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Julia, Imagen Givenchy Su Esposo La Asesinó Caída De
EXCELSIOR MIÉRCOLES 10 DE DICIEMBRE DE 2014 [email protected] Resumen. Pharrell Williams encabeza la lista de @Funcion_Exc popularidad de Billboard. Y los escándalos del año>6 y 13 MAÑANA SE ESTRENA EN DOS MIL 400 SALAS UNA ÚLTIMA Los actores queAVENTURA participaron en El Hobbit: La batalla de los cinco ejércitos mostraron su satisfacción de poder participar en la tercera entrega de la saga dirigida por Peter Jackson >8 y 9 Fotos: Cortesía Warner Bros. Foto: Tomada de Instagram Givenchy Foto: Tomada de YouTube Foto: AP JULIA, IMAGEN GIVENCHY CAÍDA DE ELTON, VIRAL SU ESPOSO LA ASESINÓ PARÍS.- La actriz estadunidense Julia Roberts será la Más de un millón de visitas en sólo 24 horas alcanzó La actriz y modelo Stephanie Moseley, protagonista del nueva imagen de la casa francesa de moda Givenchy el video en el que se ve al cantante Elton John en una reality televisivo Hit The Floor, fue asesinada a tiros por para su campaña de primavera/verano 2015. aparatosa caída al presenciar un partido de tenis. Earl Hayes, quien era su esposo. El hombre se quitó la En las imágenes en blanco y negro, la actriz mues- El músico de 67 años asistió a un evento en el vida después de haberla matado. tra un aspecto andrógino, ataviada con una blusa ne- Royal Albert Hall de Londres, donde alentaba a su Trascendió que se habían separado hace dos años, gra con mangas transparentes. equipo contra el de la exjugadora profesional Billie Jean luego de un supuesto amorío con el músico Trey Songz, La sesión fue realizada por la importante empresa King, pero al intentar sentarse se suscitó el incidente. -
“Grunge Killed Glam Metal” Narrative by Holly Johnson
The Interplay of Authority, Masculinity, and Signification in the “Grunge Killed Glam Metal” Narrative by Holly Johnson A thesis submitted to the Faculty of Graduate and Postdoctoral Affairs in partial fulfillment of the requirements for the degree of Master of Arts in Music and Culture Carleton University Ottawa, Ontario © 2014, Holly Johnson ii Abstract This thesis will deconstruct the "grunge killed '80s metal” narrative, to reveal the idealization by certain critics and musicians of that which is deemed to be authentic, honest, and natural subculture. The central theme is an analysis of the conflicting masculinities of glam metal and grunge music, and how these gender roles are developed and reproduced. I will also demonstrate how, although the idealized authentic subculture is positioned in opposition to the mainstream, it does not in actuality exist outside of the system of commercialism. The problematic nature of this idealization will be examined with regard to the layers of complexity involved in popular rock music genre evolution, involving the inevitable progression from a subculture to the mainstream that occurred with both glam metal and grunge. I will illustrate the ways in which the process of signification functions within rock music to construct masculinities and within subcultures to negotiate authenticity. iii Acknowledgements I would like to thank firstly my academic advisor Dr. William Echard for his continued patience with me during the thesis writing process and for his invaluable guidance. I also would like to send a big thank you to Dr. James Deaville, the head of Music and Culture program, who has given me much assistance along the way. -
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
Download-To-Own and Online Rental) and Then to Subscription Television And, Finally, a Screening on Broadcast Television
Exporting Canadian Feature Films in Global Markets TRENDS, OPPORTUNITIES AND FUTURE DIRECTIONS MARIA DE ROSA | MARILYN BURGESS COMMUNICATIONS MDR (A DIVISION OF NORIBCO INC.) APRIL 2017 PRODUCED WITH THE ASSISTANCE OF 1 EXPORTING CANADIAN FEATURE FILMS IN GLOBAL MARKETS Acknowledgements This study was commissioned by the Canadian Media Producers Association (CMPA), in partnership with the Association québécoise de la production médiatique (AQPM), the Cana- da Media Fund (CMF), and Telefilm Canada. The following report solely reflects the views of the authors. Findings, conclusions or recom- mendations expressed in this report are those of the authors and do not necessarily reflect the views of the funders of this report, who are in no way bound by any recommendations con- tained herein. 2 EXPORTING CANADIAN FEATURE FILMS IN GLOBAL MARKETS Executive Summary Goals of the Study The goals of this study were three-fold: 1. To identify key trends in international sales of feature films generally and Canadian independent feature films specifically; 2. To provide intelligence on challenges and opportunities to increase foreign sales; 3. To identify policies, programs and initiatives to support foreign sales in other jurisdic- tions and make recommendations to ensure that Canadian initiatives are competitive. For the purpose of this study, Canadian film exports were defined as sales of rights. These included pre-sales, sold in advance of the completion of films and often used to finance pro- duction, and sales of rights to completed feature films. In other jurisdictions foreign sales are being measured in a number of ways, including the number of box office admissions, box of- fice revenues, and sales of rights. -
