download america album by thirty seconds to mars Download america album by thirty seconds to mars. Completing the CAPTCHA proves you are a human and gives you temporary access to the web property. What can I do to prevent this in the future? If you are on a personal connection, like at home, you can run an anti-virus scan on your device to make sure it is not infected with malware. If you are at an office or shared network, you can ask the network administrator to run a scan across the network looking for misconfigured or infected devices. Another way to prevent getting this page in the future is to use Privacy Pass. You may need to download version 2.0 now from the Chrome Web Store. Cloudflare Ray ID: 66a020083dccf142 • Your IP : 188.246.226.140 • Performance & security by Cloudflare. Download america album by thirty seconds to mars. Thirty Seconds To Mars America Full Album. Download link in ZIP/RAR formats. America is the fifth studio album by American rock band Thirty Seconds to Mars, released by Interscope Records on April 6, 2018. It is their first album release in five years, after 2013's Love, Lust, Faith and Dreams, as well as their first release under Interscope following the band's departure from Virgin in 2014. The supporting cast on America matches the project’s polished sounds and commercial ambitions. Mike Elizondo, a longtime Eminem collaborator who worked on some of Twenty One Pilots’ recent genre-bending hits, co-produced “Walk On Water,” and EDM hitmaker Zedd worked on the follow-up single “Dangerous Night.” The pizzicato guitar riff and vocal melody that open “Rescue Me” so strongly resemble Ellie Goulding’s 2015 dance pop hit “On My Mind” that it barely seems like it could be a coincidence. A$AP Rocky shows up on “One Track Mind” to rap a dopey eight-bar verse that ends with, “Heard it’s only 30 seconds to Mars, and it took you even less just to get to my heart.” The 46-year-old Leto duets with 23-year-old pop starlet Halsey on “Love Is Madness,” and his wildcat yowl practically drowns her out and sinks any chance of the song becoming a smash in the mold of the Chainsmokers’ “Closer.” It’s not that Thirty Seconds to Mars were such a good rock band that there’s something wrong with them trying to go pop. If Jared Leto is trying to become more famous, this is a more tasteful way to do it than his scenery-chewing turn as the Joker. But his band’s best work, from 2006’s menacing “The Kill” to 2009’s surging, anthemic “Kings and Queens,” benefited from a lot of energy and volume. Shannon Leto, Jared’s older brother and only permanent bandmate throughout their career, has long been their secret weapon, bashing away at cymbals and erupting into gratuitous snare drum fills. Drum machines take over from Shannon Leto for most of America, but he unveils a decent singing voice of his own on the acoustic “Remedy,” as well as a penchant for dippy lyrics that apparently runs in the family (“Hey man, where’d you go today? Did you find some place to stay, far far far away?”). Year: 2018 Genre: Alternative Rock Quality: 320 kbps. Track list: 01. Walk On Water 02. Dangerous Night 03. Rescue Me 04. One Track Mind (feat. A$AP Rocky) 05. Monolith 06. Love Is Madness (feat. Halsey) 07. Great Wide Open 08. Hail To The Victor 09. Dawn Will Rise 10. Remedy 11. Live Like A Dream 12. Rider. AMERICA. Purchase and download this album in a wide variety of formats depending on your needs. Buy the album Starting at $7.49. 30 Seconds To Mars. Copy the following link to share it. You are currently listening to samples. Listen to over 70 million songs with an unlimited streaming plan. Listen to this album and more than 70 million songs with your unlimited streaming plans. 1 month free, then $14.99/ month. Neal Avron, Mixer, StudioPersonnel - Jared Leto, Producer, ComposerLyricist - Shannon Leto, ComposerLyricist - Thirty Seconds To Mars, MainArtist - Scott Skrzynski, Assistant Mixer, StudioPersonnel - Stevie Aiello, Background Vocalist, AssociatedPerformer. ℗ 2017 Thirty Seconds to Mars. Jared Leto, Producer, ComposerLyricist - Zedd, Producer, Mixer, StudioPersonnel - Thirty Seconds To Mars, MainArtist - Stephen Aiello, ComposerLyricist - Stevie Aiello, Guitar, Background Vocalist, AssociatedPerformer - Ryan Shanahan, Assistant Mixer, StudioPersonnel. ℗ 2018 Thirty Seconds to Mars. Howie Weinberg, Mastering Engineer, StudioPersonnel - MANNY MARROQUIN, Mixer, StudioPersonnel - Jared Leto, Producer, ComposerLyricist - Chris Galland, Mix Engineer, StudioPersonnel - Thirty Seconds To Mars, MainArtist - KillaGraham, Producer, Co-Producer - Graham Muron, ComposerLyricist - Robin Florent, Assistant Mixer, StudioPersonnel - Scott Desmarais, Assistant Mixer, StudioPersonnel - Will Borza, Assistant Mastering Engineer, StudioPersonnel. ℗ 2018 Thirty Seconds to Mars. John Hanes, Assistant Mixer, StudioPersonnel - Serban Ghenea, Mixer, StudioPersonnel - Howie Weinberg, Mastering Engineer, StudioPersonnel - Jared Leto, Producer, ComposerLyricist - RoboPop, Producer - A$AP Rocky, FeaturedArtist - Thirty Seconds To Mars, MainArtist - D Omelio, ComposerLyricist - Stevie Aiello, Guitar, AssociatedPerformer - Will Borza, Assistant Mastering Engineer, StudioPersonnel. ℗ 2018 Thirty Seconds to Mars. Howie Weinberg, Mastering Engineer, StudioPersonnel - Jared Leto, Producer, ComposerLyricist - Thirty Seconds To Mars, MainArtist - Jordan Galvan, Mixer, StudioPersonnel - Will Borza, Assistant Mastering Engineer, StudioPersonnel. ℗ 2018 Thirty Seconds to Mars. Howie Weinberg, Mastering Engineer, StudioPersonnel - MANNY MARROQUIN, Mixer, StudioPersonnel - Jared Leto, Producer, ComposerLyricist - Jamie Schefman, Producer - Chris Galland, Mix Engineer, StudioPersonnel - Halsey, FeaturedArtist - Thirty Seconds To Mars, MainArtist - Stevie Aiello, Guitar, AssociatedPerformer - Ashley Frangipane, ComposerLyricist - Robin Florent, Assistant Mixer, StudioPersonnel - Scott Desmarais, Assistant Mixer, StudioPersonnel - Macgregor Leo, Producer, Additional Producer - Will Borza, Assistant Mastering Engineer, StudioPersonnel. ℗ 2018 Thirty Seconds to Mars. Howie Weinberg, Mastering Engineer, StudioPersonnel - Neal Avron, Mixer, StudioPersonnel - Jared Leto, Producer, ComposerLyricist - Thirty Seconds To Mars, MainArtist - Scott Skrzynski, Assistant Mixer, StudioPersonnel - Stevie Aiello, Background Vocalist, AssociatedPerformer - Will Borza, Assistant Mastering Engineer, StudioPersonnel. ℗ 2018 Thirty Seconds to Mars. Howie Weinberg, Mastering Engineer, StudioPersonnel - Rob Kinelski, Mixer, StudioPersonnel - Jared Leto, Producer, ComposerLyricist - Nils Rondhuis, ComposerLyricist - Jim Taihuttu, ComposerLyricist - Yellow Claw, Producer, Co-Producer - Thirty Seconds To Mars, MainArtist - Stephen Aiello, ComposerLyricist - Stevie Aiello, Background Vocalist, AssociatedPerformer - Will Borza, Assistant Mastering Engineer, StudioPersonnel - Thomas Van Der Bruggen, ComposerLyricist. ℗ 2018 Thirty Seconds to Mars. Howie Weinberg, Mastering Engineer, StudioPersonnel - Erik Madrid, Mixer, StudioPersonnel - Jared Leto, Producer, ComposerLyricist - Jamie Schefman, Producer - Thirty Seconds To Mars, MainArtist - William Binderup, Assistant Mixer, StudioPersonnel - Will Borza, Assistant Mastering Engineer, StudioPersonnel. ℗ 2018 Thirty Seconds to Mars. Howie Weinberg, Mastering Engineer, StudioPersonnel - Shannon Leto, Producer, ComposerLyricist - Thirty Seconds To Mars, MainArtist - Stephen Aiello, ComposerLyricist - Stevie Aiello, Guitar, Background Vocalist, AssociatedPerformer - Jordan Galvan, Mixer, StudioPersonnel - Will Borza, Assistant Mastering Engineer, StudioPersonnel. ℗ 2018 Thirty Seconds to Mars. Howie Weinberg, Mastering Engineer, StudioPersonnel - Neal Avron, Mixer, StudioPersonnel - Jared Leto, Producer, ComposerLyricist - Thirty Seconds To Mars, MainArtist - Scott Skrzynski, Assistant Mixer, StudioPersonnel - Stevie Aiello, Guitar, Background Vocalist, AssociatedPerformer - Will Borza, Assistant Mastering Engineer, StudioPersonnel. ℗ 2018 Thirty Seconds to Mars. Howie Weinberg, Mastering Engineer, StudioPersonnel - Erik Madrid, Mixer, StudioPersonnel - Jared Leto, Producer, ComposerLyricist - Thirty Seconds To Mars, MainArtist - Stevie Aiello, Guitar, AssociatedPerformer - Tommy English, Producer - William Binderup, Assistant Mixer, StudioPersonnel - Will Borza, Assistant Mastering Engineer, StudioPersonnel - Alice Aufray, Background Vocalist, AssociatedPerformer. ℗ 2018 Thirty Seconds to Mars. About the album. 1 disc(s) - 12 track(s) Total length: 00:42:19. © 2018 Thirty Seconds to Mars ℗ 2018 Thirty Seconds to Mars. Why buy on Qobuz. Stream or download your music. Buy an album or an individual track. Or listen to our entire catalogue with our high-quality unlimited streaming subscriptions. Zero DRM. The downloaded files belong to you, without any usage limit. You can download them as many times as you like. Choose the format best suited for you. Download your purchases in a wide variety of formats (FLAC, ALAC, WAV, AIFF. ) depending on your needs. Listen to your purchases on our apps. Download the Qobuz apps for smartphones, tablets and computers, and listen to your purchases wherever you go. Let the Soil Play Its Simple Part. Chopin : Piano Concertos. 