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Before the Forties
Before The Forties director title genre year major cast USA Browning, Tod Freaks HORROR 1932 Wallace Ford Capra, Frank Lady for a day DRAMA 1933 May Robson, Warren William Capra, Frank Mr. Smith Goes to Washington DRAMA 1939 James Stewart Chaplin, Charlie Modern Times (the tramp) COMEDY 1936 Charlie Chaplin Chaplin, Charlie City Lights (the tramp) DRAMA 1931 Charlie Chaplin Chaplin, Charlie Gold Rush( the tramp ) COMEDY 1925 Charlie Chaplin Dwann, Alan Heidi FAMILY 1937 Shirley Temple Fleming, Victor The Wizard of Oz MUSICAL 1939 Judy Garland Fleming, Victor Gone With the Wind EPIC 1939 Clark Gable, Vivien Leigh Ford, John Stagecoach WESTERN 1939 John Wayne Griffith, D.W. Intolerance DRAMA 1916 Mae Marsh Griffith, D.W. Birth of a Nation DRAMA 1915 Lillian Gish Hathaway, Henry Peter Ibbetson DRAMA 1935 Gary Cooper Hawks, Howard Bringing Up Baby COMEDY 1938 Katharine Hepburn, Cary Grant Lloyd, Frank Mutiny on the Bounty ADVENTURE 1935 Charles Laughton, Clark Gable Lubitsch, Ernst Ninotchka COMEDY 1935 Greta Garbo, Melvin Douglas Mamoulian, Rouben Queen Christina HISTORICAL DRAMA 1933 Greta Garbo, John Gilbert McCarey, Leo Duck Soup COMEDY 1939 Marx Brothers Newmeyer, Fred Safety Last COMEDY 1923 Buster Keaton Shoedsack, Ernest The Most Dangerous Game ADVENTURE 1933 Leslie Banks, Fay Wray Shoedsack, Ernest King Kong ADVENTURE 1933 Fay Wray Stahl, John M. Imitation of Life DRAMA 1933 Claudette Colbert, Warren Williams Van Dyke, W.S. Tarzan, the Ape Man ADVENTURE 1923 Johnny Weissmuller, Maureen O'Sullivan Wood, Sam A Night at the Opera COMEDY -
What Kubrick's Kelley O'brien University of South Florida, [email protected]
University of South Florida Scholar Commons Graduate Theses and Dissertations Graduate School March 2018 "He Didn't Mean It": What Kubrick's Kelley O'Brien University of South Florida, [email protected] Follow this and additional works at: http://scholarcommons.usf.edu/etd Part of the American Studies Commons, and the Film and Media Studies Commons Scholar Commons Citation O'Brien, Kelley, ""He Didn't Mean It": What Kubrick's" (2018). Graduate Theses and Dissertations. http://scholarcommons.usf.edu/etd/7204 This Thesis is brought to you for free and open access by the Graduate School at Scholar Commons. It has been accepted for inclusion in Graduate Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. “He Didn‟t Mean It”: What Kubrick‟s The Shining Can Teach Us About Domestic Violence by Kelley O‟Brien A thesis submitted in partial fulfillment of the requirements for the degree of Master of Liberal Arts With a concentration in Humanities Department of Humanities and Cultural Studies College Arts and Sciences University of South Florida Major Professor: Daniel Belgrad, Ph.D. Maria Cizmic, Ph.D. Amy Rust Ph.D. Date of Approval: March 8, 2018 Keywords: Patriarchy, Feminism, Gender Politics, Horror, American 1970s Copyright © 2018, Kelley O‟Brien Dedication I dedicate this thesis project to my mother, Terri O‟Brien. Thank you for always supporting my dreams and for your years of advocacy in the fight to end violence against women. I could not have done this without you. Acknowledgments First I‟d like to express my gratitude to my thesis advisor Dr. -
The Origins of the Magical Girl Genre Note: This First Chapter Is an Almost
