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Before the Forties
Before The Forties director title genre year major cast USA Browning, Tod Freaks HORROR 1932 Wallace Ford Capra, Frank Lady for a day DRAMA 1933 May Robson, Warren William Capra, Frank Mr. Smith Goes to Washington DRAMA 1939 James Stewart Chaplin, Charlie Modern Times (the tramp) COMEDY 1936 Charlie Chaplin Chaplin, Charlie City Lights (the tramp) DRAMA 1931 Charlie Chaplin Chaplin, Charlie Gold Rush( the tramp ) COMEDY 1925 Charlie Chaplin Dwann, Alan Heidi FAMILY 1937 Shirley Temple Fleming, Victor The Wizard of Oz MUSICAL 1939 Judy Garland Fleming, Victor Gone With the Wind EPIC 1939 Clark Gable, Vivien Leigh Ford, John Stagecoach WESTERN 1939 John Wayne Griffith, D.W. Intolerance DRAMA 1916 Mae Marsh Griffith, D.W. Birth of a Nation DRAMA 1915 Lillian Gish Hathaway, Henry Peter Ibbetson DRAMA 1935 Gary Cooper Hawks, Howard Bringing Up Baby COMEDY 1938 Katharine Hepburn, Cary Grant Lloyd, Frank Mutiny on the Bounty ADVENTURE 1935 Charles Laughton, Clark Gable Lubitsch, Ernst Ninotchka COMEDY 1935 Greta Garbo, Melvin Douglas Mamoulian, Rouben Queen Christina HISTORICAL DRAMA 1933 Greta Garbo, John Gilbert McCarey, Leo Duck Soup COMEDY 1939 Marx Brothers Newmeyer, Fred Safety Last COMEDY 1923 Buster Keaton Shoedsack, Ernest The Most Dangerous Game ADVENTURE 1933 Leslie Banks, Fay Wray Shoedsack, Ernest King Kong ADVENTURE 1933 Fay Wray Stahl, John M. Imitation of Life DRAMA 1933 Claudette Colbert, Warren Williams Van Dyke, W.S. Tarzan, the Ape Man ADVENTURE 1923 Johnny Weissmuller, Maureen O'Sullivan Wood, Sam A Night at the Opera COMEDY -
What Kubrick's Kelley O'brien University of South Florida, [email protected]
University of South Florida Scholar Commons Graduate Theses and Dissertations Graduate School March 2018 "He Didn't Mean It": What Kubrick's Kelley O'Brien University of South Florida, [email protected] Follow this and additional works at: http://scholarcommons.usf.edu/etd Part of the American Studies Commons, and the Film and Media Studies Commons Scholar Commons Citation O'Brien, Kelley, ""He Didn't Mean It": What Kubrick's" (2018). Graduate Theses and Dissertations. http://scholarcommons.usf.edu/etd/7204 This Thesis is brought to you for free and open access by the Graduate School at Scholar Commons. It has been accepted for inclusion in Graduate Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. “He Didn‟t Mean It”: What Kubrick‟s The Shining Can Teach Us About Domestic Violence by Kelley O‟Brien A thesis submitted in partial fulfillment of the requirements for the degree of Master of Liberal Arts With a concentration in Humanities Department of Humanities and Cultural Studies College Arts and Sciences University of South Florida Major Professor: Daniel Belgrad, Ph.D. Maria Cizmic, Ph.D. Amy Rust Ph.D. Date of Approval: March 8, 2018 Keywords: Patriarchy, Feminism, Gender Politics, Horror, American 1970s Copyright © 2018, Kelley O‟Brien Dedication I dedicate this thesis project to my mother, Terri O‟Brien. Thank you for always supporting my dreams and for your years of advocacy in the fight to end violence against women. I could not have done this without you. Acknowledgments First I‟d like to express my gratitude to my thesis advisor Dr. -
Robert M. Mcelwaine, 1925-2010
FEBRUARY 20, 2010...1:58 PM Ethics Hero Emeritus: Robert M. McElwaine, 1925-2010 Every time I hear about a new tell-all book by a famous person’s former lover, spouse, political aide or appointee, full of embarrassing revelations about what celebrities, political leaders or admired (or reviled) historical figures did or said behind closed doors or in the dead of night, I admire Bob McElwaine just a little more. When he died this month, the Washington Post obituary described him as a man who knew how to keep a secret. He did, but he was much more than that. Robert McElwaine was a gentleman. An old story tells of a woman had asks a great king to make her son a gentleman. “Alas, I cannot,” the king replies. “I can make him a nobleman, but only God can make a gentleman.” Many affect the trappings of gentility, of course; that’s a