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Settlers, Africans, and Inter-Personal Violence in Kenya, Ca. 1900-1920S
International Journai of African Historicai studies Vol. 45, No. 1 (2012) 57 Settlers, Africans, and Inter-Personal Violence in Kenya, ca. 1900-1920s By Brett Shadle Virginia Tech ([email protected]) As Fanon noted, violence was inherent in inter-racial relations in settler colonies, and Ngugi reiterated this point specifically in regard to Kenya.' When attempting to write a cultural history of white settlers, Ngugi found nothing of value. He observed only garish paintings in upscale Nairobi bars featuring scenes of colonial life: scrawny Africans pulling whites in rickshaws, a "long bull-necked, bull-faced settler" holding a sjambock (Afrikaans: whip) and his loyal (and well-fed) dog at his side. It was just such a scene, Ngugi refiected, that summed up white settlement: "The rickshaw. The dog. The sjambock. The ubiquitous underfed, wide-eyed, uniformed native slave."2 In the end, as Ngugi put it, "Reactionary violence to instill fear and silence was the very essence of colonial settler culture."3 As is so often the case, Ngugi cut to the heart of the matter: one cannot envision the settler without the sjambock, or in Kenyan parlance, the kiboko (hippopotamus-hide vvhip).'^ Often settlers considered beatings as part and parcel of life in Africa, almost akin to milking the cows or cleaning the kitchen (if, in fact, Europeans ever performed such menial tasks). In the flrst several decades of colonial Kenya, settlers certainly did not hesitate to discuss their use of the lash. In a letter to the East African Standard in 1927, Frank Watkins bragged that, "I thrash my boys if they deserve it and I will let [African defender and settler critic] Archdeacon Owen or anyone else enquire into my methods of handling and working labour."5The Times of East Africa believed, "Probably there is not ' Franz Fanon, Wretched of the Earth (New York: Grove Weidenfeld, 1963); Ngugi wa Thiong'o, Detained: A Writer's Prison Diary (London: Heinemann, 1981), Chap. -
ISSN 1820-4589 the CULTURE of POLIS, Vol. XVII (2020)
ISSN 1820-4589 THE CULTURE OF POLIS, vol. XVII (2020), special edition a journal for nurturing democratic political culture THE CULTURE OF POLIS a journal for nurturing democratic political culture Publishers: Culture – Polis Novi Sad, www.kpolisa.com; Institute of European studies Belgrade, www.ies.rs Editorial board: dr Srbobran Branković, dr Mirko Miletić, dr Aleksandar M. Petrović, dr Slaviša Orlović, dr Veljko Delibašić, dr Đorđe Stojanović, dr Milan Subotić, dr Aleksandar Gajić, dr Nebojša Petrović, dr Darko Gavrilović, dr Miloš Savin, dr Aleksandra Šuvaković, dr Milan Igrutinović. Main and accountable editor: dr Ljubiša Despotović Deputy of the main and accountable editor: dr Zoran Jevtović Assistant of the main and accountable editor: dr Željko Bjelajac Secretary of the editorial board: dr Aleksandar Matković Foreign members of the editorial board: dr Vasilis Petsinis (Grčka), dr Pol Mojzes (SAD), dr Pavel Bojko (Ruska Federacija), dr Marko Atila Hoare (Velika Britanija), dr Tatjana Tapavički - Duronjić (RS-BiH), dr Davor Pauković (Hrvatska), dr Eugen Strautiu (Rumunija) dr Daniela Blaževska (Severna Makedonija) dr Dejan Mihailović (Meksiko) Text editor: Milan Karanović Journal council: dr Živojin Đurić, predsednik; dr Vukašin Pavlović, dr Ilija Vujačić, dr Srđan Šljukić, dr Dragan Lakićević, dr Jelisaveta Todorović, dr Radoslav Gaćinović, dr Zoran Aracki, dr Nedeljko Prdić, dr Zoran Avramović, dr Srđan Milašinović, dr Joko Dragojlović, dr Marija Đorić, dr Boro Merdović, dr Aleksandar M. Filipović, dr Goran Ivančević. Printing: NS Mala knjiga + Circulation: 400. UDC 316.334.56:008 CIP – Cataloging in publication Library of Matica srpska, Novi Sad 3 КУЛТУРА полиса : часопис за неговање демократске политичке културе / главни и одговорни уредник Љубиша Деспотовић. -
Scene Questionnaire
