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Movie Museum NOVEMBER 2011 COMING ATTRACTIONS
Movie Museum NOVEMBER 2011 COMING ATTRACTIONS THURSDAY FRIDAY SATURDAY SUNDAY MONDAY Hawaii Premiere! THE LIGHTHORSEMEN THE EEL aka Unagi MY LIFE AS A DOG WATER FOR EYE OF THE EAGLE (1987-Australia) (1997-Japan) ELEPHANTS (1997-Denmark) (1985-Sweden) uncut version in widescreen in Japanese with English (2011) Danish w/Eng subtitles & w.s. in Swedish with English subtitles & in widescreen in widescreen 12:00 & 1:30pm only subtitles & in widescreen Directed by Lasse Halström. with Anthony Andrews, with Koji Yakusho. with Robert Pattinson, Reese ------------------------------ Peter Phelps, John Walton, 12:00, 1:45 & 3:30pm 12:15, 2:15, 4:15 & 6:15pm Witherspoon, Christoph TURTLES ARE Tim McKenzie, Jon Blake, ------------------------------ Waltz, Hal Holbrook. SURPRISINGLY FAST ------------------------------ Bill Kerr, Sigrid Thornton. CHICKEN AND DUCK SWIMMERS (2005-Japan) TORA! TORA! TORA! (1970-US/Japan) TALK (1988-HongKong) Directed by Japanese w/Eng subtitles, ws Directed by Francis Lawrence. 3:15 & 5:00pm only English/Japanese w/English Simon Wincer. Cantonese w/English subtitles -------------------------------- subtitles & in widescreen with Michael Hui, Ricky Hui. 12:15, 2:30, 4:45, 7:00 & THE EEL aka Unagi Martin Balsam, Sô Yamamura. 12:30, 3, 5:30 & 8pm 8:30pm ONLY 9:15pm 7:00pm only 5:30 & 8:00pm ONLY 3 4 5 6 7 Movie Museum Movie Museum TELL NO ONE TAMPOPO aka Ne le dis à personne (1985-Japan) Movie Museum Closed Closed (2006-France) in Japanese with English Closed French w/Eng subtitles & w.s. subtitles & in widescreen with François Cluzet. 4:00pm only 4:00pm only ------------------------------------ ------------------------------------ THAT MAN FROM RIO TAMPOPO (1964-Italy/France) (1985-Japan) in French/English/Portuguese in Japanese with English with English subtitles subtitles & in widescreen & in widescreen Directed by Juzo Itami. -
Feature Films
NOMINATIONS AND AWARDS IN OTHER CATEGORIES FOR FOREIGN LANGUAGE (NON-ENGLISH) FEATURE FILMS [Updated thru 88th Awards (2/16)] [* indicates win] [FLF = Foreign Language Film category] NOTE: This document compiles statistics for foreign language (non-English) feature films (including documentaries) with nominations and awards in categories other than Foreign Language Film. A film's eligibility for and/or nomination in the Foreign Language Film category is not required for inclusion here. Award Category Noms Awards Actor – Leading Role ......................... 9 ........................... 1 Actress – Leading Role .................... 17 ........................... 2 Actress – Supporting Role .................. 1 ........................... 0 Animated Feature Film ....................... 8 ........................... 0 Art Direction .................................... 19 ........................... 3 Cinematography ............................... 19 ........................... 4 Costume Design ............................... 28 ........................... 6 Directing ........................................... 28 ........................... 0 Documentary (Feature) ..................... 30 ........................... 2 Film Editing ........................................ 7 ........................... 1 Makeup ............................................... 9 ........................... 3 Music – Scoring ............................... 16 ........................... 4 Music – Song ...................................... 6 .......................... -
The Green Sheet and Opposition to American Motion Picture Classification in the 1960S
