Il Gioco Delle Coppie
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Olivier Assayas France
Les pouvoirs de la fiction L’auteur Zoom Olivier Assayas, né en 1955, est scénariste et réalisateur. Il Assayas par Assayas. Des débuts aux Destinées sentimentales, débute sa carrière de cinéaste en 1985 avec Désordre, après avec Jean-Michel Frodon (Stock, 2014) avoir été critique aux Cahiers du cinéma. Parmi ses longs-métrages : L’Enfant de l’hiver (1989), Paris À l’origine de ce livre ambitieux et s’éveille (1991), Une nouvelle vie (1993), L’Eau froide (1994), Irma personnel, il y a d’abord la rencontre, Vep (1996), Fin août, début septembre (1999), Les Destinées puis le dialogue jamais interrompu sentimentales (2000), Demonlover (2002), Clean (2004), Paris, je entre le critique Jean-Michel Frodon et t’aime (2006), Boarding Gate (2007), L’Heure d’été (2008), Après le cinéaste Olivier Assayas. Au-delà de Mai (2012), Sils Maria (2014). leurs conversations, le résultat est une Il a également à son actif de nombreux courts-métrages et des passionnante autobiographie artistique, documentaires. Il a, par ailleurs, réalisé la mini-série Carlos autant le destin d’un cinéaste à part qu’une (2010). réflexion sans complaisance sur son métier, une plongée au coeur même de la machine à faire du cinéma. L’œuvre Une ronde entre producteurs, actrices, acteurs, glamour et misères, financements et déboires, Assayas par Assayas. Des débuts aux Destinées sentimentales, difficultés et victoires, des débuts jusqu’aux Destinées avec Jean-Michel Frodon (Stock, 2014) sentimentales, cette adaptation à grand spectacle du roman de Rock & cinéma, de Thomas Sotinel, préface d’Olivier Assayas (La Jacques Chardonne qui fera connaître Olivier Assayas du public. -
Jürgen Doering Costume Designer
Jürgen Doering Costume Designer Agents Silvia Llaguno Associate Agent Shannon Black [email protected] +44 (0) 20 3214 0889 Credits Film Production Company Notes WASP NETWORK CG Cinéma / Nostromo Dir: Olivier Assayas 2019 Pictures / RT Features / Prods: Charles Gillibert, Rodrigo Scope Pictures Teixeira, Lourenço Sant'Anna ROADS Missing Link Films Dir: Sebastian Schipper 2019 Prods: David Keitsch, Sebastian Schipper L'ADIEU À LA NUIT (FAREWELL Curiosa Films Dir: André Téchiné TO THE NIGHT) Prod: Olivier Delbosc 2019 With Catherine Deneuve UNE JEUNESSE DORÉE (GOLDEN Macassar Productions Dir: Eva Ionesco YOUTH) Prods: Damien Couvreur, Mélita 2019 Toscan du Plantier, Marie-Jeanne Pascal, Julien Rouch With Isabelle Huppert DOUBLES-VIES (NON-FICTION) CG Cinéma Dir: Olivier Assayas 2018 Prod: Charles Gillibert With Juliette Binoche and Guillaume Canet United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Production Company Notes L'AMOUR EST UNE FÊTE (PARIS Curiosa Films / Sunrise Dir: Cédric Anger PIGALLE) Films / Umedia Prods: Olivier Delbosc, Anne 2018 Rapczyk With Guillaume Canet TOUS NOUS SÉPARE (ALL THAT Les Films du Kiosque / Dir: Thierry Klifa DIVIDES US) Nolita Cinema Prods: Maxime Delauney, 2017 François Kraus, Denis Pineau- Valencienne, Romain Rousseau With Catherine Deneuve and Diane Kruger POLINA Everybody on the Deck Dirs: Valérie Müller | Angelin 2016 Preljocaj Prods: Maxim Ajjawi, Gaëlle Bayssière, Didier Creste VOR DER MORGENRÖTE (STEFAN Dir: -
Olivier Assayas
