Japanese Particle I: a Study in Early Middle Japanese
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Bulletin of the School of Oriental and African Studies http://journals.cambridge.org/BSO Additional services for Bulletin of the School of Oriental and African Studies: Email alerts: Click here Subscriptions: Click here Commercial reprints: Click here Terms of use : Click here The origin of man'yogana John R. BENTLEY Bulletin of the School of Oriental and African Studies / Volume 64 / Issue 01 / February 2001, pp 59 73 DOI: 10.1017/S0041977X01000040, Published online: 18 April 2001 Link to this article: http://journals.cambridge.org/abstract_S0041977X01000040 How to cite this article: John R. BENTLEY (2001). The origin of man'yogana. Bulletin of the School of Oriental and African Studies, 64, pp 5973 doi:10.1017/S0041977X01000040 Request Permissions : Click here Downloaded from http://journals.cambridge.org/BSO, IP address: 131.156.159.213 on 05 Mar 2013 The origin of man'yo:gana1 . Northern Illinois University 1. Introduction2 The origin of man'yo:gana, the phonetic writing system used by the Japanese who originally had no script, is shrouded in mystery and myth. There is even a tradition that prior to the importation of Chinese script, the Japanese had a native script of their own, known as jindai moji ( , age of the gods script). Christopher Seeley (1991: 3) suggests that by the late thirteenth century, Shoku nihongi, a compilation of various earlier commentaries on Nihon shoki (Japan's first official historical record, 720 ..), circulated the idea that Yamato3 had written script from the age of the gods, a mythical period when the deity Susanoo was believed by the Japanese court to have composed Japan's first poem, and the Sun goddess declared her son would rule the land below. -
UC Santa Cruz UC Santa Cruz Electronic Theses and Dissertations
UC Santa Cruz UC Santa Cruz Electronic Theses and Dissertations Title The Historical Development of Initial Accent in Trimoraic Nouns in Kyoto Japanese Permalink https://escholarship.org/uc/item/3f57b731 Author Angeles, Andrew Publication Date 2019 License https://creativecommons.org/licenses/by-nc-nd/4.0/ 4.0 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA SANTA CRUZ THE HISTORICAL DEVELOPMENT OF INITIAL ACCENT IN TRIMORAIC NOUNS IN KYOTO JAPANESE A thesis submitted in partial satisfaction of the requirements for the degree of MASTER OF ARTS in LINGUISTICS by Andrew Angeles September 2019 The thesis of Andrew Angeles is approved: _______________________________ Professor Junko Ito, Chair _______________________________ Associate Professor Ryan Bennett _______________________________ Associate Professor Grant McGuire _______________________________ Quentin Williams Acting Vice Provost and Dean of Graduate Studies Copyright © by Andrew Angeles 2019 TABLE OF CONTENTS List of Figures ............................................................................................................. v Abstract ...................................................................................................................... ix Acknowledgments ................................................................................................... xiv 1 Introduction .......................................................................................................... -
History and Narrative in Japanese Chiyuki Kumakura
Document generated on 09/27/2021 10:48 a.m. Surfaces History and Narrative in Japanese Chiyuki Kumakura CULTURE AND INSTITUTIONS Article abstract Volume 5, 1995 This essay analyzes what Oe Kenzaburo (1994 Nobel laureate in literature) calls two opposing poles of ambiguity. The modernization of the Japanese URI: https://id.erudit.org/iderudit/1065000ar language has been oriented toward learning from and imitating DOI: https://doi.org/10.7202/1065000ar Indo-European languages (or Chinese), which permits one to make objective statements. Yet native Japanese (yamato kotoba) is unequivocally oriented by See table of contents the speaker's standpoint which is naturally subjective, reflecting only his/her perceptions and judgments. To Oe, this ambiguous orientation of the Japanese language has forced its culture into obscurity and isolation. In my analysis, the "interpersonal" nature of Japanese (derived from the speaker orientation) and Publisher(s) the interpersonal culture of Japan (derived from the language) have created a Les Presses de l’Université de Montréal culture that appears ambiguous and may often be considered inscrutable from a European perspective. However, interpersonality as a feature of Japanese culture and in Japanese discourse is a new concept that deserves further ISSN examination. 