DOCSLIB.ORG

FY 2011 Annual Report | 1 Remarks from People About the Kansas Historical Society in 2011

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
FY 2011 Annual Report | 1 Remarks from People About the Kansas Historical Society in 2011 Kansas Historical Society Fiscal Year 2011 Annual Report REAL PEOPLE. REAL STORIES. The mission of the Kansas Historical Society is to actively preserve and share Kansas history by collecting, preserving, and interpreting materials and information pertaining to state government and history for the purpose of enhancing government accountability, providing economic development assistance, and educating the people of Kansas. On the cover: The top 25 Notable Kansans were selected by Governor Sam Brownback’s blue ribbon panel on Kansas history and announced at five events around the state in summer 2011. These Kansans were selected for making significant contributions to the state, the nation, and the world. Amelia Earhart and Dwight Eisenhower were among those honored. This publication highlights more of these notable Kansans. Annual Report 2011 he sesquicentennial of Kansas statehood this past fiscal historians from around the state. In five separate events Tyear offered numerous opportunities to remind us of the in different communities, we assisted Governor Sam important role Kansans played in our nation’s history. Brownback in celebrating the 25 Notable Kansans. Next year The Kansas Historical Society is one of the premier we will announce the top 12 events in Kansas history. historical agencies in the country. We serve to promote the I would like to thank Governor Sam Brownback, who ideals on which this nation and state were founded. By shares our enthusiasm for Kansas history; the Kansas preserving the state’s records and providing access to the Legislature; and the Kansas Historical Foundation Board of state’s past, we support a government by the people and for Directors for their continued support of Kansas history. I the people. By educating our young people about the events would also like to thank my colleague, Vicky Henley, the and issues of our past, we help them become better citizens executive director of the Kansas Historical Foundation, for and create future leaders for the state. By assisting her many fundraising successes that have supported the state communities in redeveloping their historic environments, agency over the past year. For more information on private we help ensure economic stability to districts in our towns, support for the Historical Society please see the Kansas neighborhoods, and rural communities. By interpreting the Historical Foundation 2011 annual report. past for our citizens, we help build pride in the state and We look forward in 2012 to continuing to engage the what we can accomplish together. public with a passion for Kansas history. In 2011 we served 5,399,355 people, both in person and through virtual resources. Private dollars in 2011 allowed us to present several programs for the sesquicentennial, including trading cards of 150 notable Kansans; a special exhibit, 150 Things I Love About Kansas; and offer travel Jennie Chinn stipends for schools in western Kansas to come to the Kansas Executive Director Historical Society in Topeka. We published a colorful fourth grade workbook on Kansas history. We continued an innovative project to bring together the three branches of state government to preserve state electronic records of enduring value. Even with challenging financial issues, we remain dedicated to offering programs that meet our audience’s changing needs. One of the more exciting sesquicentennial projects this year was the top 25 Notable Kansans. We coordinated the Governor’s blue ribbon panel on Kansas history, with “ We are honored to have had the opportunity to recognize the 25 Notable Kansans and to help start this public dialogue on our state’s history.” — Jennie Chinn FY 2011 Annual Report | 1 Remarks from people about the Kansas Historical Society in 2011 “I want to take a moment to tell you how much we enjoy “They stood in the very same room that the Lecompton working on these Heritage Trust Fund projects. We have had Constitution was written over 150 years ago. This made the nothing but great experiences and the work is extremely history that they have been learning throughout seventh rewarding and worthwhile. Keep up the great work!” and eighth grade more real to the students and sparked their — Corey Thomas, restoration service interest in other topics that they will follow up on in class.” — Amanda Doleman, teacher “I am thankful that the project [Kansas Archelogy Training Program field school] is inter-generational. The background “The house contained several original artifacts which had information on the various sites and artifacts was been passed down through the family, including a beautiful fascinating! It is mind-boggling and awe-inspiring to quilt. I was really excited to see these artifacts and grateful to contemplate the amount of work that