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Anniv Ers Aire Gidon Kremer
VENDREDI 27 JANVIER – 20H Anniversaire Gidon Kremer « L’Art de l’instrumentation » – Hommage à Glenn Gould Œuvres pour clavier de Johann Sebastian Bach arrangées pour violon et cordes – extraits (Projet initié par Gidon Kremer, commande de la Kronberg Academy) Valentin Silvestrov Dédicace à Johann Sebastian Bach Alexander Raskatov Prélude et fugue n° 6 en ré mineur, extraits du Clavier bien tempéré BWV 851 Leonid Desyatnikov Sarabande en mi mineur, extraite de la Partita n° 6 BWV 830 Stevan Kovac Tickmayer « After Gould », Variations Goldberg BWV 988 n° 30, 4, 18 et 26 (avec trois Intermezzi d’Arnold Schönberg) Victor Kissine Aria, extrait des Variations Goldberg BWV 988 Soliste : Gidon Kremer, violon Giya Kancheli Chiaroscuro, pour violon, orchestre à cordes et vibraphone | Vendredi 27 janvier 27 | Vendredi Solistes : Gidon Kremer, violon Andrei Pushkarev, Elina Endzele, percussion Anastassiya Dranchuk, piano entracte Anniversaire Gidon Kremer Gidon Kremer Anniversaire Dmitri Chostakovitch Concerto n° 1 pour piano, trompette et orchestre à cordes en ut mineur op. 35 Solistes : Gidon Kremer, violon Martha Argerich, piano Sergei Nakariakov, trompette Leonid Desyatnikov The Target, fragments Solistes : Gidon Kremer, violon Martha Argerich, piano Sergei Nakariakov, trompette Kremerata Baltica Ce concert sera diffusé sur France Musique le jeudi 16 février à 14h. Fin du concert vers 21h50. Gidon Kremer, l’un des plus brillants disciples de l’école soviétique de violon, est aussi le moins docile. Bousculant les habitudes, cet ennemi des conventions et infatigable découvreur n’a jamais suivi que sa propre voie. L’un des plus prodigieux archets de notre temps, il ne se considère pas comme un violoniste, ne cherche pas le beau son à tous crins, mais voue une passion à toutes sortes de musiques et notamment aux compositeurs de son temps. -
ARSC Journal
A Discography of the Choral Symphony by J. F. Weber In previous issues of this Journal (XV:2-3; XVI:l-2), an effort was made to compile parts of a composer discography in depth rather than breadth. This one started in a similar vein with the realization that SO CDs of the Beethoven Ninth Symphony had been released (the total is now over 701). This should have been no surprise, for writers have stated that the playing time of the CD was designed to accommodate this work. After eighteen months' effort, a reasonably complete discography of the work has emerged. The wonder is that it took so long to collect a body of information (especially the full names of the vocalists) that had already been published in various places at various times. The Japanese discographers had made a good start, and some of their data would have been difficult to find otherwise, but quite a few corrections and additions have been made and some recording dates have been obtained that seem to have remained 1.Dlpublished so far. The first point to notice is that six versions of the Ninth didn't appear on the expected single CD. Bl:lhm (118) and Solti (96) exceeded the 75 minutes generally assumed (until recently) to be the maximum CD playing time, but Walter (37), Kegel (126), Mehta (127), and Thomas (130) were not so burdened and have been reissued on single CDs since the first CD release. On the other hand, the rather short Leibowitz (76), Toscanini (11), and Busch (25) versions have recently been issued with fillers. -
Symposium Programme
Singing a Song in a Foreign Land a celebration of music by émigré composers Symposium 21-23 February 2014 and The Eranda Foundation Supported by the Culture Programme of the European Union Royal College of Music, London | www.rcm.ac.uk/singingasong Follow the project on the RCM website: www.rcm.ac.uk/singingasong Singing a Song in a Foreign Land: Symposium Schedule FRIDAY 21 FEBRUARY 10.00am Welcome by Colin Lawson, RCM Director Introduction by Norbert Meyn, project curator & Volker Ahmels, coordinator of the EU funded ESTHER project 10.30-11.30am Session 1. Chair: Norbert Meyn (RCM) Singing a Song in a Foreign Land: The cultural impact on Britain of the “Hitler Émigrés” Daniel Snowman (Institute of Historical Research, University of London) 11.30am Tea & Coffee 12.00-1.30pm Session 2. Chair: Amanda Glauert (RCM) From somebody to nobody overnight – Berthold Goldschmidt’s battle for recognition Bernard Keeffe The Shock