[email protected] • www.janusfilms.com “No one sees anything. Ever. They watch, but they don’t understand.” So observes Connie Nielsen in Olivier Assayas’s hallucinatory, globe-spanning demonlover, a postmodern neonoir thriller and media critique in which nothing—not even the film itself—is what it appears to be. Nielsen plays Diane de Monx, a Volf Corporation executive turned spy for rival Mangatronics in the companies’ battle over the lucrative market of internet adult animation. But Diane may not be the only player at Volf with a hidden agenda: both romantic interest Hervé (Charles Berling) and office enemy Elise (Chloë Sevigny) seem to know her secret and can easily use it against her for their own purposes. As the stakes grow higher and Diane ventures into deadlier territory, and as Sonic Youth’s score pulses, Assayas explores the connections between multinational businesses and extreme underground media as well as the many ways twenty-first-century reality increasingly resembles violent, disorienting fiction. New 2K restoration of the unrated director’s cut overseen by Olivier Assayas France | 2002 | 122 minutes | Color | In Japanese, French, and English with English subtitles | 2.35:1 aspect ratio Booking Inquiries: Janus Films Press Contact: Courtney Ott [email protected] • 212-756-8761 [email protected] • 646-230-6847 OLIVIER ASSAYAS Olivier Assayas was born in Paris in 1955, the son of screenwriter sentimentales (2000), demonlover (2002), and Clean (2004) were Raymond Assayas (better known by the pen name of Jacques all nominated for the Palme d’Or at Cannes, while Summer Rémy). After studying painting at the French National School of Hours (2008) and the miniseries Carlos (2010) each earned Fine Arts and working as a critic for Cahiers du cinéma, Assayas multiple awards from various international festivals and societies. -
L'irreprésentable / Personal Shopper D'olivier Assayas
Document généré le 27 sept. 2021 09:36 24 images L’irreprésentable Personal Shopper d’Olivier Assayas Ariel Esteban Cayer Cinéma et théâtre : abattre les murs Numéro 182, mai–juillet 2017 URI : https://id.erudit.org/iderudit/85585ac Aller au sommaire du numéro Éditeur(s) 24/30 I/S ISSN 0707-9389 (imprimé) 1923-5097 (numérique) Découvrir la revue Citer ce compte rendu Cayer, A. E. (2017). Compte rendu de [L’irreprésentable / Personal Shopper d’Olivier Assayas]. 24 images, (182), 58–59. Tous droits réservés © 24/30 I/S, 2017 Ce document est protégé par la loi sur le droit d’auteur. L’utilisation des services d’Érudit (y compris la reproduction) est assujettie à sa politique d’utilisation que vous pouvez consulter en ligne. https://apropos.erudit.org/fr/usagers/politique-dutilisation/ Cet article est diffusé et préservé par Érudit. Érudit est un consortium interuniversitaire sans but lucratif composé de l’Université de Montréal, l’Université Laval et l’Université du Québec à Montréal. Il a pour mission la promotion et la valorisation de la recherche. https://www.erudit.org/fr/ POINTS DE VUE Personal Shopper d’Olivier Assayas L’IRREPRÉSENTABLE par Ariel Esteban Cayer édium à ses heures, Maureen (Kristen Stewart) est l’assis- irreprésentable ; ses flux et ses transformations échappant continuel- tante d’un riche mannequin. Chargée de lui acheter ses lement à notre compréhension existentielle des choses ».1 M vêtements, elle est en constant déplacement : entre Paris Si Assayas visualisait jadis ce schéma mystérieux pour en tirer une et Londres ; entre la maison de son frère, son appartement minuscule et intrigue à la menace sourde, voire inimaginable, son Personal Shopper le luxueux loft de son employeuse. -