The Green Sheet and Opposition to American Motion Picture Classification in the 1960s By Zachary Saltz University of Kansas, Copyright 2011 Submitted to the graduate degree program in Film and Media Studies and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Master of Arts. ________________________________ Chairperson Dr. John Tibbetts ________________________________ Dr. Michael Baskett ________________________________ Dr. Chuck Berg Date Defended: 19 April 2011 ii The Thesis Committee for Zachary Saltz certifies that this is the approved version of the following thesis: The Green Sheet and Opposition to American Motion Picture Classification in the 1960s ________________________________ Chairperson Dr. John Tibbetts Date approved: 19 April 2011 iii ABSTRACT The Green Sheet was a bulletin created by the Film Estimate Board of National Organizations, and featured the composite movie ratings of its ten member organizations, largely Protestant and represented by women. Between 1933 and 1969, the Green Sheet was offered as a service to civic, educational, and religious centers informing patrons which motion pictures contained potentially offensive and prurient content for younger viewers and families. When the Motion Picture Association of America began underwriting its costs of publication, the Green Sheet was used as a bartering device by the film industry to root out municipal censorship boards and legislative bills mandating state classification measures. The Green Sheet underscored tensions between film industry executives such as Eric Johnston and Jack Valenti, movie theater owners, politicians, and patrons demanding more integrity in monitoring changing film content in the rapidly progressive era of the 1960s. Using a system of symbolic advisory ratings, the Green Sheet set an early precedent for the age-based types of ratings the motion picture industry would adopt in its own rating system of 1968. -
Wednesday Flurries MICHIGAN in War
Wednesday Flurries MICHIGAN In war . likely with a high of 33 degrees. Low tonight: 15 de . whichever side may call STATE grees. Thursday's outlook is itself the victor, there are no partly cloudy and cool. winners, but ail are losers. UNIVERSITY Neville Chamberlain East Lansing, Michigan March 6,1968 lkc Vol. 60 Number 141 ALONE ON N .H .BA LLO T Negro shooting N i x o n v o w s q u i c k e n d brings tension to O m a h a to Viet war under G O P OMAHA, Neb. (AP)-Tension mounted HAMPTON. N.H. (API-Former Vice energetic campaign days, a five-town " I do not suggest withdrawal from steadily in Omaha Tuesday following the President Richard M. Nixon, sole Re sprint, urging the voters to turn out Vietnam. early morning fatal shooting of a Negro publican campaigner for the nation's for the primary on March 12. "I am saying to you it is possible teen-ager during a series of disorders that opening presidential primary, pledged anew Gov. Romney, once his chief rival, that if we mobilize our economic and began when Former Gov. George Wal Tuesday that a GOP administration would has withdrawn as a candidate, although political and diplomatic leadership, it lace of Alabama came to town to launch end the war in Vietnam. his name will still be listed on the •can be ended." he said. "The failure his third party presidential campaign. Alone as a major on-the-ballot GOP New Hampshire ballot. There is a in Vietnam is not the failure of our Ernest Chambers, militant Omaha candidate. -
180917 BIFF Katalog Klein V15.Pdf
BRAUNSCHWEIG 05. – 11. NOVEMBER 2018 INTERNATIONAL FILM FESTIVAL 8 www.filmfest-braunschweig.de 1 0 2 L A V I T S E F M L I F L A N O I T A N R E T N I G I E W H C S BRAUNSCHWEIG N U A INTERNATIONAL R B 32 FILM FESTIVAL 32 Alfred Hitchcock 2001 M Marlene M Dietrich 2006 2006 ClintC EastwoodC 2011 2011 Whoopi Goldberg 2016 Audrey 2002Tautou 2002 Sean S Connery 2007 2007 2007 Isabella IRossellini 2012 2012 Nina Hoss 2017 C Charly Chaplin 2003 A Audrey A Hepburn 2008 2008 Michael CaineM 2013 2013 Sandrine Bonnaire 2018 Catherine Deneuve 2004 2004 2004 P Paul Newman 2009 2009 2009 NatalieN Portman 2014 2014 J J Johnny 2005 Depp 2005 2005 R Romy R Schneider 2010 2010 2010 Daniel Craig 2015 2 2 1 1 19:29 BRAUNSCHWEIG INTERNATIONAL FILMFESTIVAL INHALT CONTENT 4 Dank / Acknowledgements Vorstand Internationales Filmfestival Braunschweig e.V. Edgar Merkel (1. Vorsitzender), Thorsten Rinke (2. Vorsitzender), Rayk Fenske (Kassenwart), Beate Neigenfind (Schriftführerin), Florence Houdin (Beisitzerin), Evelyn Drewes (Beisitzerin) 5 Unsere Sponsoren / Our Sponsors Festivaldirektor Michael P. Aust Assistenz der Festivaldirektion/Programm Management Karina Gauerhof 6 Grußworte / Greetings Leitung Festivalorganisation Imke Poeschel 9 Die „Europa” für Sandrine Bonnaire / European Actors