DOCSLIB.ORG

Selected Musicals Selected Musicals from the Forbes Library DVD Collection from the Forbes Library DVD Collection

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Selected Musicals Selected Musicals from the Forbes Library DVD Collection from the Forbes Library DVD Collection Selected Musicals Selected Musicals from the Forbes Library DVD collection from the Forbes Library DVD collection ☐ Top Hat (1935) Astaire and Rogers. ☐ Top Hat (1935) Astaire and Rogers. ☐ Shall We Dance (1937) Astaire and Rogers. ☐ Shall We Dance (1937) Astaire and Rogers. ☐ The Wizard of Oz (1939) Judy Garland. ☐ The Wizard of Oz (1939) Judy Garland. ☐ Yankee Doodle Dandy (1942) James Cagney. ☐ Yankee Doodle Dandy (1942) James Cagney. ☐ Stormy Weather (1943) Lena Horne and a cast of other jazz ☐ Stormy Weather (1943) Lena Horne and a cast of other jazz greats including Cab Calloway and Fats Waller. greats including Cab Calloway and Fats Waller. ☐ Meet Me in Saint Louis (1944) Judy Garland. ☐ Meet Me in Saint Louis (1944) Judy Garland. ☐ Easter Parade (1948) Judy Garland and Fred Astaire. ☐ Easter Parade (1948) Judy Garland and Fred Astaire. ☐ A Song Is Born (1948) Danny Kaye and Virginia Mayo with ☐ A Song Is Born (1948) Danny Kaye and Virginia Mayo with Benny Goodman, Louis Armstrong and other jazz greats. Benny Goodman, Louis Armstrong and other jazz greats. ☐ On the Town (1949) Gene Kelly with a great ensemble cast. ☐ On the Town (1949) Gene Kelly with a great ensemble cast. ☐ An American in Paris (1951) Gene Kelly and Leslie Caron. ☐ An American in Paris (1951) Gene Kelly and Leslie Caron. ☐ Singing in the Rain (1952) Gene Kelly, Donald O'Connor, ☐ Singing in the Rain (1952) Gene Kelly, Donald O'Connor, and Debbie Reynolds. and Debbie Reynolds. ☐ The Band Wagon (1953) Fred Astaire and Cyd Charisse. ☐ The Band Wagon (1953) Fred Astaire and Cyd Charisse. ☐ A Star is Born (1954) Judy Garland and James Mason. ☐ A Star is Born (1954) Judy Garland and James Mason. ☐ Guys and Dolls (1955) Marlon Brando, Jean Simmons, Frank ☐ Guys and Dolls (1955) Marlon Brando, Jean Simmons, Frank Sinatra and Vivian Blaine. Sinatra and Vivian Blaine. ☐ The King and I (1956) Deborah Kerr and Yul Brynner. ☐ The King and I (1956) Deborah Kerr and Yul Brynner. ☐ Anything Goes (1956) Bing Crosby, Donald O'Connor, ☐ Anything Goes (1956) Bing Crosby, Donald O'Connor, Jeanmaire, and Mitzi Gaynor. Music (mostly) by Cole Porter. Jeanmaire, and Mitzi Gaynor. Music (mostly) by Cole Porter. ☐ Silk Stockings (1957) Fred Astaire and Cyd Charisse. ☐ Silk Stockings (1957) Fred Astaire and Cyd Charisse. ☐ West Side Story (1961) Natalie Wood, Richard Beymer, Russ ☐ West Side Story (1961) Natalie Wood, Richard Beymer, Russ Tamblyn, Rita Moreno, and George Chakiris. Tamblyn, Rita Moreno, and George Chakiris. ☐ Gypsy (1962) Rosalind Russell and Natalie Wood. ☐ Gypsy (1962) Rosalind Russell and Natalie Wood. ☐ My Fair Lady (1964) Audrey Hepburn and Rex Harrison. ☐ My Fair Lady (1964) Audrey Hepburn and Rex Harrison. ☐ Les Parapluies de Cherbourg (1964) Directed by Jacques ☐ Les Parapluies de Cherbourg (1964) Directed by Jacques Demy, with Catherine Deneuve and Nino Castelnuovo. Demy, with Catherine Deneuve and Nino Castelnuovo. ☐ A Funny Thing Happened on the