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Fetishizing Copies
University of Michigan Law School University of Michigan Law School Scholarship Repository Book Chapters Faculty Scholarship 2017 Fetishizing Copies Jessica Litman University of Michigan Law School, [email protected] Available at: https://repository.law.umich.edu/book_chapters/108 Follow this and additional works at: https://repository.law.umich.edu/book_chapters Part of the Computer Law Commons, Consumer Protection Law Commons, Intellectual Property Law Commons, Legislation Commons, and the Science and Technology Law Commons Publication Information & Recommended Citation Litman, Jessica D. "Fetishizing Copies." In Copyright in An Age of Limitations and Exceptions, edited by R. Okediji, 107-31. Cambridge: Cambridge Univ. Press, 2017. This Book Chapter is brought to you for free and open access by the Faculty Scholarship at University of Michigan Law School Scholarship Repository. It has been accepted for inclusion in Book Chapters by an authorized administrator of University of Michigan Law School Scholarship Repository. For more information, please contact [email protected]. 3 Fetishizing Copies Jessica Litman * Abstract Our copyright laws encourage authors to create new works and communicate them to the public, because we hope that people will read the books, listen to the music, see the art, watch the f lms, run the software, and build and inhabit the buildings. That is the way that copyright promotes the Progress of Science. Recently, that not-very- controversial principle has collided with copyright owners’ conviction that they should be able to control, or at least collect royalties from, all uses of their works. A particularly ill-considered manifestation of this conviction is what I have decided to call copy- fetish. -
Copyright, Digitization of Images, and Art Museums: Cyberspace and Other New Frontiers
UCLA UCLA Entertainment Law Review Title Copyright, Digitization of Images, and Art Museums: Cyberspace and Other New Frontiers Permalink https://escholarship.org/uc/item/34s442ws Journal UCLA Entertainment Law Review, 6(2) ISSN 1073-2896 Author Appel, Sharon Publication Date 1999 DOI 10.5070/LR862026984 Peer reviewed eScholarship.org Powered by the California Digital Library University of California Copyright, Digitization of Images, and Art Museums: Cyberspace and Other New Frontiers Sharon Appel* "[W]hile I shall think myself bound to secure every man in the enjoyment of his copy-right, one must not put manacles upon science." Lord Ellenborough, Carey v. Kearsley, 4 Esp. 168, 170, 170 Eng.Rep. 679, 681 (K.B.1803) I. IN TR O DU CTIO N .......................................................................... 151 II.THE LAW OF COPYRIGHT ......................................................... 154 A. Historical Origins of Copyright Law ................................. 154 B. Constitutional and Philosophical Underpinnings of C opyright Law ................................................................... 157 C. The Copyright Act of 1790 ................................................. 158 D. The Copyright Act of 1909 ................................................ 159 E. The Copyright Act of 1976 ................................................. 161 1. Threshold Requirements for Copyright Protection. 162 B.A. University of Wisconsin-Madison; J.D. Brooklyn Law School; Certificate, Graduate Program in Museum Studies, George Washington University. Former staff attorney and hearing officer, Telecommunications, Vermont Public Service Board. E-mail: [email protected]. Many thanks to Ralph Oman for his encouragement, enthusiasm, and advice. Thanks also to Jeffrey Hannigan, Ildiko P. DeAngelis, and Ellen Zavian for their comments upon earlier drafts, and to Craig Rutenberg for his flexibility and humor. I dedicate this article to my parents, Rose and Carl Appel. UCLA ENTERTAINMENT LAW REVIEW [Vol 6:2 2. -
Section 512 of Title 17 a Report of the Register of Copyrights May 2020 United States Copyright Office
