Interactive Olfactory Surfaces: the Wellness Collection

Total Page:16

File Type:pdf, Size:1020Kb

Interactive Olfactory Surfaces: the Wellness Collection Title Interactive olfactory surfaces: The Wellness Collection: a science fashion story Type Thesis URL http://ualresearchonline.arts.ac.uk/5408/ Date 1997 Citation Tillotson, Jenny (1997) Interactive olfactory surfaces: The Wellness Collection: a science fashion story. PhD thesis, Royal College of Art. Creators Tillotson, Jenny Usage Guidelines Please refer to usage guidelines at http://ualresearchonline.arts.ac.uk/policies.html or alternatively contact [email protected]. License: Creative Commons Attribution Non-commercial No Derivatives Unless otherwise stated, copyright owned by the author Interactive Olfactory Surfaces The Wellness Collection - A Science Fashion Story Dr Jennifer Ruth Tillotson BA (Hons) Fashion Communication & Promotion, Central St Martins London, 1991 A thesis submitted in partial fulfilment of the Doctor Of Philosophy Degree of the Royal College of Art Kensington Gore London SW7 2EU School Of Fashion & Textiles Research April 1997 The candidate confirms that the work submitted is her own and that appropriate credit has been given where reference has been made to the work of others. Abstract i Abstract "Physics Is A Function Of Size. " The aim of the research is to create a new interactive communication system by 're-cabling' fabrics for releasing fragrances in 21st century fashion design. A new development, taking inspiration from biology, conjures up Multi-Sensorial Fabrics - based around the sense of smell. Using the theory that 'Smell Is Nanotechnology' and that biology works by nano-machines, biological actions can be miniaturised (such as 'sensing' in the animal world) to create an integrated system called THE WELLNESS COLLECTION. Fragrances (and eventually medication, monitoring devices and digital information) will be actively 'pulsed' electronically through a cabling device system which will 'mimic' the human senses and in particular the scent glands in our bodies and be literally incorporated into the fabric structure. Technology with therefore be integrated in fabrics and carried in invisible clothing. The system also acts as a new vehicle for designer perfumes, reducing the application of alcohol on skin and microencapsulation. Traditional textile design concerns passive issues relating to colour and texture (and performance purposes to a certain degree). However, this research concentrates on a more active approach to textile design, introducing the living active garment as a second skin. The aim is to combine a number of contrasting areas from the Arts and Sciences. For example : - Perfumery. Fashion Designs. Textile & Fibre Technologies. Space Age Clothing. Biosensing Techniques. 'Micro Tube' Technology. Fluid Control. 'Smart intelligence'. Human Biology & Psychology. Human Skin, Circulation & Nervous Systems. Medical Textiles. Controlled Drug Delivery Systems. Alternative Therapies. Nanotechnology. Although some might consider this project to be high risk, it is a general fact that creative and 'novel' research originates from multi-disciplinary fields. Emphasis on this important fact must be acknowledged throughout the thought process of the following project which is documented as a thorough ‘library’ of valuable research information. The Science Fashion approach may therefore seem very futuristic, but as technology itself reduces in size such an approach becomes increasingly realistic. The thesis describes the design thinking and methodology undertaken for the study of a PhD design based research programme which has been studied over a period of three years. (The first Interactive Olfactory Surfaces Abstract ii year was undertaken on an MPhil programme with direct transfer to PhD). Interactive Olfactory Surfaces Thesis Guide ii Thesis Guide Overview By Jenny Tillotson This guide demonstrates how I went about the research programme, illustrating what measures were taken for practical aspects of the project that are described towards the end. I will endeavour to explain the necessity of ordering for each chapter and the methodology chosen. Ordering Of Chapters In Thesis Quotes Relating To Research During the research significant quotes were collated which acted as signals and inspirations, and were encouraging in their thought process. Some were extracted from personal research letters, interviews or telephone conversations between myself and relevant industries - others were picked out of novels, websites or other reference sources. Lucille Khornak, a fashion photographer in the early eighties, wrote a particularly relevant book in 1982 in which she collected expressions, drawings and photographs from 100 Designers and predicted how the state of the fashion industry would be in the year 2001. Although