Home Mcr. Org Box Office 0161 200 1500
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Before the Forties
Before The Forties director title genre year major cast USA Browning, Tod Freaks HORROR 1932 Wallace Ford Capra, Frank Lady for a day DRAMA 1933 May Robson, Warren William Capra, Frank Mr. Smith Goes to Washington DRAMA 1939 James Stewart Chaplin, Charlie Modern Times (the tramp) COMEDY 1936 Charlie Chaplin Chaplin, Charlie City Lights (the tramp) DRAMA 1931 Charlie Chaplin Chaplin, Charlie Gold Rush( the tramp ) COMEDY 1925 Charlie Chaplin Dwann, Alan Heidi FAMILY 1937 Shirley Temple Fleming, Victor The Wizard of Oz MUSICAL 1939 Judy Garland Fleming, Victor Gone With the Wind EPIC 1939 Clark Gable, Vivien Leigh Ford, John Stagecoach WESTERN 1939 John Wayne Griffith, D.W. Intolerance DRAMA 1916 Mae Marsh Griffith, D.W. Birth of a Nation DRAMA 1915 Lillian Gish Hathaway, Henry Peter Ibbetson DRAMA 1935 Gary Cooper Hawks, Howard Bringing Up Baby COMEDY 1938 Katharine Hepburn, Cary Grant Lloyd, Frank Mutiny on the Bounty ADVENTURE 1935 Charles Laughton, Clark Gable Lubitsch, Ernst Ninotchka COMEDY 1935 Greta Garbo, Melvin Douglas Mamoulian, Rouben Queen Christina HISTORICAL DRAMA 1933 Greta Garbo, John Gilbert McCarey, Leo Duck Soup COMEDY 1939 Marx Brothers Newmeyer, Fred Safety Last COMEDY 1923 Buster Keaton Shoedsack, Ernest The Most Dangerous Game ADVENTURE 1933 Leslie Banks, Fay Wray Shoedsack, Ernest King Kong ADVENTURE 1933 Fay Wray Stahl, John M. Imitation of Life DRAMA 1933 Claudette Colbert, Warren Williams Van Dyke, W.S. Tarzan, the Ape Man ADVENTURE 1923 Johnny Weissmuller, Maureen O'Sullivan Wood, Sam A Night at the Opera COMEDY -
Rape and the Virgin Spring Abstract
Silence and Fury: Rape and The Virgin Spring Alexandra Heller-Nicholas Abstract This article is a reconsideration of The Virgin Spring that focuses upon the rape at the centre of the film’s action, despite the film’s surface attempts to marginalise all but its narrative functionality. While the deployment of this rape supports critical observations that rape on-screen commonly underscores the seriousness of broader thematic concerns, it is argued that the visceral impact of this brutal scene actively undermines its narrative intent. No matter how central the journey of the vengeful father’s mission from vengeance to redemption is to the story, this ultimately pales next to the shocking impact of the rape and murder of the girl herself. James R. Alexander identifies Ingmar Bergman’s The Virgin Spring as “the basic template” for the contemporary rape-revenge film[1 ], and despite spawning a vast range of imitations[2 ], the film stands as a major entry in the canon of European art cinema. Yet while the sumptuous black and white cinematography of long-time Bergman collaborator Sven Nykvist combined with lead actor Max von Sydow’s trademark icy sobriety to garner it the Academy Award for Best Foreign film in 1960, even fifty years later the film’s representation of the rape and murder of a young girl remain shocking. The film evokes a range of issues that have been critically debated: What is its placement in a more general auteurist treatment of Bergman? What is its influence on later rape-revenge films? How does it fit into a broader understanding of Swedish national cinema, or European art film in general? But while the film hinges around the rape and murder, that act more often than not is of critical interest only in how it functions in these more dominant debates. -
Resavoring Cannibal Holocaust As a Mockumentary