Way to the Forum (1966) ☐ A Funny Thing Happened on the Way to the Forum (1966) Zero Mostel and Jack Gilford. Music by Stephen Sondheim. Zero Mostel and Jack Gilford. Music by Stephen Sondheim. ☐ Funny Girl (1968) Barbra Streisand and Omar Sharif. ☐ Funny Girl (1968) Barbra Streisand and Omar Sharif. ☐ Hello, Dolly! (1969) Barbra Streisand, Walter Matthau, and ☐ Hello, Dolly! (1969) Barbra Streisand, Walter Matthau, and Michael Crawford. Directed by Gene Kelly. Michael Crawford. Directed by Gene Kelly. ☐ Cabaret (1972) Liza Minnelli, Michael York, and Joel Grey. ☐ Cabaret (1972) Liza Minnelli, Michael York, and Joel Grey. ☐ All That Jazz (1979) Semi-autobiographical film by Bob Fosse. ☐ All That Jazz (1979) Semi-autobiographical film by Bob Fosse. ☐ The Pirates of Penzance (1983) Kevin Kline, Linda Ronstadt, ☐ The Pirates of Penzance (1983) Kevin Kline, Linda Ronstadt, and Rex Smith. Words and music by Gilbert and Sullivan. and Rex Smith. Words and music by Gilbert and Sullivan. ☐ Newsies (1992) Christian Bale. Music by Alan Menken. ☐ Newsies (1992) Christian Bale. Music by Alan Menken. ☐ Moulin Rouge! (2001) Nicole Kidman and Ewan McGregor. ☐ Moulin Rouge! (2001) Nicole Kidman and Ewan McGregor. ☐ Hedwig and the Angry Inch (2001) John Cameron Mitchell. ☐ Hedwig and the Angry Inch (2001) John Cameron Mitchell. ☐ Chicago (2002) Renée Zellweger, Richard Gere, and ☐ Chicago (2002) Renée Zellweger, Richard Gere, and Catherine Zeta-Jones. Catherine Zeta-Jones. ☐ Dr. Horrible's Sing-Along Blog. (2008) Neil Patrick Harris, ☐ Dr. Horrible's Sing-Along Blog. (2008) Neil Patrick Harris, Nathan Fillion, and Felicia Day. Nathan Fillion, and Felicia Day..
Load more

Recommended publications
  • FY14 Tappin' Study Guide
    Student Matinee Series Maurice Hines is Tappin’ Thru Life Study Guide Created by Miller Grove High School Drama Class of Joyce Scott As part of the Alliance Theatre Institute for Educators and Teaching Artists’ Dramaturgy by Students Under the guidance of Teaching Artist Barry Stewart Mann Maurice Hines is Tappin’ Thru Life was produced at the Arena Theatre in Washington, DC, from Nov. 15 to Dec. 29, 2013 The Alliance Theatre Production runs from April 2 to May 4, 2014 The production will travel to Beverly Hills, California from May 9-24, 2014, and to the Cleveland Playhouse from May 30 to June 29, 2014. Reviews Keith Loria, on theatermania.com, called the show “a tender glimpse into the Hineses’ rise to fame and a touching tribute to a brother.” Benjamin Tomchik wrote in Broadway World, that the show “seems determined not only to love the audience, but to entertain them, and it succeeds at doing just that! While Tappin' Thru Life does have some flaws, it's hard to find anyone who isn't won over by Hines showmanship, humor, timing and above all else, talent.” In The Washington Post, Nelson Pressley wrote, “’Tappin’ is basically a breezy, personable concert. The show doesn’t flinch from hard-core nostalgia; the heart-on-his-sleeve Hines is too sentimental for that. It’s frankly schmaltzy, and it’s barely written — it zips through selected moments of Hines’s life, creating a mood more than telling a story. it’s a pleasure to be in the company of a shameless, ebullient vaudeville heart.” Maurice Hines Is .