of Exile: Hans Keller – the re-making of a Viennese musician Alison Garnham (King’s College, London) Keeping Memories Alive: The story of Anita Lasker-Wallfisch and Peter Wallfisch Volker Ahmels (Festival Verfemte Musik Schwerin) talks to Anita Lasker-Wallfisch 1.30pm Lunch 2.30-4.00pm Session 3. Chair: Daniel Snowman Xenophobia and protectionism: attitudes to the arrival of Austro-German refugee musicians in the UK during the 1930s Erik Levi (Royal Holloway) Elena Gerhardt (1883-1961) – the extraordinary emigration of the Lieder-singer from Leipzig Jutta Raab Hansen “Productive as I never was before”: Robert Kahn in England Steffen Fahl 4.00pm Tea & Coffee 4.30-5.30pm Session 4. -
Grieg Piano Concerto in a Minor Shee
Grieg piano concerto in a minor shee Continue Piano Concerto in the minor is directing here. See the piano concerto (Schumann) for the Robert Schumann concert. Music scores are temporarily disabled. Famously a flourishing introduction to concerts. Piano Concerto in Underage Op. 16, composed by Edvard Grieg in 1868, was the only concert Grieg finished. It is one of his most popular works[1] and is one of the most popular piano concertoes. Structure Musical scores are temporarily disabled. The main topic of allegro molto moderato. The concert is in three movements:[2] Allegro molto moderato (minor) The first movement is in sonata form and is known as timpani roll in its first bar, which leads to a dramatic piano bloom, which leads to the main theme. Then the key becomes a C large, secondary theme. Later the secondary theme appears again recapitulation, but this time the key major. The movement ends with virtuosic cadenza and bloom similar to that at the beginning of the movement. Adagio (D♭) The second movement is the lyrical movement D♭ large, leading directly to the third movement. The movement is in three-set form (A-B-A). Part B is D♭ and E large, then returns to D♭ a large reprise piano. Allegro moderato molto e marcato - Quasi presto - Andante maestoso (minor → F large → minor → large) the third movement opens a minor 24 times energetic theme (Theme 1), followed by a lyrical theme F large (Theme 2). The move will return to the theme on 1 January 2017. After this total cepteption is 34 main Quasi presto section, consisting of a variation of theme 1. -
Magdalena Kožená Anna Gourari Friedrich Gulda
www.klassikakzente.de • C 43177 • 2 • 2005 Magdalena Kožená GLUCKS VERSCHOLLENE OPER Anna Gourari DER KLANG DER WOLGA Friedrich Gulda JOACHIM KAISER, FREUND UND KRITIKER JANINE JANSEN Der Kern der „Vier Jahreszeiten“ INHALT EDITORIAL INTRO 3 Edelmetall für Anna Netrebko Heißer Herbst für Renée Fleming Andreas Kluge TITEL Foto: Kai Lerner 4 Janine Jansen: Der musikalische Kern Liebe Musikfreundin, lieber Musikfreund, MAGAZIN eigentlich könnte ich es mir leicht machen und Ihnen an dieser 8 Dietrich Fischer-Dieskau: Stelle – parallel zu Salzburg, Bayreuth, München, Luzern und Der Mann, den sie abkürzten anderswo – einfach eine neue „Opernsaison“ auf Universal 10 Sonderteil: Oper 2005 Classics ankündigen. Denn natürlich gibt’s neue Recitals, 10 Magdalena Kožená: Aufnahmen in Troja Opernquerschnitte und -gesamtaufnahmen, im CD- wie im 12 Augenschmaus: Opern-DVDs DVD-Format. Etwa Recitals mit Dietrich Fischer-Dieskau, da- 14 Händel und Weber: Die Deutschen in London neben Händels „Rodelinda“, Webers „Oberon“ und Wagners 15 Riccardo Chailly: Mahler als zweite Haut „Fliegender Holländer“. Alles schon mal da gewesen, werden 16 MoMu: Mehrheitsfähige Moderne Sie denken. Aber so einfach ist die Sache nicht, denn der Teu- 18 Das andere Jubiläum: Keith Jarrett fel steckt hier im Detail. In der 9-CD-Box mit „Early Recordings“ 20 Classic Recitals: Gute alte Neuzeit des gefeierten deutschen Baritons entdeckt man nämlich bei 21 Neue ECM-Veröffentlichungen: In Kontrastwelten genauerer Untersuchung unter den 220 (sic!) Tracks dieser Ar- 22 Cristina Branco: -
KONZERTE 2013 Musikzentren Und Im Ausland
