason why he rebelled against the king: Solomon built the Millo, and closed up the breach of the city of his father David. 1 Kings 11:26-28 28 Now the man Jeroboam was a valiant warrior, and when Solomon saw that the young man was industrious, he appointed him over all the forced labor of the house of Joseph. -
The Land of Israel's Loyalty to the Jewish People
The Land of Israel’s Loyalty to the Jewish People by Rabbi Chaim Jachter As Parashat Behukotai and the book of Vayikra draw to a close, Hashem delivers a stinging rebuke and warning to our people. This rebuke, known as the Tochahah is the first of two such rebukes in the Humash (the second being towards the end of Sefer Devarim). This section contains a series of frighteningly prophetic descriptions of the tragedies that will befall the nation should they fail to follow God’s ways. Indeed, so frightening is this Tochachah that Torah is read this section in a lower voice. There are even some synagogues where the rabbi or Torah reader is called for the Aliyah that contains the Tochachah, as some would rather avoid being called for this Aliyah. In the midst of the very dark cloud of these warnings of punishment and exile in Parashat Behukotai we find a silver lining. The Torah promises (Vayikra 26:32) that after our people will be exiled from our land, our enemies will fail in their endeavors to settle the land. Ramban, writing in the twelfth century, notes that this is an extraordinary promise to us as there is no other place on earth that at one time was settled, lush and fertile but is now utterly desolate and destroyed. He observes that this promise has most obviously been fulfilled in that from the time we left our land, it has not accepted any other nation, despite their many efforts to develop the land. Indeed, the Romans, Arabs, Crusaders and Ottomans failed miserably in their efforts to settle the land of Israel. -
Georg Friedrich Händel
GEORG FRIEDRICH HÄNDEL ~ ORATORIUM JOSHUA This live recording is part of a cycle of oratorios, masses and other grand works, performed in the basilica of Maulbronn Abbey under the direction of Jürgen Budday. The series combines authentically perfor- Die vorliegende Konzertaufnahme ist Teil eines Zyklus von Oratorien und med oratorios and masses with the optimal acoustics and atmosphere Messen, die Jürgen Budday im Rahmen der Klosterkonzerte Maulbronn über of this unique monastic church. This ideal location demands the trans- mehrere Jahre hinweg aufführte. Die Reihe verbindet Musik in historischer parency of playing and the interpretive unveiling of the rhetoric intima- Aufführungspraxis mit dem akustisch und atmosphärisch optimal geeigne- tions of the composition, which is especially aided by the historically ten Raum der einzigartigen Klosterkirche des Weltkulturerbes Kloster Maul- informed performance. The music is exclusively performed on recon- bronn. Dieser Idealort verlangt geradezu nach der Durchsichtigkeit des Mu- structed historical instruments, which are tuned to the pitch customary sizierens und der interpretatorischen Freilegung der rhetorischen Gestik der in the composer‘s lifetimes (this performance is tuned in a‘ = 415 Hz). Komposition, wie sie durch die historische Aufführungspraxis in besonderer Weise gewährleistet ist. So wird ausschließlich mit rekonstruierten histori- schen Instrumenten musiziert, die in den zu Lebzeiten der Komponisten üb- lichen Tonhöhen gestimmt sind (in dieser Aufführung a‘ = 415 Hz). FURTHER INFORMATION TO THIS PUBLICATION AND THE WHOLE CATALOGUE UNDER WWW.KUK-ART.COM Publishing Authentic Classical Concerts entails for us capturing and recording for posterity out- standing performances and concerts. The performers, audience, opus and room enter into an inti- mate dialogue that in its form and expression, its atmosphere, is unique and unrepeatable. -
Jeremiah 51:15- 19 (Mt): an “Unintentional” Link
M.D. Terblanche Research Fellow, JEREMIAH 51:15- Department of Old and New Testament 19 (MT): AN Studies, University of the Free State, “UNINTENTIONAL” South Africa. LINK BETWEEN THE Email: mdterblanche@ ORACLES AGAINST absamail.co.za BABYLON AND THE DOI: http://dx.doi. REMAINDER OF THE org/10.18820/23099089/ 1 actat.Sup26.9 BOOK OF JEREMIAH ISSN 1015-8758 (Print) ISSN 2309-9089 (Online) Acta Theologica 2018 ABSTRACT Suppl 26:155-169 The oracles against Babylon seem to be an anomaly in © Creative Commons the Book of Jeremiah. The doxology in Jeremiah 51:15- With Attribution (CC-BY) 19 (MT) does, however, serve as a link between these oracles and the remainder of the book of Jeremiah. By giving the impression of being a deliberate quotation of 10:12-16, 51:15-19 takes the reader back to 10:1-16, a composition in which the contrast between the idols of the nations and YHWH is emphasized. YHWH has the power to execute his plan to destroy Babylon. 51:15- 19 did, however, attain a distinct identity through its close connections with the oracles against Babylon. It paradoxically functions as a link between these oracles and those against Judah. In contrast to YHWH’s actions, which resulted in the destruction of Jerusalem, his future dealings would result in the fall of Babylon and the return of his people from exile. 1. INTRODUCTION The oracles against Babylon, occurring in Jeremiah 50:1-51:58 (Masoretic Text), seem to be an anomaly in the Book of Jeremiah. When 1 This article is dedicated to prof. -