The origins of the magical girl genre Note: this first chapter is an almost verbatim copy of the excellent introduction from the BESM: Sailor Moon Role-Playing Game and Resource Book by Mark C. MacKinnon et al. I took the liberty of changing a few names according to official translations and contemporary transliterations. It focuses on the traditional magical girls “for girls”, and ignores very very early works like Go Nagai's Cutie Honey, which essentially created a market more oriented towards the male audience; we shall deal with such things in the next chapter. Once upon a time, an American live-action sitcom called Bewitched, came to the Land of the Rising Sun... The magical girl genre has a rather long and important history in Japan. The magical girls of manga and Japanese animation (or anime) are a rather unique group of characters. They defy easy classification, and yet contain elements from many of the best loved fairy tales and children's stories throughout the world. Many countries have imported these stories for their children to enjoy (most notably France, Italy and Spain) but the traditional format of this particular genre of manga and anime still remains mostly unknown to much of the English-speaking world. The very first magical girl seen on television was created about fifty years ago. Mahoutsukai Sally (or “Sally the Witch”) began airing on Japanese television in 1966, in black and white. The first season of the show proved to be so popular that it was renewed for a second year, moving into the era of color television in 1967. -
Download the Program (PDF)
ヴ ィ ボー ・ ア ニ メー シ カ ョ ワ ン イ フ イ ェ と ス エ ピ テ ッ ィ Viborg クー バ AnimAtion FestivAl ル Kawaii & epikku 25.09.2017 - 01.10.2017 summAry 目次 5 welcome to VAF 2017 6 DenmArk meets JApAn! 34 progrAmme 8 eVents Films For chilDren 40 kAwAii & epikku 8 AnD families Viborg mAngA AnD Anime museum 40 JApAnese Films 12 open workshop: origAmi 42 internAtionAl Films lecture by hAns DybkJær About 12 important ticket information origAmi 43 speciAl progrAmmes Fotorama: 13 origAmi - creAte your own VAF Dog! 44 short Films • It is only possible to order tickets for the VAF screenings via the website 15 eVents At Viborg librAry www.fotorama.dk. 46 • In order to pick up a ticket at the Fotorama ticket booth, a prior reservation Films For ADults must be made. 16 VimApp - light up Viborg! • It is only possible to pick up a reserved ticket on the actual day the movie is 46 JApAnese Films screened. 18 solAr Walk • A reserved ticket must be picked up 20 minutes before the movie starts at 50 speciAl progrAmmes the latest. If not picked up 20 minutes before the start of the movie, your 20 immersion gAme expo ticket order will be annulled. Therefore, we recommended that you arrive at 51 JApAnese short Films the movie theater in good time. 22 expAnDeD AnimAtion • There is a reservation fee of 5 kr. per order. 52 JApAnese short Film progrAmmes • If you do not wish to pay a reservation fee, report to the ticket booth 1 24 mAngA Artist bAttle hour before your desired movie starts and receive tickets (IF there are any 56 internAtionAl Films text authors available.) VAF sum up: exhibitions in Jane Lyngbye Hvid Jensen • If you wish to see a movie that is fully booked, please contact the Fotorama 25 57 Katrine P. -
Kids Classics