united states copyright office section 512 of title 17 a report of the register of copyrights may 2020 united states copyright office section 512 of title 17 a report of the register of copyrights may 2020 U.S. Copyright Office Section 512 Report ACKNOWLEDGEMENTS The publication of this Report is the final output of several years of effort by the Copyright Office to assist Congress with evaluating ways to update the Copyright Act for the 21st century. The genesis of this Report occurred in the midst of the two years of copyright review hearings held by the House Judiciary Committee that spanned the 113th and 114th Congresses. At the twentieth and final hearing in April 2015, the Copyright Office proposed several policy studies to aid Congress in its further review of the Copyright Act. Two studies already underway at the time were completed after the hearings: Orphan Works and Mass Digitization (2015), which the Office later supplemented with a letter to Congress on the “Mass Digitization Pilot Program” (2017), and The Making Available Right in the United States (2016). Additional studies proposed during the final hearing that were subsequently issued by the Office included: the discussion document Section 108 of Title 17 (2017), Section 1201 of Title 17 (2017), and Authors, Attribution, and Integrity: Examining Moral Rights in the United States (2019). The Office also evaluated how the current copyright system works for visual artists, which resulted in the letter to Congress titled “Copyright and Visual Works: The Legal Landscape of Opportunities and Challenges” (2019). Shortly after the hearings ended, two Senators requested a review of the role of copyright law in everyday consumer products and the Office subsequently published a report, Software-Enabled Computer Products (2016). -
Register of Copyr1ght.S
SIXTY-NINTH ANNUAL REPORT OF THE REGISTER OF COPYR1GHT.S FOR THE FISCAL YEAR ENDING JUNE 30, 1966 COPYRIGHT OFFICE THE LIBRARY OF CONGRESS IL.C. Card No. 10-36017 This report is reprinted from the Annual Report of the Libdnof Congreee for the fiscal year ending June 30,1966 Contents THECOPYRIGHT OFFICE ............................ 1 The Year's Copyright Business ......................... 2 Official publications .............................. 4 Copyright Contributions to the Library of Congress ................ 4 Administrative Developments ........................... 4 Problems of Registrability ........................... 5 Organizational Problems ............................ 5 Notices of Intention To Use ...................... : ... 5 Legislative Developments ............................ 6 Judicial Developments ..............................8 Performing Rights and Community Antenna Systems ............... 8 Rights of Exhibition and Copying ....................... 10 Author's "Moral Right" ........................... 11 Subject Matter of Copyright ......................... 13 Publication ................................. 16 Notice of Copyright ............................. 17 Copyright Registration ............................ 19 Ownership. Assignment. and Renewal of Copyright ............... 21 Infringement and Remedies .........................23 Other Judicial Developments .........................26 International Developments .......................... 28 Tables: International Copyright Relations of the United States as of December -
Exceptions and Limitations to Intellectual Property Rights with Special Reference to Patent and Copyright Law
EXCEPTIONS AND LIMITATIONS TO INTELLECTUAL PROPERTY RIGHTS WITH SPECIAL REFERENCE TO PATENT AND COPYRIGHT LAW Thesis submitted to Cochiin Uniiversiity of Sciience and Technollogy for the award of the degree of Doctor of Philosophy in The Faculty of Law By SALEENA K. B Under the guidance of Prof. Dr. N. S. GOPALAKRISHNAN (Director, IUCIPRS, CUSAT) SCHOOL OF LEGAL STUDIES COCHIN UNIVERSITY OF SCIENCE AND TECHNOLOGY COCHIN-682 022 2011 School of Legal Studies Cochin University of Science and Technology Kochi – 682 022, Kerala, India Ph: 91-484-2862487 (O), 2577542 (R) Prof. Dr. N. S. GOPALAKRISHNAN Fax: 91-484-2575463(Direct), 2577595 Professor HRD Chair on IPR E-mail:[email protected] ; [email protected] This is to certify that this thesis entitled “Exceptions and Limitations to Intellectual Property Rights with Special Reference to Patent and Copyright Law” submitted by Ms. Saleena K.B for the degree of Doctor of Philosophy, is to the best of my knowledge, the record of bonafide research carried out under my guidance and supervision from 13.09.2006 at School of Legal Studies, Cochin University of Science and Technology. This thesis or any part thereof has not been submitted elsewhere for any other degree. Cochin Dr. N. S. Gopalakrishnan 19/10/2011 (Research Guide) This is to certify that the important research findings included in the thesis entitled “Exceptions and Limitations to Intellectual Property Rights with Special Reference to Patent and Copyright Law” have been presented in a research seminar at School of legal Studies, Cochin University of Science and technology on 2nd May 2011. -