von Mozart. Es folgten Solo-Recitals in allen spanischen Elmau, Wiener Festwochen und Schleswig-Holstein Musik KONZERTE 2013 Musikzentren und im Ausland. Er erregte Aufsehen mit der Festival. Seit einigen Jahren arbeitet Florian Uhlig an einer Interpretation von Klavierkonzerten von Beethoven und Gesamtaufnahme von Robert Schumanns Klavierwerken mit 15 PIANO SOLO im Jahres-Abonnement Schumann. Bei mehreren nationalen Wettbewerben wurde CDs beim Label Hänssler Classic. Erwähnenswert ist ferner Spenden von Privatpersonen und Unternehmen ermöglichen dem Floristan jeweils mit einem ersten Preis geehrt. Der sehr sein Engagement als künstlerischer Leiter des Johannesburg Kunstverein Südsauerland die Reihe Piano Solo mit Pianisten von sympathische Pianist studiert an der Escuela Superior de International Mozart Festivals, das er seit 2008 leitet. Weltruf am Konzertflügel Steinway D des Kreises Olpe. Música Reina Sofía in Madrid und erhält wichtige Anregungen ABO- und Einzelkarten-Vorverkauf in der Volkshochschule, in Meisterkursen z. B. bei Daniel Barenboim. Als Elisabeth TILL FELLNER, WIEN Kurfürst-Heinrichstr. 34, 57462 Olpe, Tel. 02761-923 630; Fax Leonskaja 2011 mit dem Preis des Klavier-Festivals Ruhr Freitag, 11. Oktober 2013, 20 Uhr, Kreishaus Olpe 923 600; oder nach Vereinbarung per Vorabüberweisung auf das ausgezeichnet wurde, benannte sie den jungen Juan Pérez Wolfgang A. Mozart, Rondo KV 511 Konto 46888, BLZ 46250049 Sparkasse Olpe. Bestellungen per E- Floristán als ihren Stipendiaten, der sich 2012 mit einem Mail: [email protected] Joh. Seb. Bach, Wohltemp. Klavier II, Nr. 5-8 BWV 874-877 glänzenden Rezital dem Publikum vorgestellt hat. Internet: www.kunstverein-suedsauerland.de Joseph Haydn, Sonate D-Dur Hob. XVI:37 Robert Schumann, Davidsbündlertänze op. -
Dezonia Program 10 04 18 B12 .Pages
We Remember Beau Perception by Beau DeZonia We Remember Beau In the rising sun and in its going down, A moth flutters before my face We remember Beau In the blowing of the wind and in the chill of winter, With beauty discreet We remember Beau Some see less than a butterfly In the opening of buds and in the rebirth of spring, We remember Beau Whose beauty is admired In the blueness of the sky and in the warmth of summer, We remember Beau But touch either’s wings In the beginning of the year and when it ends, We remember Beau And both perish When we are weary and in need of strength, We choose to see We remember Beau When we are lost and sick at heart, What we want We remember Beau When we have joys we yearn to share, Even if both are the same We remember Beau So long as we live, Beau too shall live, In the end. For Beau is now a part of us, As we remember him. 5. 2. Stop All The Clocks Forever Young by W. H. Auden Rod Stewart Stop all the clocks, cut off the telephone, May the good Lord be with you down every road you roam. And may sunshine and happiness surround you Prevent the dog from barking with a juicy bone, when you're far from home. Silence the pianos and with muffled drum And my you grow to be proud, dignified and true. Bring out the coffin, let the mourners come. And do unto others as you'd have done to you. -
ARSC Journal, Fall 1989 213 Sound Recording Reviews
Sound Recording Reviews The Music and Arts Programs of America CD offers the entire broadcast program of January 19, 1952, a typical though not particularly exceptional example of Reiner's work on the radio at this time. His Bart6k "calling card" included the two Rumanian Dances in the orchestration of Leo Weiner (not Tibor Serly, as indicated). He recorded both the Debussy Suite and Ravel's Le tombeau de Couperin music two days later with the same orchestra for RCA Victor, and had previously recorded Til Eulenspiegel with the RCA Victor Symphony Orchestra, which included players from NBC. The gem of this present CD is the Ravel Suite, a superb reading of that composer's precise timbre and rhythmic subtlety. Possibly for legal reasons, the orchestra is labelled "The Symphony of the Air," a designation that did not appear until after Toscanini's retirement in 1954. Despite minor pitch problems, the CD transfer is acceptable for its vintage, if only because the RCA Victor recordings of the three principal works are no longer available. Of these recordings from broadcasts, the two most important by far are the Salome and the Walkilre Act II, not only for Fritz Reiner's conducting but also for their exceptional casting. In both releases, the sheer excitement generated by singers and conductor will overcome any sonic limitations. Reviewed by Philip Hart New Reiner CDs Beethoven: Piano Concerto No. 4 in G major, Op. 58 (Recorded Orchestra Hall April 22, 23, 1963); Piano Concerto No. 5 in E-flat major, Op. 73 (Recorded Orchestra Hall May 4, 12, 1961). -
Michael Schade at a Special Release of His New Hyperion Recording “Of Ladies and Love...”