The Function of Pastry Division
THE RESPONSIBILITIES, STRENGTHS, AND WEAKNESSES OF KITCHEN SECTION AT SAHID JAYA HOTEL SOLO FINAL PROJECT Submitted as a partial requirements to obtaining a degree In English Diploma Program Faculty of Letters and Fine Arts Sebelas Maret University By: Danar Rizki Wicaksono C9306023 ENGLISH DIPLOMA PROGRAM LETTERS AND FINE ARTS FACULTY SEBELAS MARET UNIVERSITY S U R A K A R T A 2010 i APPROVAL OF SUPERVISOR Approved to be examined before the Board of Examiners, English Diploma Program Faculty of Letters and Fine Arts, Sebelas Maret University Final Project Report: The Responsibilities, Strengths, and Weaknesses of Kitchen Section at Sahid Jaya Hotel Solo Name : Danar Rizki Wicaksono NIM : C 9306023 Supervisor, Dra. Rara Sugiarti, M.Tourism NIP. 196305301990032001 ii APPROVAL OF BOARD EXAMINERS Accepted and approved by the Board of Examiners, English Diploma Faculty of Letters and Fine Arts, Sebelas Maret University Title : The Responsibilities, Strengths, and Weaknesses of Kitchen Section at Sahid Jaya Hotel Solo Name : Danar Rizki Wicaksono NIM : C9306023 Examination date : February 10th 2010 The Board of Examiners 1. Dra. Susilorini, MA (.……………… ) Chair Person NIP.19650601199202002 2. M. Taufiq Al Makmun, SS, MA (………………..) Secretary NIP.197806272005011003 3. Dra. Rara Sugiarti, M.Tourism (………………. ) Main Examiner NIP.196305301990032001 Faculty of Letters and Fine Arts Sebelas Maret University Dean Drs. Sudarno, MA NIP. 195303141985061001 iii PREFACE In this special occasion, I would like to say the deepest thanks to Allah SWT who has given me power, spirit, and everything in finishing this Final Project and I would like to inform the readers that this Final Project entitled “The Responsibilities, Strengths, and Weaknesses of Kitchen Section at Sahid Jaya Hotel Solo” contains detailed information about the job description of Kitchen Section and the responsibilities, strengths, and weaknesses of Kitchen Section in Sahid Jaya Hotel Solo. -
2013 Pure Seed Book Dear Gardening Friends, We Are Excited to Bring You Our 15Th Annual Seed Catalog, the Largest and We Hope the Best Yet
Baker Creek Heirloom Seeds uwww.rareseeds.com 2013 Pure Seed Book Dear Gardening Friends, We are excited to bring you our 15th annual seed catalog, the largest and we hope the best yet. This year it contains 212 pages and 1450 varieties of rare and unique vegetables, flowers and herbs from over 70 countries, bringing you the largest selection of heirloom varieties offered in the Ameri- cas and probably the most diverse collection of ed- ibles on the planet. It is our goal to preserve these unique genetic treasures: seeds that have been passed down through the generations, savored, saved and honored as part of each culture. They tell a still-living story of a culinary and horticultural past. This is a past that is filled with amazing seeds and stories—stories that are just as colorful as the fragrant flowers and vintage vegetables that are now filling our gardens again. Heirloom seeds bring history alive and connect past, present and future together like nothing else can. For me personally, when I grow and eat Mexi- can chiles each summer, I remember my Mexican grandmother toiling in the garden all day, with me running along beside her and watching as she lov- ingly honored the soil and seeds, and then in the kitchen cooking the same foods that were passed down to her. As I plant each variety each spring, I am instantly transplanted back to cultures of the past, to the gardens of our forefathers, including my grandparents. Now I hope to plant a dream of good food and soil into our little daughter Sasha, who al- ready is captivated by the miracles of seed and soil. -
Slipknot Apresenta a Turnê "Prepare for Hell" Em São Paulo, Em Setembro
