This Is My No. 1 Fascinator
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Robert M. Mcelwaine, 1925-2010
FEBRUARY 20, 2010...1:58 PM Ethics Hero Emeritus: Robert M. McElwaine, 1925-2010 Every time I hear about a new tell-all book by a famous person’s former lover, spouse, political aide or appointee, full of embarrassing revelations about what celebrities, political leaders or admired (or reviled) historical figures did or said behind closed doors or in the dead of night, I admire Bob McElwaine just a little more. When he died this month, the Washington Post obituary described him as a man who knew how to keep a secret. He did, but he was much more than that. Robert McElwaine was a gentleman. An old story tells of a woman had asks a great king to make her son a gentleman. “Alas, I cannot,” the king replies. “I can make him a nobleman, but only God can make a gentleman.” Many affect the trappings of gentility, of course; that’s a matter of taste, style and manners. Bob possessed all of those. The first time I saw him, he was sitting at a restaurant table at the Four Seasons Hotel in Georgetown waiting for me to meet him for lunch. As always, he had arrived early; in all the times I had engagements with him, he was never a minute late, though I often was, and usually by more than a minute. He was impeccably dressed in a crisp white shirt, a tie, blazer and slacks…nothing ostentatious, just perfect. Yes, Bob knew how to look like a gentleman. Being one, however, is considerably harder. I had invited to Bob lunch because I had heard about his Hollywood career and long association with entertainer Danny Kaye, and wanted to pick his brains about my theater company’s impending production of the musical “Lady in the Dark,” which launched Kaye’s career. -
PARAMOUNT PICTURES: 75 YEARS July 10, 1987 - January 4, 1988
The Museum Of Modem Art For Immediate Release June 1987 PARAMOUNT PICTURES: 75 YEARS July 10, 1987 - January 4, 1988 Marlene Dietrich, William Holden, Barbara Stanwyck, Fred MacMurray, and Mae West are among the stars featured in the exhibition PARAMOUNT PICTURES: 75 YEARS, which opens at The Museum of Modern Art on July 10. The series includes films by such directors as Cecil B. De Mille, Ernst Lubitsch, Francis Coppola, Josef von Sternberg, and Preston Sturges. More than 100 films and an accompanying display of film-still enlargements and original posters trace the seventy-five year history of Paramount through the silent and sound eras. The exhibition begins on Friday, July 10, at 6:00 p.m. with Dorothy Arzner's The Wild Party (1929), madcap silent star Clara Bow's first sound feature, costarring Fredric March. At 2:30 p.m. on the same day, Ernst Lubitsch's ribald musical comedy The Smiling Lieutenant (1931) will be screened, featuring Paramount contract stars Maurice Chevalier, Claudette Colbert, and Miriam Hopkins. Comprised of both familiar classics and obscure features, the series continues in The Roy and Niuta Titus Theaters through January 4, 1988. Paramount Pictures was founded in 1912 by Adolph Zukor, and its first release was the silent Queen Elizabeth, starring Sarah Bernhardt. Among the silent films included in PARAMOUNT PICTURES: 75 YEARS are De Mille's The Squaw Man (1913), The Cheat (1915), and The Ten Commandments (1923); von Sternberg's The Docks of New York (1928), and Erich von Stroheim's The Wedding March (1928). - more - ll West 53 Street. -
Kids Classics
SAT/SUN AUG SAT/SUN AUG Launch Party Friday July 24th 11:30PM 1ST & 2ND, 4PM 8TH & 9TH, 4PM WITH FOLLOWING SESSIONS ON SATURDAY & SUNDAY 25 & 26TH AT 4PM Come in Fancy dress and win prizes for best dressed . First prize winner gets to take home a GOLD PASS valued at over $5000 granting unlimited free movies for a year. The runner up will walk away with a six month membership for Snap Fitness and various other door prizes will be available. Don’t miss out! Bring your own props (Please don’t bring rice or confetti) TICKETS ON SALE NOW SAT/SUN AUG SAT/SUN AUG SAT/SUN AUG SAT/SUN SEPT SAT/SUN SEPT SAT/SUN SEPT SAT/SUN SEPT 15TH & 16TH, 4PM 22ND & 23RD, 4PM 29TH & 30TH, 4PM 5TH & 6TH, 4PM 12TH & 13TH, 4PM 19TH & 20TH, 4PM 26TH & 27TH, 4PM SAT/SUN OCT SAT/SUN OCT SAT/SUN OCT SAT/SUN OCT SAT/SUN OCT SAT/SUN NOV SAT/SUN NOV 3RD & 4TH, 4PM 10TH & 11TH, 4PM 17TH & 18TH, 4PM 24TH & 25TH, 4PM 31ST & NOV 1ST, 4PM 7TH & 8TH, 4PM 14TH & 15TH, 4PM IN 3D SAT/SUN NOV DOUBLE FEATURE (INCLUDING INTERMISSION) DOUBLE FEATURE (INCLUDING INTERMISSION) SAT/SUN DEC SAT/SUN DEC 21ST & 22ND, 4PM SAT/SUN NOV 28TH & 29TH, 4PM SAT/SUN DEC 5TH & 6TH, 4PM 12TH & 13TH, 4PM 19TH & 20TH, 3PM KIDS CLASSICS SAT/SUN AUG SAT/SUN AUG SAT/SUN SEPT SAT/SUN OCT SAT/SUN OCT SAT/SUN NOV SAT/SUN NOV SAT/SUN DEC 8TH & 9TH 22ND & 23RD 5TH & 6TH 10TH & 11TH 24TH & 25TH 7TH & 8TH 21ST & 22ND 5TH & 6TH IN 3D IN 3D TICKET PRICES LIKE OUR CULT CLASSICS? HOW TO FIND US Adults: 2D $12.50/3D $15.50 WHY NOT TRY: Concession/Child: 2D $9.50/3D $12.50 3-5 Hewish Rd, Seniors:2D $7.50/3D $10.50 Family: -
