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Ð¯Ð½ ÒÐ °Ñ€Ð±Ð°Ñ€ÐµÐº ÐÐ »ÑŒÐ±Ð¾Ð¼ ÑÐ ¿Ð¸ÑÐ ¾Ðº (Ð”Ð¸ÑÐ ºÐ¾Ð³Ñ€Ð°Ñ„Ñ–Ñ & Ð¥Ñ€Ð¾Ð½Ð¾Ð»Ð¾Ð³Ñ–Ñ) Folk Songs https://uk.listvote.com/lists/music/albums/folk-songs-5464433/songs Witchi-Tai-To https://uk.listvote.com/lists/music/albums/witchi-tai-to-1518441/songs Officium https://uk.listvote.com/lists/music/albums/officium-2437077/songs Afric Pepperbird https://uk.listvote.com/lists/music/albums/afric-pepperbird-1759630/songs Triptykon https://uk.listvote.com/lists/music/albums/triptykon-1760751/songs Visible World https://uk.listvote.com/lists/music/albums/visible-world-3561022/songs Twelve Moons https://uk.listvote.com/lists/music/albums/twelve-moons-3542522/songs Sart https://uk.listvote.com/lists/music/albums/sart-1759671/songs Rites https://uk.listvote.com/lists/music/albums/rites-3433310/songs Rites https://uk.listvote.com/lists/music/albums/rites-3433310/songs Dansere https://uk.listvote.com/lists/music/albums/dansere-3015672/songs I Took Up the Runes https://uk.listvote.com/lists/music/albums/i-took-up-the-runes-3147141/songs Esoteric Circle https://uk.listvote.com/lists/music/albums/esoteric-circle-3058096/songs Dis https://uk.listvote.com/lists/music/albums/dis-3029757/songs Paths, Prints https://uk.listvote.com/lists/music/albums/paths%2C-prints-3368726/songs https://uk.listvote.com/lists/music/albums/legend-of-the-seven-dreams- Legend of the Seven Dreams 3229053/songs Places https://uk.listvote.com/lists/music/albums/places-3390767/songs Photo with Blue Sky, White Cloud, Wires, https://uk.listvote.com/lists/music/albums/photo-with-blue-sky%2C-white-cloud%2C- Windows and a Red Roof wires%2C-windows-and-a-red-roof-3381552/songs https://uk.listvote.com/lists/music/albums/it%27s-ok-to-listen-to-the-gray-voice- It's OK to Listen to the Gray Voice 3155798/songs In Praise of Dreams https://uk.listvote.com/lists/music/albums/in-praise-of-dreams-3149656/songs Ragas and Sagas https://uk.listvote.com/lists/music/albums/ragas-and-sagas-3417457/songs Mnemosyne https://uk.listvote.com/lists/music/albums/mnemosyne-3317487/songs Eventyr https://uk.listvote.com/lists/music/albums/eventyr-3061432/songs Aftenland https://uk.listvote.com/lists/music/albums/aftenland-2826291/songs Officium Novum https://uk.listvote.com/lists/music/albums/officium-novum-17040822/songs StAR https://uk.listvote.com/lists/music/albums/star-7592213/songs https://uk.listvote.com/lists/music/albums/m%C3%A1gico%3A-carta-de-amor- MÃ¡gico: Carta de Amor 17036469/songs Wayfarer https://uk.listvote.com/lists/music/albums/wayfarer-3566801/songs Madar https://uk.listvote.com/lists/music/albums/madar-3275419/songs All Those Born with Wings https://uk.listvote.com/lists/music/albums/all-those-born-with-wings-2837536/songs Dresden https://uk.listvote.com/lists/music/albums/dresden-3039372/songs.

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The Carroll News
John Carroll University Carroll Collected The aC rroll News Student 10-6-1982 The aC rroll News- Vol. 67, No. 3 John Carroll University Follow this and additional works at: http://collected.jcu.edu/carrollnews Recommended Citation John Carroll University, "The aC rroll News- Vol. 67, No. 3" (1982). The Carroll News. 670. http://collected.jcu.edu/carrollnews/670 This Newspaper is brought to you for free and open access by the Student at Carroll Collected. It has been accepted for inclusion in The aC rroll News by an authorized administrator of Carroll Collected. For more information, please contact [email protected]. Vol. OINo. 3 October 6. 1982 tlrbe <!Carroll _jf}etus John Carroll University University Heights, Ohio 44118 Student Union proposes renewal of Stunt Night Will Stunt Night return? This Stunt Night was considered recent. Student Union meeting. tion. laborating data of the past is one of the more popular ques· one of the best sources of class JCU alumni have suggested Student Union President stunt nights, and devising tions pervading the halls of unity, and received significant that Stunt Night be brought Chris Miller says that he is wiU· ground rules which will im· Carroll as of late. yearbook coverage. back, according to senior class ing to lli1ten to any ideas prove future stunt nights. "What is Stunt Night?" you Unfortunately, some of the representative Jim Garvey. students have regarding the Stunt Night was once a main might ask. Actually, it was one material in the skits, which was Presently, the newly-formed return of this much-missed at· event on campus to bring of the bigger events here until intended for the coUege·level Investigative Committee, com· traction.