goes into an event finally embrace a taste of visual Lenape history.” like this, and thanks to all who made it possible.” — Grinter Place visitor — Archeology volunteer “We could have spent much longer here [Kansas Museum of “…I just wanted to thank you for a wonderful experience at History]. An unexpected find on our travels.” the Statehouse provided by the tour guide. The kids were — Peter, Sydney, Australia engaged and amazing educational opportunities. Thank you so much for the great visit!” I am very excited about your website! I have been exploring — Cara Lake, teacher it all week! It has been very useful to me as I create SMART Notebook presentations for my class! “I took the Mexican-American Experience in Kansas trunk…. — Becky Walsh, teacher The kids felt proud learning about the early immigration from Mexico. It also gave them a rare opportunity to share I was just looking at your revamped site and absolutely love some prior knowledge with other students in the class. it. Kansapedia is wonderful and can’t wait to use it with my Thanks for making this special hands-on type of learning fourth graders. available.” —Deb Martin, teacher — Jennifer Cutler, teacher “….I would really recommend your podcasts to anyone living in Kansas, but especially to anyone moving to Kansas. What a great way to get to know the state! If I am ever there, I will certainly try to visit one or more of your facilities.” — Dallas, Texas “I came across your podcast a little over a year ago and have downloaded and listened to all of them….I live in NC and have never been to Kansas,…I think I’m gonna have to plan a trip…” — iTunes user I think your research facility is wonderful. It is one place I always visit when in Topeka. — Erma Phillips, researcher FY20112 | FY 2011 Annual Annual Report Report | 2 Collections he state’s constitution, precious Civil War battle flags, Society in 1875 they wanted to ensure that this important Tterritorial newspapers, and a Kansas made airplane are history was saved for future generations. It is our mission to just a few examples of the collections preserved by the continue to collect for the future and to care for and preserve Kansas Historical Society. These items tell the story of our these collections and make them available to the public state’s beginnings. When founders established the Historical to enjoy. 2011 Collections Statistics Collection Size Archeological and ethnographic artifacts* 4,710 cubic feet ATLAS bibliographic records 58,464 Kansas Memory images/pages 171,514 Library books and pamphlets 440,459 Manuscript materials 11,128 cubic feet Maps and architectural drawings 32,279 Microfilm reels 79,629 Museum artifacts 110,568 National Register and state register listings 1,384 Photographs and audio-visual items 511,856 State Archives materials 42,646 cubic feet State records (Record Center) 59,487 cubic feet *Reduction due to collection return to Corps of Engineers. Notable Kansan | Carry Nation (1846-1911) She worked against the drinking of alcohol through the women’s temperance movement in support of the family, and led her “Home Defenders” to smash bars and saloons. Our collections include numerous items related to Nation such as this poster and pins she sold to raise funds. FY 2011 Annual Report | 3 A Sampling of 2011 Additions to the Collections • Webster and Carol Waterman donated a collection of white gloves, Howard would open the casket lid to reveal the cartoons, photographs, and articles by and about Myron face of the departed for friends and loved ones. She took A. Waterman. A banker by profession, he was a recognized pride in providing quality service honoring the deceased and illustrator and political cartoonist. The brother-in-law of their family members. A number Charles Sheldon, Waterman was active in the prohibition of furniture, clothing, personal and populist movements and provided advice to Carry items, and promotional materials Nation. He illustrated Rhymes by Two Friends, written by from her funeral home William Allen White and Albert B. Paine. were recently donated to the collections. Myron A. Waterman created these cartoons for a pamphlet on Xavia Howard wore these prohibition. gloves serving her customers at Citizens Funeral Home, Wichita. • Bruce Buchanan and Harris Enterprises, Hutchinson, donated some personal documents and U. S. senatorial papers from Clyde M. Reed, Sr., Parsons Sun’s business papers, and papers from Clyde M. • Ellen Marie Killion Clark was a journalist in southeast Reed, Jr. Newspaper editor Kansas, southwest Missouri, and northeastern Oklahoma Clyde M. Reed, Sr., served as during the mid-20th century. She began her career in 1940 Kansas governor from 1929 to at Joplin radio station KFSB. She joined the Joplin Globe in 1931. After his two-year term the 1950s as a reporter/photographer, covering many as governor, Reed returned to high-profile trials, where she usually wore a hat. A the Parsons Sun. In 1938 he collection of her hats was recently donated to the Kansas won election as U. S.