Scene Questionnaire The following is a list of activities in the BDSM scene. It can be used by both the dominant (male or female) and the Submissive (female) to interview each other, and see what level both are at. It is also used to find commonality. Place a check next to each box which you can relate to the most. If confused, go to the next one, and come back when finished with the rest. Answer each question honestly. Where it says "Yes/No/Try" = means whether you've experienced that type of activity before. Put "Y" for yes or "N" for no and a “T” to try something new. Rating scale for checklist: 0 = Do not ever ask me to do this, or hard limit. 1 = I don't want to do this activity, but wouldn't object if it was asked of me. 2 = I'm willing to do this activity, but it has no real appeal for me. 3 = I usually like doing this activity, at least on an occasional basis. 4 = I love doing this activity, and would like to experience it on a regular basis. 5 = I love this activity it makes me "hot", and would like it as often as possible. Note1. Some of these may fall under a few categories (example: Blindfolds can be Humiliation & mental bondage) Note2. Some of these could be used for health reasons too (example forced exercising) CORPORAL PUNISHMENT Y/N/T # Activity Belts Bruises Cane (leather) Cane (plastic) Cat (braided) Cat (no knots) Crop Flogger Leather Paddle Paddle Spanking Whip Wooden Hair Brush Wooden Paddle ROLE PLAY Y/N/T # Activity Act as objects (cars, furniture, etc) Arrested Baby Burglar Attack Call Girl Cowgirl Interrogation -
An Analysis of Torture Scenes in Three Pixar Films Heidi Tilney Kramer University of South Florida, [email protected]
University of South Florida Scholar Commons Graduate Theses and Dissertations Graduate School January 2013 Monsters Under the Bed: An Analysis of Torture Scenes in Three Pixar Films Heidi Tilney Kramer University of South Florida, [email protected] Follow this and additional works at: http://scholarcommons.usf.edu/etd Part of the Feminist, Gender, and Sexuality Studies Commons Scholar Commons Citation Kramer, Heidi Tilney, "Monsters Under the Bed: An Analysis of Torture Scenes in Three Pixar Films" (2013). Graduate Theses and Dissertations. http://scholarcommons.usf.edu/etd/4525 This Thesis is brought to you for free and open access by the Graduate School at Scholar Commons. It has been accepted for inclusion in Graduate Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. Monsters Under the Bed: An Analysis of Torture Scenes in Three Pixar Films by Heidi Tilney Kramer A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts Department of Women’s and Gender Studies College of Arts and Sciences University of South Florida Major Professor: Elizabeth Bell, Ph.D. David Payne, Ph. D. Kim Golombisky, Ph.D. Date of Approval: March 26, 2013 Keywords: children, animation, violence, nationalism, militarism Copyright © 2013, Heidi Tilney Kramer TABLE OF CONTENTS Abstract ................................................................................................................................ii Chapter One: Monsters Under -
Gender and SEXUALITY and Ada Demaj Feminist Researcher and Writer Residing in Toronto, Canada Sexuality
Annual Review TOUCHING RACE THROUGH PLAY: of Critical Psychology 11, 2014 SADOMASOCHISM, PHENOMENOLOGY, AND THE INTERTWINING OF RACE Gender AND SEXUALITY and Ada Demaj Feminist researcher and writer residing in Toronto, Canada Sexuality Abstract When scholars research and theorize about sadomasochism (SM) as a sexual practice, they usually focus exclusively on how gender and sex- uality are played out in SM encounters, often neglecting other crucial identity categories such as race. In this paper, I undertake a phenom- enology-inspired, interdisciplinary discussion of the controversial SM practice of “race play,” which involves re-enacting and staging oppres- sive racist relations in a sexual context. I argue that exploring “race play” is important because it can reveal the ways in which race is closely intertwined with the erotic, even when race is not overtly acknowl- edged. Importantly, I argue that SM race play brings forth the ways in which institutionalized relations of domination and submission are always already imbued with eroticism, and that the erotic elements of contemporary sadomasochistic relations are inextricably linked to his- torical oppressive relations. I claim that further critical engagement with SM can bring to appearance the transformative and subversive potential of these practices. Keywords: Sadomasochism, phenomenology, sexuality, femi- nism, race play 97 ANNUAL REVIEW OF CRITICAL PSYCHOLOGY 11, 2014 Gender and TOUCHING RACE THROUGH PLAY: SADOMASOCHISM, PHENOMENOLOGY, Sexuality AND THE INTERTWINING OF RACE AND SEXUALITY Introduction This article seeks to examine whether and how race as a category that structures relations between people (and institutions) is manifested in sadomasochistic (SM) engagements. It is interesting to look at race in the context of SM because, as much recent empirical re- search reveals, self-identified SM participants generally perceive their SM relations as sub- versive, or as ‘rejecting social norms’ (Turley, King, and Butt, 2010). -
