Astor Piazzolla
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An Anthropological Perspective on Eastern and Western Folk Music
An Anthropological Perspective on Eastern and Western Folk Music Item Type text; Electronic Thesis Authors Gurczak, Adam Stanley Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 28/09/2021 21:02:58 Item License http://rightsstatements.org/vocab/InC/1.0/ Link to Item http://hdl.handle.net/10150/625002 AN ANTHROPOLOGICAL PERSPECTIVE ON EASTERN AND WESTERN FOLK MUSIC By ADAM STANLEY GURCZAK ____________________ A Thesis Submitted to The Honors College In Partial Fulfillment of the Bachelors Degree With Honors in Music Performance THE UNIVERSITY OF ARIZONA MAY 2017 Approved by: _________________________ Dr. Philip Alejo Department of Music EASTERN AND WESTERN FOLK MUSIC 1 TABLE OF CONTENTS ABSTRACT 2 ARTIST’S STATEMENT 2 INTRODUCTION 3 ARGENTINE TANGO 4 PRE-TANGO HISTORY: RISE OF THE GAUCHOS 5 A BORDELLO UPBRINGING 5 THE ROOTS AND RHYTHMS OF TANGO 8 A WORLDWIDE SENSATION 9 THE FOREFATHERS OF TANGO 11 CHINESE TRADITIONAL MUSIC 13 THE PHILOSOPHY OF MUSIC 14 INSTRUMENTS OF THE EARTH 16 THE SOUND OF SCHOLARS 18 KOREAN GUGAK 21 GUGAK: A NATIONAL IDENTITY 22 SHAMANS, SINAWI, AND SANJO 24 NOBLE COURTS AND FARMYARDS 28 AMERICAN BLUEGRASS 30 GRASSROOTS, BLUEGRASS, AND BLUES 30 THE POLYNATION OF BLUEGRASS 33 CONCLUSION 36 BIBLIOGRAPHY 37 EASTERN AND WESTERN FOLK MUSIC 2 ABSTRACT The birth of folk music has always depended on the social, political, and cultural conditions of a particular country and its people. -
Del 26-2 Al 4-3.Qxp
Del 26 de febrero al 4 de marzo de 2009 VERANO 09 En el último fin de semana de “Aires CUATRO GRANDES Buenos Aires. Cultura para Respirar”, la Ciudad propone para este sábado cuatro grandes recitales gratuitos: La MOMENTOS Portuaria en Costanera Sur, Jairo cantando a Horacio Ferrer en Mataderos; Café de los Maestros, en el Planetario, y el enorme cantaor Enrique Morente en Avenida de Mayo y Perú. PÁGINAS 4, 5, 6 Y 7. sumario. Fin de fiesta [pág. 3] El cantaor granadino [pág.4] Jairo canta a Ferrer CulturaBA está AÑO 6 disponible en [pág. 5] Veinte años no es poco [pág. 6] Música, maestros / Cómo arruinar su vida y/o www.buenosaires.gov.ar, Nº 346 clickeando en “Cultura”. Revista de distribución gratuita la de los demás - El humor de Santiago Varela [pág. 7] El humor de Rep / ¿Cómo llego? del Gobierno de la Ciudad Desde allí también de Buenos Aires [pág. 8] Además: agenda de actividades, del 26 de febrero al 4 de marzo de 2009. puede imprimirse. LA ÚLTIMA MILONGA AL AIRE LIBRE Orquesta Académica del Teatro Colón. Audiciones para cubrir vacan- Música sin límites. La Dirección General de Música del Ministerio de tes en sus filas para el curso de Práctica Orquestal 2009. Director Titu- Cultura de la Ciudad organiza las siguientes actividades. lar maestro Carlos calleja. Las pruebas se realizarán hasta mañana. Una CINE Y MÚSICA EN LAS VENAS. Estudio Urbano invita a disfrutar películas vez finalizada la inscripción, la Orquesta Académica del Teatro Colón donde el ingrediente musical es el principal protagonista y que tienen, además, enviará información del horario y lugar de cada prueba por correo elec- la virtud de ser cinematográficamente bellas. -
Uhm Phd 9205877 R.Pdf
· INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewri~er face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikeiy event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand corner and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact liMI directly to order. U-M-I University Microfilms International A Bell & Howell Information Company 300 North Zeeb Road, Ann Arbor, M148106-1346 USA 313/761-4700 800/521-0600 Order Number 9205811 Political economy of passion: Tango, exoticism, and decolonization Savigliano, Marta Elena, Ph.D. University of Hawaii, 1991 Copyright @1991 by Savigliano, Marta Elena. -
Instrumental Tango Idioms in the Symphonic Works and Orchestral Arrangements of Astor Piazzolla