Making Cyberspace Safe for Copyright: the Protection of Electronic Works in a Protocol to the Berne Convention
Fordham International Law Journal Volume 18, Issue 4 1994 Article 9 Making Cyberspace Safe for Copyright: The Protection of Electronic Works in a Protocol to the Berne Convention Robert A. Cinque∗ ∗ Copyright c 1994 by the authors. Fordham International Law Journal is produced by The Berke- ley Electronic Press (bepress). http://ir.lawnet.fordham.edu/ilj Making Cyberspace Safe for Copyright: The Protection of Electronic Works in a Protocol to the Berne Convention Robert A. Cinque Abstract This Note discusses the prevalence of copywrited material on the internet, and the increasing access to said material. The Berne Convention is the leading international agreement to protect this type of material, though its reach and efficacy are limited. Provisions of the Convention are not stringently enforced. The Note explores the costs and benefits of enforcement, and potential protocols or policies to be adopted. NOTES MAKING CYBERSPACE SAFE FOR COPYRIGHT: THE PROTECTION OF ELECTRONIC WORKS IN A PROTOCOL TO THE BERNE CONVENTION Robert A. Cinque* It is... in the nature of things that the work of man's genius, once it has seen the light, can no longer be restricted to one country and to one nationality. That is why... the imperative necessity has been shown of protecting [authors' rights] in international relations.** INTRODUCTION Telecommunications1 and the "information superhighway"' facilitate instantaneous mobility of literary and artistic works in the form of text, video, and audio recordings.' With the click of a mouse or the tap of a key, virtually anyone with a computer and a telephone can obtain vast quantities of information from almost anywhere on the globe.' These conditions pose a * J.D. -
Annual Intellectual Property Report to Congress
ANNUAL INTELLECTUAL PROPERTY REPORT TO CONGRESS March 2020 * * * UNITED STATES INTELLECTUAL PROPERTY ENFORCEMENT COORDINATOR IPEC ANNUAL INTELLECTUAL PROPERTY REPORT TO CONGRESS: This report is submitted pursuant to 15 U.S.C. §8114. During the past three years, President Trump and his Administration have worked to promote strong intellectual property rights protection and enforcement, both domestically and abroad. As part of an integrated approach, the Trump Administration views our intellectual property strategy, policy and enforcement efforts, together, as key to helping secure the future of our innovative economy and to maintaining our competitive advantage. The Trump Administration’s Annual Intellectual Property Report to Congress, developed by the Office of the U.S. Intellectual Property Enforcement Coordinator, brings together the combined and coordinated efforts of the White House, the Departments of Commerce, Justice, Homeland Security, State, Treasury, Defense, Health and Human Services, and Agriculture, the Office of the U.S. Trade Representative, and the U.S. Copyright Office. This report was originally mandated to be submitted by the U.S. Intellectual Property Enforcement Coordinator over a decade ago by the Prioritizing Resources and Organization for Intellectual Property Act of 2008, and builds upon that framework to provide an overview of the Trump Administration’s intellectual property enforcement strategy and policy efforts. For the United States’ approach to intellectual property and innovation policy to be successful, it must continue to be a combined effort that includes all branches of government, the private sector, and our international partners. The Trump Administration continues to build on past strategic efforts in all areas of intellectual property policy, including patents, copyrights, trademarks and trade secrets, both domestically and abroad. -
Application to Other Countries) Order 2013