Load more

Recommended publications
  • Robert M. Mcelwaine, 1925-2010
    FEBRUARY 20, 2010...1:58 PM Ethics Hero Emeritus: Robert M. McElwaine, 1925-2010 Every time I hear about a new tell-all book by a famous person’s former lover, spouse, political aide or appointee, full of embarrassing revelations about what celebrities, political leaders or admired (or reviled) historical figures did or said behind closed doors or in the dead of night, I admire Bob McElwaine just a little more. When he died this month, the Washington Post obituary described him as a man who knew how to keep a secret. He did, but he was much more than that. Robert McElwaine was a gentleman. An old story tells of a woman had asks a great king to make her son a gentleman. “Alas, I cannot,” the king replies. “I can make him a nobleman, but only God can make a gentleman.” Many affect the trappings of gentility, of course; that’s a matter of taste, style and manners. Bob possessed all of those. The first time I saw him, he was sitting at a restaurant table at the Four Seasons Hotel in Georgetown waiting for me to meet him for lunch. As always, he had arrived early; in all the times I had engagements with him, he was never a minute late, though I often was, and usually by more than a minute. He was impeccably dressed in a crisp white shirt, a tie, blazer and slacks…nothing ostentatious, just perfect. Yes, Bob knew how to look like a gentleman. Being one, however, is considerably harder. I had invited to Bob lunch because I had heard about his Hollywood career and long association with entertainer Danny Kaye, and wanted to pick his brains about my theater company’s impending production of the musical “Lady in the Dark,” which launched Kaye’s career.
    [Show full text]
  • PARAMOUNT PICTURES: 75 YEARS July 10, 1987 - January 4, 1988
    The Museum Of Modem Art For Immediate Release June 1987 PARAMOUNT PICTURES: 75 YEARS July 10, 1987 - January 4, 1988 Marlene Dietrich, William Holden, Barbara Stanwyck, Fred MacMurray, and Mae West are among the stars featured in the exhibition PARAMOUNT PICTURES: 75 YEARS, which opens at The Museum of Modern Art on July 10. The series includes films by such directors as Cecil B. De Mille, Ernst Lubitsch, Francis Coppola, Josef von Sternberg, and Preston Sturges. More than 100 films and an accompanying display of film-still enlargements and original posters trace the seventy-five year history of Paramount through the silent and sound eras. The exhibition begins on Friday, July 10, at 6:00 p.m. with Dorothy Arzner's The Wild Party (1929), madcap silent star Clara Bow's first sound feature, costarring Fredric March. At 2:30 p.m. on the same day, Ernst Lubitsch's ribald musical comedy The Smiling Lieutenant (1931) will be screened, featuring Paramount contract stars Maurice Chevalier, Claudette Colbert, and Miriam Hopkins. Comprised of both familiar classics and obscure features, the series continues in The Roy and Niuta Titus Theaters through January 4, 1988. Paramount Pictures was founded in 1912 by Adolph Zukor, and its first release was the silent Queen Elizabeth, starring Sarah Bernhardt. Among the silent films included in PARAMOUNT PICTURES: 75 YEARS are De Mille's The Squaw Man (1913), The Cheat (1915), and The Ten Commandments (1923); von Sternberg's The Docks of New York (1928), and Erich von Stroheim's The Wedding March (1928). - more - ll West 53 Street.
    [Show full text]
  • Kids Classics