1188-2492 (print) 1200-5320 (digital) Explore this journal Cite this article Kumakura, C. (1995). History and Narrative in Japanese. Surfaces, 5. https://doi.org/10.7202/1065000ar Copyright © Chiyuki Kumakura, 1995 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. -
Ancient Magic and Modern Accessories: Developments in the Omamori Phenomenon
Western Michigan University ScholarWorks at WMU Master's Theses Graduate College 8-2015 Ancient Magic and Modern Accessories: Developments in the Omamori Phenomenon Eric Teixeira Mendes Follow this and additional works at: https://scholarworks.wmich.edu/masters_theses Part of the Asian History Commons, Buddhist Studies Commons, and the History of Religions of Eastern Origins Commons Recommended Citation Mendes, Eric Teixeira, "Ancient Magic and Modern Accessories: Developments in the Omamori Phenomenon" (2015). Master's Theses. 626. https://scholarworks.wmich.edu/masters_theses/626 This Masters Thesis-Open Access is brought to you for free and open access by the Graduate College at ScholarWorks at WMU. It has been accepted for inclusion in Master's Theses by an authorized administrator of ScholarWorks at WMU. For more information, please contact [email protected]. ANCIENT MAGIC AND MODERN ACCESSORIES: DEVELOPMENTS IN THE OMAMORI PHENOMENON by Eric Teixeira Mendes A thesis submitted to the Graduate College in partial fulfillment of the requirements for the degree of Master of Arts Comparative Religion Western Michigan University August 2015 Thesis Committee: Stephen Covell, Ph.D., Chair LouAnn Wurst, Ph.D. Brian C. Wilson, Ph.D. ANCIENT MAGIC AND MODERN ACCESSORIES: DEVELOPMENTS IN THE OMAMORI PHENOMENON Eric Teixeira Mendes, M.A. Western Michigan University, 2015 This thesis offers an examination of modern Japanese amulets, called omamori, distributed by Buddhist temples and Shinto shrines throughout Japan. As amulets, these objects are meant to be carried by a person at all times in which they wish to receive the benefits that an omamori is said to offer. In modern times, in addition to being a religious object, these amulets have become accessories for cell-phones, bags, purses, and automobiles. -
Childbearing in Japanese Society: Traditional Beliefs and Contemporary Practices
Childbearing in Japanese Society: Traditional Beliefs and Contemporary Practices by Gunnella Thorgeirsdottir A thesis submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy The University of Sheffield Faculty of Social Sciences School of East Asian Studies August 2014 ii iii iv Abstract In recent years there has been an oft-held assumption as to the decline of traditions as well as folk belief amidst the technological modern age. The current thesis seeks to bring to light the various rituals, traditions and beliefs surrounding pregnancy in Japanese society, arguing that, although changed, they are still very much alive and a large part of the pregnancy experience. Current perception and ideas were gathered through a series of in depth interviews with 31 Japanese females of varying ages and socio-cultural backgrounds. These current perceptions were then compared to and contrasted with historical data of a folkloristic nature, seeking to highlight developments and seek out continuities. This was done within the theoretical framework of the liminal nature of that which is betwixt and between as set forth by Victor Turner, as well as theories set forth by Mary Douglas and her ideas of the polluting element of the liminal. It quickly became obvious that the beliefs were still strong having though developed from a person-to- person communication and into a set of knowledge aquired by the mother largely from books, magazines and or offline. v vi Acknowledgements This thesis would never have been written had it not been for the endless assistance, patience and good will of a good number of people. -