    [Show full text]
  • 600 Graphic Link Words for Remembering Names and Faces
    600 Graphic Link Words for Female and Male First Names and Faces by Ron White and Lew Toulmin These are names and images to be used to remember names and faces. Focus on the person whose first name you are trying to remember, select a feature (“the file”) on his/her face that is distinctive, then place the image below onto the file, “seeing” it clearly in your mind’s eye. These images are drawn from my (Lew Toulmin’s) background and interest in history, aviation and foreign travel; you may wish to develop images of your own that link to the name of the person. Many of these images come from or were modified from Ron White’s excellent “Black Belt Memory” course, which is recommended. The most popular names are marked on the right with a number sign (#) and the relevant ranking. WOMEN’S NAMES LINK WORDS (~272) Abby – A bee Abigail – A bee in a gale Adell – A Dell computer Alice – a lice Alexis – A Lexus sports car Allison – Allison radial engine Amanda – A Man – Duh! Not! Amy – Aiming Angie – Angie Dickenson, Policewoman Ann – Ant Anita – A knitter Annette – A net Annie – Little Orphan Annie April – A pill that is red Ashley – Ashes Audrey -- Audrey Hepburn’s cigarette holder in “Breakfast at Tiffany’s” Barbara – barbed wire #4 Beatrice – beat rice – this brings joy Becky – bucky horse Belinda – Bee that is beautiful (“linda” ) Bernadette – burn a debt (your mortgage) Bernice or Berenice -- burning ice Beth – bath Betty – Betty Crocker cakemix Beverly – Beverly hillbillies Billie – billy can Bobbie or Bobby –
    [Show full text]
  • Not Your Mother's Library Transcript Episode 11: Mamma Mia! and More Musicals (Brief Intro Music) Rachel: Hello, and Welcome T
    Not Your Mother’s Library Transcript Episode 11: Mamma Mia! and More Musicals (Brief intro music) Rachel: Hello, and welcome to Not Your Mother’s Library, a readers’ advisory podcast from the Oak Creek Public Library. I’m Rachel, and once again since Melody’s departure I am without a co-host. This is where you would stick a crying-face emoji. Luckily for everyone, though, today we have a brand new guest! This is most excellent, truly, because we are going to be talking about musicals, and I do not have any sort of expertise in that area. So, to balance the episode out with a more professional perspective, I would like to welcome to the podcast Oak Creek Library’s very own Technical Services Librarian! Would you like to introduce yourself? Joanne: Hello, everyone. I am a new guest! Hooray! (laughs) Rachel: Yeah! Joanne: So, I am the Technical Services Librarian here at the Oak Creek Library. My name is Joanne. I graduated from Carroll University with a degree in music, which was super helpful for libraries. Not so much. Rachel: (laughs) Joanne: And then went to UW-Milwaukee to get my masters in library science, and I’ve been working in public libraries ever since. I’ve always had a love of music since I've been in a child. My mom is actually a church organist, and so I think that’s where I get it from. Rachel: Wow, yeah. Joanne: I used to play piano—I did about 10 years and then quit. (laughs) So, I might be able to read some sheet music but probably not very well.