SAT/SUN AUG SAT/SUN AUG Launch Party Friday July 24th 11:30PM 1ST & 2ND, 4PM 8TH & 9TH, 4PM WITH FOLLOWING SESSIONS ON SATURDAY & SUNDAY 25 & 26TH AT 4PM Come in Fancy dress and win prizes for best dressed . First prize winner gets to take home a GOLD PASS valued at over $5000 granting unlimited free movies for a year. The runner up will walk away with a six month membership for Snap Fitness and various other door prizes will be available. Don’t miss out! Bring your own props (Please don’t bring rice or confetti) TICKETS ON SALE NOW SAT/SUN AUG SAT/SUN AUG SAT/SUN AUG SAT/SUN SEPT SAT/SUN SEPT SAT/SUN SEPT SAT/SUN SEPT 15TH & 16TH, 4PM 22ND & 23RD, 4PM 29TH & 30TH, 4PM 5TH & 6TH, 4PM 12TH & 13TH, 4PM 19TH & 20TH, 4PM 26TH & 27TH, 4PM SAT/SUN OCT SAT/SUN OCT SAT/SUN OCT SAT/SUN OCT SAT/SUN OCT SAT/SUN NOV SAT/SUN NOV 3RD & 4TH, 4PM 10TH & 11TH, 4PM 17TH & 18TH, 4PM 24TH & 25TH, 4PM 31ST & NOV 1ST, 4PM 7TH & 8TH, 4PM 14TH & 15TH, 4PM IN 3D SAT/SUN NOV DOUBLE FEATURE (INCLUDING INTERMISSION) DOUBLE FEATURE (INCLUDING INTERMISSION) SAT/SUN DEC SAT/SUN DEC 21ST & 22ND, 4PM SAT/SUN NOV 28TH & 29TH, 4PM SAT/SUN DEC 5TH & 6TH, 4PM 12TH & 13TH, 4PM 19TH & 20TH, 3PM KIDS CLASSICS SAT/SUN AUG SAT/SUN AUG SAT/SUN SEPT SAT/SUN OCT SAT/SUN OCT SAT/SUN NOV SAT/SUN NOV SAT/SUN DEC 8TH & 9TH 22ND & 23RD 5TH & 6TH 10TH & 11TH 24TH & 25TH 7TH & 8TH 21ST & 22ND 5TH & 6TH IN 3D IN 3D TICKET PRICES LIKE OUR CULT CLASSICS? HOW TO FIND US Adults: 2D $12.50/3D $15.50 WHY NOT TRY: Concession/Child: 2D $9.50/3D $12.50 3-5 Hewish Rd, Seniors:2D $7.50/3D $10.50 Family: -
Anime/Games/J-Pop/J-Rock/Vocaloid
Anime/Games/J-Pop/J-Rock/Vocaloid Deutsch Alice Im Wunderland Opening Anne mit den roten Haaren Opening Attack On Titans So Ist Es Immer Beyblade Opening Biene Maja Opening Catpain Harlock Opening Card Captor Sakura Ending Chibi Maruko-Chan Opening Cutie Honey Opening Detektiv Conan OP 7 - Die Zeit steht still Detektiv Conan OP 8 - Ich Kann Nichts Dagegen Tun Detektiv Conan Opening 1 - 100 Jahre Geh'n Vorbei Detektiv Conan Opening 2 - Laufe Durch Die Zeit Detektiv Conan Opening 3 - Mit Aller Kraft Detektiv Conan Opening 4 - Mein Geheimnis Detektiv Conan Opening 5 - Die Liebe Kann Nicht Warten Die Tollen Fussball-Stars (Tsubasa) Opening Digimon Adventure Opening - Leb' Deinen Traum Digimon Adventure Opening - Leb' Deinen Traum (Instrumental) Digimon Adventure Wir Werden Siegen (Instrumental) Digimon Adventure 02 Opening - Ich Werde Da Sein Digimon Adventure 02 Opening - Ich Werde Da Sein (Insttrumental) Digimon Frontier Die Hyper Spirit Digitation (Instrumental) Digimon Frontier Opening - Wenn das Feuer In Dir Brennt Digimon Frontier Opening - Wenn das Feuer In Dir Brennt (Instrumental) (Lange Version) Digimon Frontier Wenn Du Willst (Instrumental) Digimon Tamers Eine Vision (Instrumental) Digimon Tamers Ending - Neuer Morgen Digimon Tamers Neuer Morgen (Instrumental) Digimon Tamers Opening - Der Grösste Träumer Digimon Tamers Opening - Der Grösste Träumer (Instrumental) Digimon Tamers Regenbogen Digimon Tamers Regenbogen (Instrumental) Digimon Tamers Sei Frei (Instrumental) Digimon Tamers Spiel Dein Spiel (Instrumental) DoReMi Ending Doremi -
Shining” with the Marginalized: Self-Reflection and Empathy in Stanley Kubrick’S the Hinins G Bethany Miller Cedarville University, [email protected]