The University of Southern Mississippi The Aquila Digital Community Dissertations Spring 5-2008 Instrumental Tango Idioms in the Symphonic Works and Orchestral Arrangements of Astor Piazzolla. Performance and Notational Problems: A Conductor's Perspective Alejandro Marcelo Drago University of Southern Mississippi Follow this and additional works at: https://aquila.usm.edu/dissertations Part of the Composition Commons, Latin American Languages and Societies Commons, Musicology Commons, and the Music Performance Commons Recommended Citation Drago, Alejandro Marcelo, "Instrumental Tango Idioms in the Symphonic Works and Orchestral Arrangements of Astor Piazzolla. Performance and Notational Problems: A Conductor's Perspective" (2008). Dissertations. 1107. https://aquila.usm.edu/dissertations/1107 This Dissertation is brought to you for free and open access by The Aquila Digital Community. It has been accepted for inclusion in Dissertations by an authorized administrator of The Aquila Digital Community. For more information, please contact [email protected]. The University of Southern Mississippi INSTRUMENTAL TANGO IDIOMS IN THE SYMPHONIC WORKS AND ORCHESTRAL ARRANGEMENTS OF ASTOR PIAZZOLLA. PERFORMANCE AND NOTATIONAL PROBLEMS: A CONDUCTOR'S PERSPECTIVE by Alejandro Marcelo Drago A Dissertation Submitted to the Graduate Studies Office of The University of Southern Mississippi in Partial Fulfillment of the Requirements for the Degree of Doctor of Musical Arts Approved: May 2008 COPYRIGHT BY ALEJANDRO MARCELO DRAGO 2008 The University of Southern Mississippi INSTRUMENTAL TANGO IDIOMS IN THE SYMPHONIC WORKS AND ORCHESTRAL ARRANGEMENTS OF ASTOR PIAZZOLLA. PERFORMANCE AND NOTATIONAL PROBLEMS: A CONDUCTOR'S PERSPECTIVE by Alejandro Marcelo Drago Abstract of a Dissertation Submitted to the Graduate Studies Office of The University of Southern Mississippi in Partial Fulfillment of the Requirements for the Degree of Doctor of Musical Arts May 2008 ABSTRACT INSTRUMENTAL TANGO IDIOMS IN THE SYMPHONIC WORKS AND ORCHESTRAL ARRANGEMENTS OF ASTOR PIAZZOLLA. -
Milva Live at the "Bouffes Du Nord" Mp3, Flac, Wma
Milva Live At The "Bouffes Du Nord" mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Latin / Pop / Folk, World, & Country Album: Live At The "Bouffes Du Nord" Country: Germany Released: 1984 Style: Tango, Vocal MP3 version RAR size: 1722 mb FLAC version RAR size: 1618 mb WMA version RAR size: 1763 mb Rating: 4.5 Votes: 877 Other Formats: ASF MOD VOC MPC DTS XM MP2 Tracklist Hide Credits Morire En Buenos Aires 1 4:53 Written-By – Angela Tarenzi, Astor Piazzolla, Horacio Ferrer Los Pajaros Perdidos 2 4:06 Written-By – Astor Piazzolla, Michele Trejo De Carissimo 3 2:50 Written-By – Astor Piazzolla Années De Solitude 4 3:47 Written-By – Astor Piazzolla, Maxime Le Forestier Balada Para Un Loco 5 5:49 Written-By – Astor Piazzolla, Horacio Ferrer Vamos Nina 6 4:27 Written-By – Astor Piazzolla, Horacio Ferrer J'Oublie 7 4:28 Written-By – Astor Piazzolla, David McNeil Che Tango Che 8 3:49 Written-By – Astor Piazzolla, Jean-Claude Carrière Preludio Para El Año 3001 9 4:21 Written-By – Angela Tarenzi, Astor Piazzolla, Horacio Ferrer Finale "Entre Brecht Et Brel" 10 5:16 Written-By – Astor Piazzolla, Claude Lemesle Companies, etc. Recorded At – Théâtre des Bouffes du Nord, Paris Manufactured By – Metronome Musik GmbH Distributed By – Metronome Musik GmbH Phonographic Copyright (p) – Metronome Musik GmbH Mixed At – Rüssl Studio Credits Artwork [Cover Design] – Michael Behr Bandoneon – Astor Piazzolla Bass – Hector Console Ensemble – Quintette De Tango Contemporain (tracks: 3) Guitar – O. Lopez Ruiz* Mixed By – Thomas Kuckuck* Piano – Pablo Ziegler Violin – F. Suarez Paz* Notes (P) 1984 METRONOME MUSIC GmbH Recorded live at the Theatre "Bouffes du Nord", Paris, September 29th., 1984 by "Le Voyageur" mobile studio. -
Astor Piazzolla This Is the Story of Travel, Travail and Triumph in the Life