Annual Report
COUNCIL ON FOREIGN RELATIONS ANNUAL REPORT July 1,1996-June 30,1997 Main Office Washington Office The Harold Pratt House 1779 Massachusetts Avenue, N.W. 58 East 68th Street, New York, NY 10021 Washington, DC 20036 Tel. (212) 434-9400; Fax (212) 861-1789 Tel. (202) 518-3400; Fax (202) 986-2984 Website www. foreignrela tions. org e-mail publicaffairs@email. cfr. org OFFICERS AND DIRECTORS, 1997-98 Officers Directors Charlayne Hunter-Gault Peter G. Peterson Term Expiring 1998 Frank Savage* Chairman of the Board Peggy Dulany Laura D'Andrea Tyson Maurice R. Greenberg Robert F Erburu Leslie H. Gelb Vice Chairman Karen Elliott House ex officio Leslie H. Gelb Joshua Lederberg President Vincent A. Mai Honorary Officers Michael P Peters Garrick Utley and Directors Emeriti Senior Vice President Term Expiring 1999 Douglas Dillon and Chief Operating Officer Carla A. Hills Caryl R Haskins Alton Frye Robert D. Hormats Grayson Kirk Senior Vice President William J. McDonough Charles McC. Mathias, Jr. Paula J. Dobriansky Theodore C. Sorensen James A. Perkins Vice President, Washington Program George Soros David Rockefeller Gary C. Hufbauer Paul A. Volcker Honorary Chairman Vice President, Director of Studies Robert A. Scalapino Term Expiring 2000 David Kellogg Cyrus R. Vance Jessica R Einhorn Vice President, Communications Glenn E. Watts and Corporate Affairs Louis V Gerstner, Jr. Abraham F. Lowenthal Hanna Holborn Gray Vice President and Maurice R. Greenberg Deputy National Director George J. Mitchell Janice L. Murray Warren B. Rudman Vice President and Treasurer Term Expiring 2001 Karen M. Sughrue Lee Cullum Vice President, Programs Mario L. Baeza and Media Projects Thomas R. -
Handel's Oratorios and the Culture of Sentiment By
Virtue Rewarded: Handel’s Oratorios and the Culture of Sentiment by Jonathan Rhodes Lee A dissertation submitted in partial satisfaction of the Requirements for the degree of Doctor of Philosophy in Music in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Davitt Moroney, Chair Professor Mary Ann Smart Professor Emeritus John H. Roberts Professor George Haggerty, UC Riverside Professor Kevis Goodman Fall 2013 Virtue Rewarded: Handel’s Oratorios and the Culture of Sentiment Copyright 2013 by Jonathan Rhodes Lee ABSTRACT Virtue Rewarded: Handel’s Oratorios and the Culture of Sentiment by Jonathan Rhodes Lee Doctor of Philosophy in Music University of California, Berkeley Professor Davitt Moroney, Chair Throughout the 1740s and early 1750s, Handel produced a dozen dramatic oratorios. These works and the people involved in their creation were part of a widespread culture of sentiment. This term encompasses the philosophers who praised an innate “moral sense,” the novelists who aimed to train morality by reducing audiences to tears, and the playwrights who sought (as Colley Cibber put it) to promote “the Interest and Honour of Virtue.” The oratorio, with its English libretti, moralizing lessons, and music that exerted profound effects on the sensibility of the British public, was the ideal vehicle for writers of sentimental persuasions. My dissertation explores how the pervasive sentimentalism in England, reaching first maturity right when Handel committed himself to the oratorio, influenced his last masterpieces as much as it did other artistic products of the mid- eighteenth century. When searching for relationships between music and sentimentalism, historians have logically started with literary influences, from direct transferences, such as operatic settings of Samuel Richardson’s Pamela, to indirect ones, such as the model that the Pamela character served for the Ninas, Cecchinas, and other garden girls of late eighteenth-century opera. -
The Promised Land and the Unity of Scripture Gareth Lee Cockerill