Award for Sandrine Bonnaire Guestmanagement India von Löwis of Menar 14 Preise des Braunschweig International Film Festival / Prices of the Braunschweig International Film Festival Finanzen Anja Hinderer, Angelika Hoffmann (Mitarbeit) Sponsorenbetreuung Frank Terhorst, Edgar Merkel, Thorsten Rinke, Marc-Aurel Jensen 15 Jurys / Juries Leitung Presse- und Öffentlichkeitsarbeit Frank Terhorst 19 Wettbewerb „Der Heinrich” / Competition “Der Heinrich” Assistenz Presse- und Öffentlichkeitsarbeit Julia Rutkovska 27 Neues Internationales Kino / New International Cinema Filmvermittlung Kristina Schippling Ticketing Sarah Schygulla 35 Prime Time PraktikantInnen Clara Hense, Jessica Gotschlich, Marlene Kaiser, Viktoria Maillard 39 Beyond: No Surrender. -
Höstnyheter På Dramaten 2016
HÖSTNYHETER PÅ DRAMATEN 2016: Alexander Mørk-Eidem sätter upp Tjechovs sällan spelade Ivanov, America Vera-Zavalas nyskrivna Svenska hijabis – om och med fem kvinnor med sjal omgärdade av ett samhälle som ser dem som ovanliga – får urpremiär på Dramaten, Sofia Jupither regisserar Lars Noréns 20 november som för första gången sätts upp i Sverige och Nadja Weiss tar sig an Peter Weiss Rannsakningen på Orionteatern. Fler efterlängtade uppsättningar återvänder också på höstrepertoaren: Paralysie général redux med Reine Brynolfsson, Doktor Glas med Krister Henriksson, Fanny och Alexander, som blir årets julspel och Den fjättrade Prometheus, som fick Svenska teaterkritikers pris 2015. Höstens repertoar, och vårnyheten att Ellen Lamm regisserar Det blåser på månen med premiär i januari 2017, presenterades vid en höstupptakt på Dramaten i dag den 17 maj på teaterns 228:e födelsedag. Samtidigt inleddes repetitionerna av de sex första höstpremiärerna som tillsammans inviger årets Bergmanfestival som äger rum den 25 augusti till den 4 september. – Att inleda Bergmanfestivalen med sex Dramatenuppsättningar som sedan fortsätter att spela blir en kraftfull start på en rik och varierad höst med såväl nyskrivet som klassiker. Jag är också glad över att vi har flera samarbeten på repertoaren, bland dem Rannsakningen som vi gör tillsammans med Orionteatern och som får premiär året då Peter Weiss skulle ha fyllt 100 år, säger Eirik Stubø. HÖSTEN PÅ DRAMATEN, i premiärordning Husets vid nattens ände av Sebastian Hartmann fritt efter Ingmar Bergman Urpremiär den 25 augusti, Stora scenen I den hyllade tyske regissören Sebastian Hartmanns nyskrivna Huset vid nattens ände möts gestalter från Bergmans filmer och teaterpjäser och interagerar med varandra i nya, oväntade konstellationer. -
Harriet Silius: Interviewing Migrants in a Cultural Context
Analysing Interviews with Migrants in a Cultural Context Harriet Silius Åbo Akedemi University April 2007 2 Table of contents Introduction .................................................................................................................................3 Different types of interviews.......................................................................................................3 Feminist critique of research interview methods ........................................................................4 The context of journalist interviews............................................................................................7 Ethnicity, statistics and Finnish migration ..................................................................................9 The particular Finnish-Swedish context of migration...............................................................13 Is Finland-Swedishness an asset in the cultural context of Sweden?........................................14 How are the interviewees and their country of origin represented?..........................................17 What strategies are used in the othering process?.....................................................................20 Conclusions ...............................................................................................................................23 References .................................................................................................................................25 Harriet Silius, Åbo Akademi University -
Sponsorship Brochure