    SAT/SUN AUG SAT/SUN AUG Launch Party Friday July 24th 11:30PM 1ST & 2ND, 4PM 8TH & 9TH, 4PM WITH FOLLOWING SESSIONS ON SATURDAY & SUNDAY 25 & 26TH AT 4PM Come in Fancy dress and win prizes for best dressed . First prize winner gets to take home a GOLD PASS valued at over $5000 granting unlimited free movies for a year. The runner up will walk away with a six month membership for Snap Fitness and various other door prizes will be available. Don’t miss out! Bring your own props (Please don’t bring rice or confetti) TICKETS ON SALE NOW SAT/SUN AUG SAT/SUN AUG SAT/SUN AUG SAT/SUN SEPT SAT/SUN SEPT SAT/SUN SEPT SAT/SUN SEPT 15TH & 16TH, 4PM 22ND & 23RD, 4PM 29TH & 30TH, 4PM 5TH & 6TH, 4PM 12TH & 13TH, 4PM 19TH & 20TH, 4PM 26TH & 27TH, 4PM SAT/SUN OCT SAT/SUN OCT SAT/SUN OCT SAT/SUN OCT SAT/SUN OCT SAT/SUN NOV SAT/SUN NOV 3RD & 4TH, 4PM 10TH & 11TH, 4PM 17TH & 18TH, 4PM 24TH & 25TH, 4PM 31ST & NOV 1ST, 4PM 7TH & 8TH, 4PM 14TH & 15TH, 4PM IN 3D SAT/SUN NOV DOUBLE FEATURE (INCLUDING INTERMISSION) DOUBLE FEATURE (INCLUDING INTERMISSION) SAT/SUN DEC SAT/SUN DEC 21ST & 22ND, 4PM SAT/SUN NOV 28TH & 29TH, 4PM SAT/SUN DEC 5TH & 6TH, 4PM 12TH & 13TH, 4PM 19TH & 20TH, 3PM KIDS CLASSICS SAT/SUN AUG SAT/SUN AUG SAT/SUN SEPT SAT/SUN OCT SAT/SUN OCT SAT/SUN NOV SAT/SUN NOV SAT/SUN DEC 8TH & 9TH 22ND & 23RD 5TH & 6TH 10TH & 11TH 24TH & 25TH 7TH & 8TH 21ST & 22ND 5TH & 6TH IN 3D IN 3D TICKET PRICES LIKE OUR CULT CLASSICS? HOW TO FIND US Adults: 2D $12.50/3D $15.50 WHY NOT TRY: Concession/Child: 2D $9.50/3D $12.50 3-5 Hewish Rd, Seniors:2D $7.50/3D $10.50 Family:
    [Show full text]
  • Ronald Davis Oral History Collection on the Performing Arts
    Oral History Collection on the Performing Arts in America Southern Methodist University The Southern Methodist University Oral History Program was begun in 1972 and is part of the University’s DeGolyer Institute for American Studies. The goal is to gather primary source material for future writers and cultural historians on all branches of the performing arts- opera, ballet, the concert stage, theatre, films, radio, television, burlesque, vaudeville, popular music, jazz, the circus, and miscellaneous amateur and local productions. The Collection is particularly strong, however, in the areas of motion pictures and popular music and includes interviews with celebrated performers as well as a wide variety of behind-the-scenes personnel, several of whom are now deceased. Most interviews are biographical in nature although some are focused exclusively on a single topic of historical importance. The Program aims at balancing national developments with examples from local history. Interviews with members of the Dallas Little Theatre, therefore, serve to illustrate a nation-wide movement, while film exhibition across the country is exemplified by the Interstate Theater Circuit of Texas. The interviews have all been conducted by trained historians, who attempt to view artistic achievements against a broad social and cultural backdrop. Many of the persons interviewed, because of educational limitations or various extenuating circumstances, would never write down their experiences, and therefore valuable information on our nation’s cultural heritage would be lost if it were not for the S.M.U. Oral History Program. Interviewees are selected on the strength of (1) their contribution to the performing arts in America, (2) their unique position in a given art form, and (3) availability.
    [Show full text]
  • ACT I the 1940S, a Time When All America Was Listening and Dancing to the Same Kind of Music! St
    ITM_017_playbill program.qxp_ITM_017_playbill program 23/12/2015 3:28 pm Page 1 ITM_017_playbill program.qxp_ITM_017_playbill program 23/12/2015 3:28 pm Page 2 ACT I The 1940s, a time when all America was listening and dancing to the same kind of music! St. Louis Blues March (Handy, arr. Gray) Yes, Indeed (Oliver) Well All Right (Faye, Kapp, Raye) In the Mood (Garland) Big Band Medley Swinging On A Star (Van Heusen, Burke) Jeepers Creepers (Warren, Mercer) That Old Feeling (Fain, Brown) Taking a Chance On Love (Duke, Latouche, Fetter) Ain’t We Got Fun (Egan, Kahn, Whiting) Elmer’s Tune (Albrecht, Gallop, Jurgens) Chattanooga Choo Choo (Warren, Gordon) Well, Git It! (Oliver) I’m Getting Sentimental Over You (Bassman) Moonlight Serenade (Miller, Parish) Dream (Mercer) I Can’t Get Started (Duke, I. Gershwin) Begin the Beguine (Porter) Serenade In Blue (Warren, Gordon) Hey! Ba Ba Re Bop (Hamner, Hampton) Skylark/Mood Indigo (Carmichael, Mercer) (Bigard, Mills, Ellington) Say That We’re Sweethearts Again (Brent) Tuxedo Junction (Dash, Feyne, Hawkins, Johnson) ACT II This was the time when music moved the nation’s spirit! It Don’t Mean A Thing (Ellington, Mills) The Sisters and Brothers Medley Over There (Cohan) La Vie En Rose (Piaf, Guigliemi, Eng. Lyrics David) The Last Time I Saw Paris (Kern, Hammerstein II) All the Things You Are (Kern, Hammerstein II) What Do You Do In the Infantry? (Loesser) Boogie Woogie Bugle Boy (Prince, Raye) He’s 1A In The Army, A1 In My Heart (Evans) This Is Worth Fighting For (DeLange, Stepf) Bugle Call Rag (Meyers,
    [Show full text]
  • This Is My No. 1 Fascinator
    FOR RELEASE JUNE 21-22 WNS REPORT FOR 6/16/58 17¿rtf’ Anita Oalb-y iatjA: THIS IS MY NO. 1 FASCINATOR I once met a taxi driver who refused to drive without his radio on—and the program had to be classical music. The only time he ever switched it off, he told me, was as a personal favor to a distinguished passenger—Artur Rubinstein. He explained: ’’This man got into my cab and after a few minutes said: ’Turn off that radio. I have a recording session and I don’t want that music to stay in my mind.1" I turned and took a good look at him, and said: "You are Artur Rubinstein." He was amazed and told me I was the first American taxi I driver ever to recognize him. "In Europe,” he said, "all the taxi drivers know me." This incident came to mind ci.a other day when I read where Artur had returned to music-wise Warsaw after a 20-year absence and had received a standing ovation from the audience—the only other musician ever to reap such a tribute being the late Ignace Paderewski. And, while I*m no authority on music, I think I can understand why. Artur is probably the most fascinating man I have ever met. He is 69 now, but he has the gusto, vitality and humor of a young man. A little while ago he did slow down temporally—a confirmed smoker, he was troubled with a huskiness which would not go away. Stories of smoking and cancer began to bob up in his mind, so he rushed off to see a doctor.
    [Show full text]
  • Joey Landwehr
    .....,. aN31~=I J.S38 ~OJ.~V J.V3~E) lnOS J.V3~E) J.~V3H J.V3~E) )tNI=I 3~N3~MVl ·~a OJ. a3J.voioso SIMPLY DANNY Created by Joey Landwehr Table of Contents Con~~t ~taterrlent ()~ TRUE COLOR~ ()6 ~IMPLY DANNY 28 Process ~5 Post Evaluation 55 Research 58 Bibliogra~hy 9() Advertising 95 Production Proqram 99 Production Photographs 1()2 Reviews 1()~ .l.... October 07, 1996 Concept Statement TRUE COLORS (working title) is a biographical story of part of the life of a young man who is stricken with the disease AIDS. This young man, Danny Keel, has one last dream, to die in the theatre. The theatre is where he has always found his hopes and dreams, his friends and family, and most importantly the love of his life. This is partially a memory play and partially a present-time lounge act. For his final bow he must tell his story, instead of using other people's words. The audience is made up partially of friends and family and partially strangers. Danny simply wants to bring some happiness into people's lives while giving them some thing to think about at the same time. This also allows him to bring some closure to his life by getting some things off his chest that have been haunting him for years. In many ways, just as Torn Wingfield, not to mention Tennessee Williams, does in THE GLASS MENAGERIE. He speaks about the loss of his mother when he was young, the meeting and then loss of his lover as he got older.