OLIVIER ASSAYAS CHARLES GILLIBERT Présente
CHARLES GILLIBERT présente KRISTEN STEWART PERSONAL SHOPPER UN FILM DE OLIVIER ASSAYAS CHARLES GILLIBERT présente KRISTEN STEWART PRESSE : MONICA DONATI PERSONAL SHOPPER assistée de CILIA GONZALEZ-MAURIN Tél. : 01 43 07 55 22 Port. Monica Donati : 06 23 85 06 18 UN FILM DE Port. Cilia Gonzalez-Maurin : 06 17 77 38 93 OLIVIER ASSAYAS [email protected] à Cannes Appartement Benazet Avec 45, rue Georges Clémenceau - 06400 Cannes LARS EIDINGER SIGRID BOUAZIZ DISTRIBUTION : ANDERS DANIELSEN LIE NORA VON WALDSTÄTTEN LES FILMS DU LOSANGE 22, avenue Pierre 1er de Serbie - 75116 Paris Tél. : 01 44 43 87 15 / 16 / 17 www.filmsdulosange.fr France • 2016 • 1h45 • VOSTF • Format 2.35 • Couleurs • Son 5.1 à Cannes RÉSIDENCE DU GRAY D’ALBION 64 Ter, rue d’Antibes / code 2640 A / Entrée 3A Photos et Dossier de presse téléchargeables sur 4ème étage / Appartement n°4A1 - 06400 Cannes www.filmsdulosange.fr Tél. : 04 93 68 44 46 aureen, une jeune américaine à Paris, s’occupe de la garde- robe d’une célébrité. C’est un travail qu’elle n’aime pas mais M elle n’a pas trouvé mieux pour payer son séjour et attendre que se manifeste l’esprit de Lewis, son frère jumeau récemment disparu. Elle se met alors à recevoir sur son téléphone portable d’étranges messages anonymes… Photo © Carole Bethuel ENTRETIEN AVEC KRISTEN STEWART / Pensiez-vous que vous alliez tourner de nouveau films. Pourriez-vous dire la même chose de lui ? sous la direction de Olivier Assayas aussi vite, Qu’il est le cinéaste que vous recherchiez ? seulement deux ans après Sils Maria ? Oui à 100%. -
Cgcinéma Presents
CGCINÉMA PRESENTS A FILM BY OLIVIERASSAYAS PHOTO © CAROLE BÉTHUEL CGCINÉMA PRESENTS JULIETTEBINOCHE KRISTENSTEWART CHLOË GRACEMORETZ A FILM BY OLIVIERASSAYAS 123 MIN – COLOr – 2.35 – DOLBY SRD 5.1 – 2014 PHOTO © CAROLE BÉTHUEL At the peak of her international career, Maria Enders (Juliette Binoche) is asked to perform in a revival of the play that made her famous twenty years ago. But back then she played the role of Sigrid, an alluring young girl who disarms and eventually drives her boss Helena to suicide. Now she is being asked to step into the other role, that of the older Helena. She departs with her assistant (Kristen Stewart) to rehearse in Sils Maria; a remote region of the Alps. A young Hollywood starlet with a penchant for scandal (Chloë Grace Moretz) is to take on the role of Sigrid, and Maria finds herself on the other side of the mirror, face to face with an ambiguously charming woman who is, in essence, an unsettling reflection of herself. SYNOPSIS 3 DIRECTOr’snote PHOTO © CAROLE BÉTHUEL © CAROLE PHOTO DIRECTOr’snote This film, which deals with the past, our relationship to our own past, long time. and to what forms us, has a long history. One that Juliette Binoche Writing is a path, and this one is found at dizzying heights, of time and I implicitly share. suspended between origin and becoming. It is no surprise that it We first met at the beginning of both our careers. Alongside André inspired in me images of mountainscapes and steep trails. There Téchiné, I had written Rendez-vous, a story filled with ghosts where, at needed to be Spring light, the transparency of air, and the fogs of age twenty, she had the lead role. -