FESTIVAL OVERVIEW Films: 40+ selections Havana Film Festival New York Expected attendance: The Havana Film Festival New York (HFFNY) is an internationally 15,500 recognized film festival celebrating cinema from Cuba and Latin America, the Caribbean, and Latinos in the U.S. HFFNY has built upon its relationship with the community to provide a multicultural experience to people of all ages. The Festival Web Visits: features screenings, special events, panel discussions, and receptions. 55,000 We showcase award-winning and independent films rarely seen in the Venues: U.S. The Bronx Museum of the Arts Brooklyn Academy of Music (BAM) All foreign language films are subtitled in English. The Directors Guild Theatre Media Instituto Cervantes New York Impressions: King Juan Carlos I of Spain Center at NYU The Museum of the Moving Image +150 Quad Cinema million School of Visual Arts (SVA) Symphony Space Village East Cinema 2 HFFNY AUDIENCE HFFNY attracts a diverse, international audience that includes film aficionados, filmmakers, actors, academics, and the local community. Our programs attract the dynamic and rapidly growing Latino population in the New York City area, as well as national and international audiences through our partnerships with other festivals. Social Media followers: 10,000 Ethnicity growing rapidly Latino / Hispanic 56% Caucasian 36% African American 6% Argentina Other 2% Brazil Chile Recent Colombia featured Costa Rica Cuba Ages Dom. Republic countries: Age 18 and under 8% Ecuador Guatemala Age 19-35 30% Mexico Paraguay Age -
Swedish Film Magazine #1 2009
Swedish Film IN THE MOOD FOR LUKAS Lukas Moodysson’s Mammoth ready to meet the world Nine more Swedish films at the Berlinale BURROWING | MR GOVERNOR THE EAGLE HUNTEr’s SON | GLOWING STARS HAVET | SLAVES | MAMMA MOO AND CROW SPOT AND SPLODGE IN SNOWSTORM | THE GIRL #1 2009 A magazine from the Swedish Film Institute www.sfi.se Fellow Designers Internationale Filmfestspiele 59 Berlin 05.–15.02.09 BERLIN INTERNATIONAL FILM FESTIVAL 2009 OFFICIAL SELECTION IN COMPETITION GAEL GARCÍA BERNAL MICHELLE WILLIAMS MA FILMA BYM LUKMAS MOOODTYSSHON MEMFIS FILM COLLECTION PRODUCED BY MEMFIS FILM RIGHTS 6 AB IN CO-PRODUCTION WITH ZENTROPA ENTERTAINMENTS5 APS, ZENTROPA ENTERTAINMENTS BERLIN GMBH ALSO IN CO-PRODUCTION WITH FILM I VÄST, SVERIGES TELEVISION AB (SVT), TV2 DENMARK SUPPORTED BY SWEDISH FILM INSTITUTE / COLLECTION BOX / SINGLE DISC / IN STORES 2009 PETER “PIODOR” GUSTAFSSON, EURIMAGES, NORDIC FILM & TV FUND/HANNE PALMQUIST, FFA FILMFÖRDERUNGSANSTALT, MEDIENBOARD BERLIN-BRANDENBURG GMBH, DANISH FILM INSTITUTE/ LENA HANSSON-VARHEGYI, THE MEDIA PROGRAMME OF THE EUROPEAN COMMUNITY Fellow Designers Internationale Filmfestspiele 59 Berlin 05.–15.02.09 BERLIN INTERNATIONAL FILM FESTIVAL 2009 OFFICIAL SELECTION IN COMPETITION GAEL GARCÍA BERNAL MICHELLE WILLIAMS MA FILMA BYM LUKMAS MOOODTYSSHON MEMFIS FILM COLLECTION PRODUCED BY MEMFIS FILM RIGHTS 6 AB IN CO-PRODUCTION WITH ZENTROPA ENTERTAINMENTS5 APS, ZENTROPA ENTERTAINMENTS BERLIN GMBH ALSO IN CO-PRODUCTION WITH FILM I VÄST, SVERIGES TELEVISION AB (SVT), TV2 DENMARK SUPPORTED BY SWEDISH FILM INSTITUTE -
Svenske Film
Svenske film Biografiske film: Hip hip hurra! Instrueret af Kjell Grede Emneord: biografiske film, skagensmalere, malerkunst I lyse farver og med motiver, der ofte ligger tæt på de originale materialer, giver filmen et personligt portræt af Skagensmaleren P.S. Krøyer (1851-1909), hans kunst, indre konflikter og kunstnermiljøet omkring ham. Svensk og dansk Medvirkende: Stellan Skarsgård, Lene Brøndum, Pia Vieth m.fl. Monica Z instrueret af Per Fly Emneord: biografiske film, sangere, jazz 19-årige Monica Zetterlund arbejder som telefondame om dagen og kæmper for at slå igennem som jazzsanger om natten. Gennembruddet kommer, da hun møder digteren Beppe Volgers og begynder at sætte musik til hans svenske digte. Svensk og engelsk tale Medvirkende: Edda Magnason, Sverrir Gudnason, Kjell Bergqvist m.fl. Drama: Den alvorsfulde leg instrueret af Pernilla August Emneord: drama, kærlighed, utroskab Arvid og Lydia mødes og forelsker sig en smuk sommeraften i den svenske skærgård. Det bliver dog ikke til mere, da de begge er uden midler og