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Wavelength (February 1983)
University of New Orleans ScholarWorks@UNO Wavelength Midlo Center for New Orleans Studies 2-1983 Wavelength (February 1983) Connie Atkinson University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/wavelength Recommended Citation Wavelength (February 1983) 28 https://scholarworks.uno.edu/wavelength/28 This Book is brought to you for free and open access by the Midlo Center for New Orleans Studies at ScholarWorks@UNO. It has been accepted for inclusion in Wavelength by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. ... ,.. i .,. #pf r f~ ~ I ~ t J t .. ~ • '~ -- •-- .. I ' I . r : • 1 ,, ' ,,. .t, '~'. • .·' f I .. ""' - • ,, ' ' 4. ,I • , /rl. • 4 . • .•, .' ./j ·. ~ f/ I. • t • New Orleans is a live! A day and night kaleido scope of the gaud y, raucous, erotic and exotic Mardi Gras, Steamboats, Parades, Seafood, Jazz and the French Quarter. Discover it all in the award-winning books Mardi Gras! A Celebration and New Orleans: The Passing Parade. Brilliant color photographs by Mitchel L. Osborne are complimented by delightful and informative texts. A vail able in fine bookstores or order directly from Picayune Press, Ltd .: Mardi Gras!: A C!oth $29.95, Paper$15.95 · New Orleans: The Passing Parade: 326 Picayune Place # 200 New Orleans, LA 70130 Paper $14.95 Postage and Handhng $1.50 • LA res1dents add 3% tax • V1sa & Mastercharge accepted. ' ISSUE NO. 28 • FEBRUARY 1983 "I'm not sure, but I'm almost positive, rhar all music came from New Orleans. " Ernie K-Doe, 1979 Available in American Oak, American Walnut, Teak, Mahogany and White Features Melamine at no change In cost.
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Discourses of Decay and Purity in a Globalised Jazz World
1 Chapter Seven Cold Commodities: Discourses of Decay and Purity in a Globalised Jazz World Haftor Medbøe Since gaining prominence in public consciousness as a distinct genre in early 20th Century USA, jazz has become a music of global reach (Atkins, 2003). Coinciding with emerging mass dissemination technologies of the period, jazz spread throughout Europe and beyond via gramophone recordings, radio broadcasts and the Hollywood film industry. America’s involvement in the two World Wars, and the subsequent $13 billion Marshall Plan to rebuild Europe as a unified, and US friendly, trading zone further reinforced the proliferation of the new genre (McGregor, 2016; Paterson et al., 2013). The imposition of US trade and cultural products posed formidable challenges to the European identities, rooted as they were in 18th-Century national romanticism. Commercialised cultural representations of the ‘American dream’ captured the imaginations of Europe’s youth and represented a welcome antidote to post-war austerity. This chapter seeks to problematise the historiography and contemporary representations of jazz in the Nordic region, with particular focus on the production and reception of jazz from Norway. Accepted histories of jazz in Europe point to a period of adulatory imitation of American masters, leading to one of cultural awakening in which jazz was reimagined through a localised lens, and given a ‘national voice’. Evidence of this process of acculturation and reimagining is arguably nowhere more evident than in the canon of what has come to be received as the Nordic tone. In the early 1970s, a group of Norwegian musicians, including saxophonist Jan Garbarek (b.1947), guitarist Terje Rypdal (b.1947), bassist Arild Andersen (b.1945), drummer Jon Christensen (b.1943) and others, abstracted more literal jazz inflected reinterpretations of Scandinavian folk songs by Nordic forebears including pianist Jan Johansson (1931-1968), saxophonist Lars Gullin (1928-1976) bassist Georg Riedel (b.1934) (McEachrane 2014, pp.