    [Show full text]
  • Danny Kaye 1 92 1.9 92 ,
    O Q FEDERAL BUREAU OF INVESTIGATION FREEDOM OF INFORMATION/PRIVACY ACTS SECTION COVER SHEET SUBJECT: DANNY KAYE 1 92 1.9 92 ,_.......l.i__...__ Q.-..,_-_ ,»_-~<&1.-.4-.~.@.¢¢.»&AJ-92nanQIl¢lh-l4-¢ .n_. ..e,_.,_..._.._ _, .-.~._~_..___.._ __ .__ 4. &#39;,_e_- 4 &#39; . " . ~ _,__,_-.,.,__._..-.--_-_.92-.-....-e-.........H ~_ . __, .___;~/_ ;~-~,~A ;e < : ~*~,nr- --.,- ... .> .... .. .__ -..- . " " &#39; . _._ e-nuonosu|us&#39;|n.le _ L T;;°nK Oili Mam. .....;@um,- UNITED Slzunc GQVERN 511- E. A. Tammi____ H so - -Call = " ~ am. 1=so_a| n. 3. um _b&#39;ICl - . l>A&#39;rB= uayio, . 1m,.m.-92~¢,.e..__.. i &#39; non = i X an MtTm,Ros. 11 ___.._.. 6 sus1sc&#39;r= Dir. Mob: ........ _. ~16, Mr. Carson .-..... 4:145? Mr. Hcadou....-.-. .-1 Z?- @/ I2. Hnznfordm.-. ._.-_92_,,, llr. Jencs.-.-.. Q &#39;5-Tcwas Quinn TaIun.. y oti&#39;ic&#39;5"o 5,, ______ __ &#39;.;5"3§ was common.gcssi_p -As: :~~ 1.. - alsc stated that a certain Lieutenant colonel of the &#39; Army attached to National Headquarters of Belective 8errice was in New ._,.&#39;&#39;92 York at the time Kaye took his physical examination and is supposed to &#39;, - j_-Z;;+&#39; have witnessed Kaye&#39;s vaudeville act five tines in an effort to convince himself whether or not Kaye had been putting on an act at the induction ~_ 1: center where he had just been classified 4-F _ . Iiand stated j§1_:8.1;; they one .41!-ticus Jzocssicn received _ inicrI1=____l_<3*1 Iron a, §91~92i%H@§9Q=12%J¥£99§9F.i& &#39; _iMeeffect - that the §e_v_r_ T__g;_§g1reccer oif8el_ecti&#39;ge_§e1"[1,69_;1!8 _il,1.Y.cstigs.ting,_a.t_ip that Kaye had _fra.udulent1y&#39;pbtain§d__a;ie1e_cticn.
    [Show full text]
  • The Films of Norman Jewison
    NO. 121 he Museum of Modem Art FOR IMMEDIATE RELEASE [1 West 53 Street, New York, N.Y. 10019 Tel. 956-6100 Cable: Modernart FOUR FILMS OF NORMAN JEWISON TO BE SHOWN AT MUSEUM Four films of Norman Jewison will be shown on the same day, Thursday, October 28, at The Museum of Modem Art. The director of "Fiddler on the Roof," which will premiere November 3, will be honored by this one day mini-retrospective. The films to be shown are "The Cincinnati Kid," with Steve McQueen, Edward G. Robinson and Tuesday Weld; "The Russians Are Coming," with Alan Arkin, Carl Reiner and Eva Marie Saint; "In the Heat of the Night," with Sidney Poitier and Rod Steiger; and "The Thomas Crown Affair," with McQueen and Faye Dunaway. The latter three films have been added to the Department of Film' s permanent Archive collection. The Canadian born director, a graduate of Toronto University, worked in London writing scripts and acting on the B. B.C., before returning home to become a leading television director, responsible for Canadian Broadcasting Company' s variety shows. He later worked for CBS in New York and, after making a host of musicals, including Judy Garland, Harry Belafonte and Danny Kaye specials and a Revue of The Fifties, moved to Hollywood. "The Russians Are Coming" brought Jewison prominence in film circles and "In the Heat of the Night" won the Academy Award for the Best Picture of 1967. Mr. Jewison is slated to direct a screen version of the rock opera "Jesus Christ Superstar." The schedule of the Jewison films follows: Noon "The Cincinnati Kid" 2:00 "The Thomas Crown Affair" 5:30 "In the Heat of the Night" 8:00 "The Russians Are Coming" Additional information available from Lillian Gerard, Film Coordinator, and Mark Segal, Assistant, Department of Public Information, The Museum of Modem Art, 11 West 53 Street, New York, New York 10019.
    [Show full text]
  • Movie Time Descriptive Video Service
    DO NOT DISCARD THIS CATALOG. All titles may not be available at this time. Check the Illinois catalog under the subject “Descriptive Videos or DVD” for an updated list. This catalog is available in large print, e-mail and braille. If you need a different format, please let us know. Illinois State Library Talking Book & Braille Service 300 S. Second Street Springfield, IL 62701 217-782-9260 or 800-665-5576, ext. 1 (in Illinois) Illinois Talking Book Outreach Center 125 Tower Drive Burr Ridge, IL 60527 800-426-0709 A service of the Illinois State Library Talking Book & Braille Service and Illinois Talking Book Centers Jesse White • Secretary of State and State Librarian DESCRIPTIVE VIDEO SERVICE Borrow blockbuster movies from the Illinois Talking Book Centers! These movies are especially for the enjoyment of people who are blind or visually impaired. The movies carefully describe the visual elements of a movie — action, characters, locations, costumes and sets — without interfering with the movie’s dialogue or sound effects, so you can follow all the action! To enjoy these movies and hear the descriptions, all you need is a regular VCR or DVD player and a television! Listings beginning with the letters DV play on a VHS videocassette recorder (VCR). Listings beginning with the letters DVD play on a DVD Player. Mail in the order form in the back of this catalog or call your local Talking Book Center to request movies today. Guidelines 1. To borrow a video you must be a registered Talking Book patron. 2. You may borrow one or two videos at a time and put others on your request list.