matter of taste, style and manners. Bob possessed all of those. The first time I saw him, he was sitting at a restaurant table at the Four Seasons Hotel in Georgetown waiting for me to meet him for lunch. As always, he had arrived early; in all the times I had engagements with him, he was never a minute late, though I often was, and usually by more than a minute. He was impeccably dressed in a crisp white shirt, a tie, blazer and slacks…nothing ostentatious, just perfect. Yes, Bob knew how to look like a gentleman. Being one, however, is considerably harder. I had invited to Bob lunch because I had heard about his Hollywood career and long association with entertainer Danny Kaye, and wanted to pick his brains about my theater company’s impending production of the musical “Lady in the Dark,” which launched Kaye’s career. -
PARAMOUNT PICTURES: 75 YEARS July 10, 1987 - January 4, 1988
The Museum Of Modem Art For Immediate Release June 1987 PARAMOUNT PICTURES: 75 YEARS July 10, 1987 - January 4, 1988 Marlene Dietrich, William Holden, Barbara Stanwyck, Fred MacMurray, and Mae West are among the stars featured in the exhibition PARAMOUNT PICTURES: 75 YEARS, which opens at The Museum of Modern Art on July 10. The series includes films by such directors as Cecil B. De Mille, Ernst Lubitsch, Francis Coppola, Josef von Sternberg, and Preston Sturges. More than 100 films and an accompanying display of film-still enlargements and original posters trace the seventy-five year history of Paramount through the silent and sound eras. The exhibition begins on Friday, July 10, at 6:00 p.m. with Dorothy Arzner's The Wild Party (1929), madcap silent star Clara Bow's first sound feature, costarring Fredric March. At 2:30 p.m. on the same day, Ernst Lubitsch's ribald musical comedy The Smiling Lieutenant (1931) will be screened, featuring Paramount contract stars Maurice Chevalier, Claudette Colbert, and Miriam Hopkins. Comprised of both familiar classics and obscure features, the series continues in The Roy and Niuta Titus Theaters through January 4, 1988. Paramount Pictures was founded in 1912 by Adolph Zukor, and its first release was the silent Queen Elizabeth, starring Sarah Bernhardt. Among the silent films included in PARAMOUNT PICTURES: 75 YEARS are De Mille's The Squaw Man (1913), The Cheat (1915), and The Ten Commandments (1923); von Sternberg's The Docks of New York (1928), and Erich von Stroheim's The Wedding March (1928). - more - ll West 53 Street. -
Summer Classic Film Series, Now in Its 43Rd Year
Austin has changed a lot over the past decade, but one tradition you can always count on is the Paramount Summer Classic Film Series, now in its 43rd year. We are presenting more than 110 films this summer, so look forward to more well-preserved film prints and dazzling digital restorations, romance and laughs and thrills and more. Escape the unbearable heat (another Austin tradition that isn’t going anywhere) and join us for a three-month-long celebration of the movies! Films screening at SUMMER CLASSIC FILM SERIES the Paramount will be marked with a , while films screening at Stateside will be marked with an . Presented by: A Weekend to Remember – Thurs, May 24 – Sun, May 27 We’re DEFINITELY Not in Kansas Anymore – Sun, June 3 We get the summer started with a weekend of characters and performers you’ll never forget These characters are stepping very far outside their comfort zones OPENING NIGHT FILM! Peter Sellers turns in not one but three incomparably Back to the Future 50TH ANNIVERSARY! hilarious performances, and director Stanley Kubrick Casablanca delivers pitch-dark comedy in this riotous satire of (1985, 116min/color, 35mm) Michael J. Fox, Planet of the Apes (1942, 102min/b&w, 35mm) Humphrey Bogart, Cold War paranoia that suggests we shouldn’t be as Christopher Lloyd, Lea Thompson, and Crispin (1968, 112min/color, 35mm) Charlton Heston, Ingrid Bergman, Paul Henreid, Claude Rains, Conrad worried about the bomb as we are about the inept Glover . Directed by Robert Zemeckis . Time travel- Roddy McDowell, and Kim Hunter. Directed by Veidt, Sydney Greenstreet, and Peter Lorre. -
Happy Birthday!