hobbs Back to Issue 7 "Eat it alive and swallow it whole!": Resavoring Cannibal Holocaust as a Mockumentary by Carolina Gabriela Jauregui ©2004 "The worst returns to laughter" Shakespeare, King Lear We all have an appetite for seeing, an appétit de l'oeuil as Lacan explains it: it is through our eyes that we ingest the Other, the world.1 And in this sense, what better way to introduce a film on anthropophagy, Ruggero Deodato's 1979 film, Cannibal Holocaust, than through the different ways it has been seen.2 It seems mankind has forever been obsessed with the need to understand the world through the eyes, with the need for visual evidence. From Thomas the Apostle, to Othello's "ocular proof," to our television "reality shows," as the saying goes: "Seeing is believing." We have redefined ourselves as Homo Videns: breathers, consumers, dependants, and creators of images. Truth, in our society, now hinges on the visual; it is mediated by images. Thus it is from the necessity for ocular proof that Cinéma Vérité, Direct Cinema, documentary filmmaking and the mockumentary or mock-documentary genre stem. It is within this tradition that the Italian production Cannibal Holocaust inserts itself, as a hybrid trans-genre film. To better understand this film, I will not only look at it as a traditional horror film, but also as a contemporary mockumentary satire that presents itself as "reality" and highlights the spectator’s eye/I’s primal appetite. In the manner of Peter Watkins' film Culloden, Deodato's film is intended to confuse the audience's -
CELEBRATING FORTY YEARS of FILMS WORTH TALKING ABOUT 39 Years, 2 Months, and Counting…
5 JAN 18 1 FEB 18 1 | 5 JAN 18 - 1 FEB 18 88 LOTHIAN ROAD | FILMHOUSECinema.COM CELEBRATING FORTY YEARS OF FILMS WORTH TALKING ABOUT 39 Years, 2 Months, and counting… As you’ll spot deep within this programme (and hinted at on the front cover) January 2018 sees the start of a series of films that lead up to celebrations in October marking the 40th birthday of Filmhouse as a public cinema on Lothian Road. We’ve chosen to screen a film from every year we’ve been bringing the very best cinema to the good people of Edinburgh, and while it is tremendous fun looking back through the history of what has shown here, it was quite an undertaking going through all the old programmes and choosing what to show, and a bit of a personal journey for me as one who started coming here as a customer in the mid-80s (I know, I must have started very young...). At that time, I’d no idea that Filmhouse had only been in existence for less than 10 years – it seemed like such an established, essential institution and impossible to imagine it not existing in a city such as Edinburgh. My only hope is that the cinema is as important today as I felt it was then, and that the giants on whose shoulders we currently stand feel we’re worthy of their legacy. I hope you can join us for at least some of the screenings on this trip down memory lane... And now, back to the now. -
Movie Museum NOVEMBER 2011 COMING ATTRACTIONS
Movie Museum NOVEMBER 2011 COMING ATTRACTIONS THURSDAY FRIDAY SATURDAY SUNDAY MONDAY Hawaii Premiere! THE LIGHTHORSEMEN THE EEL aka Unagi MY LIFE AS A DOG WATER FOR EYE OF THE EAGLE (1987-Australia) (1997-Japan) ELEPHANTS (1997-Denmark) (1985-Sweden) uncut version in widescreen in Japanese with English (2011) Danish w/Eng subtitles & w.s. in Swedish with English subtitles & in widescreen in widescreen 12:00 & 1:30pm only subtitles & in widescreen Directed by Lasse Halström. with Anthony Andrews, with Koji Yakusho. with Robert Pattinson, Reese ------------------------------ Peter Phelps, John Walton, 12:00, 1:45 & 3:30pm 12:15, 2:15, 4:15 & 6:15pm Witherspoon, Christoph TURTLES ARE Tim McKenzie, Jon Blake, ------------------------------ Waltz, Hal Holbrook. SURPRISINGLY FAST ------------------------------ Bill Kerr, Sigrid Thornton. CHICKEN AND DUCK SWIMMERS (2005-Japan) TORA! TORA! TORA! (1970-US/Japan) TALK (1988-HongKong) Directed by Japanese w/Eng subtitles, ws Directed by Francis Lawrence. 3:15 & 5:00pm only English/Japanese w/English Simon Wincer. Cantonese w/English subtitles -------------------------------- subtitles & in widescreen with Michael Hui, Ricky Hui. 12:15, 2:30, 4:45, 7:00 & THE EEL aka Unagi Martin Balsam, Sô Yamamura. 12:30, 3, 5:30 & 8pm 8:30pm ONLY 9:15pm 7:00pm only 5:30 & 8:00pm ONLY 3 4 5 6 7 Movie Museum Movie Museum TELL NO ONE TAMPOPO aka Ne le dis à personne (1985-Japan) Movie Museum Closed Closed (2006-France) in Japanese with English Closed French w/Eng subtitles & w.s. subtitles & in widescreen with François Cluzet. 4:00pm only 4:00pm only ------------------------------------ ------------------------------------ THAT MAN FROM RIO TAMPOPO (1964-Italy/France) (1985-Japan) in French/English/Portuguese in Japanese with English with English subtitles subtitles & in widescreen & in widescreen Directed by Juzo Itami. -