Complete Poison Blossoms from a Thicket of Thorn : the Zen Records of Hakuin Ekaku / Hakuin Zenji ; Translated by Norman Waddell
The Publisher is grateful for the support provided by Rolex Japan Ltd to underwrite this edition. And our thanks to Bruce R. Bailey, a great friend to this project. Copyright © 2017 by Norman Waddell All rights reserved under International and Pan-American Copyright Conventions. No part of this book may be used or reproduced in any manner whatsoever without written permission from the publisher, except in the case of brief quotations embodied in critical articles and reviews. ISBN: 978-1-61902-931-6 THE LIBRARY OF CONGRESS CATALOGING-IN-PUBLICATION DATA Names: Hakuin, 1686–1769, author. Title: Complete poison blossoms from a thicket of thorn : the zen records of Hakuin Ekaku / Hakuin Zenji ; translated by Norman Waddell. Other titles: Keisåo dokuzui. English Description: Berkeley, CA : Counterpoint Press, [2017] Identifiers: LCCN 2017007544 | ISBN 9781619029316 (hardcover) Subjects: LCSH: Zen Buddhism—Early works to 1800. Classification: LCC BQ9399.E594 K4513 2017 | DDC 294.3/927—dc23 LC record available at https://lccn.loc.gov/2017007544 Jacket designed by Kelly Winton Book composition by VJB/Scribe COUNTERPOINT 2560 Ninth Street, Suite 318 Berkeley, CA 94710 www.counterpointpress.com Printed in the United States of America Distributed by Publishers Group West 10 9 8 7 6 5 4 3 2 1 To the Memory of R. H. Blyth CONTENTS Chronology of Hakuin’s Life Introduction BOOK ONE Instructions to the Assembly (Jishū) BOOK TWO Instructions to the Assembly (Jishū) (continued) General Discourses (Fusetsu) Verse Comments on Old Koans (Juko) Examining Old -
Alma M. Karlin's Visits to Temples and Shrines in Japan
ALMA M. KARLIN’S VISITS TO TEMPLES AND SHRINES IN JAPAN Chikako Shigemori Bučar Introduction Alma M. Karlin (1889-1950), born in Celje, went on a journey around the world between 1919 and 1928, and stayed in Japan for a lit- tle more than a year, from June 1922 to July 1923. There is a large col- lection of postcards from her journey archived in the Regional Museum of Celje. Among them are quite a number of postcards from Japan (528 pieces), and among these, about 100 of temples and shrines, including tombs of emperors and other historical persons - i.e., postcards related to religions and folk traditions of Japan. Karlin almost always wrote on the reverse of these postcards some lines of explanation about each picture in German. On the other hand, the Japanese part of her trav- elogue is very short, only about 40 pages of 700. (Einsame Weltreise / Im Banne der Südsee, both published in Germany in 1930). In order to understand Alma Karlin’s observation and interpretation of matters related to religions in Japan and beliefs of Japanese people, we depend on her memos on the postcards and her rather subjective impressions in her travelogue. This paper presents facts on the religious sights which Karlin is thought to have visited, and an analysis of Karlin’s understand- ing and interpretation of the Japanese religious life based on her memos on the postcards and the Japanese part of her travelogue. In the following section, Alma Karlin and her journey around the world are briefly presented, with a specific focus on the year of her stay in Japan, 1922-1923. -
Masterarbeit / Master's Thesis