Status: This is the original version (as it was originally made). UK Statutory Instruments are not carried in their revised form on this site. STATUTORY INSTRUMENTS 2013 No. 536 COPYRIGHT RIGHTS IN PERFORMANCES The Copyright and Performances (Application to Other Countries) Order 2013 Made - - - - 13th March 2013 Laid before Parliament 15th March 2013 Coming into force - - 6th April 2013 Her Majesty is satisfied, to the extent this Order relates to a country which is neither a Convention country nor another member State of the European Union, that provision has been or will be made under the law of that country, giving adequate protection to the owners of copyright in respect of works under Part I of the Copyright, Designs and Patents Act 1988(1) and to the owners of rights in respect of British performances. Accordingly, Her Majesty, by and with the advice of Her Privy Council, in exercise of the powers conferred upon Her by sections 159 and 208 of the Copyright, Designs and Patents Act 1988(2) and by section 2(2) of the European Communities Act 1972(3), makes the following Order: Introductory 1.—(1) This Order may be cited as the Copyright and Performances (Application to Other Countries) Order 2013 and shall come into force on 6th April 2013. (2) In this Order— “Act” means the Copyright, Designs and Patents Act 1988; “Berne Convention” means the Convention for the Protection of Literary and Artistic Works adopted in Berne in 1886 and its revisions(4); “first published” has the meaning ascribed to it by section 155(3) of the Act; “Part I” means Part I of the Act (copyright); (1) 1988 c.48. -
The Risks of Copyright Infringement on the Internet: a Practitioner's Guide, 33 U.S.F
+(,121/,1( Citation: David N. Weiskopf, The Risks of Copyright Infringement on the Internet: A Practitioner's Guide, 33 U.S.F. L. Rev. 1, 58 (1998) Content downloaded/printed from HeinOnline Wed Oct 25 18:39:57 2017 -- Your use of this HeinOnline PDF indicates your acceptance of HeinOnline's Terms and Conditions of the license agreement available at http://heinonline.org/HOL/License -- The search text of this PDF is generated from uncorrected OCR text. -- To obtain permission to use this article beyond the scope of your HeinOnline license, please use: Copyright Information Use QR Code reader to send PDF to your smartphone or tablet device Articles The Risks of Copyright Infringement on the Internet: A Practitioner's Guide By DAVID N. WEISKOPF* EVERY ATTORNEY SHOULD appreciate the importance of copyright law to their clients. Because copyrighted works can be easily uploaded to the Internet, any party owning copyrights should understand their rights against unauthorized use of those works on the Internet. Additionally, par- ties who maintain operations on the Internet should be informed of the risks of liability for copyright infringement for maintaining a particular type of Internet operation. This article is intended to aid the practitioner in evaluating the effect of current and likely future copyright law on the risks of copyright infringe- ment for Internet Service Providers, Bulletin Board Operators and Web site operators. The article evaluates the current state of copyright law as applied to the Internet and the difficulties that courts have experienced in applying traditional theories of copyright infringement to the Internet. -
Chapter 4: Copyright
Copyright 4 Copyright 5 A Subject Maer ........................ 5 Copyright Act § 102(a) .............. 5 Feist Publications, Inc. v. Rural Telephone Service Co. ........................ 6 1 Creativity: How Much Is a Modicum? . 6 37 C.F.R. § 202.1(a) ................ 6 Feist Publications, Inc. v. Rural Telephone Service Co. ........................ 7 Arrows Problem .................. 11 Baseball Card Price Report Problem ...... 11 2 Aesthetic Nondiscrimination . 11 Bleistein v. Donaldson Lithographing Co. ..... 11 Copyright Compendium § 310 ......... 13 Mitchell Bros. Film Group v. Cinema Adult Theater 14 Belcher v. Tarbox .................. 15 3 Idea and Expression . 15 Copyright Act § 102(b) .............. 15 Blehm v. Jacobs ................... 15 Walker v. Time Life Films, Inc. ........... 22 Hula Problem ................... 22 Baker v. Selden ................... 23 Bikram’s Yoga College of India v. Evolation Yoga . 25 Concrete Machinery Co. v. Classic Lawn Orna- ments ...................... 29 Cooking for Kids Problem ............ 29 B Ownership .......................... 30 Sheldon v. Metro-Goldwyn Pictures Corp. ..... 30 1 Authorship ....................... 30 Burrow-Giles Lithographic Co. v. Sarony ..... 30 Monkey Selfie Problem .............. 32 Copyright Act § 105 ................ 32 2 Collaborations ..................... 32 Copyright Act §§ 201, 202 ............ 32 Thomson v. Larson ................. 33 Greene v. Ablon ................... 38 COPYRIGHT 2 Community for Creative Non-Violence v. Reid .. 39 Warren v. Fox Family Worldwide, -
