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Gavin-Report-1999-08
AUGUST 16, 1999 ISSUE 2268 TOE MOST TRUSTED NAME IN RADIO tH.III'-1111; melissa etheridge And Now... angels would fall The Boulder Summit MUSIC TOP 40 Enrique Dances Into Top 10 HOT AIC There Goes Sixpence...Again AIC Clapton's "Blue Eyes" Wide Open COUNTRY impacting radio august 25th Chely Is Wright for #1 NEWS GAVIN Hits With HyperACTIVE Artemis Announces Promo Team From the Publishers of Music Week, MI and tono A Miller Freeman Publication www.americanradiohistory.com advantage Giving PDs the Programming Advantage Ratings Softwaiv designed dust for PDs! Know Your Listeners Better Than Ever with New Programming Software from Arbitron Developed with input from PDs nationwide, PD Advantage'" gives you an "up close and personal" look at listeners and competitors you won't find anywhere else. PD Advantage delivers the audience analysis tools most requested by program directors, including: What are diarykeepers writing about stations in my market? A mini -focus group of real diarykeepers right on your PC. See what listeners are saying in their diary about you and the competition! When listeners leave a station, what stations do they go to? See what stations your drive time audience listens to during midday. How are stations trending by specific age? Track how many diaries and quarter -hours your station has by specific age. How's my station trending hour by hour? Pinpoint your station's best and worst hours at home, at work, in car. More How often do my listeners tune in and how long do (c coue,r grad they stay? róathr..,2 ,.,, , Breaks down Time Spent Listening by occasions and TSL per occasion. -
May • June 2013 Jazz Issue 348
may • june 2013 jazz Issue 348 &blues report now in our 39th year May • June 2013 • Issue 348 Lineup Announced for the 56th Annual Editor & Founder Bill Wahl Monterey Jazz Festival, September 20-22 Headliners Include Diana Krall, Wayne Shorter, Bobby McFerrin, Bob James Layout & Design Bill Wahl & David Sanborn, George Benson, Dave Holland’s PRISM, Orquesta Buena Operations Jim Martin Vista Social Club, Joe Lovano & Dave Douglas: Sound Prints; Clayton- Hamilton Jazz Orchestra, Gregory Porter, and Many More Pilar Martin Contributors Michael Braxton, Mark Cole, Dewey Monterey, CA - Monterey Jazz Forward, Nancy Ann Lee, Peanuts, Festival has announced the star- Wanda Simpson, Mark Smith, Duane studded line up for its 56th annual Verh, Emily Wahl and Ron Wein- Monterey Jazz Festival to be held stock. September 20–22 at the Monterey Fairgrounds. Arena and Grounds Check out our constantly updated Package Tickets go on sale on to the website. Now you can search for general public on May 21. Single Day CD Reviews by artists, titles, record tickets will go on sale July 8. labels, keyword or JBR Writers. 15 2013’s GRAMMY Award-winning years of reviews are up and we’ll be lineup includes Arena headliners going all the way back to 1974. Diana Krall; Wayne Shorter Quartet; Bobby McFerrin; Bob James & Da- Comments...billwahl@ jazz-blues.com vid Sanborn featuring Steve Gadd Web www.jazz-blues.com & James Genus; Dave Holland’s Copyright © 2013 Jazz & Blues Report PRISM featuring Kevin Eubanks, Craig Taborn & Eric Harland; Joe No portion of this publication may be re- Lovano & Dave Douglas Quintet: Wayne Shorter produced without written permission from Sound Prints; George Benson; The the publisher. -
The Art of David Lynch
The Art of David Lynch weil das Kino heute wieder anders funktioniert; für ei- nen wie ihn ist da kein Platz. Aber deswegen hat Lynch ja nicht seine Kunst aufgegeben, und nicht einmal das Filmen. Es ist nur so, dass das Mainstream-Kino den Kaperversuch durch die Kunst ziemlich fundamental abgeschlagen hat. Jetzt den Filmen von David Lynch noch einmal wieder zu begegnen, ist ein Glücksfall. Danach muss man sich zum Fernsehapparat oder ins Museum bemühen. (Und grimmig die Propaganda des Künstlers für den Unfug transzendentaler Meditation herunterschlucken; »nobody is perfect.