British & Irish Film Season
08-09 City Open Air Cinema with Orange Abécédaire des couples et duos au cinéma Votez Cinéma ! British & Irish Film Season Août-Septembre 2017 Informations pratiques 3 Sommaire Tableau synoptique 4 Cinéma 17, place du Théâtre Abonnement gratuit L-2613 Luxembourg au programme mensuel City Open Air Cinema with Orange 8 Tél. : 4796 2644 Abécédaire des couples et duos 18 Tickets online [email protected] Votez Cinéma ! 46 sur www.cinematheque.lu www.luxembourg-ticket.lu British & Irish Film Season 2017 52 Korean Film Festival Brussels 54 Plant, Pick & Eat It 56 L’affiche du mois 59 Bd. Royal R. Willy Goergen R. des Bains Côte d’Eich R. Beaumont Baeckerei R. du Fossé R. Aldringen R. R. des Capucins des R. Av. de la Porte-Neuve la de Av. Grand-Rue Bd. Royal Bd. Salle de la Cinémathèque Accès par bus : Glossaire P Parking Place du Théâtre Lignes 9, 10, 11, 12, 14, 19, 20 vo version originale non sous-titrée vostf version originale sous-titrée en français Arrêt : Badanstalt (rue des Bains) vostang version originale sous-titrée en anglais Place d’Arme R. du Curé vostf+all version originale sous-titrée Caisse Vente des billets ½ heure Administration / en français et en allemand vf version française avant les séances Archives / Bibliothèque vl version luxembourgeoise 10, rue Eugène Ruppert La Cinémathèque de la Ville de Luxembourg est un € musée du cinéma ayant pour mission la préservation vofr version originale française Plein Tarif Billet : 3,70 vall version allemande L-2453 Luxembourg et valorisation du patrimoine cinématographique inter- Carnet 10 billets : 25,00 € vostall version originale sous-titrée en allemand R. -
The Inventory of the Richard Roud Collection #1117
The Inventory of the Richard Roud Collection #1117 Howard Gotlieb Archival Research Center ROOD, RICHARD #1117 September 1989 - June 1997 Biography: Richard Roud ( 1929-1989), as director of both the New York and London Film Festivals, was responsible for both discovering and introducing to a wider audience many of the important directors of the latter half th of the 20 - century (many of whom he knew personally) including Bernardo Bertolucci, Robert Bresson, Luis Buiiuel, R.W. Fassbinder, Jean-Luc Godard, Werner Herzog, Terry Malick, Ermanno Ohni, Jacques Rivette and Martin Scorsese. He was an author of books on Jean-Marie Straub, Jean-Luc Godard, Max Ophuls, and Henri Langlois, as well as the editor of CINEMA: A CRITICAL DICTIONARY. In addition, Mr. Roud wrote extensive criticism on film, the theater and other visual arts for The Manchester Guardian and Sight and Sound and was an occasional contributor to many other publications. At his death he was working on an authorized biography of Fran9ois Truffaut and a book on New Wave film. Richard Roud was a Fulbright recipient and a Chevalier in the Legion of Honor. Scope and contents: The Roud Collection (9 Paige boxes, 2 Manuscript boxes and 3 Packages) consists primarily of book research, articles by RR and printed matter related to the New York Film Festival and prominent directors. Material on Jean-Luc Godard, Francois Truffaut and Henri Langlois is particularly extensive. Though considerably smaller, the Correspondence file contains personal letters from many important directors (see List ofNotable Correspondents). The Photographs file contains an eclectic group of movie stills. -
Christopher Plummer
Christopher Plummer "An actor should be a mystery," Christopher Plummer Introduction ........................................................................................ 3 Biography ................................................................................................................................. 4 Christopher Plummer and Elaine Taylor ............................................................................. 18 Christopher Plummer quotes ............................................................................................... 20 Filmography ........................................................................................................................... 