Wang Qingsong
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VIETNAM Eyecontemporary Vietnamese
VIETNAM EYE Contemporary Vietnamese Art To India a lovely grand-daughter VIETNAM EYE Contemporary Vietnamese Art edited by Serenella Ciclitira Sponsored by Art director First published in Italy in 2016 Founder of Global Eye Programme We would like to thank the following Supported by Marcello Francone by Skira Editore S.p.A. David Ciclitira Vuong Duy Bien, Vice Minister, Palazzo Casati Stampa Design Ministry of Culture, Sports and Tourism, via Torino 61 Editor Luigi Fiore Socialist Republic of Vietnam 20123 Milano Serenella Ciclitira Editorial coordination Italy H. E. Cecilia Piccioni, Ambassador of Italy Eva Vanzella www.skira.net Curators to the Socialist Republic of Vietnam Copy editor © 2016 Parallel Serenella Ciclitira H. E. Giles Lever, Ambassador of the Ministry of Culture, Sports and Tourism Emanuela Di Lallo Contemporary Art Nigel Hurst United Kingdom to the Socialist Republic © 2016 Skira editore Layout Niru Ratnam of Vietnam Serena Parini All the staff at the Italian Embassy in Hanoi All rights reserved under Local Advisors international copyright Minh Do Tran Luong conventions. No part of this book may Vi Kien Thanh Special thanks to AIA Embassy of Italy, Hanoi be reproduced or utilized Event and Account Director in any form or by any means, Art Vietnam Gallery Belinda Laubi electronic or mechanical, Zoe Butt including photocopying, recording, or any information Project Coordinator & Artist Liaison CHON Gallery Hanoi storage and retrieval system, Kwok Shao Hui Craig Thomas Gallery without permission in writing Galerie Quynh Event Coordinator from the publisher. Judith Hughes Ngo Quang Minh Printed and bound in Italy. Mizuma Art Gallery, Tokyo First edition Authors of the Essays Thavibu Art Advisory Nguyen Quan ISBN: 978-88-572-3360-4 All collectors who have loaned works Niru Ratnam Distributed in USA, Canada, All the artists without whom this book Central & South America Vietnamese Partner would not have been possible by Rizzoli International Minh Do Publications, Inc., 300 Park All PCA staff Avenue South, New York, NY 10010, USA. -
1130输出文件画册最终版.Indd 1 15-11-30 下午8:58
1130输出文件 画册最终版.indd 1 15-11-30 下午8:58 亚洲时间——首届亚洲双年展暨第五届广州三年展 第五届广州三年展办公室 ASIA TIME: THE 1st ASIA BIENNIAL AND THE 5th GUANGZHOU TRIENNIAL FIFTH GUANGZHOU TRIENNIAL OFFICE 业务指导:中华人民共和国文化部艺术司、外联局 广东省文化厅 项目统筹:张 芬 胡宇清 吕子华 Operation administrators: Project Managers: ZHANG Fen / HU Yuqing / Lyu Zihua The Art Department and Bureau for External Cultural Relations, Project Coordinators: HUANG Hairong / YUAN Zhao / Yaya Hu / JIANG Cui 主 办:广东美术馆 项目协调:黄海蓉 袁 钊 胡 也 蒋 翠 Ministry of Culture, the People’s Republic of China LIN Wei / ZHANG Fan / FENG Bi /ZHOU Shanyi/ LIAO Shani / 协 办:广东省立中山图书馆 林 薇 张 帆 廖沙泥 李若然 冯 碧 Department of Culture of Guangdong Province LI Ruoran / FENG Bi 行政助理:何 璐 刘苑婷 赵婉君 何惠玲 Administrative Assistants: HE Lu / LIU Wanting / ZHAO Wanjun / HE Huiling 总策展人:罗一平 推广协调:李姗姗 叶小青 刘丹妮 李诗媛 Organizer: Guangdong Museum of Art Media Coordinators: LI Shanshan / YE Xiaoqing / LIU Danni / LI Shiyuan 主策展人:张 晴 汉克·斯拉格 Co-organizer: Sun Yat-sen Library of Guangdong Province 策 展 人:金弘姬 乌特·梅塔·鲍尔 莎拉·威尔逊 主 编:罗一平 学术主持:孙 歌 副 主 编 : 陈 建 宁 江 郁 之 邵 珊 Chairman: LUO Yiping Chief Editor: LUO Yiping 论坛主持:孙 歌 莎拉·威尔逊 执行编辑:胡宇清 廖沙泥 Chief Curators: ZHANG Qing / Henk SLAGER Vice Editors: CHEN Jianning/JIANG Yuzhi/SHAO Shan Curators: Hong-hee KIM / Ute Meta BAUER / Sarah WILSON Excutive Editors: HU Yuqing / LIAO Shani 策展研究员:吕子华 王佩琴 洪利知 编辑团队: 张 芬 吕子华 黄海蓉 袁 钊 胡 也 Academic Conductor: SUN Ge Editing Team: ZHANG Fen / Lyu Zihua / HUANG Hairong / YUAN Zhao 开幕时间:2015 年 12 月 11 日 蒋 翠 林 薇 张 帆 冯 碧 周善怡 蔡舒婷 Forum Moderators: Sun Ge / Sarah WILSON Yaya Hu / JIANG Cui / ZHANG Fan / CAI Shuting -