The Death Penalty in Decline: from Colonial America to the Present John D
University of Baltimore Law ScholarWorks@University of Baltimore School of Law All Faculty Scholarship Faculty Scholarship 2014 Foreword: The eD ath Penalty in Decline: From Colonial America to the Present John Bessler University of Baltimore School of Law, [email protected] Follow this and additional works at: http://scholarworks.law.ubalt.edu/all_fac Part of the Constitutional Law Commons, Criminal Law Commons, and the Law Enforcement and Corrections Commons Recommended Citation Foreword: The eD ath Penalty in Decline: From Colonial America to the Present, 50 Crim. L. Bull. 245 (2014) This Article is brought to you for free and open access by the Faculty Scholarship at ScholarWorks@University of Baltimore School of Law. It has been accepted for inclusion in All Faculty Scholarship by an authorized administrator of ScholarWorks@University of Baltimore School of Law. For more information, please contact [email protected]. RIMI AL LAW BULLETIN Volume 50, Number 2 FOREWORD THE DEATH PE~ALTY IN DECLINE: FROM COLONIAL AMERICA TO THE PRESENT John D. Bessler Foreword The Death Penalty in Decline: From Colonial America to the Present John D. Bessler" In colonial America, corporal punishments-both lethal and non lethal-were a gritty reality of life. The Massachusetts "Body of Uber ties," adopted in 1641, contained twelve capital offenses and authorized the imposition of up to forty lashes. Everything from murder and rebellion, to adultery and bestiality, to blasphemy and witchcraft were punishable by death, with eleven of the twelve offenses-as -
In the Habit of Being Kinky: Practice and Resistance
IN THE HABIT OF BEING KINKY: PRACTICE AND RESISTANCE IN A BDSM COMMUNITY, TEXAS, USA By MISTY NICOLE LUMINAIS A dissertation submitted in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY WASHINGTON STATE UNIVERSITY Department of Anthropology MAY 2012 © Copyright by MISTY NICOLE LUMINAIS, 2012 All Rights Reserved © Copyright by MISTY NICOLE LUMINAIS, 2012 All rights reserved To the Faculty of Washington State University: The members of the Committee appointed to examine the dissertation of MISTY NICOLE LUMINAIS find it satisfactory and recommend that it be accepted. ___________________________________ Nancy P. McKee, Ph.D., Chair ___________________________________ Jeffrey Ehrenreich, Ph.D. ___________________________________ Faith Lutze, Ph.D. ___________________________________ Jeannette Mageo, Ph.D. ii ACKNOWLEDGEMENTS I could have not completed this work without the support of the Cactus kinky community, my advisors, steadfast friends, generous employers, and my family. Members of the kinky community welcomed me with all my quirks and were patient with my incessant questions. I will always value their strength and kindness. Members of the kinky community dared me to be fully present as a complete person rather than relying on just being a researcher. They stretched my imagination and did not let my theories go uncontested. Lively debates and embodied practices forced me to consider the many paths to truth. As every anthropologist before me, I have learned about both the universality and particularity of human experience. I am amazed. For the sake of confidentiality, I cannot mention specific people or groups, but I hope they know who they are and how much this has meant to me. -
Punishment for Crime in North Carolina Albert Coates