MASTERARBEIT / MASTER’S THESIS Titel der Masterarbeit / Title of the Master’s Thesis “Dating the split of the Japonic language family. The Pre-Old Japanese corpus” verfasst von / submitted by Patrick Elmer, BA MA angestrebter akademischer Grad / in partial fulfilment of the requirements for the degree of Master of Arts (MA) Wien, 2019 / Vienna 2019 Studienkennzahl lt. Studienblatt / A 066 599 degree programme code as it appears on the student record sheet: Studienrichtung lt. Studienblatt / Masterstudium Indogermanistik und historische degree programme as it appears on Sprachwissenschaft UG2002 the student record sheet: Betreut von / Supervisor: Univ.-Prof. Mag. Dr. Melanie Malzahn, Privatdoz. Table of contents Part 1: Introduction ..................................................................................................... 8 1.1 The Japonic language family .............................................................................................. 9 1.2 Previous research: When did Japonic split into Japanese and Ryūkyūan .......................... 11 1.3 Research question and scope of study .............................................................................. 15 1.4 Methodology ................................................................................................................... 16 Part 2: Language data ................................................................................................ 19 2.1 Old Japanese ................................................................................................................... -
Chapter 14 Differential Subject Marking and Its Demise in the History of Japanese Yuko Yanagida University of Tsukuba
Chapter 14 Differential subject marking and its demise in the history of Japanese Yuko Yanagida University of Tsukuba The subject of various types of subordinate or nominalized clauses in Old Japanese (700– 800) is marked in one of three different ways: with the postpositional particle ga, no or zero. This paper argues that the opposition between case marked and unmarked subjects fit into cross-linguistically well attested patterns of differential subject marking (DSM). Follow- ing Woolford (2008), it shows that the syntactic and semantic characteristics of these case marking patterns reveal thatOJ displays two kinds of DSM effects which are associated with distinct grammatical levels. This paper also examines three possible scenarios for the loss of DSM, which occurred in Early Middle Japanese (EMJ 800–1200). TheOJ and EMJ data suggest that case systems do not simply shift from one alignment pattern to another, as sometimes assumed (cf. Harris & Campbell 1995: 258). Instead, the morphological features of individual case markers change incrementally over time, ultimately giving rise to global changes in the overall system. 1 Introduction Modern Japanese (ModJ) displays a straightforward nominative-accusative system. Tran- sitivity does not affect the case marking on the subject1 ( ). (1) Modern Japanese a. Taroo ga sake o non-da koto (transitive) Taroo nom sake acc drink-pst that ‘that Taroo drank sake’ b. sakura ga sai-ta koto (intransitive) cherry.blossom nom bloom-pst that ‘that Cherry blossoms bloomed’ In ModJ the case markers ga and o mark the subject and object respectively as gram- matical case markers; these particles display no semantic effects. -
Mythological Japan* A"
RARE N ? in 7350 .077s V \ - tyJl a. 2 - n/t Caligraphic Symbol of Longevity. i<m- / T * x I mythological japan* a" OR I | The Symbolisms of Mythology in Relation to Japanese Art With Illustrations, Drawn in Japan, by Native Artists BY Alexander F. Otto AND Theodore S. Holbrook • H PHILADELPHIA Drexel Biddle PUBLISHER V § & 3 a 1 a I e «*R » \ mythological japan OR The Symbolisms of Mythology in Relation to Japanese Art With Illustrations, Drawn in Japan, by Native Artists BY Alexander F. Otto AND Theodore S. Holbrook PHILADELPHIA Drexel Biddle PUBLISHER COPYRIGHT, 1902. FOREWORD. Having sought throughout the East, and especially Japan, for types of Oriental religious art, I always enjoy seeing in my mind's eye those mythological monuments which so often charmed me when it was my privilege to dwell among them. The authors having now shown me advanced sheets of their deeply interesting work, •' Mythological Japan," I am convinced that those who have not the leisure or convenience to visit the charming country of the Mikados, are to be con- gratulated that in this exquisite work they may see that fairyland as in a mirror. The faithful and artistic manner in which many of the pictures are rendered is an important feature in this beautiful book. MAXWELL SOMMERVILLE, Professor of Glyptology, University of Pennsylvania. Bronze Lotus Leaf. Supported by two dragons. The lotus symbolizes purity, the dragon, power. From private collection. MOTIF. The instinctive desire to know the innermost meaning of things has always been an important quality in the mind of man, a quality particularly worthy in connection with the interesting lore of the East, where myths have ever held a sacred place. -