30 Seconds To Mars. 30 Seconds To Mars. 30 Seconds To Mars. A Beautiful Lie. 30 Seconds To Mars. 30 Seconds To Mars. Love Is Madness. 30 Seconds To Mars. Back the Way We Came: Vol. 1 (2011 - 2021) Noel Gallagher's High Flying Birds. WHEN WE ALL FALL ASLEEP, WHERE DO WE GO? Idiot Prayer - Nick Cave Alone at Alexandra Palace. From 2001, The Black Keys have been reminding the world about the real roots of the Blues, cutting away all the frills and unnecessary solos. Their music has always been untamed, abrupt and minimalist. Dan Auerbach and Patrick Carney developed this unique style over the course of two decades, without once selling their souls to the devil at a Mississippi crossroads. Here are ten songs to prove it. Snowy scenes, big expanses, beautiful nature everywhere… Scandinavia is often described by the same old clichés. Jazz is no exception. We tend to talk about Scandi jazz like it’s one big genre. However, each country has its own distinct style; Denmark’s scene rivals traditional North American jazz, Norway tends to get experimental and Sweden treads the line between the two. Nordic musicians have been adding their own unique touch to the genre since the 70s and the younger generation continue to sculpt its future. Here, we zoom in on Scandinavian jazz in 10 albums, offering a glimpse into a discography that’s as wide as a fjord. From the White Stripes to his time in the solo wilderness, Jack White has been foretelling the doom of a clapped-out rock'n'roll. The genius with a thousand projects has a new prophecy: rock is coming back. While we await its return, here's a look back at the White phenomenon. America. On their fifth full-length, America, a once-rocking Thirty Seconds To Mars intend to save the heart and soul of their homeland with an effort as vast and polarizing as the country itself. The trio, marching in step with messianic frontman Jared Leto, seems to leave no mainstream genre untouched. Riddled with trap beats, millennial whoops, and plenty of electronic-synth sheen, America is Thirty Seconds To Mars executing their typically dramatic bombast at a fever pitch. For many fans, the lack of rock aggression will prove divisive, and yet for the longtime faithful who are as devoted to the Mars gospel as the band itself, America should be appreciated as a bold and risky move. The band is nothing if not convicted to its ideas. The twin pillars of America are "Walk On Water" and "Great Wide Open," two epic triumphs that best capture the album's entire ethos. Opener "Walk On Water" rallies listeners to fight for hope and change, a euphoric dose of optimism that could convert the hardest of hearts. "Great Wide Open" kicks off the second half of the album with U2-sized cinematic drama, playing like a new national anthem. They are undeniably grand and highlights in the Mars catalog. The rest of the album is hit-or-miss, depending on the listener's headspace and generosity. "Dangerous Night" shimmers with production by Zedd, who layers electronic snaps and cavernous bass atop the band's arena-sized, inspirational rock. The result sounds similar to what former tourmates Muse attempted with their late-era output. Elsewhere, "Rescue Me" sounds like the Chainsmokers were let loose in the studio with Maroon 5, while "Hail To The Victor" bridges the trap buzz of Taylor Swift's ". Ready For It?" with Fall Out Boy's Mania. In addition to Zedd, America recruited two other unconventional guests. "One Track Mind" features a barely-there A$AP Rocky, while standout "Love Is Madness" fully utilizes Halsey's vocals on a fiery duet. If these faces seem unexpected upon first glance, they make more sense in the context of the album, which absorbs each artist's chosen genre (electronic, hip-hop, alternative R&B) in an attempt to capture that all-inclusive mono-genre spirit of America's melting pot. It's a noble effort and two bands that heavily inform Thirty Seconds To Mars have tried this sort of genre-jumping in the past (U2's Pop and Muse's The Second Law). As such, America succeeds in representing its namesake: it's confused, inspirational, and, like Thirty Seconds