THE THURSDAY, APRIL 1, 2021 Quote of the Day “That’s what I love about dance. It makes you happy, fully happy.” Although quite popular since the ~ Debbie Reynolds 19th century, the day is not a public holiday in any country (no kidding). Happy Birthday! 1998 – Burger King published a full-page advertisement in USA Debbie Reynolds (1932–2016) was Today introducing the “Left-Handed a mega-talented American actress, Whopper.” All the condiments singer, and dancer. The acclaimed were rotated 180 degrees for the entertainer was first noticed at a benefit of left-handed customers. beauty pageant in 1948. Reynolds Thousands of customers requested was soon making movies and the burger. earned a nomination for a Golden Globe Award for Most Promising 2005 – A zoo in Tokyo announced Newcomer. She became a major force that it had discovered a remarkable in Hollywood musicals, including new species: a giant penguin called Singin’ In the Rain, Bundle of Joy, the Tonosama (Lord) penguin. With and The Unsinkable Molly Brown. much fanfare, the bird was revealed In 1969, The Debbie Reynolds Show to the public. As the cameras rolled, debuted on TV. The the other penguins lifted their beaks iconic star continued and gazed up at the purported Lord, to perform in film, but then walked away disinterested theater, and TV well when he took off his penguin mask into her 80s. Her and revealed himself to be the daughter was actress zoo director. Carrie Fisher. ©ActivityConnection.com – The Daily Chronicles (CAN) HURSDAY PRIL T , A 1, 2021 Today is April Fools’ Day, also known as April fish day in some parts of Europe. -
2014 Leaf Pop Century Final Checklist (Cards Designated with "R" in the Subset Column Are Redemptions)
2014 Leaf Pop Century Final Checklist (cards designated with "R" in the subset column are redemptions) Set Subset Name Checklist 2014 Leaf Pop Century Award Winners Al Pacino AW-AP1 2014 Leaf Pop Century Award Winners Al Yankovic AW-AY1 2014 Leaf Pop Century Award Winners Billy Idol AW-BI1 2014 Leaf Pop Century Award Winners Burt Reynolds AW-BR2 2014 Leaf Pop Century Award Winners Cal Ripken Jr. AW-CRJ 2014 Leaf Pop Century Award Winners Jennie Finch AW-JF1 2014 Leaf Pop Century Award Winners Lolo Jones AW-LLJ 2014 Leaf Pop Century Award Winners Magic Johnson AW-MJ1 2014 Leaf Pop Century Award Winners Martin Landau AW-ML1 2014 Leaf Pop Century Award Winners Pete Rose AW-PR1 2014 Leaf Pop Century Award Winners Sugar Ray Leonard AW-SRL 2014 Leaf Pop Century Base Auto Adam Baldwin BA-AB1 2014 Leaf Pop Century Base Auto Adrianne Curry BA-AC1 2014 Leaf Pop Century Base Auto Al Pacino BA-AP1 2014 Leaf Pop Century Base Auto Al Yankovic BA-AY1 2014 Leaf Pop Century Base Auto Ali Landry BA-AL1 2014 Leaf Pop Century Base Auto Ami Dolenz BA-AD1 2014 Leaf Pop Century Base Auto Andrew McCarthy BA-AM1 2014 Leaf Pop Century Base Auto Artimus Pyle BA-AP2 2014 Leaf Pop Century Base Auto Bella Thorne BA-BT1 2014 Leaf Pop Century Base Auto Brande Roderick BA-BR1 2014 Leaf Pop Century Base Auto Brooke Burns BA-BB1 2014 Leaf Pop Century Base Auto Bruno Sammartino BA-BS1 2014 Leaf Pop Century Base Auto Burt Reynolds BA-BR2 2014 Leaf Pop Century Base Auto C. -
TV Report: Sharon Told of Killings
Some miss it, jYankee magazine Allied wins others not at all uses him a lot Bendix battle ... page 3 ... page 11 ... page 20 Manchester, Conn. Cloudy today, rain tomorrow. Saturday, Sept. 25, 1982 Single copy 25c — See page 2 Ipralft TV report: Sharon told of killings TEL AVIV, Israel (UPI) - Israel Yishai and Sharon occurred last television, in .one of the most Friday, the start of the Jewish New detailed accounts of Israeli Year celebration of Rosh Hashanah, knowledge of the massacre in and nearly a day after the massacre Beirut, said Friday night its of as many as 1,000 men, women and reporter told Defense Minister Ariel children began in the Chatila and Sharon about the killings but Sharon Sabra refugee camps. wished him a happy new year and Sharon