From Deuteronomy to Hebrews: The Promised Land and the Unity of Scripture Gareth Lee Cockerill Gareth Lee Cockerill has taught New Testament at Wesley Biblical Seminary, Jackson, Mississippi since 1984, where he also served as the Academic Dean and Professor of Biblical Interpretation and Theology. He earned his PhD from Union Theological Seminary. Dr. Cockerill has served with his wife, Rosa, for nine years as a missionary in Sierra Leone, West Africa. Dr. Cockerill has written numerous articles and book reviews for such journals as Tyndale Bulletin, Bulletin for Biblical Research, Journal of Biblical Literature, The Evangelical Quarterly, Journal of the Evangelical Theological Society, Interpretation, and Missiology. He is also the author of The Epistle to the Hebrews (NICNT, Eerdmans, 2012) and A Guidebook for Pilgrims to the Heavenly City (William Carey, 2013). Introduction “The Lord appeared to Abram and said, “To your offspring I will give this land” (Gen 12:7a). With these words God brought his promises to a climax. He had already promised to bless Abraham, to make him a great nation, and to bless the world through him (Gen 12:2-3). The land would be the place that gave concrete shape to fulfillment. These promises to Abraham address the degenerate state of the human race depicted in Genesis 1-11. Through distrust and disobedience Adam and Eve have usurped God’s lordship over their lives and thus forfeited the divine presence, disrupted the harmony of human community derived from that presence, and suffered exile from Eden the place of blessing. They SBJT 24.1 (2020): 83-100 83 The Southern Baptist Journal of Theology 24.1 (2020) have become inhabitants of a world under God’s curse. -
HANDEL: Coronation Anthems Winner of the Gramophone Award for Cor16066 Best Baroque Vocal Album 2009
CORO CORO HANDEL: Coronation Anthems Winner of the Gramophone Award for cor16066 Best Baroque Vocal Album 2009 “Overall, this disc ranks as The Sixteen’s most exciting achievement in its impressive Handel discography.” HANDEL gramophone Choruses HANDEL: Dixit Dominus cor16076 STEFFANI: Stabat Mater The Sixteen adds to its stunning Handel collection with a new recording of Dixit Dominus set alongside a little-known treasure – Agostino Steffani’s Stabat Mater. THE HANDEL COLLECTION cor16080 Eight of The Sixteen’s celebrated Handel recordings in one stylish boxed set. The Sixteen To find out more about CORO and to buy CDs visit HARRY CHRISTOPHERS www.thesixteen.com cor16180 He is quite simply the master of chorus and on this compilation there is much rejoicing. Right from the outset, a chorus of Philistines revel in Awake the trumpet’s lofty sound to celebrate Dagon’s festival in Samson; the Israelites triumph in their victory over Goliath with great pageantry in How excellent Thy name from Saul and we can all feel the exuberance of I will sing unto the Lord from Israel in Egypt. There are, of course, two Handel oratorios where the choruses dominate – Messiah and Israel in Egypt – and we have given you a taster of pure majesty in the Amen chorus from Messiah as well as the Photograph: Marco Borggreve Marco Photograph: dramatic ferocity of He smote all the first-born of Egypt from Israel in Egypt. Handel is all about drama; even though he forsook opera for oratorio, his innate sense of the theatrical did not leave him. Just listen to the poignancy of the opening of Act 2 from Acis and Galatea where the chorus pronounce the gloomy prospect of the lovers and the impending appearance of the monster Polyphemus; and the torment which the Israelites create in O God, behold our sore distress when Jephtha commands them to “invoke the holy name of Israel’s God”– it’s surely one of his greatest fugal choruses. -
HEPTADIC VERBAL PATTERNS in the SOLOMON NARRATIVE of 1 KINGS 1–11 John A
HEPTADIC VERBAL PATTERNS IN THE SOLOMON NARRATIVE OF 1 KINGS 1–11 John A. Davies Summary The narrative in 1 Kings 1–11 makes use of the literary device of sevenfold lists of items and sevenfold recurrences of Hebrew words and phrases. These heptadic patterns may contribute to the cohesion and sense of completeness of both the constituent pericopes and the narrative as a whole, enhancing the readerly experience. They may also serve to reinforce the creational symbolism of the Solomon narrative and in particular that of the description of the temple and its dedication. 1. Introduction One of the features of Hebrew narrative that deserves closer attention is the use (consciously or subconsciously) of numeric patterning at various levels. In narratives, there is, for example, frequently a threefold sequence, the so-called ‘Rule of Three’1 (Samuel’s three divine calls: 1 Samuel 3:8; three pourings of water into Elijah’s altar trench: 1 Kings 18:34; three successive companies of troops sent to Elijah: 2 Kings 1:13), or tens (ten divine speech acts in Genesis 1; ten generations from Adam to Noah, and from Noah to Abram; ten toledot [‘family accounts’] in Genesis). One of the numbers long recognised as holding a particular fascination for the biblical writers (and in this they were not alone in the ancient world) is the number seven. Seven 1 Vladimir Propp, Morphology of the Folktale (rev. edn; Austin: University of Texas Press, 1968; tr. from Russian, 1928): 74; Christopher Booker, The Seven Basic Plots of Literature: Why We Tell Stories (London: Continuum, 2004): 229-35; Richard D. -