Copyright Remedy Clarification Act and Copyright Office Report on Copyright Liability of States, Subcomm. on Courts
COPYRIGHT REMEDY CLARIFICATION ACT AND COPYRIGHT OFFICE REPORT ON COPYRIGHT LIABILITY OF STATES HEARINGS BEFORE THE SUBCOMMITTEE ON COURTS, INTELLECTUAL PROPERTY, AND THE ADMINISTRATION OF JUSTICE OF THE COMMITTEE ON THE JUDICIAEY HOUSE OF REPRESENTATIVES ONE HUNDRED FIRST CONGRESS FIRST SESSION ON H.R. 1131 COPYRIGHT REMEDY CLARIFICATION ACT APRIL 12 AND JULY 11, 1989 Serial No. 42 Printed for the use of the Committee on the Judiciary U.S. GOVERNMENT PRINTING OFFICE 24-606 s= WASHINGTON : 1990 For sale by the Superintendent of Documents, Congressional Sales Office U.5- Government Printing Office, Washington, DC 20402 COMMITTEE ON THE JUDICIARY JACK BROOKS, Texas, Chairman ROBERT W. KASTENMEIER, Wisconsin HAMILTON FISH, JR., New York DON EDWARDS, California CARLOS J. MOORHEAD, California JOHN CONYERS, JR., Michigan . HENRY J. HYDE, Illinois ROMANO L. MAZZOLI, Kentucky F. JAMES SENSENBRENNER, JR., WILLIAM J. HUGHES, New Jersey Wisconsin MLKE SYNAR, Oklahoma BILL McCOLLUM, Florida PATRICIA SCHROEDER, Colorado GEORGE W. GEKAS, Pennsylvania DAN GLICKMAN, Kansas MICHAEL DEWINE, Ohio BARNEY FRANK, Massachusetts WILLIAM E. DANNEMEYER, California GEO. W. CROCKETT, JR., Michigan HOWARD COBLE, North Carolina CHARLES E. SCHUMER, New York D. FRENCH SLAUGHTER, JR., Virginia BRUCE A. MORRISON, Connecticut LAMAR S. SMITH, Texas EDWARD F. FEIGHAN, Ohio LARKIN I. SMITH, Mississippi LAWRENCE J. SMITH, Florida CHUCK DOUGLAS, New Hampshire HOWARD L. BERMAN, California CRAIG T. JAMES, Florida RICK BOUCHER, Virginia HARLEY 0. STAGGERS, JR., West Virginia JOHN BRYANT, Texas BENJAMIN L. CARDIN, Maryland GEORGE E. SANGMEISTER, Illinois WILLIAM M. JONES, General Counsel ROBERT H. BRINK, Deputy General Counsel ALAN F. COFFEY, JR., Minority Chief Counsel SUBCOMMITTEE ON COURTS, INTELLECTUAL PROPERTY, AND THE ADMINISTRATION OF JUSTICE ROBERT W. -
Reflections on Re-Equilibrating Copyright for the Internet Age Peter S
Draft: Feb. 5, 2014 This American Copyright Life: Reflections on Re-equilibrating Copyright for the Internet Age Peter S. Menell* ABSTRACT This article calls attention to the dismal state of copyright’s public approval rating. Drawing on the format and style of Ira Glass’s “This American Life” radio broadcast, the presentation unfolds in three parts: Act I – How did we get here?; Act II – Why should society care about copyright’s public approval rating?; and Act III – How do we improve copyright’s public approval rating (and efficacy)? * Koret Professor of Law, University of California at Berkeley School of Law and co- founder and Director, Berkeley Center for Law & Technology. I owe special thanks to David Anderman, Mark Avsec, Robby Beyers, Jamie Boyle, Hon. Stephen G. Breyer, Andrew Bridges, Elliot Cahn, David Carson, Jay Cooper, Jeff Cunard, Victoria Espinel, David Given, Jane Ginsburg, Paul Goldstein, Jim Griffin, Dylan Hadfield-Menell, Noah Hadfield-Menell, Scotty Iseri, Dennis Karjala, Rob Kasunic, Chris Kendrick, Mark Lemley, Larry Lessig, Jessica Litman, Rob Merges, Eli Miller, Neal Netanel, Hon. Jon O. Newman, Wood Newton, David Nimmer, Maria Pallante, Shira Perlmutter, Marybeth Peters, Gene Roddenberry, Pam Samuelson, Ellen Seidler, Lon Sobel, Chris Sprigman, Madhavi Sunder, Gary Stiffelman, Pete Townshend, Molly Van Houweling, Fred von Lohmann, Joel Waldfogel, Jeremy Williams, Jonathan Zittrain, and the participants on the Cyberprof and Pho listserves for inspiration, perspective, provocation, and insight; and Claire Sylvia for her steadfast love, encouragement, and support. None of these people bear responsibility for what follows – and I suspect many will disagree with some or all of what I have to say.