th La Scena Musicale cene English Canada Special Edition September - October 2002 Issue 01 Classical Music & Jazz Season Previews & Calendar Southern Ontario & Western Canada MichaelPerpetual Schade Motion Canada Post Publications Mail Sales Agreement n˚. 40025257 FREE TMS 1-01/colorpages 9/3/02 4:16 PM Page 2 Meet Michael Schade At a Special Release of his new Hyperion recording “Of ladies and love...” Thursday Sept.26 At L’Atelier Grigorian Toronto 70 Yorkville Ave. 5:30 - 7:30 pm Saturday Sept. 28 At L’Atelier Grigorian Oakville 210 Lakeshore Rd.E. 1:00 - 3:00 pm The World’s Finest Classical & Jazz Music Emporium L’Atelier Grigorian g Yorkville Avenue, U of T Bookstore, & Oakville GLENN GOULD A State of Wonder- The Complete Goldberg Variations (S3K 87703) The Goldberg Variations are Glenn Gould’s signature work. He recorded two versions of Bach’s great composition—once in 1955 and again in 1981. It is a testament to Gould’s genius that he could record the same piece of music twice—so differently, yet each version brilliant in its own way. Glenn Gould— A State Of Wonder brings together both of Gould’s legendary performances of The Goldberg Variations for the first time in a deluxe, digitally remastered, 3-CD set. Sony Classical celebrates the 70th anniversary of Glenn Gould's birth with a collection of limited edition CDs. This beautifully packaged collection contains the cornerstones of Gould’s career that marked him as a genius of our time. A supreme intrepreter of Bach, these recordings are an essential addition to every music collection. -
Facharbeit Alexandra Einspanier Kraftwerk
Die Band Kraftwerk – Avantgardisten der elektronischen Musik? Facharbeit im Rahmen des Seminarfaches Verfasserin: Alexandra Einspanier Klasse 11b/SF 4 Gymnasium Haren, Schuljahr 2017/2018 Fachlehrerin: Frau Bülter Abgabedatum: 16.03.2018 Inhaltsverzeichnis 1. Einleitung ............................................................................................................................... 3 2. Werdegang der Band .............................................................................................................. 3 2.1 Anfänge, Gründungsmitglieder und weitere Entwicklung der Band ................................... 3 2.2 Wichtigste Alben und Erfolge der Band .............................................................................. 4 3. Anfänge elektronischer Musik und zeitgeschichtliche Hintergründe .................................... 5 3.1 Anfänge elektronischer Musik ............................................................................................. 5 3.2 Zeitgeschichtliche Hintergründe in Deutschland für die Entstehung der Band Kraftwerk . 6 4. Experimente der Band Kraftwerk .......................................................................................... 6 4.1 Eingesetzte Technik ............................................................................................................. 6 4.2 Das Kling Klang Studio ....................................................................................................... 8 4.3 Coverlayouts und Bühnenshows ......................................................................................... -
Rottweil Musikfestival Sommersprossen 19.6.- 9.7.2015