Personal Shopper
Przedstawia nagrodzony za reżyserię w Cannes 2016 film PERSONAL SHOPPER Reżyseria Olivier Assayas Francja, Niemcy 2016, 105 min Oryginalny thriller metafizyczny ze świata paryskiej mody W KINACH od 17 MARCA 2017 ROKU Aurora Films Sp. z o.o. ul. Radziwie 7 lok. U08 01-164 Warszawa PR & MARKETING Agnieszka Zając tel. 600 094 719, e-mail: [email protected] DYSTRYBUCJA Aurora Films Anna Dziewulska tel. +48 22 405 41 46, e-mail: [email protected] AURORA FILMS Sp. z o.o., ul. Pasaż Ursynowski 1/111, 02-784 Warszawa, tel.: + 48 22 35 39 603 www.aurorafilms.pl AURORA FILMS Przedstawia fantastyczną Kristen Stewart w nowym filmie francuskiego mistrza PERSONAL SHOPPER Tytuł oryginalny: Personal Shopper w reżyserii Oliviera Assayasa TWÓRCY FILMU: Reżyseria i scenariusz: Olivier Assayas Zdjęcia: Yorick Le Saux Montaż: Marion Monnier Scenografia: François-Renaud Labarthe Kostiumy: Jürgen Doering Producenci: Charles Gillibert, Artemio Benki, Fabian Gasmia, Olivier Père OBSADA: Kristen Stewart Maureen Cartwright Lars Eidinger Ingo Sigrid Bouaziz Lara Anders Danielsen Lie Erwin Ty Olwin Gary Hammou Graïa oficer policji Nora von Waldstätten Kyra Benjamin Biolay Victor Hugo Audrey Bonnet Cassandre Pascal Rambert Jérôme Charles Gillibert spirytysta AURORA FILMS Sp. z o.o., ul. Pasaż Ursynowski 1/111, 02-784 Warszawa, tel.: + 48 22 35 39 603 www.aurorafilms.pl Nagrody i festiwale: 2017 – Cezary 2017 - najlepsza reżyseria: Olivier Assayas (nominacja) 2016 – Cannes Film Festival 2016 – najlepsza reżyseria: Olivier Assayas 2017 – Stowarzyszenie -
Yorick Le Saux Director of Photography
YORICK LE SAUX DIRECTOR OF PHOTOGRAPHY FEATURES WASP NETWORK Directed by : Olivier Assayas Produced by : CG Cinema LES QUATRE FILLES DU DOCTEUR MARCH Directed by: Greta Gerwig Produced by: Columbia Pictures Corporation HIGH LIFE (2018) Directed by: Claire Denis Produced by: Alcatraz Films DOUBLES VIES (2018) Directed by: Olivier Assayas Produced by: CG Cinéma PERSONAL SHOPPER (2016) Directed by: Olivier Assayas Produced by: CG Cinéma A BIGGER SPLASH (2015) Directed by: Luca Guadagnino Produced by: Frenesy Film Company SILS MARIA (2014) Directed by: Olivier Assayas Produced by: CG Cinéma ONLY LOVERS LEFT ALIVE (2013) Directed by: Jim Jarmusch Produced by: Recorded Picture Company ARBITRAGE (2012) Directed by: Nicholas Jarecki Produced by: Lionsgate POTICHE (2010) Directed by: François Ozon Produced by: Mandarin Films CARLOS (2010) Directed by: Olivier Assayas Produced by: Films en Stock AMORE (2009) Directed by: Luca Guadagnino Produced by: First Sun LA FEMME INVISIBLE, D’APRÈS UNE HISTOIRE VRAIE (2009) Directed by: Agathe Teyssier Produced by: 4 à 4 Productions JULIA (2008) Directed by: Erick Zonca Produced by: Les Productions Bagheera UN LEVER DE RIDEAU ET AUTRES HISTOIRES (2007) Directed by: François Ozon Produced by: Canal+ BOARDING GATE (2007) Directed by: Olivier Assayas Produced by: Canal+ QUAND J’ÉTAIS CHANTEUR (2006) Directed by: Xavier Giannoli Produced by: EuropaCorp LES AMITIÉS MALÉFIQUES (2006) Directed by: Emmnauel Bourdieu Produced by: Fondation Beaumarchais UNE AVENTURE (2005) Directed by: Xavier Giannoli Produced by: Rectangle -
Non-Fiction Non-Fiction