Astor Piazzolla This is the story of travel, travail and triumph in the life of an Argentine musician, Astor Pantaléon Piazzolla. His travels were two-fold: across the continents and through many kinds of music. That he was able eventually to combine these musical strands into something new and distinctively his own was his triumph, but it was long-delayed and there were many travails along the way. Argentina’s spectacular 19th century boom had attracted millions of migrants, including Piazzolla’s Italian grandparents. By the time of Piazzolla’s birth in 1921, it was long over, but the rich ethnic mix it created had left a musical legacy. In the brothels of Buenos Aires, the music and dance of Spain, Cuba and Italy had fused with that of the gauchos and Afro- Argentine ex-slaves to create a new dance form, the tango. Its early manifestations were blatantly sexual and reeked too much of the bordello to be tolerated in polite society. But after some refinement in the salons of Paris it emerged in 1912 to sweep the world. Argentina especially went wild for the tango and its quintessential instrument, the bandoneón, an odd form of concertina with a characteristic tone. A public holiday, July 11, was declared Bandoneón Day, and tango cafés, dance halls and cabaret houses sprang up everywhere to cater for every social stratum. Astor’s father, Vincente, was an enthusiastic tanguero and dreamed that his son would become a bandoneonist. His dream came true but hardly in the way he imagined. It was with great reluctance that Vincente took his family away from this lively scene to search for prosperity in New York and it almost proved disastrous for his son. -
NAFTA Monitor Vol 1-6.Pm
NAFTA MONITOR Canada," WALL STREET JOURNAL, December 17, 1993; Alan L. Alder, "Autos Vol. 1 (1994) -- p.1 After NAFTA," AP, December 16, 1993; "Ford Will Build More in Mexico and In- Vol. 1, No. 1 Monday, December 20, 1993 crease Its Shipments South," INVESTOR'S BUSINESS DAILY, December 17, Headlines: 1993; Alva Senzek, "Trucks Make Comeback," EL FINANCIERO INTERNA- Vol. 2 (1995) -- p.36 COMPANIES SHIFT OPERATIONS TO MEXICO TIONAL, December 6-12, 1993. MEXICAN LABOR UNIONS TOO WEAK _________________________________________________ Vol. 3 (1996) -- p.80 MEXICO MAY NOT FOLLOW THROUGH WITH ENVIRONMENT PROMISES MEXICAN LABOR UNIONS TOO WEAK NAFTA WILL HURT MEXICAN INDUSTRIES As Mexican businesses suffer from increased com- Vol. 4 (1997) -- p.120 U.S. NAFTA PROTESTS CONTINUE petition under NAFTA, they will likely get tougher on _________________________________________________ workers to improve productivity. But an article in the Vol. 5 (1998) -- p.164 COMPANIES SHIFT OPERATIONS TO MEXICO NEW YORK TIMES says that under President Carlos In the weeks following the ratification of the North Salinas de Gortari Mexican labor unions are weaker Vol. 6 (1999) -- p.198 American Free Trade Agreement, many large compa- than they have been for 50 years and in a poor posi- nies announced plans to increase their operations in tion to deal with NAFTA's consequences. In testimony Mexico, often at the expense of U.S. or Canadian- before the U.S. Congress this year, Pharis Harvey, based manufacturing plants. executive director of the International Labor Rights Perhaps the quickest to take advantage of NAFTA Education and Research Fund, described organized Vol. -
Quinteto Astor Piazzolla – Bio (Revised September 2020)