Biennalization?
Title Biennalization? What biennalization?: the documentation of biennials and other recurrent exhibitions Type Article URL http://ualresearchonline.arts.ac.uk/5516/ Date 2012 Citation Grandal Montero, Gustavo (2012) Biennalization? What biennalization?: the documentation of biennials and other recurrent exhibitions. Art Libraries Journal, 37 (1). pp. 13-23. ISSN 03074722 Creators Grandal Montero, Gustavo Usage Guidelines Please refer to usage guidelines at http://ualresearchonline.arts.ac.uk/policies.html or alternatively contact [email protected]. License: Creative Commons Attribution Non-commercial No Derivatives Unless otherwise stated, copyright owned by the author art libraries 37 / 1 2011 journal Biennalization? What biennalization? The documentation of biennials and other recurrent exhibitions Gustavo Grandal Montero iennials have been central to the development of contemporary art for Bdecades, but there is a paucity of published material specifically related to this subject. Documentation for these important exhibitions is not always made available and it is often difficult to acquire, posing an obstacle to current and future research across a number of areas within contemporary art, curating and art history. This article offers an overview of major current biennials and of the different sources of information they produce (catalogues, other printed material, online resources, archives), and surveys the secondary literature of the phenomenon. It also discusses specific collection development issues in libraries, from -
Wang Qingsong Born in 1988 in Daqing, Heilongjiang Province
Wang Qingsong Born in 1988 in Daqing, Heilongjiang Province, China, Wang graduated from the Oil Painting Department of Sichuan Academy of Fine Arts, Sichuan China. After starting his career as an oil painter in the Gaudi movement, he began taking elaborately staged photographs exploring themes of consumerism, urbanization and western influences in the culture of post–modern China. Wang Qingsong's work has been presented at prestigious art festivals including the 55th Venice Biennale China Pavilion (Italy) and the 42nd les Rencontres d’Arles (France). His work is collected by the International Centre of Photography (USA), the Philadelphia Museum of Art (USA), the Victoria and Albert Museum (UK), MUMOK (Vienna), Mori Art Museum (Tokyo), Daegu Art Museum (Seoul), and Central Academy of Fine Arts (Beijing), among others. Wang currently lives and works in Beijing. Solo Exhibitions 2017 “Happy Bed”, ART | BASEL Hong Kong 2017 – Blindspot Gallery, KABINETT, Booth 3C40, Hong Kong Convention and Exhibition Centre, Hong Kong 2016 “One World, One Dream: Works of Wang Qingsong”, Dirimart Gallery, Istanbul, Turkey 2015 “Wang Qingsong”, Beetles & Huxley Gallery, London, UK “Wang Qingsong – Everything is Possible”, Gallery of Photography, Dublin, Ireland 2014 “AD–Infinitum”, Frost Art Museum, Miami, USA “Asian Contemporary Photography, Wang Qingsong and Jung Yeondoo”, Daegu Art Museum, Daegu, Korea “One World, One Dream”, Whitebox Art Center, Beijing, China “Follow You – Wang Qingsong”, Koege Museum, Denmark 2012 “The History of Monuments”, Taipei MOCA -