NON-FICTION CHARLES GILLIBERT PRESENTS Competition Special Presentations NON-FICTION France – 107 min – 1.85 INTERNATIONAL SALES INTERNATIONAL PRESS IN VENICE 5 rue Nicolas Flamel RENDEZ-VOUS 75004 Paris, France Viviana Andriani, Aurélie Dard 2, rue Turgot 75009 Paris, France Ph.: +33 1 53 10 33 99 Tel : +33 1 42 66 36 35 www.playtime.group [email protected] +33 6 80 16 81 39 (Viviana) +33 6 77 04 52 20 (Aurélie) [email protected] CLICK HERE TO DOWNLOAD STILLS SYNOPSIS Alain, a successful Parisian publisher struggling to adapt to the digital revolution, has major doubts about the new manuscript of Léonard, one of his long-time authors - another work of auto- fiction recycling his love affair with a minor celebrity. Selena, Alain’s wife, a famous stage actress, is of the opposite opinion. DIRECTOR'S STATEMENT Our world keeps changing. It always has been. The challenge is our ability to keep an eye on that flux and to understand what is truly at stake in order to adapt, or not. After all, this is what politics and opinions are about. The digitalization of our world and its reconfiguration into algorithms is the modern vector of a change that confuses and overwhelms us. Digital economy infriges rules and often laws. Moreover it questions what seemed solid and granted in society. Yet, it dissolves on mere contact. Non-Fiction does not attempt to analyze workings of this new economy, but rather to observe how those questions shake us, personally, emotionally, and sometimes humorously. OLIVIER ASSAYAS (DIRECTOR) Born in Paris on January 25th 1955, Olivier Assayas started out as a painter and graphic designer. -
The Korean Wave 2007
THE KOREAN THE KOREAN WAVE AS VIEWED THROUGHWAVE THE PAGES OF THE NEW YORK TIMES IN 2007 THE KOREAN WAVE AS As Viewed Through the Pages of The New York Times in 2007 THE KOREAN WAVE AS VIEWED THROUGH THE PAGES OF THE NEW YORK TIMES IN 2007 THE KOREAN WAVE AS This booklet is a collection of 65 articles selected by Korean Cultural Service New York from articles on Korean culture by The New York Times in 2007. THE KOREAN THE KOREAN WAVE AS VIEWED THROUGHWAVE THE PAGES OF THE NEW YORK TIMES IN 2007 THE KOREAN WAVE AS As Viewed Through the Pages of The New York Times in 2007 First edition, March 2008 Edited & published by Korean Cultural Service New York 460 Park Avenue, 6th Floor, New York, NY 10022 Tel: 212 759 9550 Fax: 212 688 8640 Website: http://www.koreanculture.org E-mail: [email protected] Copyright©2008 by Korean Cultural Service New York All rights reserved. No part of this book may be reproduced in any form or by any means, electronic or mechanical, including photocopying, recovering, or by any information storage and retrieval system, without permission in writing from the publisher. From the New York Times © 2007 The New York Times All rights reserved. Used by permission and protected by the Copyright Laws of the United States. The printing, copying, redistribution, or retransmission of the Material without express written permission is prohibited. Cover & text design by Jisook Byun Printing & binding by Karis Graphic Corp. Printed in New York Korean Cultural Service New York CONTENTS FOREWORD DANCE&THEATER The Korean Wave and American Views of Korea, Yesterday and Today 008 KO–ryO DANCE Theater 081 The Korean Wave: Last Year, Twenty–five Years Ago 012 A Contest for the World, Led by South Koreans 082 With Crews, And Zoos, A B–Boy World 084 MOVIES Jump 087 Tazza 017 FILM 018 FOOD It Came From the River, Hungry for Humans (Burp) 019 Koreans Share Their Secret for Chicken With a Crunch 089 Asian–American Theaters Plan New Festival 021 Heated Competition. -