    [Show full text]
  • Robert M. Mcelwaine, 1925-2010
    FEBRUARY 20, 2010...1:58 PM Ethics Hero Emeritus: Robert M. McElwaine, 1925-2010 Every time I hear about a new tell-all book by a famous person’s former lover, spouse, political aide or appointee, full of embarrassing revelations about what celebrities, political leaders or admired (or reviled) historical figures did or said behind closed doors or in the dead of night, I admire Bob McElwaine just a little more. When he died this month, the Washington Post obituary described him as a man who knew how to keep a secret. He did, but he was much more than that. Robert McElwaine was a gentleman. An old story tells of a woman had asks a great king to make her son a gentleman. “Alas, I cannot,” the king replies. “I can make him a nobleman, but only God can make a gentleman.” Many affect the trappings of gentility, of course; that’s a matter of taste, style and manners. Bob possessed all of those. The first time I saw him, he was sitting at a restaurant table at the Four Seasons Hotel in Georgetown waiting for me to meet him for lunch. As always, he had arrived early; in all the times I had engagements with him, he was never a minute late, though I often was, and usually by more than a minute. He was impeccably dressed in a crisp white shirt, a tie, blazer and slacks…nothing ostentatious, just perfect. Yes, Bob knew how to look like a gentleman. Being one, however, is considerably harder. I had invited to Bob lunch because I had heard about his Hollywood career and long association with entertainer Danny Kaye, and wanted to pick his brains about my theater company’s impending production of the musical “Lady in the Dark,” which launched Kaye’s career.
    [Show full text]
  • February 12 – 16, 2016
    February 12 – 16, 2016 danceFilms.org | Filmlinc.org ta b l e o F CONTENTS DA N C E O N CAMERA F E S T I VA L Inaugurated in 1971, and co-presented with Dance Films Association and the Film Society of Lincoln Center since 1996 (now celebrating the 20th anniversary of this esteemed partnership), the annual festival is the most anticipated and widely attended dance film event in New York City. Each year artists, filmmakers and hundreds of film lovers come together to experience the latest in groundbreaking, thought-provoking, and mesmerizing cinema. This year’s festival celebrates everything from ballet and contemporary dance to the high-flying world of trapeze. ta b l e o F CONTENTS about dance Films association 4 Welcome 6 about dance on camera Festival 8 dance in Focus aWards 11 g a l l e ry e x h i b i t 13 Free events 14 special events 16 opening and closing programs 18 main slate 20 Full schedule 26 s h o r t s p r o g r a m s 32 cover: Ted Shawn and His Men Dancers in Kinetic Molpai, ca. 1935 courtesy of Jacob’s Pillow Dance festival archives this Page: The Dance Goodbye ron steinman back cover: Feelings are Facts: The Life of Yvonne Rainer courtesy estate of warner JePson ABOUT DANCE dance Films association dance Films association and dance on camera board oF directors Festival staFF Greg Vander Veer Nancy Allison Donna Rubin Interim Executive Director President Virginia Brooks Liz Wolff Co-Curator Dance on Camera Festival Paul Galando Brian Cummings Joanna Ney Co-Curator Dance on Camera Festival Vice President and Chair of Ron
    [Show full text]
  • 31 Days of Oscar® 2010 Schedule
    31 DAYS OF OSCAR® 2010 SCHEDULE Monday, February 1 6:00 AM Only When I Laugh (’81) (Kevin Bacon, James Coco) 8:15 AM Man of La Mancha (’72) (James Coco, Harry Andrews) 10:30 AM 55 Days at Peking (’63) (Harry Andrews, Flora Robson) 1:30 PM Saratoga Trunk (’45) (Flora Robson, Jerry Austin) 4:00 PM The Adventures of Don Juan (’48) (Jerry Austin, Viveca Lindfors) 6:00 PM The Way We Were (’73) (Viveca Lindfors, Barbra Streisand) 8:00 PM Funny Girl (’68) (Barbra Streisand, Omar Sharif) 11:00 PM Lawrence of Arabia (’62) (Omar Sharif, Peter O’Toole) 3:00 AM Becket (’64) (Peter O’Toole, Martita Hunt) 5:30 AM Great Expectations (’46) (Martita Hunt, John Mills) Tuesday, February 2 7:30 AM Tunes of Glory (’60) (John Mills, John Fraser) 9:30 AM The Dam Busters (’55) (John Fraser, Laurence Naismith) 11:30 AM Mogambo (’53) (Laurence Naismith, Clark Gable) 1:30 PM Test Pilot (’38) (Clark Gable, Mary Howard) 3:30 