Cedarville University DigitalCommons@Cedarville Department of English, Literature, and Modern English Seminar Capstone Research Papers Languages 4-22-2015 “Shining” with the Marginalized: Self-Reflection and Empathy in Stanley Kubrick’s The hininS g Bethany Miller Cedarville University, [email protected] Follow this and additional works at: http://digitalcommons.cedarville.edu/ english_seminar_capstone Part of the Film Production Commons, Literature in English, North America Commons, Literature in English, North America, Ethnic and Cultural Minority Commons, Other Film and Media Studies Commons, and the Screenwriting Commons Recommended Citation Miller, Bethany, "“Shining” with the Marginalized: Self-Reflection and Empathy in Stanley Kubrick’s The hininS g" (2015). English Seminar Capstone Research Papers. 30. http://digitalcommons.cedarville.edu/english_seminar_capstone/30 This Capstone Project is brought to you for free and open access by DigitalCommons@Cedarville, a service of the Centennial Library. It has been accepted for inclusion in English Seminar Capstone Research Papers by an authorized administrator of DigitalCommons@Cedarville. For more information, please contact [email protected]. Miller 1 Bethany Miller Dr. Deardorff Senior Seminar 8 April 2015 “Shining” with the Marginalized: Self-Reflection and Empathy in Stanley Kubrick’s The Shining Stanley Kubrick’s horror masterpiece The Shining has confounded and fascinated viewers for decades. Perhaps its most mystifying element is its final zoom, which gradually falls on a picture of Jack Torrance beaming in front of a crowd with the caption “July 4 th Ball, Overlook Hotel, 1921.” While Bill Blakemore and others examine the film as a critique of violence in American history, no scholar has thoroughly established the connection between July 4 th, 1921, Jack Torrance, and the rest of the film. -
An Analysis of Boogie Nights and Magnolia Andrew C
Rhode Island College Digital Commons @ RIC Honors Projects Overview Honors Projects 2009 "New" Hollywood Narratives: an Analysis of Boogie Nights and Magnolia Andrew C. Cate Rhode Island College, [email protected] Follow this and additional works at: https://digitalcommons.ric.edu/honors_projects Part of the American Film Studies Commons, and the Film and Media Studies Commons Recommended Citation Cate, Andrew C., ""New" Hollywood Narratives: an Analysis of Boogie Nights and Magnolia" (2009). Honors Projects Overview. 23. https://digitalcommons.ric.edu/honors_projects/23 This Honors is brought to you for free and open access by the Honors Projects at Digital Commons @ RIC. It has been accepted for inclusion in Honors Projects Overview by an authorized administrator of Digital Commons @ RIC. For more information, please contact [email protected]. “NEW” HOLLYWOOD NARRATIVES: AN ANALYSIS OF BOOGIE NIGHTS AND MAGNOLIA By Andrew C. Cate An Honors Project Submitted in Partial Fulfillment of the Requirements for Honors in The Department of Film Studies The School of Arts and Sciences Rhode Island College 2009 Cate 1 “New” Hollywood Narratives: An Analysis of Boogie Nights and Magnolia Introduction To discuss Paul Thomas Anderson the filmmaker is to consider the current age of Hollywood filmmaking and the idea of the “new” Hollywood narrative. As writer- director of such acclaimed films as Magnolia (1999) and There Will Be Blood (2007), Anderson was praised for appearing to have “arrived at his mastery virtually overnight” with his first major release, the 1997 ensemble film Boogie Nights (Gleiberman). Anderson has long been compared to veteran filmmaker Robert Altman, whose take on the typical Hollywood narrative format has clearly influenced Anderson’s films. -