OLIVIER ASSAYAS CHARLES GILLIBERT Presents
CHARLES GILLIBERT presents KRISTEN STEWART PERSONAL SHOPPER A FILM BY OLIVIER ASSAYAS CHARLES GILLIBERT presents KRISTEN STEWART PERSONAL SHOPPER A FILM BY OLIVIER ASSAYAS With LARS EIDINGER SIGRID BOUAZIZ ANDERS DANIELSEN LIE NORA VON WALDSTÄTTEN France • 2016 • 1h45 • 2.35 • Color • 5.1 aureen is a young American woman in Paris making her living as a personal shopper for a celebrity. Also, Maureen may have M the psychic ability to communicate with spirits, just like her twin brother, Lewis, who recently passed away. She soon starts receiving am biguous messages coming from an unknown source. l e u h t e B e l o r a C © o t o h P INTERVIEW WITH KRISTEN STEWART / Did you think you would work again with in his films. Can you say the same for him? That Oli vier Assayas so quickly, only two years after he’s director you’ve always been looking for? Sils Maria ? Yes, hands down. We’ve both worked with a No. But I knew he liked acting with the same lot of people. But we share a non-verbal form of people, actors and technicians. So, deep down, communication that is perfect in our profession. I hoped I would. We got along really well on the We don’t talk a lot, but we understand one another set of Sils Maria and I figured, sooner or later, and share many of the same interests, as well as we’d work again on a creative project. But I had a similar type of curiosity. It’s a lot of fun to work no idea it would be so soon! I’m a good friend of with him. -
Proximity and Distance in Olivier Assayas' 'Doubles Vies' ('Non-Fiction')
« Collusion, Not Collision » ? – Proximity and Distance in Olivier Assayas’ 'Doubles vies' ('Non-Fiction') — Photogénie — Cinea 22/09/2020 09:27 (https://cinea.be/) « Collusion, Not Collision » ? – Proximity and Distance in Olivier Assayas’ ‘Doubles vies’ (‘Non-Fiction’) Doubles vies (Olivier Assayas, 2018) Aging, or more specifically how to cope with aging, seems to have taken center stage in Olivier Assayas’ oeuvre. Both in Clouds of Sils Maria (2014) and Personal Shopper (2016), the director explores the limits of human life and its impermanence. In Clouds of 1 maart 2019 Sils Maria, a middle-aged actress, Maria (played by Juliette Binoche), struggles with her Steff Nellis on-stage portrayal of an older woman (Helena) who falls in love with her youthful assistant (Sigrid), mainly because Maria took on Sigrid’s part when she was younger. In Personal Shopper, Kirsten Stewart is even more hooked to her phone than to her iPad in Clouds of Sils Maria [aside: one could read the title as a reference to the virtual cloud] — in which she plays Maria’s real life youthful assistant —, haunted by her deceased twin brother through text messages. Now, Doubles vies (2018, know internationally as Non- Fiction) depicts a group of (almost) middle-aged friends and colleagues that try to handle the challenges of everyday life in a world driven by digitalization. Doubles vies features two couples who are intertwined not only through work and ‘friendship’ but through an extramarital affair as well. Alain (Guillaume Canet), a literary editor, refuses to publish Léonard’s latest novel although he used to publish every single one of his books.