32 Theatre .................................................................................................................................... 72 Christopher Plummer playing Shakespeare ....................................................................... 84 Awards and Honors ............................................................................................................... 95 Christopher Plummer Introduction Christopher Plummer, CC (born December 13, 1929) is a Canadian theatre, film and television actor and writer of his memoir In "Spite of Myself" (2008) In a career that spans over five decades and includes substantial roles in film, television, and theatre, Plummer is perhaps best known for the role of Captain Georg von Trapp in The Sound of Music. His most recent film roles include the Disney–Pixar 2009 film Up as Charles Muntz, -
Reminder List of Productions Eligible for the 90Th Academy Awards Alien
REMINDER LIST OF PRODUCTIONS ELIGIBLE FOR THE 90TH ACADEMY AWARDS ALIEN: COVENANT Actors: Michael Fassbender. Billy Crudup. Danny McBride. Demian Bichir. Jussie Smollett. Nathaniel Dean. Alexander England. Benjamin Rigby. Uli Latukefu. Goran D. Kleut. Actresses: Katherine Waterston. Carmen Ejogo. Callie Hernandez. Amy Seimetz. Tess Haubrich. Lorelei King. ALL I SEE IS YOU Actors: Jason Clarke. Wes Chatham. Danny Huston. Actresses: Blake Lively. Ahna O'Reilly. Yvonne Strahovski. ALL THE MONEY IN THE WORLD Actors: Christopher Plummer. Mark Wahlberg. Romain Duris. Timothy Hutton. Charlie Plummer. Charlie Shotwell. Andrew Buchan. Marco Leonardi. Giuseppe Bonifati. Nicolas Vaporidis. Actresses: Michelle Williams. ALL THESE SLEEPLESS NIGHTS AMERICAN ASSASSIN Actors: Dylan O'Brien. Michael Keaton. David Suchet. Navid Negahban. Scott Adkins. Taylor Kitsch. Actresses: Sanaa Lathan. Shiva Negar. AMERICAN MADE Actors: Tom Cruise. Domhnall Gleeson. Actresses: Sarah Wright. AND THE WINNER ISN'T ANNABELLE: CREATION Actors: Anthony LaPaglia. Brad Greenquist. Mark Bramhall. Joseph Bishara. Adam Bartley. Brian Howe. Ward Horton. Fred Tatasciore. Actresses: Stephanie Sigman. Talitha Bateman. Lulu Wilson. Miranda Otto. Grace Fulton. Philippa Coulthard. Samara Lee. Tayler Buck. Lou Lou Safran. Alicia Vela-Bailey. ARCHITECTS OF DENIAL ATOMIC BLONDE Actors: James McAvoy. John Goodman. Til Schweiger. Eddie Marsan. Toby Jones. Actresses: Charlize Theron. Sofia Boutella. 90th Academy Awards Page 1 of 34 AZIMUTH Actors: Sammy Sheik. Yiftach Klein. Actresses: Naama Preis. Samar Qupty. BPM (BEATS PER MINUTE) Actors: 1DKXHO 3«UH] %LVFD\DUW $UQDXG 9DORLV $QWRLQH 5HLQDUW] )«OL[ 0DULWDXG 0«GKL 7RXU« Actresses: $GªOH +DHQHO THE B-SIDE: ELSA DORFMAN'S PORTRAIT PHOTOGRAPHY BABY DRIVER Actors: Ansel Elgort. Kevin Spacey. Jon Bernthal. Jon Hamm. Jamie Foxx. -
Completeandleft Felix ,Adler ,Educator ,Ethical Culture Ferrán ,Adrià ,Chef ,El Bulli FA,F
MEN WOMEN 1. FA Frankie Avalon=Singer, actor=18,169=39 Fiona Apple=Singer-songwriter, musician=49,834=26 Fred Astaire=Dancer, actor=30,877=25 Faune A.+Chambers=American actress=7,433=137 Ferman Akgül=Musician=2,512=194 Farrah Abraham=American, Reality TV=15,972=77 Flex Alexander=Actor, dancer, Freema Agyeman=English actress=35,934=36 comedian=2,401=201 Filiz Ahmet=Turkish, Actress=68,355=18 Freddy Adu=Footballer=10,606=74 Filiz Akin=Turkish, Actress=2,064=265 Frank Agnello=American, TV Faria Alam=Football Association secretary=11,226=108 Personality=3,111=165 Flávia Alessandra=Brazilian, Actress=16,503=74 Faiz Ahmad=Afghan communist leader=3,510=150 Fauzia Ali=British, Homemaker=17,028=72 Fu'ad Aït+Aattou=French actor=8,799=87 Filiz Alpgezmen=Writer=2,276=251 Frank Aletter=Actor=1,210=289 Frances Anderson=American, Actress=1,818=279 Francis Alexander+Shields= =1,653=246 Fernanda Andrade=Brazilian, Actress=5,654=166 Fernando Alonso=Spanish Formula One Fernanda Andrande= =1,680=292 driver.=63,949=10 France Anglade=French, Actress=2,977=227 Federico Amador=Argentinean, Actor=14,526=48 Francesca Annis=Actress=28,385=45 Fabrizio Ambroso= =2,936=175 Fanny Ardant=French actress=87,411=13 Franco Amurri=Italian, Writer=2,144=209 Firoozeh Athari=Iranian=1,617=298 Fedor Andreev=Figure skater=3,368=159 ………… Facundo Arana=Argentinean, Actor=59,952=11 Frickin' A Francesco Arca=Italian, Model=2,917=177 Fred Armisen=Actor=11,503=68 Frank ,Abagnale ,Criminal ,Catch Me If You Can François Arnaud=French Canadian actor=9,058=86 Ferhat ,Abbas ,Head of State ,President of Algeria, 1962-63 Fábio Assunção=Brazilian actor=6,802=99 Floyd ,Abrams ,Attorney ,First Amendment lawyer COMPLETEandLEFT Felix ,Adler ,Educator ,Ethical Culture Ferrán ,Adrià ,Chef ,El Bulli FA,F. -