previously has admitted hung up after five minutes. the Israelis ordered and helped its The report by Ron Ben Yishai, the Christian Phalange allies plan an en television’s military correspondent, try into the camps. But Sharon in also said Prime Minister Menachem sisted the Phalange were given Begin may^ave been the last person direct orders not to touch women to learn about the massacre. and children and only to “purge” the It said Begin heard about the camps of any remaining PLO killings at 5 p.m, last Saturday, “ap fighters. parently on the radio news.” The report said the Christian The conversation bet\veen Ben Phalangists who entered the refugee camps were led by Eli Bekha, chief information officer for the Phalange and dressed in uniforms resembling those used in renegade Lebanese At least Major Saad Haddad’s army. -
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16 ^MANCHESTER HERALD, Tbesday, June 26,1990 r CARS [ ^ C A R S I I ^ C A R S CARS Astrograph FOR SALE FOR SALE FOR SALE FOR SALE What's News ingenuity and resourcefulness in order AQUARIUS (Jan. 20-Feb. 19) Assume a to bring them into being. more dominate role today If you're In Wednesday VIRGO (Aug. 23-Sepl. 22) This is one of volved with persons who are having a J ^ r t h d a y those unusual days when your social hard time trying to resolve a difficult contacts could be more helpful to you matter. Your input could be very B laiichester commercially than the people with constructive. LOCAL NEWS INSIDE Jun* 27,1990 whom you usually conduct business. PISCES (Feb. 20-March 20) This is a Play your aces. good day to Iron out matters which A number of changes are likely In the LIBRA (Sept. 23-Oct. 23) Don't let small should be discussed with one with year ahead that could produce advan setbacks disturb you, because your ■ Osella proposes new park whom you're closely associated. Frank B tageous spin-offs. Don't get rattled if chances for successfully doing some ness will strengthen the alliance. things do not appear to be going your thing important you've been wanting to ARIES (March 21-April 19) You are and rec fund. Page 11. way initially. It's the final results that do look better than you think. Be hope presently in a good achievement cycle Wednesday, June 27,1990 count. -
Shining” with the Marginalized: Self-Reflection and Empathy in Stanley Kubrick’S the Hinins G Bethany Miller Cedarville University, [email protected]
Cedarville University DigitalCommons@Cedarville Department of English, Literature, and Modern English Seminar Capstone Research Papers Languages 4-22-2015 “Shining” with the Marginalized: Self-Reflection and Empathy in Stanley Kubrick’s The hininS g Bethany Miller Cedarville University, [email protected] Follow this and additional works at: http://digitalcommons.cedarville.edu/ english_seminar_capstone Part of the Film Production Commons, Literature in English, North America Commons, Literature in English, North America, Ethnic and Cultural Minority Commons, Other Film and Media Studies Commons, and the Screenwriting Commons Recommended Citation Miller, Bethany, "“Shining” with the Marginalized: Self-Reflection and Empathy in Stanley Kubrick’s The hininS g" (2015). English Seminar Capstone Research Papers. 30. http://digitalcommons.cedarville.edu/english_seminar_capstone/30 This Capstone Project is brought to you for free and open access by DigitalCommons@Cedarville, a service of the Centennial Library. It has been accepted for inclusion in English Seminar Capstone Research Papers by an authorized administrator of DigitalCommons@Cedarville. For more information, please contact [email protected]. Miller 1 Bethany Miller Dr. Deardorff Senior Seminar 8 April 2015 “Shining” with the Marginalized: Self-Reflection and Empathy in Stanley Kubrick’s The Shining Stanley Kubrick’s horror masterpiece The Shining has confounded and fascinated viewers for decades. Perhaps its most mystifying element is its final zoom, which gradually falls on a picture of Jack Torrance beaming in front of a crowd with the caption “July 4 th Ball, Overlook Hotel, 1921.” While Bill Blakemore and others examine the film as a critique of violence in American history, no scholar has thoroughly established the connection between July 4 th, 1921, Jack Torrance, and the rest of the film. -