«) Was also ist das Besondere an David Lynch? Seine Arbeit geschah und geschieht nach den »Spielregeln der Kunst«, die bekanntlich in ihrer eigenen Schöpfung und zugleich in ihrem eigenen Bruch bestehen. Man er- kennt einen David-Lynch-Film auf Anhieb, aber niemals David Lynch hat David Lynch einen »David-Lynch-Film« gedreht. Be- 21 stimmte Motive (sagen wir: Stehlampen, Hotelflure, die Farbe Rot, Hauchgesänge von Frauen, das industrielle Rauschen, visuelle Americana), bestimmte Figuren (die Frau im Mehrfachleben, der Kobold, Kyle MacLachlan als Stellvertreter in einer magischen Biographie - weni- ger, was ein Leben als vielmehr, was das Suchen und Was ist das Besondere an David Lynch? Abgesehen Erkennen anbelangt, Väter und Polizisten), bestimmte davon, dass er ein paar veritable Kultfilme geschaffen Plot-Fragmente (die nie auflösbare Intrige, die Suche hat, Filme, wie ERASERHEAD, BLUE VELVET oder die als Sturz in den Abgrund, die Verbindung von Gewalt TV-Serie TWIN PEAKS, die aus merkwürdigen Gründen und Design) kehren in wechselnden Kompositionen (denn im klassischen Sinn zu »verstehen« hat sie ja nie wieder, ganz zu schweigen von Techniken wie dem jemand gewagt) die genau richtigen Bilder zur genau nicht-linearen Erzählen, dem Eindringen in die ver- richtigen Zeit zu den genau richtigen Menschen brach- borgenen Innenwelten von Milieus und Menschen, der ten, und abgesehen davon, dass er in einer bestimmten Grenzüberschreitung von Traum und Realität. -
COELHINHOS DO LYNCH, QUE TRAZEM PRA MIM? Narrativa, Estilo E Interpretação Em Rabbits1
Intercom – Sociedade Brasileira de Estudos Interdisciplinares da Comunicação 41º Congresso Brasileiro de Ciências da Comunicação – Joinville - SC – 2 a 8/09/2018 COELHINHOS DO LYNCH, QUE TRAZEM PRA MIM? Narrativa, estilo e interpretação em Rabbits1 João Paulo HERGESEL2 Rogério FERRARAZ3 Universidade Anhembi Morumbi, São Paulo, SP RESUMO Ao assistir a Rabbits (David Lynch, 2002), obra lançada primeiramente na internet, é possível detectar a ideia de experimentação artística propiciada pelo formato websérie. Tentar compreender a história que é contada nessa narrativa audiovisual tornou-se um gatilho para perceber que, devido à trama não linear, é possível que os espectadores desenvolvam interpretações distintas. A fim de chegar a considerações fundamentadas a respeito do assunto, apresenta-se uma leitura interpretativa da referida produção, tendo como base os estudos de Tzvetan Todorov e David Bordwell, acerca de narrativa e estilo. PALAVRAS-CHAVE: audiovisual; ficção seriada; websérie; David Lynch. Rabbits. Considerações iniciais Em pesquisas anteriores (cf. HERGESEL, 2015), vimos que a websérie pode ser definida como uma narrativa midiática produzida, prioritariamente, em modalidade audiovisual, de modo serializado, cujos episódios ficam disponíveis para visualização em diferentes esferas do universo da hipermídia, especialmente os portais de armazenamento de vídeos. Embora não se tenham regras fixas para caracterização do formato, existem marcas que estão fortemente ligadas a ele, como a linguagem preferencialmente audiovisual, a serialização, -
Cs CHRYSTA BELL
Ono arte contemporanea VIA SANTA MARGHERITA 10 | 40123 BOLOGNA | +39 051 262465 CHRYSTA BELL THIS TRAIN giovedì 3 aprile dalle 18.30 via santa margherita, 10 | bologna www.onoarte.com ONO Arte Contemporanea in collaborazione con Bravo Caffè presenta CHRYSTA BELL THIS TRAIN. La conturbante Chrysta Bell torna in Italia con il suo nuovo Tour. Nel 2012 era già stata a Bologna, allo stesso Bravo Caffè, che ospitò il suo primo concerto italiano. Insieme a Rodrigo Castro, alla ONO un meet&greet accompagnato da una sonorizzazione musicale ad hoc, prima del vero e proprio concerto che avrà luogo la stessa sera al Bravo Caffè di Via Mascarella, dalle 22.15 (per le prenotazioni contattare il numero 051.266.112). Nata ad Austin (Texas) nel 1979, Chrysta Bell è un'artista poliedrica, in grado di fare convivere nella sua musica elementi teatrali e storie fantastiche e sognanti, il tutto sublimato da performance di grande livello. Dotata di una voce profonda e penetrante, questa cantautrice americana sta facendo molto parlare di sè. Ha già condiviso il palco con artisti del calibro di Willie Nelson, Brian Setzer, Donovan, Adrian Utley (Portishead) e molti altri. Il magico incontro con David Lynch, di cui diventa subito la musa, la porta a registrare parte della colonna sonora del film “Inland Empire” nel 2006. Questa collaborazione ha in seguito dato vita ai brani dell'album “This Train”: undici tracce visionarie e pregne di atmosfere torbide prodotte e scritte da Lynch stesso, che l'hanno portata a ricevere le attenzioni dei più importanti magazines musicali. Il suo nuovo album in uscita è già una delle novità più attese dell'anno. -