Six Lessons to Unlocking the Truth to God's Holy Land
Photo: ASHERNET Six Lessons to Unlocking the Truth to God’s Holy Land LESSON 4 I.S.R.A.E.L. — Aliyah (Immigration to Israel) Introduction Key Verse: Today’s lesson comes from the letter “A” Even if you have been banished to the in “ISRAEL.” most distant land under the heavens, from there the LORD your God Aliyah (al-EE-yah) is a Hebrew word will gather you and bring you back. meaning to immigrate to Israel, or return to the Jewish people’s ancestral homeland. — Deuteronomy 30:4 Main teaching point Think about a time you’ve returned to a place that has special meaning for you — perhaps a high God always intended for His people school reunion, or maybe returning to your hometown to return home to Israel, the land after many years. What prompted your return? He promised to Abraham. What emotions did it evoke? How did going back Throughaliyah , hundreds of thousands to this place impact you? of Jews have been able to return to Now think of the history of Israel, including their promised homeland, fulfilling how it was given to the Israelites as an inheritance from biblical prophecy. God, and how they were expelled from their land, not once, but twice. What emotions do you think going to Israel would evoke for a Jewish person? If you’ve been to Israel, what emotions did it evoke for you? ©2018 International Fellowship of Christians and Jews ifcj.ca | page 32 Keys to I.S.R.A.E.L. Lesson 4: I.S.R.A.E.L. -
Excerpt 9780801099755.Pdf
God’s Messiah in the Old Testament EXPECTATIONS OF A COMING KING Andrew T. Abernethy and Gregory Goswell K Andrew T. Abernethy and Gregory Goswell, God's Messiah in the Old Testament Baker Academic, a division of Baker Publishing Group © 2020 Used by permission. _AbernethyGoswell_GodsMessiahOT_MB_djm.indd 3 8/11/20 10:21 AM Contents Preface vii Abbreviations ix Introduction 1 1. The Seed, the Star, and the Template in the Pentateuch 10 2. The Need for a King in Judges 28 3. The Book of Ruth and the House of David 36 4. The Heart of Kingship in 1–2 Samuel 49 5. Failure and the Royal Ideal in 1–2 Kings 67 6. Royal Messianic Expectations in Isaiah 85 7. The Death and Rebirth of Kingship in Jeremiah 100 8. The Prince Forecast in Ezekiel 114 9. Kingship for a United Nation in Hosea 124 10. David’s Booth in Amos 136 11. Davidic Rule in Micah 151 12. The Sprout, the Divine Shepherd, and the Messenger in Zechariah and Malachi 165 13. The Portrait of David in the Psalter 182 14. Where Is David in the Book of Daniel? 197 15. Kingship and the Temple in 1–2 Chronicles 210 v Andrew T. Abernethy and Gregory Goswell, God's Messiah in the Old Testament Baker Academic, a division of Baker Publishing Group © 2020 Used by permission. _AbernethyGoswell_GodsMessiahOT_MB_djm.indd 5 8/11/20 10:21 AM vi Contents 16. Looking Forward to the New Testament 224 Conclusion 239 Bibliography 247 Scripture and Ancient Writings Index 276 Name Index 285 Subject Index 290 Andrew T. -
The Role of Ultra-Orthodox Political Parties in Israeli Democracy
Luke Howson University of Liverpool The Role of Ultra-Orthodox Political Parties in Israeli Democracy Thesis submitted in accordance with the requirements of the University of Liverpool for the degree of Doctor in Philosophy By Luke Howson July 2014 Committee: Clive Jones, BA (Hons) MA, PhD Prof Jon Tonge, PhD 1 Luke Howson University of Liverpool © 2014 Luke Howson All Rights Reserved 2 Luke Howson University of Liverpool Abstract This thesis focuses on the role of ultra-orthodox party Shas within the Israeli state as a means to explore wider themes and divisions in Israeli society. Without underestimating the significance of security and conflict within the structure of the Israeli state, in this thesis the Arab–Jewish relationship is viewed as just one important cleavage within the Israeli state. Instead of focusing on this single cleavage, this thesis explores the complex structure of cleavages at the heart of the Israeli political system. It introduces the concept of a ‘cleavage pyramid’, whereby divisions are of different saliency to different groups. At the top of the pyramid is division between Arabs and Jews, but one rung down from this are the intra-Jewish divisions, be they religious, ethnic or political in nature. In the case of Shas, the religious and ethnic elements are the most salient. The secular–religious divide is a key fault line in Israel and one in which ultra-orthodox parties like Shas are at the forefront. They and their politically secular counterparts form a key division in Israel, and an exploration of Shas is an insightful means of exploring this division further, its history and causes, and how these groups interact politically.