PM Billy the Kid (’41) (Mary Howard, Henry O’Neill) 5:15 PM Mr. Dodd Takes the Air (’37) (Henry O’Neill, Frank McHugh) 6:45 PM One Way Passage (’32) (Frank McHugh, William Powell) 8:00 PM The Thin Man (’34) (William Powell, Myrna Loy) 10:00 PM The Best Years of Our Lives (’46) (Myrna Loy, Fredric March) 1:00 AM Inherit the Wind (’60) (Fredric March, Noah Beery, Jr.) 3:15 AM Sergeant York (’41) (Noah Beery, Jr., Walter Brennan) 5:30 AM These Three (’36) (Walter Brennan, Marcia Mae Jones) Wednesday, February 3 7:15 AM The Champ (’31) (Marcia Mae Jones, Walter Beery) 8:45 AM Viva Villa! (’34) (Walter Beery, Donald Cook) 10:45 AM The Pubic Enemy
    [Show full text]
  • “White Christmas”—Bing Crosby (1942) Added to the National Registry: 2002 Essay by Cary O’Dell
    “White Christmas”—Bing Crosby (1942) Added to the National Registry: 2002 Essay by Cary O’Dell Crosby’s 1945 holiday album Original release label “Holiday Inn” movie poster With the possible exception of “Silent Night,” no other song is more identified with the holiday season than “White Christmas.” And no singer is more identified with it than its originator, Bing Crosby. And, perhaps, rightfully so. Surely no other Christmas tune has ever had the commercial or cultural impact as this song or sold as many copies--50 million by most estimates, making it the best-selling record in history. Irving Berlin wrote “White Christmas” in 1940. Legends differ as to where and how though. Some say he wrote it poolside at the Biltmore Hotel in Phoenix, Arizona, a reasonable theory considering the song’s wishing for wintery weather. Some though say that’s just a good story. Furthermore, some histories say Berlin knew from the beginning that the song was going to be a massive hit but another account says when he brought it to producer-director Mark Sandrich, Berlin unassumingly described it as only “an amusing little number.” Likewise, Bing Crosby himself is said to have found the song only merely adequate at first. Regardless, everyone agrees that it was in 1942, when Sandrich was readying a Christmas- themed motion picture “Holiday Inn,” that the song made its debut. The film starred Fred Astaire and Bing Crosby and it needed a holiday song to be sung by Crosby and his leading lady, Marjorie Reynolds (whose vocals were dubbed). Enter “White Christmas.” Though the film would not be seen for many months, millions of Americans got to hear it on Christmas night, 1941, when Crosby sang it alone on his top-rated radio show “The Kraft Music Hall.” On May 29, 1942, he recorded it during the sessions for the “Holiday Inn” album issued that year.
    [Show full text]
  • PARAMOUNT PICTURES: 75 YEARS July 10, 1987 - January 4, 1988
    The Museum Of Modem Art For Immediate Release June 1987 PARAMOUNT PICTURES: 75 YEARS July 10, 1987 - January 4, 1988 Marlene Dietrich, William Holden, Barbara Stanwyck, Fred MacMurray, and Mae West are among the stars featured in the exhibition PARAMOUNT PICTURES: 75 YEARS, which opens at The Museum of Modern Art on July 10. The series includes films by such directors as Cecil B. De Mille, Ernst Lubitsch, Francis Coppola, Josef von Sternberg, and Preston Sturges. More than 100 films and an accompanying display of film-still enlargements and original posters trace the seventy-five year history of Paramount through the silent and sound eras. The exhibition begins on Friday, July 10, at 6:00 p.m. with Dorothy Arzner's The Wild Party (1929), madcap silent star Clara Bow's first sound feature, costarring Fredric March. At 2:30 p.m. on the same day, Ernst Lubitsch's ribald musical comedy The Smiling Lieutenant (1931) will be screened, featuring Paramount contract stars Maurice Chevalier, Claudette Colbert, and Miriam Hopkins. Comprised of both familiar classics and obscure features, the series continues in The Roy and Niuta Titus Theaters through January 4, 1988. Paramount Pictures was founded in 1912 by Adolph Zukor, and its first release was the silent Queen Elizabeth, starring Sarah Bernhardt. Among the silent films included in PARAMOUNT PICTURES: 75 YEARS are De Mille's The Squaw Man (1913), The Cheat (1915), and The Ten Commandments (1923); von Sternberg's The Docks of New York (1928), and Erich von Stroheim's The Wedding March (1928). - more - ll West 53 Street.