Drömmen I Dåliga Bilder
Örebro Universitet Institutionen för humaniora, utbildning och samhällsvetenskap Drömmen i dåliga bilder En studie om estetiken i Beyond the Black Rainbow och Inland Empire Självständigt arbete 2019-01-17 Medie- och kommunikation, inriktning film Handledare: Jakob Nilsson Författare: Daniel Sandberg & Kim Jakobsson Abstract This thesis examines visionary directors David Lynch and Panos Cosmatos aesthetics in the films Inland Empire and Beyond the Black Rainbow. Two films with surrealistic aspects that are using a form of degraded aesthetics to achieve a certain kind of cinematography that is rarely seen in the industry. We examine what tools are being used to achieve the effect with theories concerning defamiliarization, the uncanny and uncanny valley. Aspects of cinematography in these films are working together to create effects that are both defamiliarized and uncanny. Keywords: Shlovsky, Freud, defamiliarization, ostranenie, the uncanny, uncanny valley, aesthetics, cinematography, image, grain, ugliness, surrealism, Beyond the Black Rainbow, Inland Empire, David Lynch, Panos Cosmatos Innehåll 1. Inledning 1 1.1 Forskningsproblem och syfte 5 1.2 Bakgrund 6 1.3 Surrealism 8 1.4 Disposition 9 2. Tidigare forskning 9 3. Metod 11 3.1 Metodproblem 13 4. Material 13 4.1 Beskrivning av filmernas narrativ 15 4.2 Materialproblem 16 5. Teoretiska utgångspunkter 16 5.1 Det kusliga enligt Freud 17 5.2 Uncanny Valley 20 5.3 Främmandegöring 22 5.4 Degradering 24 6. Analys 24 6.1 Beyond the Black Rainbow 24 6.2 Inland Empire 29 7. Diskussion 35 8. Avslutande sammanfattning 39 Källor 41 Litteratur 41 Internetlänkar Fel! Bokmärket är inte definierat. Omnämnda filmer 44 1. -
Retrospectiva Paul Schrader Retrospective
1 12ª EDIÇÃO JÚRI DA 16 A 25 DE NOVEMBRO, 2018 SELECÇÃO OFICIAL 12TH EDITION OFFICIAL NOVEMBER 16 TO 25, 2018 SELECTION JURY O LEFFEST — LISBON & SINTRA FILM FESTIVAL reúne nesta 12ª edição realizadores, actores, argumentistas, escritores, músicos, intérpretes, artistas e filósofos que, ao longo de 10 dias, irão partilhar consigo, caro/a leitor/a espectador/a, a sua paixão por esta arte, a sétima, que contém todas as outras. Chrysta Bell David Lynch é a imagem desta edição. Um dos grandes criadores contemporâneos, cuja obra, em permanente reinvenção, se desenvolve no Chrysta Bell é uma cantora, compositora e actriz que cinema, na pintura, na fotografia, na música, na escrita, corporiza o espírito incorpora elementos teatrais e multimédia dinâmicos multidisciplinar do festival. Filmes, duas exposições, um livro, as canções e as nos seus concertos, tornando-os experiências únicas. É conversas… à espera de Mr. Lynch… colaboradora de longa data de David Lynch. Os seus álbuns This Train (2011) e Somewhere in Nowhere (2016), foram Os onze filmes seleccionados para a Competição, acompanhados pelos ambos produzidos e co-escritos por Lynch. Esta colaboração realizadores e actores, serão analisados por um júri internacional que junta conheceu um novo capítulo quando, em 2017, o realizador seis criadores notáveis. O festival homenageia João Botelho (com a maior a convidou para um papel em Twin Peaks: The Return. retrospectiva da sua obra até à data e um catálogo que celebra 40 anos Chrysta Bell prepara um novo álbum, que será lançado no do seu cinema), Walter Salles, Mario Martone e Darezhan Omirbayev, que Walter Salles início de 2019. -
Student Worksheet