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NOVEMBER 2019 VOLUME 86 / NUMBER 11 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Reviews Editor Dave Cantor Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Will Dutton Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile Vice President of Sales 630-359-9345 [email protected] Musical Instruments & East Coast Schools Ritche Deraney Vice President of Sales 201-445-6260 [email protected] Advertising Sales Associate Grace Blackford 630-359-9358 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Boston: Fred Bouchard, Frank-John Hadley; Chicago: Alain Drouot, Michael Jackson, Jeff Johnson, Peter Margasak, Bill Meyer, Paul Natkin, Howard Reich; Indiana: Mark Sheldon; Los Angeles: Earl Gibson, Andy Hermann, Sean J. O’Connell, Chris Walker, Josef Woodard, Scott Yanow; Michigan: John Ephland; Minneapolis: Andrea Canter; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, Jennifer Odell; New York: Herb Boyd, Bill Douthart, Philip Freeman, Stephanie Jones, Matthew Kassel, Jimmy Katz, Suzanne Lorge, Phillip Lutz, Jim Macnie, Ken Micallef, Bill Milkowski, Allen Morrison, Dan Ouellette, Ted Panken, Tom Staudter, Jack Vartoogian; Philadelphia: Shaun Brady; Portland: Robert Ham; San Francisco: Yoshi Kato, Denise Sullivan; Seattle: Paul de Barros; Washington, D.C.: Willard Jenkins, John Murph, Michael Wilderman; Canada: J.D. Considine, James Hale; France: Jean Szlamowicz; Germany: Hyou Vielz; Great Britain: Andrew Jones; Portugal: José Duarte; Romania: Virgil Mihaiu; Russia: Cyril Moshkow; South Africa: Don Albert.
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The Singing Guitar
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Norway's Jazz Identity by © 2019 Ashley Hirt MA
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ANNONSESTORLEIK OG ANNONSEPRISAR for FOLKEMUSIKK 2017 Storleik Breidd X Høgd – I Millimeter Pris Eks
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Of Music. •,..,....SPECIAUSTS • RECORDED MUSIC • PAGE 10 the PENNY PITCH
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263 SELECTED BIBLIOGRAPHY Monographs
SELECTED BIBLIOGRAPHY Monographs: Adorno, Theodor. The Culture Industry. New York: Routledge, 2001. Ahokas, Jaakko. A History of Finnish Literature. Indianapolis: Indiana University Publications, 1973. Ake, David. Jazz Cultures. California: University Of California Press, 2002. Albertsson, Ólafur Vignir. Einsöngslög IV. Reykjavik: Ísalög, 1997. Almén, Byron. A Theory of Musical Narrative. Bloomington and Indianapolis: Indiana University Press, 2008. Anderson, Benedict. Imagined Communities. New York, Verso, 1983. Andersson, Greger et al. eds. Musiken i Norden. Stockholm: Kungliga Musikaliska Akademien, 1998. Apollonio, Umbro, ed. Futurist Manifestos New York: Viking Press, 1973. Atkins, E. Taylor. ed. Jazz Planet. Mississippi: University of Mississippi Press, 2003. Attali, Jacques. Noise: The Political Economy Of Music. Minneapolis: University of Minnesota Press, 1985. Austerlitz, Paul. Jazz Consciousness: Music, Race, and Humanity. Connecticut, Wesleyan University Press, 2005. Baraka, Amiri. Jazz and the White Critic. Black Music. New York: Morrow, 1960. Barthes, Roland. Image, Music, Text. London: Fontana Press, 1977. Beard, David and Kenneth Gloag. Musicology: The Key Concepts. New York: Routledge, 2005. Benjamin, Walter. Illuminations: Essays and Reflections. New York, Schocken Books, 1968. Berendt, Joachim‐Ernst and Günther Huesmann, The Jazz Book: From Ragtime to the 21st Century. Chicago: Lawrence Hill Books, 2009. Bergendal, G. (1991). New Music In Iceland. Reykjavik, Iceland Music Information Centre. Berger, Harris M. and Giovanna P. Del Negro. Identity and Everyday Life: Essays in 263 the Study of Folklore, Music, and Popular Culture. United States: Wesleyan University Press, 2004. Bergh, Johs and Jan Evensmo. Jazz Tenor Saxophone in Norway 19171959. Oslo: Norsk Jazzarkiv, 1996. Berliner, Paul. Thinking In Jazz: The Infinite Art of Improvisation. Chicago, University of Chicago, 1994.
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Ñœð±Ð¾ð¼ ÑÐ¿Ð¸ÑÐ¾ðº