Ronald Davis Oral History Collection on the Performing Arts
Oral History Collection on the Performing Arts in America Southern Methodist University The Southern Methodist University Oral History Program was begun in 1972 and is part of the University’s DeGolyer Institute for American Studies. The goal is to gather primary source material for future writers and cultural historians on all branches of the performing arts- opera, ballet, the concert stage, theatre, films, radio, television, burlesque, vaudeville, popular music, jazz, the circus, and miscellaneous amateur and local productions. The Collection is particularly strong, however, in the areas of motion pictures and popular music and includes interviews with celebrated performers as well as a wide variety of behind-the-scenes personnel, several of whom are now deceased. Most interviews are biographical in nature although some are focused exclusively on a single topic of historical importance. The Program aims at balancing national developments with examples from local history. Interviews with members of the Dallas Little Theatre, therefore, serve to illustrate a nation-wide movement, while film exhibition across the country is exemplified by the Interstate Theater Circuit of Texas. The interviews have all been conducted by trained historians, who attempt to view artistic achievements against a broad social and cultural backdrop. Many of the persons interviewed, because of educational limitations or various extenuating circumstances, would never write down their experiences, and therefore valuable information on our nation’s cultural heritage would be lost if it were not for the S.M.U. Oral History Program. Interviewees are selected on the strength of (1) their contribution to the performing arts in America, (2) their unique position in a given art form, and (3) availability. -
Videorecordings Cataloging Workshop Introduction Introduction
Videorecordings Cataloging Workshop By Jay Weitz ([email protected]) Senior Consulting Database Specialist OCLC Online Computer Library Center For OLAC-MOUG Conference Cleveland, Ohio 2008 September 26-28 Introduction Not comprehensive AACR2 MARC Visual Materials Trying to be practical Introduction 1. Rules Background 6. Colorized Version, Letterboxed Version 2. Sources of Information 7. Closed Captioning, Audio Enhancement 3. When to Input a New 8. Summary Notes Record 9. DVDs, Other Videodiscs, 4. Music Videos: and Streaming Video Special Considerations 10. Television Series / 5. Physical Description Dependent Titles Introduction 11. Statements of 15. Genre Headings Responsibility 16. Locally-Made 12. Dates Videos 13. 007 17. In Analytics 14. Numbers 18. Collections 028 037 020 024 Rules Background 1 AACR2 Revised: Integrated Catalog AACR1: “Enter a motion picture under title” Title Main Entry for works of mixed responsibility Sources of Information 2 Title frames Container/Labels Be alert to differences in titles When to Input a New Record 3 Differences that Justify a New Record B&W vs. color (including colorized) Sound vs. silent Significantly different length Different machine/videorecording format (VHS vs. Beta vs. DVD, etc.) Changes in publication dates (Be careful that dates changes are not merely for packaging) Dubbed vs. subtitled Different language versions When to Input a New Record 3 Differences that Do Not Justify a New Record “Absence or presence of multiple publishers, distributors, etc., as long as one on the item matches one on the record and vice versa.” Edit existing record when in doubt Multiple Publishers/Distributors 3 5 245 00 Ozawa h [videorecording] / c a film by David Maysles ..