SECONDARY LEVEL RESOURCE STUDENT WORKSHEET CONCEPTS ABOUT THE EXHIBITION For Lynch, wisdom is gained through ‘knowledge and For close to 50 years, David Lynch has worked as a experience of combined opposites’,1 and the exhibition visual artist, filmmaker, musician, designer and writer, explores this idea of duality and the balancing point producing an extraordinary body of work. ‘Between between two opposing forces. Moving between Two Worlds’ is the largest Lynch retrospective to the body and the world it inhabits, the exhibition date and the first time his work has been exhibited in examines Lynch’s enduring interests: industry and Australia. organic phenomena, inner conflict and the interplay of light and darkness, the duality of human nature Featuring more than 200 artworks, audiences have the and multiple selfhoods, life’s absurdities, and the rare opportunity to consider Lynch’s painting, drawing, possibility of finding a deeper reality in our experience photography and printmaking alongside sculpture, of the everyday. In the exhibition, Lynch’s world shifts sound works and musical composition, as well as video between the macro- and microscopic, and reflects works, which have expanded his filmmaking into the his instinctive impulse to look beneath the surface of digital realm. things, to not only find moments of beauty or horror in the everyday, but also to uncover deeper truths — the The exhibition is not arranged chronologically, nor is it mysteries and possibilities that ensure the ordinary is organised by medium or in strictly thematic groupings. also something more. Rather, the exhibition has been organised around three recurring ideas in Lynch’s work — ‘Man and machine’, ABOUT THE ARTIST ‘The extra-ordinary’ and ‘Psychic aches’. -
Selbstreferentialität Und Paradoxie
DIPLOMARBEIT Titel Selbstreferentialität und Paradoxie - Zur Thematisierung von Beobachtungspositionen im Spielfilm „INLAND EMPIRE“ von David Lynch als Beispiel für konstruktivistische und systemtheoretische Grundlagen einer Medientheorie Verfasser Manuel Huber angestrebter akademischer Grad Magister der Philosophie (Mag. phil.) Wien, im Juli 2009 Matrikelnummer: 0008576 Studienkennzahl lt. Studienblatt: A 301 316 Studienrichtung lt. Studienblatt: Publizistik- und Kommunikationswissenschaft Betreuer: O. Univ.-Prof. Dr. Thomas Alfred Bauer Für Karin. Inhaltsverzeichnis 1 Einleitung .............................................................................................. 1 1.1 Methodik: Diskursanalyse ........................................................................ 5 1.2 Theoretische Grundlagendiskurse ........................................................... 6 1.3 Untersuchungsgegenstand ...................................................................... 8 2 Methode: Kritische Diskursanalyse..................................................... 10 3 Theoretische Grundlagen von Kommunikation................................... 20 3.1 Theoriediskussion .................................................................................. 20 3.2 Medientheorien....................................................................................... 23 3.2.1 Konstruktivismus....................................................................................... 23 3.2.1.1 Allgemeines................................................................................................... -
J.T.Rogers, Rebecca Taichman, Mimi Lien Win Tonys Among 54 Nominations 2 Nominations 54 Among Tonys Win Lien Mimi Taichman, Rebecca J.T.Rogers
Vol. 46, No. 1\Summer 2017 IN THIS ISSUE J.T.Rogers, Rebecca Taichman, Mimi Lien Win Tonys Among 54 Nominations 2 David Lynch Named 58th Edward MacDowell Medalist 3 Pulitzers Awarded to Three Fellows 3 Range of Honors to MacDowell Composers 4 ARCHITECTS | COMPOSERS | FILMMAKERS | INTERDISCIPLINARY ARTISTS | THEATRE ARTISTS | VISUAL ARTISTS | WRITERS PETERBOROUGH, NH PETERBOROUGH, PERMIT NO. 55 NO. PERMIT PAID 100 High Street Peterborough, NH 03458-2485 NH Peterborough, Street High 100 U.S. POSTAGE U.S. NON-PROFIT ORG. NON-PROFIT LETTER FROM THE DIRECTOR J.T. Rogers, Rebecca An Abundance of Talent Taichman, Mimi Lien As you can see in this newsletter, MacDowell is everywhere. Receive Tony Awards From the Tonys to the Times, work by Fellows is being Just before going to press we learned that published, produced, exhibited, performed, and enjoyed! We J.T. Rogers, Rebecca Taichman, and Mimi are especially proud that this year we were able to award more Lien picked up individual Tony Awards Tyehimba Jess than 300 fellowships – a new record owing to the generous on June 11. They were among 10 awards support of so many. handed out to Fellow work from among Working alongside the staff, the Board of Directors is eight plays that collectively earned 54 Tony Pulitzer Prizes to Three deeply engaged in making MacDowell the best it can be. Half nominations! Here are the shows and how Congratulations to poet Tyehimba of its 65 directors are artists. In May we elected Andy Senchak they fared: Jess (15) who won a Pulitzer Prize for his 2 3 Cheryl with Resident Director David Macy as board president following on the six-year tenure of Susan Oslo, by J.T. -