Slipknot apresenta a turnê "Prepare for Hell" em São Paulo, em setembro Famosos por seu som pesado e por seu figurino característico que inclui macacões e máscaras, banda anuncia show no dia 27 de setembro, na Arena Anhembi. Ingressos à venda no site da Livepass. Um dos maiores fenômenos internacionais do heavy metal, o Slipknot traz para o país a turnê “Prepare for Hell", que tem base em seu quinto e mais recente álbum de estúdio, .5: The Gray Chapter, lançado em 2014. A apresentação única em São Paulo acontece no dia 27 de setembro, na Arena Anhembi, dentro da plataforma Samsung Galaxy S6 Live Music Rocks. A banda promete um ambicioso show de rock pesado acompanhado por músicas que mostram o futuro doSlipknot, sem esquecer das raízes da banda, tudo isso em um novo palco, especialmente criado para a turnê de 2015. O grupo se apresenta ainda no Rock in Rio, no dia 25 de setembro. A apresentação de São Paulo contará com a participação especial da banda Mastodon. Apresentados por Samsung Galaxy S6 e com patrocínio da Sky e Budweiser, os shows são uma realização da Move Concerts e fazem parte da nova plataforma de música Samsung Galaxy S6 Live Music Rocks. Mais informações sobre venda de ingressos, abaixo, em “Serviço”. Famosos pelo figurino de seus shows, que inclui macacões e máscaras criados especialmente para a banda, o Slipknot promete apresentar no show de São Paulo um set list que reúne não só seus maioreshits, como “Wait and Bleed”, “Duality” e “Psychosocial”, mas também músicas do novo álbum: “The Devil in I”, “Custer” e “The Negative One”. -
Justin Bieber Featuring Slipknot
JUSTIN BIEBER FEATURING SLIPKNOT: Consumption as Mode of Production Ragnhild Brøvig-Hanssen A musical mash-up typically consists of two recognizable recordings that are synchronized such that the vocal(s) of one track are combined with an instrumental version of the other without significant edits.1 The ontological presence of a mash-up band is thus only to be found in the virtual domain––that is, the artists in question have never actually performed together. The virtual music collaborations enabled by mash-up producers invite us to encounter the musical result in ways that are very different from those we apply to non- virtual music collaborations, and, as scholars, we are therefore compelled to analyze the music in a different way as well. Moreover, mash-up music encourages us to rethink what musical authorship, creativity, and musicality means to us today. Because mash-ups often consist of nothing but macro-samples, and often simply of two full-length samples that have hardly been edited at all, mash-up producers have been criticized for lacking talent and creativity; for example, McLeod writes: “Despite my appreciation of them, I do not mean to idealise mash-ups because, as a form of creativity, they are quite limited and limiting.”2 This perspective might also help to explain why scholars usually approach the musical mash-up from a sociological or juridical orientation with a focus on its extramusical features, and, in 1 I am very grateful to Anne Danielsen, Hedda Høgåsen-Hallesby, Nils Nadeau, and Sheila Whiteley for their insightful comments on this chapter. -
Arisia 2015 Pocket Program
Overview Friday Saturday Sunday Monday Participant Schedules Mezzanine Level (3W) HOTEL MAPS 1 Health Club Hotel Oces Conference Level (3E) Carlton Grin Locker Frost Pool Room Video Gaming Registration Indepen- Burroughs Lewis dence Green Room Adams Alcott Bul- LARP nch Douglas Gender- Faneuil III II I Free Executive Harbor Ballroom Hale Boardroom Program Tabletop Lobby Level (2W) Nexus Art Show Gaming Business Quincy Center Starbucks Hancock Otis Paine Volun- Fast Track Films Anime teers Lobby Level (2E) Gift Webster Stone Revere Shop Info Birch Bar Fast Track Ops/Security Video Desk City Bar MJ O’Connor’s Laugh Boston Innkeeper Sauciety Front Desk 4 3 2 1 Marina Ballroom Author/Artist Alley Concourse Level (1W) Galleria Level (1E) A B E Dealers Room C D Common- Freebies Grand Ballroom B wealth Ballroom C A Dancing Dealers Room To Food Con Suite Trucks Tables Fan 2 QUICK REFERENCE QUICK REFERENCE 3 Access/Handicapped Services see Info Desk Hotels Anime Room Paine (2W) Westin main number: 617-532-4600 Renaissance main number: 617-338-4111 Arisia TV Channel 86 in Guest Rooms Information Desk Lobby near elevators Art Show Harbor Ballroom II/III (3E) Friday noon–11pm Friday 6pm–9pm Sat/Sun 9am–9pm Saturday 10am–6pm, 8pm–10pm Monday 9am–1pm Sunday 10am–6pm Paper auction ends at 5:30 Internet Access Wireless Only 6pm–7:30pm Sales Pickup In Public areas—use ‘WestinBostonLobby’ (no password) Monday 10am–noon Sales Pickup/Artist Checkout In Guest Rooms—Password: arisia2015 Artists & Authors Alley Galleria (1E) Lost and Found Hotel Front Desk Friday 5pm–9pm Go to Registration for lost badges. -
Tony Taylor Jr. Named Winner of Guitar Center's 27Th Annual Drum-Off