W Talking Pictures
Wednesday 3 June at 20.30 (Part I) Wednesday 17 June at 20.30 Thursday 4 June at 20.30 (Part II) Francis Ford Coppola Ingmar Bergman Apocalypse Now (US) 1979 Fanny And Alexander (Sweden) 1982 “One of the great films of all time. It shames modern Hollywood’s “This exuberant, richly textured film, timidity. To watch it is to feel yourself lifted up to the heights where packed with life and incident, is the cinema can take you, but so rarely does.” (Roger Ebert, Chicago punctuated by a series of ritual family Sun-Times) “To look at APOCALYPSE NOW is to realize that most of us are gatherings for parties, funerals, weddings, fast forgetting what a movie looks like - a real movie, the last movie, and christenings. Ghosts are as corporeal an American masterpiece.” (Manohla Darghis, LA Weekly) “Remains a as living people. Seasons come and go; majestic explosion of pure cinema. It’s a hallucinatory poem of fear, tumultuous, traumatic events occur - projecting, in its scale and spirit, a messianic vision of human warfare Talking yet, as in a dream of childhood (the film’s stretched to the flashpoint of technological and moral breakdown.” perspective is that of Alexander), time is (Owen Gleiberman, Entertainment Weekly) “In spite of its limited oddly still.” (Philip French, The Observer) perspective on Vietnam, its churning, term-paperish exploration of “Emerges as a sumptuously produced Conrad and the near incoherence of its ending, it is a great movie. It Pictures period piece that is also a rich tapestry of grows richer and stranger with each viewing, and the restoration [in childhood memoirs and moods, fear and Redux] of scenes left in the cutting room two decades ago has only April - July 2009 fancy, employing all the manners and added to its sublimity.” (Dana Stevens, The New York Times) Audience means of the best of cinematic theatrical can choose the original version or the longer 2001 Redux version. -
Download the Program (PDF)
ヴ ィ ボー ・ ア ニ メー シ カ ョ ワ ン イ フ イ ェ と ス エ ピ テ ッ ィ Viborg クー バ AnimAtion FestivAl ル Kawaii & epikku 25.09.2017 - 01.10.2017 summAry 目次 5 welcome to VAF 2017 6 DenmArk meets JApAn! 34 progrAmme 8 eVents Films For chilDren 40 kAwAii & epikku 8 AnD families Viborg mAngA AnD Anime museum 40 JApAnese Films 12 open workshop: origAmi 42 internAtionAl Films lecture by hAns DybkJær About 12 important ticket information origAmi 43 speciAl progrAmmes Fotorama: 13 origAmi - creAte your own VAF Dog! 44 short Films • It is only possible to order tickets for the VAF screenings via the website 15 eVents At Viborg librAry www.fotorama.dk. 46 • In order to pick up a ticket at the Fotorama ticket booth, a prior reservation Films For ADults must be made. 16 VimApp - light up Viborg! • It is only possible to pick up a reserved ticket on the actual day the movie is 46 JApAnese Films screened. 18 solAr Walk • A reserved ticket must be picked up 20 minutes before the movie starts at 50 speciAl progrAmmes the latest. If not picked up 20 minutes before the start of the movie, your 20 immersion gAme expo ticket order will be annulled. Therefore, we recommended that you arrive at 51 JApAnese short Films the movie theater in good time. 22 expAnDeD AnimAtion • There is a reservation fee of 5 kr. per order. 52 JApAnese short Film progrAmmes • If you do not wish to pay a reservation fee, report to the ticket booth 1 24 mAngA Artist bAttle hour before your desired movie starts and receive tickets (IF there are any 56 internAtionAl Films text authors available.) VAF sum up: exhibitions in Jane Lyngbye Hvid Jensen • If you wish to see a movie that is fully booked, please contact the Fotorama 25 57 Katrine P.