Emilie Simon Emilie
HORS-SÉRIE BEAUTÉ L 12411 - 1 H Emilie Simon F: 6,00 La métamorphose - RD HORS-SÉRIE BEAUTÉ Chlöe Howl Incandescente L 12411 - 1 H F: 6,00 - RD GUERLAIN.COM TERRA_JOLITEINT_440x285_MOZIK.indd Toutes les pages 25/03/14 11:37 440x285_DHC_Modzik_14avril.indd Touteslespages www.dior.com Dior OnLine 01 49 53 88 88 28/03/2014 15:31 NOUVEAU Édito ENTREZ DANS LE LUXE CAPILLAIRE ULTIMATE REMEDY L’ALLIANCE UNIQUE DE L’INFUSION DE LOTUS ET DE CÉRAMIDE HAUTEMENT DOSÉ POUR REDONNER AUX CHEVEUX LES PLUS ABIMÉS SOLIDITÉ ET FLEXIBILITÉ. Fard, peau, chevelure, barbe, tatouage, noir, blanc, iridescence, polychromie, sym- phonie, mousse, note, senteur, sillage... ! Comment voient-ils la beauté ? Comment se font-ils beaux ? Est-ce important ? Vital ? ou plutôt dangereux pour un musicien, chanteur, de se poser la question ? Pour ce premier Modzik Hors-Série Beauté exceptionnel, nous avons demandé à plus de 20 artistes de se pencher sur le sujet. Entretiens intimistes, rencontres créatives ; ils ont accepté, pour nous, de se dénuder, de se transformer, de porter haut et fort les cou- leurs de la beauté. Monsieur Boy George, lui-même, nous ouvre ainsi les secrets de son vanity ; Kelis nous parle de métissage ; John, de John & Jehn, de sa prétendue laideur ; Spleen de l’ac- ceptation de soi ; Chloé Howl du jeu ; Emilie Simon du salon de coiffure de sa mère ; Chrysta Bell d’un massage pas comme les autres… Les héros que vous écoutez, qui vous font danser, rêver, vibrer sur scène, vont, ici, vous surprendre, vous émouvoir. Différemment. Nous partons aussi à la rencontre de nouvelles étoiles du maquillage, de grands noms de la parfumerie. -
For-Web Aff2013program.Pdf
www.athensfest.org Thank you! About the Festival We want to thank everybody who supports the festival: film- The Athens International Film and Video Festival was founded makers, audience, funders, workers, volunteers. It’s a com- in 1974, and since then has presented independent films from munity effort to put this on, and to cherish and sustain it. around the world. The Festival is sponsored by the Athens THANK YOU! Center for Film and Video, a project of the College of Fine Arts Special Thank You to: at Ohio University. Kelee Riesbeck Jim and Kathleen Fuller The competition process Tom Erlewine, Madeline Scott, DeAnna Russell, Pam Douglas, Each year, a Prescreening Committee comprised of artists, Maureen Wagner, Rosemarie Bassile, Barb Fiocchi, Steve Ross students, and community activists watch all the films and videos entered in the competition. After all entries have been watched, decisions as to which films to include in public Sponsors: screenings are made through voting and discussion. Ohio University, College of Fine Arts, Madeline Scott, Interim Cash prizes are awarded by guest jurors, in four categories: Dean documentary, experimental, narrative, and animation. Festival Ohio Arts Council Jurors will be announced just prior to the Festival. Awards will Arts for Ohio University be announced on the final day of the festival. Erlewine Design Athens County Convention and Visitor’s Bureau The Black Bear Award In honor of our friend and mentor, John Butler, the festival presents The Black Bear Award of $500, to the film/video that demonstrates the best use of sound. To contribute to the endowment for the Black Bear Award, please contact Ruth Bradley: [email protected] Festival Staff Director: Ruth Bradley Technical Direction: Dan Bruell, Dan Moray Athena Cinema Staff: Chris Iacofano, Alexandra Kamody, Hsin-ning Chang, Julie Vinson, Logan Boucher, Sean Rickey, Jordan Froomkin, Troy Kunkler, Kathryn Potraz Festival Workers: the students of Film Festival Practicum and Media Arts Management Contact us: Athens Int’l Film and Video Festival P.O.