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CONTINUING INTO OCTOBER WHAT’S ON OCTOBER 2016 01 WHAT’S ON OCTOBER 2016 02 WHAT’S ON OCTOBER 2016 03 WHAT’S ON OCTOBER 2016 040404 WHEN IT’S ON 05 06 SILVERSCREEN FAMILY MOVIE BRINGING OCTOBER 2016 BOX OFFICE 0115 952 6611 BOOK ONLINE WWW.BROADWAY.ORG.UK Programmed with senior citizens in mind! Everyone pays £5.00 and there’s free MATINEES UP BABY! tea/coffee and biscuits. Programmed with the younger viewer This exclusive screening is for you and your Sat 1 The Girl With Sun 9 The Girl on the Train 15 p1 12:45 3:15 5:45 8:15 Mon 17 The Girl on the Train 15 p1 3:00 5:45 8:15 Wed 26 I, Daniel Blake 15 p2 3:15 5:45 8:15 in mind. All tickets are £3.70 (unless baby (up to one year of age). Tickets are All The Gifts 15 See web 12:15 2:45 5:30 8:15 Under the Shadow See web TIME TBC American Honey 15 p2 12:30 4:00 7:30 Queen of Katwe PG p3 12:30 5:30 otherwise stated). £5.00 for adults, babies go FREE. Under the Shadow See web 1:30 3:45 6:00 8:30 Miss Peregrine’s Home Kubo and the Two Strings PG p2 12:45 American Honey 15 p2 4:00 7:30 Miss Peregrine’s Home for Peculiar Children See web 2:30 5:15 8:00 Xala 15 p8 5:30 Swallows and Amazons PG p2 1:30 for Peculiar Children See web 2:30 5:15 8:00 The Childhood of a Leader 12A p1 7:45 The Clan 15 p2 8:30 Swiss Army Man p3 8:30 Born to be Blue 15 p1 7:30 MET OPERA ENCORE: Films TBC - See Web Films TBC - See Web Films TBC - See Web Tristan Und Isolde 12A p11 12:00 Films TBC - See Web Tue 18 The Girl on the Train 15 p1 3:00 5:45 8:15 Thu 27 I, Daniel Blake 15 p2 10:30 1:30 5:45 8:15 IN THE LOUNGE Sun -
Animaficx Y La Animación 2D En El 55FICX Gijón
46 AnimaFICX y la animación 2D en el 55FICX Gijón ANIMAFICX Y LA ANIMACIÓN 2D EN EL 55FICX GIJÓN Samuel Fernandi Martínez Realizador de animación El Festival Internacional de Cine de Gijón/ Gijón International Film Festival is known for Xixón se caracteriza por su cuidada selección its careful selection of independent films, hence de cine independiente, de ahí el sobrenombre the nickname of Spanish Sundance. Its program- de Sundance español. Su programación siem- ming has always included notable titles of the pre ha incluido títulos notables de la animación most avant-garde animation, both short films and más vanguardista, tanto cortometrajes como feature films. Since its 50th edition in 2012, the largometrajes. Desde su 50ª edición en 2012, festival has a specific section of animated films: cuenta con una sección específica de cine de AnimaFICX. On the occasion of this CAA issue, animación: AnimaFICX. Con motivo de este we review five of the titles present in this Anima- número de Con A de animación, reseñamos cin- FICX that use the 2D technique. Press play! co de los títulos presentes en este AnimaFICX que emplean la técnica 2D. ¡Dale al play! Palabras clave: 55FICX, AnimaFICX, animación 2D, cine independiente DOI: https://doi.org/10.4995/caa.2018.9639 Samuel Fernandi Martínez 47 La cita con el cine de animación en Gijón/ Hertzfeldt. La sección Enfants Terribles in- Xixón es en noviembre, especialmente desde cluyó cinco títulos animados de trece, solo uno que en 2012 apareciese AnimaFICX como “el de ellos resuelto con esta técnica: El libro de rincón del FICX dedicado al maravilloso mun- Lila (2017), de la colombiana Marcela Rincón do de la animación”.1 AnimaFICX es una sec- (creadora de la serie Guillermina y Candelario). -
TFM Trabajo Fin De Máster Máster En Dibujo: Ilustración, Cómic Y Creación Audiovisual