FOR IMMEDIATE RELEASE Tony Taylor Jr. Named Winner of Guitar Center’s 27th Annual Drum-Off ANNOUNCEMENT HIGHLIGHTS: Guitar Center to grant Taylor with career-altering endorsement deals, gear and cash in a grand prize package valued at over $45,000 Past Drum-Off winners have gone on to see successful careers, playing with the likes of Prince, Jay Z, Beyoncé, The Mars Volta and more The evening included performances by Taylor Hawkins (Foo Fighters), Mike Mangini (Dream Theater), Gil Sharone (Marilyn Manson) and more Westlake Village, CA (January 20, 2016) – Starting in August, drummers from across the country signed up to compete in Guitar Center’s 27th Annual Drum-Off, and out of the thousands of hopefuls, five talented finalists competed for the winning title last Saturday, January 16, 2016. At stake was a prize package including endorsement deals, gear and cash valued at nearly $45,000. An all-star panel of judges was on hand to critique the performances including Steve Ferrone (Tom Petty & The Heartbreakers), Matt Garstka (Animals as Leaders), George “Spanky” McCurdy (Lady Gaga), Ced Mitchell (Nick Jonas), Cora Dunahm (Beyonce), Glen Sobel (Alice Cooper), Mike Reid (Rhianna), Gerald Heyward (Chris Brown), Tony Royster Jr. (Jay Z), Jim Riley (Rascall Flatts), Dave Elitch (Antemasque) and Nisan Stewart (Dancing With The Stars). As the winner, Tony Taylor Jr., joins an esteemed group of talented drummers who have gone on to play for the likes of Prince, Beyoncé, Jay Z and more. Growing up in Matteson, IL, just outside of Chicago, Tony Taylor Jr. comes from a family with deep musical roots. -
Taking Note Cover Star
WHERE IS THE LOVE? The Story behind Japan’s Frozen Population Growth TAKING NOTE Global Perspectives and New Designs in Education COVER STAR Songstress May J Breaks Through with “Let It Go” ALSO: A Chocolate Movement Comes to Tokyo, Valentine’s Gift Guide, Art around Town, Agenda, Movies,www.tokyoweekender.com and more... FEBRUARY 2015 Your Move. Our World. C M Y CM MY CY Full Relocation CMY K Services anywhere in the world. Asian Tigers Mobility provides a comprehensive end-to-end mobility service tailored to your needs. Move Management – office, households, Tenancy Management pets, vehicles Family programs Orientation and Cross-cultural programs Departure services Visa and Immigration Storage services Temporary accommodation Home and School search Asian Tigers goes to great lengths to ensure the highest quality service. To us, every move is unique. Please visit www.asiantigers-japan.com or contact us at [email protected] Customer Hotline: 03-6402-2371 FEBRUARY 2015 www.tokyoweekender.com Your Move. Our World. FEBRUARY 2015 CONTENTS 10 C MAY J. M How letting go and learning to love the Y cover song rekindled a music career CM MY CY Full Relocation 7 14 18 CMY K Services anywhere in the world. Asian Tigers Mobility provides a comprehensive end-to-end mobility service tailored to your needs. Move Management – office, households, Tenancy Management LEXUS TEST DRIVE TOKYOFIT BEAN-TO-BAR CHOCOLATE pets, vehicles Family programs Pernod Ricard Japan CEO Tim Paech takes Getting in touch with your inner child— Bringing a chocolate revolution -
UWS Academic Portal Islamic Religion and Death Metal Music in Indonesia
UWS Academic Portal Islamic religion and death metal music in Indonesia James, Kieran; Walsh, Rex John Published in: Journal of Popular Music Studies DOI: 10.1525/jpms.2018.200007 Published: 30/09/2018 Document Version Peer reviewed version Link to publication on the UWS Academic Portal Citation for published version (APA): James, K., & Walsh, R. J. (2018). Islamic religion and death metal music in Indonesia. Journal of Popular Music Studies, 30(3), 129-152. https://doi.org/10.1525/jpms.2018.200007 General rights Copyright and moral rights for the publications made accessible in the UWS Academic Portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. Take down policy If you believe that this document breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim. Download date: 23 Sep 2021 "This is the peer reviewed version of the following article: James, K. and Walsh, R. (2018) Islamic religion and death metal music in Indonesia - Part 1. Journal of Popular Music Studies. Vol. 30(3), pp. XX which has been published in final form at [Link to final article using the DOI]. This article may be used for non-commercial purposes in accordance with Wiley Terms and Conditions for Use of Self-Archived Versions." https://authorservices.wiley.com/author-resources/Journal-Authors/licensing/self-archiving.html To be completed on publication. Islamic Religion and Death Metal Music in Indonesia: Part 1 Abstract The Bandung (Indonesia) Death Metal scene is known for its secular orientation whereby religion and religious belief are viewed as private matters which should be restricted to the private realm.