er nødt til at gifte sig til penge og status. Flere år senere mødes de igen. Medvirkende: Sverrir Gudnason, Karin Franz Körlöf, Liv Mjönes, Michael Nyqvist m.fl. Bryllupsfotografen instrueret af Ulf Malmros Emneord: drama, bryllup, fotografer Den langhårede og tatoverede Robin forsøger sig som bryllupsfotograf i Stockholm, da han mister jobbet på den lokale papirfabrik. Her møder han overklassespigen Astrid, der også vil være fotograf. Medvirkende: Björn Starrin, Tuva Novotny, Kjell Bergqvist m.fl. Fire nuancer af brunt instrueret af Tomas Alfredson Emneord: drama, komedier, episodefilm Ulykker, incest, utroskab og død blander sig med en ubærligt brun og kedelig hverdag. -
To Download the PDF File
1 Vancouver's2 leading arts source Proud media sponsor for Vancouver Latin American Film Festival Congratulations on your 10th Anniversary! STAY CONNECTED AT STRAIGHT.COM welcome | bienvenidos | bem-vindos 3 Welcome to our 10th Anniversary Festival! Where are we going after ten years? A Latin American Film However, not only in Canada has our festival been sought Festival that takes place in North America automatically has two out for partnerships and collaborations. In the last year, well missions: community and cinema. In any major city in the USA established festivals such as the Guadalajara International and Canada, Latin Americans are an important part of the cultural Film Festival (FICG) in Mexico, Biarritz in France and Festival makeup, and to a certain degree an arts festival will always have ÍCARO in Guatemala, have included VLAFF representatives the responsibility to build community through its events. But a in seminars and juries, recognizing the weight that our film festival has another big responsibility: To educate through the organization represents for Latin American cinema. vision of cinema, create new audiences, and showcase works that otherwise would not be seen by the general public. During a recent trip to the Buenos Aires International Festival of Independent Cinema (BAFICI) in Argentina, a film critic After ten years we are proud to say that even though VLAFF is specializing in Latin American cinema told me that the now a widely recognized annual event in the Latin American reference they have for Latin American cinema in Canada community in Vancouver, it is also a significant part of the festival was VLAFF, something that made me realize that we have now circuit and plays a crucial role in the promotion of Latin American become an internationally recognized hub for Latin American cinema in Canada. -
20 BAFICI Catalogo
CONTRATAPA LOMO TAPA 22mm CATALOGUE CATÁLOGO / CATÁLOGO UNA NUEVA OPORTUNIDAD PARA A NEW OPPORTUNITY TO ENJOY DISFRUTAR DE LO MEJOR DEL CINE THE BEST OF FILM IN THE CITY EN LA CIUDAD El cine es una experiencia estética y vital que Film is a vital aesthetic experience that nos hace conocer otros mundos, historias, personajes y makes us approach new worlds, stories, characters realidades. Cuando se apaga la luz de la sala, la historia and realities. When the lights go out at the theater, proyectada en la pantalla nos enciende la emoción y the story projected on the screen ignites emotion la reflexión. El cine nos suministra sensaciones, imá- and reflection. Film provides us with sensations, genes, actores y la mirada personal de los directores. images, actors and the personal gaze of the film- El Bafici nos acerca todo el cine de América, Europa, makers. Bafici draws us near to all the cinema of Asia, Oceanía y África. Nos trae a los directores con- America, Europe, Asia, Oceania and Africa. It brings sagrados y emergentes de todo el mundo, así como us established and emerging directors from around las formas experimentales y las formas tradicionales de the globe. With the city’s screens crowded with peo- contar historias. Con las salas de la Ciudad colmadas ple, Bafici turns film into a collective experience that de gente, el Bafici hace del cine una experiencia colec- includes us all. And due to its extraordinary quality, tiva que nos incluye a todos. Y por su calidad extraor- it’s one of the most important festivals in Latin Ame- dinaria, es uno de los festivales más importantes de rica and the rest of the world.