TFM Trabajo Fin de Máster Máster en Dibujo: Ilustración, Cómic y Creación Audiovisual Título: FÍSICA VISUAL. ANÁLISIS DE LAS ESTRUCTURAS DINÁMICAS DEL CABELLO EN ANIMACIÓN. Autor/a: Andrea Pravia López Tutor/a: Raúl Campos López Línea de Investigación en la que se encuadra el TFM: Investigación y creación de animación 2D, 3D y experimental Departamento de Dibujo Convocatoria: Junio Año: 2019 TFM Trabajo Fin de Máster Máster en Dibujo: Ilustración, Cómic y Creación Audiovisual Título: FÍSICA VISUAL. ANÁLISIS DE LAS ESTRUCTURAS DINÁMICAS DEL CABELLO EN ANIMACIÓN. Autor/a: Andrea Pravia López Tutor/a: Raúl Campos López Línea de Investigación en la que se encuadra el TFM: Investigación y creación de animación 2D, 3D y experimental Departamento de Dibujo Convocatoria: Junio Año: 2019 1 2 INDICE: 1. Resumen/Abstract………………………………………………………………...5 2. INTRODUCCIÓN………………………………………………………………….6 2.1. Idea………………………………………………………………………6 2.2. Estado de la cuestión…………………………………………………..6 2.3. Objetivos……………………………………………………………...…7 2.4. Metodología……………………………………………………………..7 3. ANIMACIÓN. EL ARTE DE LA REPRESENTACIÓN DEL MOVIMIENTO…..9 3.1. Introducción a la cuestión de la moción………………………………9 3.2. Desarrollo de la animación…………………………………………...10 4. EL ANIME JAPONÉS. UNA TÉCNICA CON CONNNOTACIONES ESTILÍSTICAS PROPIAS………………………………………………………….12 4.1. Contexto histórico……………………………………………………..12 4.2. Desarrollo del dibujo animado japonés……………………………...14 4.3. Consolidación de la técnica: del manga al anime…………………..16 4.4. Industria y producción………………………………………………...17 5. CREACIÓN DE UNA FÍSICA VISUAL…………………………………………19 5.1. Nuevas dimensiones: dibujo del espacio y del tiempo…………….19 5.2. Principios y fundamentos de la animación………………………….20 5.3. Estructura del pelo en animación…………………………………….23 6. ANÁLISIS PRÁCTICO…………………………………………………………..25 6.1. -
Nisekoi: False Love: Whats in a Name? Free
FREE NISEKOI: FALSE LOVE: WHATS IN A NAME? PDF Naoshi Komi | 192 pages | 22 May 2014 | Viz Media, Subs. of Shogakukan Inc | 9781421564494 | English | San Francisco, United States Nisekoi - False Love (manga) - Anime News Network:W So don't worry. Kosaki Onodera formerlyChitoge. Claude spying on his relationship with Chitoge Kirisaki. Being called "Bean sprout" By Chitoge. One summer ten years ago, Raku made a promise to a girl to marry her once they reunite. The promise girl exchanged a pendant with Raku and held on to a key that would unlock it once they meet again. Ten years had passed and Raku has no memory of the girl's name or what she looks like but remembers the promise he made. After he started his fake relationship with Chitoge Kirisakihe encounters a series of events where he learns that Chitoge KirisakiKosaki OnoderaMarika Tachibanaand Yui Kanakura all possess keys that are connected to his pendant and that they all met each other ten years ago. They all seemed to have made a promise with a boy ten years ago too. This makes all four of the girls be the possible promised girl until Yui returned to Raku and confirmed herself that she is not one of the possible promised girls, despite having a key. His interest in the keys that Chitoge, Onodera, Marika, and Yui possess can get him in trouble for certain situations. He will go to great lengths for his pendant and freaks out if he loses it. Nisekoi: False Love: Whats in a Name? and Raku had tried opening the pendant with her key but it broke in the process.