    [Show full text]
  • Summer Classic Film Series, Now in Its 43Rd Year
    Austin has changed a lot over the past decade, but one tradition you can always count on is the Paramount Summer Classic Film Series, now in its 43rd year. We are presenting more than 110 films this summer, so look forward to more well-preserved film prints and dazzling digital restorations, romance and laughs and thrills and more. Escape the unbearable heat (another Austin tradition that isn’t going anywhere) and join us for a three-month-long celebration of the movies! Films screening at SUMMER CLASSIC FILM SERIES the Paramount will be marked with a , while films screening at Stateside will be marked with an . Presented by: A Weekend to Remember – Thurs, May 24 – Sun, May 27 We’re DEFINITELY Not in Kansas Anymore – Sun, June 3 We get the summer started with a weekend of characters and performers you’ll never forget These characters are stepping very far outside their comfort zones OPENING NIGHT FILM! Peter Sellers turns in not one but three incomparably Back to the Future 50TH ANNIVERSARY! hilarious performances, and director Stanley Kubrick Casablanca delivers pitch-dark comedy in this riotous satire of (1985, 116min/color, 35mm) Michael J. Fox, Planet of the Apes (1942, 102min/b&w, 35mm) Humphrey Bogart, Cold War paranoia that suggests we shouldn’t be as Christopher Lloyd, Lea Thompson, and Crispin (1968, 112min/color, 35mm) Charlton Heston, Ingrid Bergman, Paul Henreid, Claude Rains, Conrad worried about the bomb as we are about the inept Glover . Directed by Robert Zemeckis . Time travel- Roddy McDowell, and Kim Hunter. Directed by Veidt, Sydney Greenstreet, and Peter Lorre.
    [Show full text]
  • The American Film Musical and the Place(Less)Ness of Entertainment: Cabaret’S “International Sensation” and American Identity in Crisis
    humanities Article The American Film Musical and the Place(less)ness of Entertainment: Cabaret’s “International Sensation” and American Identity in Crisis Florian Zitzelsberger English and American Literary Studies, Universität Passau, 94032 Passau, Germany; fl[email protected] Received: 20 March 2019; Accepted: 14 May 2019; Published: 19 May 2019 Abstract: This article looks at cosmopolitanism in the American film musical through the lens of the genre’s self-reflexivity. By incorporating musical numbers into its narrative, the musical mirrors the entertainment industry mise en abyme, and establishes an intrinsic link to America through the act of (cultural) performance. Drawing on Mikhail Bakhtin’s notion of the chronotope and its recent application to the genre of the musical, I read the implicitly spatial backstage/stage duality overlaying narrative and number—the musical’s dual registers—as a means of challenging representations of Americanness, nationhood, and belonging. The incongruities arising from the segmentation into dual registers, realms complying with their own rules, destabilize the narrative structure of the musical and, as such, put the semantic differences between narrative and number into critical focus. A close reading of the 1972 film Cabaret, whose narrative is set in 1931 Berlin, shows that the cosmopolitanism of the American film musical lies in this juxtaposition of non-American and American (at least connotatively) spaces and the self-reflexive interweaving of their associated registers and narrative levels. If metalepsis designates the transgression of (onto)logically separate syntactic units of film, then it also symbolically constitutes a transgression and rejection of national boundaries. In the case of Cabaret, such incongruities and transgressions eventually undermine the notion of a stable American identity, exposing the American Dream as an illusion produced by the inherent heteronormativity of the entertainment industry.