Level 2 Kanji List
Level 2 Kanji List S.No Kanji Readings Meanings Examples 246 相 SOU , SHOU each other , 首相 shu shou - prime minister そ う , し ょ う mutual , 相合傘 ai ai gasa - 2 people sharing an umbrella ai appearance , 相変わらず ai ka warazu - same as always; あ い aspect same ole same ole... minister of state 相撲 sumou - Sumo (has a special su sound 247 愛 love 愛している - I love you! 愛妻 ai sai - beloved wife ai 愛知県 ai chi ken - Aichi prefecture あ い 愛読 ai doku - a Book lover 248 合 GOU , KATSU to be together; 相合傘 ai ai gasa - 2 people sharing an umbrella ゴ ウ , カ ツ to fit 場合 ba ai - a case, situation au 具合 gu ai - condition (of various things) あ う 都合 tsu gou - circumstances, condition, convenience 249 商 SHOU to sell; trade 商港 shou kou - a trade port し ょ う 商業 shou gyou - commerce, business akinau あ き な う 250 浅 SEN shallow, 経験が浅い kei ken ga asai - have little experience せ ん superficial 浅緑 asa midori - light green, pale green asai あ さ い www.thejapanesepage.com 1 Level 2 Kanji List 251 預 YO to keep , 預け金 azuke kin - key money よ to take charge of 預言 yo gen - a prophecy azukaru , azukeru to deposit あ ず か る , あ ず け る 252 汗 KAN sweat , 汗 ase - sweat か ん perspiration 汗腺 kan sen - sweat gland ase あ せ 253 遊 YUU play; to be idle 遊園地 yuu en chi - an amusement park ゆ う 遊星 yuu sei - a planet asobu 遊牧民 yuu boku min - nomad あ そ ぶ 夢遊病 mu yuu byou - sleepwalking 254 値 CHI value, price 価値 ka chi - worth, value ち atai , ne あ た い , ね 255 与 YO to give , award , 与える ataeru - to give, to present よ cause , ataeru to assign (a task) あ た え る www.thejapanesepage.com 2 Level 2 Kanji List 256 温 ON warm , 気温 ki on - temperature お ん temperature 温泉 on sen - Onsen, hot spring atatakai 温度 on do - temperature (degree) あ た た か い 257 暖 DAN warm , 地球温暖化 chi kyuu on dan ka - global warming だ ん cordial 暖まる atatamaru - to warm up; warm oneself atatakai あ た た か い 258 頭 TOU , ZU head , top 石頭 ishi atama - hard headed person (stone head) と う , ず 赤頭巾 aka zu kin - Little Red Riding Hood atama (lit. -
The Benzaiten and Dakiniten Mandalas: a Problem Or an Enigma?" by Bernard Faure, Columbia University
"The Benzaiten and Dakiniten mandalas: A Problem or an Enigma?" by Bernard Faure, Columbia University Toward the end of the Heian period, an esoteric Buddhist text refelred to a strange tliree-faced deity called Yaksa or Matarajin as the protector of TOji, the headqua~tersof the Sliingon school. Its thee faces were those of the devas Dakiniten, Benzaiten, and SliOten (or Kangiten), three major figures of medieval esotericism. Unfortunately, no representation of that deity remains. It is only some three or four centuries later, during the Muromaclii period, that a series of painted scrolls representing the Thee Devas as one composite fox-riding deity surrounded by its acolytes became popular. These paintings present affinities with another type of representations known as the Tenkawa Benzaiten mandala. This paper is trying to address the iconological problems raised by such paintings and their cultic background. The Benzaiten and Dakiniten mandalas: A Problem or an Enigma? The Three-faced Deity of Ttiji The Gyciki, a ritual text compiled around 1179 by the imperial priest Shukaku (Shukaku Shitm6, 1150-1202), contains an interesting passage concerning the image of the protecting deity of T6ji, the headquarters of the Shingon school. This image, unfortunately no longer extent, was that of a Yaksa (yashajin) called Matarajin, who is described as a "strange deity" (kijin) with three faces and six amls. Its central face (golden it1 color) was that of Sh6ten, while the riglit (red) face was that of Benzaiten, and the left (white) face that of Dakiniten. This Yaksa is said to be a messenger of the Inari deity, and he was believed to predict fnture events, eli~ninatecalamities, and bring good fortune.