To Mars circa 2018, at a serious crossroads where the future is uncertain but oddly hopeful. Thirty Seconds To Mars – America. I have no idea where to even begin with this album. For the last 16 years, Thirty Seconds to Mars have been one of my all-time favourite bands, but it seems lately I am drifting further away from them. They are becoming less and less the band I once recognised and fell in love with. Now, before the internet lights up its digital pitchforks, I am and will always be in favour of bands trying new things and exploring all creative avenues, as much as I subscribe to the mentality that you can be a fan of something, but not like everything associated with it. Which brings me to ‘America’, the fifth studio album by Thirty Seconds to Mars and the follow up to 2013’s ‘Love, Lust, Faith and Dreams’ an album that also divided opinion upon its release. America is bolstered by a rather attention-grabbing marketing campaign which involves words associated with parts of American culture and life being plastered onto neon coloured signs with the band’s name alongside them, in a much smaller font. It’s eye-catching and gets a point across, but it also highlights the first problem with the album. The marketing and the album are not directly connected in any way, and the marketing does not play into any themes explored on the album. It seems like a little bit too much, for a very small payoff. I think I can hand on heart say that this is perhaps the worst album to bear the Thirty Seconds to Mars name. I think this largely boils down to the fact that it is the one that feels the least like it was actually written by a band and it has no discernible identity. For starters, the band’s involvement seems to be limited at best, with Tomo Milicevic being pretty much absent on most of the songwriting credits and it greatly shows, as there is a distinct lack of guitars anywhere near this album. Most of the album was seemingly written by band figurehead Jared Leto and a team of hip producers and outside writers who apparently feared reigning him in, as this may be Jared at his most self-indulgent. The album opens well with the anthemic ‘Walk on Water’ which feels like a callback to the bands’ ‘This Is War’ era and seems to promise things the rest of the album cannot deliver on. Autotuned vocals get layered over repetitive processed trap beats that even 2 Chainz would consider derivative which fails to inspire even a simple head nod. Lyrically the album doesn’t go anywhere new and it almost seems at times that some of the songs could have just been pulled from a create your own lyrics online generator, with 90% failing to land or inspire any form of emotion at all. There are moments when listening to this album where it feels like it a like a group of children were tasked with writing a music project based on what they think the music on the radio sounds like. A$AP Rocky and Halsey pop in on the tracks ‘One Track Mind’ and ‘Love is Madness’ respectively but don’t add too much of value to their parts, other than to get some added names on the tracklist. With that said Halsey does fair better than A$AP Rocky, who in his verse uses some truly horrendous vocal trickery and manages to eek out the cringey lyric “Heard it’s only Thirty Seconds to Mars, then it takes you even less to get my heart”. I wish I was joking and that wasn’t a genuine lyric on an album in 2018. It comes to something when the best song on the album doesn’t feature Jared and is a stripped back acoustic number titled ‘Remedy’ that has Shannon Leto take centre stage, it is a shining moment of true human emotion in an otherwise sterile environment. ‘America’ is the first album by Thirty Seconds to Mars that I have fundamentally hated from top to bottom. An album that lacks soul and conviction, that is completely devoid of a personality and is completely crippled by overbearing production that strips it of all humanity. It seems to have been created by someone who is riding a wave of their own self important momentum, that would have been better served as a solo album than something bearing the name of one of the world’s biggest bands. An experiment that has sadly failed and leaves the listener with the final line of ‘You’ll miss me when I’m gone’. On this evidence that seems unlikely, but it does give you pause to what the future hold for 30 Seconds to Mars after this. America is released on the 6th of April through Interscope Records .