Quinteto Astor Piazzolla – Bio (revised September 2020) In 1960, bandoneonist and composer Astor Piazzolla looked for a new instrument to interpret his ideas and put together his first great quintet. It was an unusual group, especially for tango, as it featured bandoneon, violin, electric guitar, piano, and double bass. Part chamber group, part jazz band, but deeply rooted in the spirit and history of tango, the quintet offered Piazzolla a broad range of resources and possibilities that proved critical for his New Tango. A decade later, Piazzolla, always restless and attuned to the musical trends of the time, dissolved the quintet, experimented with other ensembles, and decided to settle for a time in Europe. But in 1978, back in Buenos Aires, he went back to the sound of the quintet, assembling a new group that would stay with him for the next decade. It was a superb group that performed his, by now, classics, and pushed him to create new masterpieces. Piazzolla's death, on July 4, 1992, marked a new stage for his work. From then on, others would have to continue his efforts and champion his music. With that purpose, Laura Escalada Piazzolla, his companion of nearly 20 years, created the Fundación Astor Piazzolla and, in 1998, founded the Quinteto Astor Piazzolla, a repertory group to perform and update the sound of his emblematic ensemble. Creating an ensemble to play Piazzolla is no easy task. Instrumental virtuosity is indispensable — but not enough. This music also demands street wisdom, boldness, and a certain quality that the maestro called "roña" (grime) — the perfection of the imperfect. -
NEGRITUD EN LA NACIÓN BLANCA: Una Historia De Afro-Uruguay, 1830-2010
NEGRITUD EN LA NACIÓN BLANCA: una historia de Afro-Uruguay, 1830-2010 INTRODUCCIÓN 1 2 INTRODUCCIÓN G!"#$! R!%& A'&#!() NEGRITUD EN LA NACIÓN BLANCA: una historia de Afro-Uruguay, 1830-2010 T#*&+,,%-' &! B!.%'* G"'/01!/ A/,0#*.! Agosto de 2011 INTRODUCCIÓN 3 Creditos 54, foto 1.1-Crédito: Servicio O2cial de Difusión Radio Televisión y Espectáculos. 97, foto 2.2-Crédito: Archivo Fotográ2co de Montevideo. 98, foto 2.1-Crédito: Colección del autor. 101, foto 2.3-Crédito: Colección del autor. 108, foto 2.4-Crédito: Colección del autor. 109, foto 2.5-Crédito: Colección del autor. 110, foto 2.6-Crédito: Servicio O2cial de Difusión Radio Televisión y Espectáculos. 111, foto 2.7-Crédito: Colección del autor. 113, foto 2.8-Crédito: Archivo Fotográ2co de Montevideo. 117, foto 2.9-Crédito: Archivo Fotográ2co de Montevideo. 117, foto 2.10-Crédito: Colección del autor. 156, foto 4.1-Crédito: Archivo Fotográ2co de Montevideo. 231, foto 5.1-Crédito: Jorge Castelli. ISBN: 978-9974-xxxxxxxx © George Reid Andrews © Librería Linardi y Risso Juan Carlos Gómez 1435 Tel. 2915 7129 - 2915 7328 Fax (598) 2915 74 31 Montevideo - Uruguay E-mail: [email protected] www.linardiyrisso.com 4 INTRODUCCIÓN A Rubén Darío Galloza, 1926-2002 Pintor, poeta, compositor, activista INTRODUCCIÓN 5 6 INTRODUCCIÓN ÍNDICE Introducción 1. Siente esta noble raza grandiosa aspiración (1830-1920) 2. Memorias de África: comparsas y candombe (1870-1950) 3. Los nuevos negros (1920-1960) 4. Hoy todos bailan candombe (1950-2000) 5. Dictadura y democracia (1960-2010) Bibliografía INTRODUCCIÓN 7 8 INTRODUCCIÓN Ilustraciones 1 América del Sur y Uruguay 1.1 Un sargento de infantería, c. -
To Subscribe, Click Here — 2 —
— 1 — TO SUBSCRIBE, CLICK HERE — 2 — TO SUBSCRIBE, CLICK HERE Modern18 Tango World Athens Special Edition Editor Thanos Kasadis Table of Contents Greece Special Features Tango Acropilis Elena Gossi & Mestre Luis ............................................................ 03 An Argentine in Athens Fabian Ballejosi ......................................................... 06 Teaching Tango in Athens Theodore Georgedakis ....................................... 08 Guide to Tango in Greece ..................................................................................... 10 Maestro Fileteador Jorge Muscia ........................................................................... 18 Interview with Anibal Berraute (Tango Fusion) Marco Buso ..................... 22 Tango Sweat in Havana Urszula Przezdzik Abolik ............................................. 25 Tango Improvisation Jean-Pierre Sighe .............................................................................29 Un Tango Mas of German Kral Alexandru Eugen Cristea ............................. 32 The Tango Poetry & Literature of Rome Mario Abbatia ................................. 34 Our Advertisers ................................................................................................................. 37 New Tango Music Arndt Büssing ............................................................................... 38 Tango Moves: Parada (Sop) Raymond Lauzzana ................................................. 44 Letters to the Editor ...................................................................................................... -