Ronald Davis Oral History Collection on the Performing Arts
Oral History Collection on the Performing Arts in America Southern Methodist University The Southern Methodist University Oral History Program was begun in 1972 and is part of the University’s DeGolyer Institute for American Studies. The goal is to gather primary source material for future writers and cultural historians on all branches of the performing arts- opera, ballet, the concert stage, theatre, films, radio, television, burlesque, vaudeville, popular music, jazz, the circus, and miscellaneous amateur and local productions. The Collection is particularly strong, however, in the areas of motion pictures and popular music and includes interviews with celebrated performers as well as a wide variety of behind-the-scenes personnel, several of whom are now deceased. Most interviews are biographical in nature although some are focused exclusively on a single topic of historical importance. The Program aims at balancing national developments with examples from local history. Interviews with members of the Dallas Little Theatre, therefore, serve to illustrate a nation-wide movement, while film exhibition across the country is exemplified by the Interstate Theater Circuit of Texas. The interviews have all been conducted by trained historians, who attempt to view artistic achievements against a broad social and cultural backdrop. Many of the persons interviewed, because of educational limitations or various extenuating circumstances, would never write down their experiences, and therefore valuable information on our nation’s cultural heritage would be lost if it were not for the S.M.U. Oral History Program. Interviewees are selected on the strength of (1) their contribution to the performing arts in America, (2) their unique position in a given art form, and (3) availability. -
ACT I the 1940S, a Time When All America Was Listening and Dancing to the Same Kind of Music! St
ITM_017_playbill program.qxp_ITM_017_playbill program 23/12/2015 3:28 pm Page 1 ITM_017_playbill program.qxp_ITM_017_playbill program 23/12/2015 3:28 pm Page 2 ACT I The 1940s, a time when all America was listening and dancing to the same kind of music! St. Louis Blues March (Handy, arr. Gray) Yes, Indeed (Oliver) Well All Right (Faye, Kapp, Raye) In the Mood (Garland) Big Band Medley Swinging On A Star (Van Heusen, Burke) Jeepers Creepers (Warren, Mercer) That Old Feeling (Fain, Brown) Taking a Chance On Love (Duke, Latouche, Fetter) Ain’t We Got Fun (Egan, Kahn, Whiting) Elmer’s Tune (Albrecht, Gallop, Jurgens) Chattanooga Choo Choo (Warren, Gordon) Well, Git It! (Oliver) I’m Getting Sentimental Over You (Bassman) Moonlight Serenade (Miller, Parish) Dream (Mercer) I Can’t Get Started (Duke, I. Gershwin) Begin the Beguine (Porter) Serenade In Blue (Warren, Gordon) Hey! Ba Ba Re Bop (Hamner, Hampton) Skylark/Mood Indigo (Carmichael, Mercer) (Bigard, Mills, Ellington) Say That We’re Sweethearts Again (Brent) Tuxedo Junction (Dash, Feyne, Hawkins, Johnson) ACT II This was the time when music moved the nation’s spirit! It Don’t Mean A Thing (Ellington, Mills) The Sisters and Brothers Medley Over There (Cohan) La Vie En Rose (Piaf, Guigliemi, Eng. Lyrics David) The Last Time I Saw Paris (Kern, Hammerstein II) All the Things You Are (Kern, Hammerstein II) What Do You Do In the Infantry? (Loesser) Boogie Woogie Bugle Boy (Prince, Raye) He’s 1A In The Army, A1 In My Heart (Evans) This Is Worth Fighting For (DeLange, Stepf) Bugle Call Rag (Meyers, -
Joey Landwehr
.....,. aN31~=I J.S38 ~OJ.~V J.V3~E) lnOS J.V3~E) J.~V3H J.V3~E) )tNI=I 3~N3~MVl ·~a OJ. a3J.voioso SIMPLY DANNY Created by Joey Landwehr Table of Contents Con~~t ~taterrlent ()~ TRUE COLOR~ ()6 ~IMPLY DANNY 28 Process ~5 Post Evaluation 55 Research 58 Bibliogra~hy 9() Advertising 95 Production Proqram 99 Production Photographs 1()2 Reviews 1()~ .l.... October 07, 1996 Concept Statement TRUE COLORS (working title) is a biographical story of part of the life of a young man who is stricken with the disease AIDS. This young man, Danny Keel, has one last dream, to die in the theatre. The theatre is where he has always found his hopes and dreams, his friends and family, and most importantly the love of his life. This is partially a memory play and partially a present-time lounge act. For his final bow he must tell his story, instead of using other people's words. The audience is made up partially of friends and family and partially strangers. Danny simply wants to bring some happiness into people's lives while giving them some thing to think about at the same time. This also allows him to bring some closure to his life by getting some things off his chest that have been haunting him for years. In many ways, just as Torn Wingfield, not to mention Tennessee Williams, does in THE GLASS MENAGERIE. He speaks about the loss of his mother when he was young, the meeting and then loss of his lover as he got older. -