Het Magische Jaar Van De Magiciens
Universiteit Gent Academiejaar 2010 - 2011 1989: HET MAGISCHE JAAR VAN DE MAGICIENS De invloed van de tentoonstelling Magiciens de la Terre op de globalisering van de kunst Masterproef voorgelegd aan de Faculteit Letteren en Wijsbegeerte, Voor het verkrijgen van de graad van Master In de Kunstwetenschappen, optie Etnische Kunst Door Henk Van Nieuwenhove Promotor: dr. Paulina van der Zee WOORD VOORAF Mijn dank gaat uit naar al diegenen die de voorbije 37 jaar mee de verwezenlijking van dit studieproject hebben mogelijk gemaakt: - Professor dr. Jan Vandenhoute, helaas lange tijd geleden overleden, die me in de jaren 1974-1975 de liefde voor de primitieve kunst (toen nog de officiële benaming) heeft bijgebracht. - Mevrouw dr. Paulina van der Zee die mij als eerste op het spoor bracht van Magiciens de la Terre . Met dank voor de professionele aanpak en het enthousiasme waarmee ze me weer naar de studieboeken heeft gedreven. - Professor dr. Wilfried Van Damme voor de introductie in de World Art Studies . - De UGent om me de kans te geven mijn studies Kunstwetenschappen na 37 jaar af te ronden. - Professoren en docenten van de UGent voor de vele boeiende lesuren. - De studenten van het historisch allerlaatste jaar Etnische Kunst, in het bijzonder Mevrouw Hannelore Vandenbergen. - De Afrika Vereniging van de UGent voor de deelname aan hun studiedagen. - De Pacific Arts Association voor deelname aan hun congres 2008 in Brussel. - De heer David van Duuren van het Koninklijk Instituut voor de Tropen, Amsterdam, voor de introductie op het symposium Tropenmuseum for a change. - De redacties van de Roularta Group, die me de kans boden om als journalist te reizen naar verre cultuurgebieden in Afrika, Oceanië, Azië en Zuid-Amerika. -
Indonesian Art Today
Sip! INDONESIAN ART TODAY Sip! INDONESIAN ART TODAY Sip! INDONESIAN ART TODAY Edited by Matthias Arndt Contents Foreword 7 Matthias Arndt Indonesian Contemporary Art: Becoming Contemporary, Becoming Global 8 Enin Supriyanto Timeline—Indonesian Art Scenes in the Context of Related Social-Political Changes and International Art Scenes 16 Ay Tjoe Christine 24 Arin Dwihartanto Sunaryo 32 FX Harsono 38 indieguerillas 46 Mella Jaarsma 52 Agung Kurniawan 60 Rudi Mantofani 68 Wiyoga Muhardanto 74 Eko Nugroho 80 J. Ariadhitya Pramuhendra 90 Syagini Ratna Wulan 96 Wedhar Riyadi 102 Handiwirman Saputra 106 Agus Suwage 112 Tromarama 122 Entang Wiharso 128 CVs & Bibliographies 137 Author Biographies / Acknowledgements 150 Photo Credits 151 Colophon 152 5 Foreword I discovered the rich artistic landscape of Southeast Asia about either initiated by artists themselves or by private collectors trying five years ago while researching for a show in Berlin. What I saw to work in a Not-For-Profit way in an art scene in which the only there—the sincerity and artistic skills in production, the formal “evaluation authority” is the art market, represented by the auc- diversity and the commitment with which the artists address the tion houses. Once more this bears a marked similarity to Berlin, manifold issues in their societies—left a deep impression on me. where the amazing rise and success of contemporary art in the While it seems that the trend in current Western art production absence of public funding and support over almost two decades tends towards confirming the views of an intended audience, could be called the “Wunder von Berlin” (The Miracle of Berlin). -