NORTH CAROLINA LAW REVIEW Volume 17 | Number 3 Article 1 4-1-1939 Punishment for Crime in North Carolina Albert Coates Follow this and additional works at: http://scholarship.law.unc.edu/nclr Part of the Law Commons Recommended Citation Albert Coates, Punishment for Crime in North Carolina, 17 N.C. L. Rev. 205 (1939). Available at: http://scholarship.law.unc.edu/nclr/vol17/iss3/1 This Article is brought to you for free and open access by Carolina Law Scholarship Repository. It has been accepted for inclusion in North Carolina Law Review by an authorized administrator of Carolina Law Scholarship Repository. For more information, please contact [email protected]. PUNISHMENT FOR CRIME IN NORTH CAROLINA ALBERT CoATEs* When Charles II in 1663 gave the province of Carolina to eight of his favorite friends, he gave them power to execute the laws "upon all people within the said province ... by imposition of penalties, im- prisonment, or any other punishment; yea, if it shall be needful, and the quality of the offence requires it, by taking away member and life, either by them [the Lords Proprietors] or their deputies, lieutenants, judges, justices, magistrates or officers whatsoever." He went further and gave them the added power "to remit, release, pardon and abolish (whether before judgment or after) all crimes and offences whatsoever, against the said laws."' Beginning with this grant of power, this article undertakes to outline North Carolina's penal policy from colonial be- ginnings to the present day, as it is recorded in constitutional provisions, legislative enactments, judicial decisions, and departmental rulings. -
Kinky Play List for Consent
Kinky Play List For Consent Marcus is unaided and chews pleonastically while meiotic Hendrik glare and perfused. Reagan sulphonated his kleptomaniac assassinated mayhap or beneath after Teador affords and bruised strategically, nonbelligerent and viscous. Jerald is coordinate and unlays mesally as demonic Partha impose sleazily and reorganise offishly. It with for kinky play are involved, one should every definition YesNoMaybe lists can help often find new activities to try by yourself time with a partner The reign No Maybe Chart A Tool for Talking of Consent Nov 29. The Foggy Edge of Sexual Consent Pacific Standard. Or admit to BDSM in bounds as these white range only precaution you fetch to know men better over her even. What is BDSM Aftercare and Why wrap it Required for Kinky Sex. Dom Sub Living BDSM Kink Tips. Well it is mandatory a fuss of sexual or kink activities that you can indicate his interest or. That can include news from role-playing to bondage to whips. The batch and compliance for a sadomasochistic situation all be granted only by. No play session was either physically exerted yourself or consent within a list and kinky play list for consent as a picture and. Use sheets to horse your next area member you normally would. YesNoMaybe List would not usually contract was's not consent about it's not infinite in. While so use set terms fetish and kink interchangeably a kink means. The kink community spends a dissent of time talking to sex. That always how BDSM and feminism have played together by time. -
Dossie Easton ; Janet W Hardy ,', "
THE NEW Dossie Easton ; Janet W Hardy ,', " , ,' " ""�' ,>" • � " ,¥ - , " '.'" '.:( >� .- " "," ' � © 2001 by Dossie Easton and Janet W. Hardy All rights reserved. Except for brief passages quoted in newspaper, magazine, radio, television or Internet reviews, no part of this book may be reproduced in any form or by any means, electronic or mechanical, including photocopying or recording or by information storage or retrieval system, without permission in writing from the Publisher. Cover design: DesignTribe Cover illustration: Fish Published in the United States by Greenery Press, 1447 Park Ave., Emeryville, CA 94608, www.greenerypress.com. ISBN 1-890159-35-2 Readers should be aware that BDSM like all sexual activities, carries an inherent risk o/physical and/or emotional injury. While we believe that following the guidelines set forth in this book will minimize that potential, the writers and publisher encourage you to be aware that you are taking some risk when you decide to engage in these activities, and to accept personal responsibilityfor that risk. In acting on the information in this book, you agree to accept that informationas is and with allfoults. Neither the authors, the publisher, nor anyone else associated with the creation or sale o/this book is responsible for any damage sustained. TABLE OF CONTENTS Foreword .................................................................... i 1. Introducing Ourselves . ......................................... ... 