    [Show full text]
  • Debbie Reynolds & Singin' in the Rain at WHBF 2013
    Meet Legendary Actress, Comedienne, Singer, and Dancer And Join Us for a Very Special Park Stage Screening of Singin' in the Rain to Celebrate Reynolds' New Memoir, Unsinkable Including a Park Stage In-Conversation at 5:30 p.m., Book Soup In-Booth Signing at 6:15 p.m., followed by an Open-to the-Public Park Stage Screening at 7:00 p.m. For more information on schedule and start times, please visit WHBF.org for updates. About Debbie Reynolds and Unsinkable The definitive memoir by legendary actress and performer Debbie Reynolds—an entertaining and moving story of enduring friendships and unbreakable family bonds, of hitting bottom and rising to the top again—that offers a unique and deeply personal perspective on Hollywood and its elite, from the glory days of MGM to the present. In the closing pages of her 1988 autobiography Debbie: My Life , Debbie Reynolds wrote about finding her "brave, loyal, and loving" new husband. After two broken marriages, this third, she believed, was her lucky charm. But within a few years, Debbie discovered that he had betrayed her emotionally and financially, nearly destroying her life. Today, she writes, "When I read the optimistic ending of my last memoir now, I can't believe how naive I was when I wrote it. In Unsinkable, I look back at the many years since then, and share my memories of a film career that took me from the Miss Burbank Contest of 1948 to the work I did in 2012. To paraphrase Bette Davis: Fasten your seatbelts, I've had a bumpy ride." Unsinkable shines a spotlight on the resilient woman whose talent and passion for her work have endured for more than six decades.
    [Show full text]
  • 100 Years: a Century of Song 1950S
    100 Years: A Century of Song 1950s Page 86 | 100 Years: A Century of song 1950 A Dream Is a Wish Choo’n Gum I Said my Pajamas Your Heart Makes / Teresa Brewer (and Put On My Pray’rs) Vals fra “Zampa” Tony Martin & Fran Warren Count Every Star Victor Silvester Ray Anthony I Wanna Be Loved Ain’t It Grand to Be Billy Eckstine Daddy’s Little Girl Bloomin’ Well Dead The Mills Brothers I’ll Never Be Free Lesley Sarony Kay Starr & Tennessee Daisy Bell Ernie Ford All My Love Katie Lawrence Percy Faith I’m Henery the Eighth, I Am Dear Hearts & Gentle People Any Old Iron Harry Champion Dinah Shore Harry Champion I’m Movin’ On Dearie Hank Snow Autumn Leaves Guy Lombardo (Les Feuilles Mortes) I’m Thinking Tonight Yves Montand Doing the Lambeth Walk of My Blue Eyes / Noel Gay Baldhead Chattanoogie John Byrd & His Don’t Dilly Dally on Shoe-Shine Boy Blues Jumpers the Way (My Old Man) Joe Loss (Professor Longhair) Marie Lloyd If I Knew You Were Comin’ Beloved, Be Faithful Down at the Old I’d Have Baked a Cake Russ Morgan Bull and Bush Eileen Barton Florrie Ford Beside the Seaside, If You were the Only Beside the Sea Enjoy Yourself (It’s Girl in the World Mark Sheridan Later Than You Think) George Robey Guy Lombardo Bewitched (bothered If You’ve Got the Money & bewildered) Foggy Mountain Breakdown (I’ve Got the Time) Doris Day Lester Flatt & Earl Scruggs Lefty Frizzell Bibbidi-Bobbidi-Boo Frosty the Snowman It Isn’t Fair Jo Stafford & Gene Autry Sammy Kaye Gordon MacRae Goodnight, Irene It’s a Long Way Boiled Beef and Carrots Frank Sinatra to Tipperary
    [Show full text]