    [Show full text]
  • SHSU Video Archive Basic Inventory List Department of Library Science
    SHSU Video Archive Basic Inventory List Department of Library Science A & E: The Songmakers Collection, Volume One – Hitmakers: The Teens Who Stole Pop Music. c2001. A & E: The Songmakers Collection, Volume One – Dionne Warwick: Don’t Make Me Over. c2001. A & E: The Songmakers Collection, Volume Two – Bobby Darin. c2001. A & E: The Songmakers Collection, Volume Two – [1] Leiber & Stoller; [2] Burt Bacharach. c2001. A & E Top 10. Show #109 – Fads, with commercial blacks. Broadcast 11/18/99. (Weller Grossman Productions) A & E, USA, Channel 13-Houston Segments. Sally Cruikshank cartoon, Jukeboxes, Popular Culture Collection – Jesse Jones Library Abbott & Costello In Hollywood. c1945. ABC News Nightline: John Lennon Murdered; Tuesday, December 9, 1980. (MPI Home Video) ABC News Nightline: Porn Rock; September 14, 1985. Interview with Frank Zappa and Donny Osmond. Abe Lincoln In Illinois. 1939. Raymond Massey, Gene Lockhart, Ruth Gordon. John Ford, director. (Nostalgia Merchant) The Abominable Dr. Phibes. 1971. Vincent Price, Joseph Cotton. Above The Rim. 1994. Duane Martin, Tupac Shakur, Leon. (New Line) Abraham Lincoln. 1930. Walter Huston, Una Merkel. D.W. Griffith, director. (KVC Entertaiment) Absolute Power. 1996. Clint Eastwood, Gene Hackman, Laura Linney. (Castle Rock Entertainment) The Abyss, Part 1 [Wide Screen Edition]. 1989. Ed Harris. (20th Century Fox) The Abyss, Part 2 [Wide Screen Edition]. 1989. Ed Harris. (20th Century Fox) The Abyss. 1989. (20th Century Fox) Includes: [1] documentary; [2] scripts. The Abyss. 1989. (20th Century Fox) Includes: scripts; special materials. The Abyss. 1989. (20th Century Fox) Includes: special features – I. The Abyss. 1989. (20th Century Fox) Includes: special features – II. Academy Award Winners: Animated Short Films.
    [Show full text]
  • Danny Kaye Is Supported in Part by a Grant from the Mcelwaine-Stroock Fund of the Jewish Communal Fund, Made in Memory of Robert M
    Audience Guide Written and compiled by Jack Marshall Theater you can afford to see— plays you can’t afford to miss! About The American Century Theater The American Century Theater was founded in 1994. We are a professional company dedicated to presenting great, important, but overlooked American plays of the twentieth century . what Henry Luce called “the American Century.” The company’s mission is one of rediscovery, enlightenment, and perspective, not nostalgia or preservation. Americans must not lose the extraordinary vision and wisdom of past playwrights, nor can we afford to surrender our moorings to our shared cultural heritage. Our mission is also driven by a conviction that communities need theater, and theater needs audiences. To those ends, this company is committed to producing plays that challenge and move all Americans, of all ages, origins and points of view. In particular, we strive to create theatrical experiences that entire families can watch, enjoy, and discuss long afterward. These audience guides are part of our effort to enhance the appreciation of these works, so rich in history, content, and grist for debate. The American Century Theater is a 501(c)(3) professional nonprofit theater company dedicated to producing significant 20th Century American plays and musicals at risk of being forgotten. This program is supported in part by Arlington County through the Arlington Commission for the Arts and Arlington Cultural Affairs, a division of Arlington Economic Development; the Virginia Commission for the Arts; the National Endowment for the Arts; the Arlington Community Foundation; and many generous donors. An Evening with Danny Kaye is supported in part by a grant from The McElwaine-Stroock Fund of the Jewish Communal Fund, made in memory of Robert M.
    [Show full text]