Programmheft Schutzgebühr: 1,50 EUR ROTTWEIL MUSIKFESTIVAL SOMMERSPROSSEN 19.6.- 9.7.2015 .. KUNstlerische Leitung: Ingo Goritzki Grusswort.. des kunstlerischen Leiters Liebe Musikfreunde, „Rottweil Musikfestival“, dieser neue Name Im Jugendstilsaal Rottenmünster warten das entspricht schon seit einigen Jahren mehr der Ensemble L‘Estro Armonico um Sergio Azzolini kulturellen Bedeutung, die das Festival nach auf Sie sowie das virtuose Bläser-Triumvirat nunmehr fast 50 Jahren erreicht hat. Der launige Jensen, Pahlmann, Goritzki mit Gunilla Süssmann Untertitel „Sommersprossen“ erinnert an die (Klavier) und das Duo Johannes Goritzki / spannende Zeit der Entwicklung dorthin. Caroline Palmer mit einem hinreißenden Cello-Abend. Zur rechten Zeit kam auch eine wichtige Erwei- terung der Spielstätten. Gleich zweimal werden Und natürlich darf das besondere Flair der hochkarätige Ensembles in der „Alten Spulerei“ Hauser-Werkstatt nicht fehlen, wo Kolja Lessing im Rottweiler Neckartal auftreten: Das ein Rendezvous mit der – auch malenden – weltberühmte Auryn Quartett mit Peter Orth Komponistin Ursula Mamlok veranstalten, mit (Klavier), dessen Primarius Matthias Lingen- ihr sprechen und mit einem exquisiten Ensemble felder dem Festival seit vielen Jahren als viel- Musik von ihr spielen wird. In der Konzertpause seitiger Kammermusiker freundschaftlich können Sie dann eine Reihe ihrer Aquarelle verbunden ist. „Gruppenbild mit Dame“ könnte betrachten. man das zweite Ensemble nennen, das Daniel Ich wünsche Ihnen viel Freude bei Ihren Konzert- Schnyder eigens für seinen Abend zusammen- besuchen. Wohin Sie auch gehen wollen: Sie gerufen hat. Gemeinsam mit diesen auf seine werden immer überrascht sein. Musik spezialisierten Solisten wird er an diesem Abend G. Fr. Händel nicht aus den Augen lassen. Kein Wunder, dass sich der Deutschlandfunk gerade dieses Programm für seine Konzertreihe Grundton D ausgesucht hat. -
MAGNOLIA ESTATE 2018: Dal 18 Maggio Al 15 Settembre La Rassegna Estiva Del CIRCOLO MAGNOLIA, Via Circonvallazione Idroscalo,41, SEGRATE (MI)
MAGNOLIA ESTATE 2018: Dal 18 Maggio al 15 Settembre la rassegna estiva del CIRCOLO MAGNOLIA, via Circonvallazione Idroscalo,41, SEGRATE (MI) 31/05/2018 MAGNOLIA ESTATE 2018 - Il mondiale lo giochiamo noi #MagnoliaMondiale Dal 18 Maggio al 15 Settembre la rassegna estiva del CIRCOLO MAGNOLIA, via Circonvallazione Idroscalo,41, SEGRATE (MI) Hellfire Booking e In Fest Italy presentano IN FEST 2018 Mercoledì 6 Giugno al Circolo Magnolia LINK AL CALENDARIO COMPLETO DI MAGNOLIA ESTATE 2018 Mercoledì 6 giugno il Circolo Magnolia ospiterà la prima edizione dell’ IN FEST, il festival dedicato alla musica alternativa. Due palchi immersi nel verde dell'Idroscalo e alcune tra le band a capo della scena deathcore, metalcore e djent mondiale, tra cui Asking Alexandria, Bury Tomorrow, Being As An Ocean e SHVPES. ASKING ALEXANDRIA, la band inglese capitanata da Danny Worsnop & Ben Bruce, sarà l'headliner della giornata. I cinque artisti di York saranno in Europa per un tour estivo che li vedrà esibirsi nei più importanti festival europei in cui la band presenterà i pezzi del loro ultimo ononimo album uscito qualche mese fa sotto Sumerian Records, insieme a tutte le hit che hanno fatto la storia della loro carriera. I BURY TOMORROW sono una band inglese di spicco, fondata dai fratelli Winter Bates. Propongono un metalcore melodico, senza troppi fronzoli, con richiami ai Parkway Drive e a band come Killswitch Engage, Memphis May Fire e Miss May. Gli americani BEING AS AN OCEAN sono considerati trai nomi più rappresentativi della nuova ondata musicale, definita da molti "melodic hardcore", con un sound a cavallo tra l'emo, lo spoken words e le sonorità più alternative.