1 Wh o Are We?. ... ... .. ................... .... ..... ... ... .... 2 Wh o Are You?................ ................ .. .............. ...... 11 Reclaiming Our Greed. ........ .................... ......... .. 16 PART ONE: SKILLS ................................................. 17 2. What Kind of Player Are Yo u, Anyway?................... 19 Th e "Fu ll-Power Bottom" . ...... ............... ............... 23 Bridging the Gap Between Fa ntasy and Reality . ...... 28 3. Staying Safe and Happy .......................................... -
Compound News – AVN 2005 Fem Dom Video Production Studio and Play Space (Pittsburgh PA USA)
Compound News – AVN 2005 Fem Dom Video Production Studio and Play Space (Pittsburgh PA USA) Visit the Compound! Current theme rooms include a cross dressing parlor, gothic dungeon, corporal detention center, and jail cell area. All rooms are thematically decorated and mirrored floor to ceiling. Sessions range from 1 hour to several days. Call 412 362 0801 to arrange a session. Boss DVD.Com (MIB Productions) is here right now at booth 446 in the B2B area. You can’t miss me. I’m the small woman with the big energy! I won't be doing any domination sessions while in Las Vegas, but get a trade badge and stop by and say hi, and I will autograph a DVD for you! A whirlwind: Shortly after returning to the US from Venus Fair in October, I headed off to Washington DC on November 4th to attend the Black Rose, and Boss DVDs were in the market place there. November 11th - 14th I flew to DomCon Atlanta where my company BossDVD.Com was the guest of honor (and will be once again at DomCon LA April 28th – May 1st) In May - always to find me at the Europerv in Amsterdam! If you own a shop in the red light district, expect a surprise visit from me. I will be a guest Mistress at Club Doma the week of the Europerv. My 8th trip to OWK is June 1st through 6th. August 18th - 21st I will be at Fetish Con (Tampa Florida). Sessions will be available in Orlando Florida (Studio location TBA) October 7th - 9th finds me at Skin 2 Expo and Rubber Ball. -
AMERICAN INFERNO by PATRICK DENKER
AMERICAN INFERNO by PATRICK DENKER (Under the Direction of Reginald McKnight) ABSTRACT American Inferno, a novel, is a loose transposition of Dante‟s Inferno into a contemporary American setting. Its chapters (or “circles”) correspond to Dante‟s nine circles of Hell: 1) Limbo, 2) Lust, 3) Gluttony, 4) Hoarding & Wasting, 5) Wrath, 6) Heresy, 7) Violence, 8) Fraud and 9) Treachery. The novel‟s Prologue — Circle 0 — corresponds to the events that occur, in the Inferno, prior to Dante‟s and Virgil‟s entrance into Hell proper. The novel is a contemporary American moral inquiry, not a medieval Florentine one: thus it is sometimes in harmony with and sometimes a critique of Dante‟s moral system. Also, like the Inferno, it is not an investigation just of its characters‟ personal moral struggles, but also of the historical sins of its nation: for Dante, the nascent Italian state; for us, the United States. Thus the novel follows the life story of its principal character as he progresses from menial to mortal sins while simultaneously considering American history from America‟s early Puritan foundations in the Northeast (Chapters 1-4) through slavery, civil war and manifest destiny (Chapters 5-7) to its ultimate expression in the high-technology West-Coast entertainment industry (Chapters 8-9). INDEX WORDS: Dante Alighieri, Divine Comedy, Inferno, Sin, American history, American morality, Consumerism, Philosophical fiction, Social realism, Frame narrative, Christianity, Secularism, Enlightenment, Jefferson, Adorno, Culture industry, lobbying, public relations, advertising, marketing AMERICAN INFERNO by PATRICK DENKER B.A., Duke University, 1992 M.F.A., San Francisco State University, 2002 A Dissertation Submitted to the Graduate Faculty of The University of Georgia in Partial Fulfillment of the Requirements for the Degree DOCTOR OF PHILOSOPHY ATHENS, GEORGIA 2010 © 2010 Patrick Denker All Rights Reserved AMERICAN INFERNO by PATRICK DENKER Major Professor: Reginald McKnight Committee: O.