Ciudadanos Imaginados: Historia Y Ficción En Las Narrativas Televisadas Durante El Bicentenario De La
Ciudadanos imaginados: historia y ficción en las narrativas televisadas durante el Bicentenario de la Independencia en Colombia, Chile y Argentina Mary Yaneth Oviedo Department of Languages, Literatures and Cultures McGill University, Montreal November 2017 A thesis submitted to McGill University in partial fulfilment of the requirements of the degree of Doctor of Philosophy © Mary Yaneth Oviedo 2017 2 Tabla de contenido RESUMEN…............................................................................................................................................... 4 ABSTRACT………. .................................................................................................................................... 6 SOMMAIRE........ ........................................................................................................................................ 8 Agradecimientos.. ...................................................................................................................................... 10 Introducción……. ..................................................................................................................................... 11 Televisión, historia y ficción .................................................................................................................. 15 Televisión y melodrama ......................................................................................................................... 17 Capítulo 1. La Pola: La historia nacional hecha telenovela ........................................................... -
LE MONDE/PAGES<UNE>
LE MONDE DES LIVRES VENDREDI 4 MAI 2001 LE MONDE DES POCHES UNE VIE DOUCE ÉROTISME : NOIRS PARADIS PENSER HIER POUR PENSER DEMAIN ET TRANQUILLE DE PIONNIER Cinq mille ans d’écrits amoureux Deux volumes collectifs pour tirer le bilan A Québec, une colonie française à la fin par Jean-Jacques Pauvert, philosophique du XXe siècle et envisager du XVIIe, par l’Américaine Willa Cather p. III et quelques curiosités p. VIII des pistes nouvelles pour le XXIe p. X a Viktor Pelevine, Michael Collins, Cuba, Québec, les « Poches » du mois... SUPPLÉMENT AU MONDE DU VENDREDI 4 MAI. N˚ 17503 - DIRECTEUR DE LA PUBLICATION : JEAN-MARIE COLOMBANI - IMPRIMERIE LE MONDE www.lemonde.fr 57e ANNÉE – Nº 17503 – 7,50 F - 1,14 EURO FRANCE MÉTROPOLITAINE VENDREDI 4 MAI 2001 FONDATEUR : HUBERT BEUVE-MÉRY – DIRECTEUR : JEAN-MARIE COLOMBANI L’écologie de M. Chirac Enquête sur la folie « Loft Story » b b a Le chef de l’Etat L’émission de « télévision-réalité » de M6 attire massivement les jeunes Prévue pour dix semaines, défend une « écologie elle met en scène la vie intime d’un groupe de garçons et de filles b Coupés du monde, les participants humaniste » ont accepté de fortes contraintes b Exhibitionnisme, voyeurisme, manipulation : le débat fait rage LA CHAÎNE M6 bat tous ses çons (cinq depuis l’abandon de l’un Elle les divise aussi sur la légitimité ter de fortes contraintes : pas de con- qui allierait progrès records d’audience et fait flamber d’entre eux mercredi 2 mai) et cinq de donner à voir un tel spectacle, pré- tacts extérieurs, ni journaux ni ses tarifs publicitaires avec « Loft Sto- filles enfermés et filmés dans un vu pour durer dix semaines.