M Odern & Contem Porary
Modern & Contemporary Art 3 October 2015 Sale Information Bonhams (Hong Kong) Ltd. Trading Office Bonhams (Hong Kong) Limited Directors Suite 2001, One Pacific Place Colin Sheaf Chairman Asia 88 Queensway Magnus Renfrew Deputy Chairman Asia Malcolm Barber CEO Asia Admiralty Alexi Fung, Managing Director Hong Kong Hong Kong Dessa Goddard, Asaph Hyman, Hugh Watchorn Bonhams (Hong Kong) Limited Registered No. 1426522 Registered Office: Room 5501 / 55F, Central Plaza, 18 Harbour Road, Wanchai MODERN & CONTEMPORARY ART Saturday 3 October at 3pm Bonhams Hong Kong Gallery Suite 2001, One Pacific Place, Admiralty, Hong Kong BONHAMS (HONG KONG) LTD 富邦國際會議中心 ENQUIRIES PAYMENT 地下二樓 Suite 2001 Meiling Lee For an overview of the payment 台北市敦化南路一段108號 One Pacific Place +886 2 87582898 +886 2 8758 2900 process, please refer to Clause 9 of 88 Queensway [email protected] the NOTICE TO BIDDERS section at Admiralty BEIJING the back of this catalogue. Hong Kong Tuesday 15 September Yao Yao Please see back of catalogue for www.bonhams.com/hongkong 10am to 7pm +86 10 6528 0922 Notice to Bidders Wednesday 16 September [email protected] BIDS 10am to 7pm CUSTOMER SERVICES +852 2918 4321 Charlotte Nunn Monday to Friday 9am to 6pm +852 2918 4320 fax Four Seasons Hotel Beijing +852 2918 4321 +852 2918 4321 To bid via the internet, please visit 5/F, Imperial Ballroom [email protected] www.bonhams.com No. 48 Liangmaqiao Lu, PHYSICAL CONDITION OF Chaoyang District, Beijing, Jennifer Tang LOTS IN THIS AUCTION Please note that bids should be 100125, China +852 2918 4321 PLEASE NOTE THAT THERE IS NO submitted no later than Friday 北京四季酒店 [email protected] REFERENCE IN THIS CATALOGUE TO 2 October. -
Araya Rasdjarmrearnsook Two Planets / Village and Elsewhere
ARAYA RASDJARMREARNSOOK TWO PLANETS / VILLAGE AND ELSEWHERE Jeff Koons’ Wolfman in Pakoitai Market and Sunday Market, 2011 Manet’s Luncheon on the Grass and the Thai Villagers, 2008 Araya Rasdjarmrearnsook is universally recognized as one of the leading video artists from Southeast Asia. For the past 25 years, her video, installation, and graphic works have been regularly shown in institutions in her native Thailand and throughout the world. Tyler Rollins Fine Art is pleased to present Two Planets / Village and Elsewhere, the first solo show of her work in the United States, taking place at our gallery in New York from January 12 to February 25, 2012. The exhibition features the world premiere of her latest video, Village and Elsewhere: Jeff Koons’ Wolfman in Pakoitai Market and Sunday Market, as well as the first US showing of three other recent videos from her Village and Elsewhere and Two Planets series (Village and Elsewhere: Artemisia Gentileschi’s Judith Beheading Holofernes, Jeff Koons’ Untitled, and Thai Villagers; Two Planets: Millet’s The Gleaners and Thai Farmers; and Two Planets: Manet’s Luncheon on the Grass and the Thai Villagers). A group of related photographs will also be included in the exhibition. Araya’s video works have a meditative, ritualistic quality, and, like many of humanity’s important rituals, they are often focused on the idea of communication between different realms. Her earlier works, for example, have explored the connection between the living and the dead, between the insane and “normal” people, and between humans and animals. Over the past few years, Araya has focused on art itself and the way the viewer interacts with a work of art.