this date is now only 4 years away the quotes she chose from 5 major fashion houses are stimulating and dynamic. Chapter 1 Introduction & Summary The Introduction explains my background as an Artist, how the research began and the reasoning behind its multi-disciplinary approach which was very much encouraged by my Supervisors. The Summary briefly outlines the project, INTERACTIVE OLFACTORY SURFACES, introduces THE WELLNESS COLLECTION and explains what is meant by ‘re-cabling’ clothing as a living active, reactive - and invisible technology for the 21st century. Chapter 2 Multi Sensorial Surfaces The research commences by touching on the senses and though this may be viewed as a biology lesson it is vitally important to stress how much biological actions are an inspiration to the project. Sensory imagery and , in particular, smell, are the key issues in this chapter. Interactive Olfactory Surfaces Thesis Guide iii Chapter 3 Perfume Revolution Perfumery is an enormous business and one that cannot successfully be summarized easily. However the purpose of this chapter is to emphasise the revolutionary impact this research could have commercially for Designer Fragrances in the 21st Century. CoCo Chanel revolutionised perfumery in 1921. My Supervisor, Dr George Dodd, has often pointed out the potential behind smart interactive olfactory fabrics as a new vehicle for carrying perfume. The fabric structure would therefore be a rich reservoir for fragrances to travel through. Chapter 4 Fragrance Delivery Having briefly ascertained the History Of Perfumery an enormous amount of time was spent researching different areas of Fragrance Delivery - including ‘pheromonal mating’ methods by insects. It was not only necessary to find out exactly what was technically available but to present my work to the Fragrance Industries for feed back on defining a new system. Chapter 5 The Triggers The path of this chapter is an overview of industrial and medical ‘sensing’ techniques and has been particularly dedicated to smell detecting - a thing of the future, but evidently possible. ‘Sensing’ is the key source of the project’s interactivity and mystery. It concerns what goes on inside a smart fabric, assuming that the established ‘cabling’ system contains brain power and bionic information. What makes people click? What triggers our reactions to certain things? Why did we do that and so on. Triggering is the signal from one action for another action to take place. We are entering an exciting era of biosensors which simply means sensing or triggering from the body. Chapter 6 Dynamic Surface This chapter concerns a documented library of research but also stresses that a ‘re-cabling’ fabric is comparatively similar to the body and human skin. We are, after all, a bunch of cables and intelligent cells, delivering blood, signals and bodily fluids around the body’s tubing system. Recent examples of active dynamic surfaces are listed in this chapter, stressing the dynamic surface as an outer protective shell. Interactive Olfactory Surfaces Thesis Guide iv Chapter 7 Smart Intelligence The word ‘smart’ is thoroughly defined (not to be confused with smart in the glamour sense of the word). Clothing is the invisible technology for the ‘Nomadic Approach’; a perfect carrier for transporting, for example, medication, fragrances and information, everywhere with you. The chapter concentrates on ‘intelligent’ aspects in a number of intriguing areas. Although the concept of ‘Smart Intelligence’ is nothing new, technology is reducing in size so rapidly that it will soon be incorporated into clothing. Chapter 8 The Electronic ‘Pulse’ At this stage the research diverts off into another dimension, introducing the medical industry and ‘drug delivery’. Other forms of an electronic ‘pulse’ are mentioned including gardening equipment and peristaltic pumps. Medical tubes are discussed in great detail as the carrying mediums for ‘delivery’. The chapter concludes with a brief summary of complementary therapies, emphasising the alternative Science Of Healing, in contrast to orthodox therapies. This is subsequently used as an inspiration behind the final working interactive designs. Chapter 9 Delivery Experiments This chapter has been separated into three sections - first, second and third year. The first year concentrates on the MPhil ‘Surface Design Of The Senses’ which lead up to the PhD. The second introduces the practical studio-based work which involved constructing models of textiles. The third includes experiments with different sized pumps, ranging from large industrial pumps to nano-fluid devices. Chapter 9 concludes with fashion designs for The Wellness Collection. Chapter 10 Fabrics Files Chapter 10 briefly documents synthetic fibres, fibre optics and a variety of textile technologies necessary for the future integration
Recommended publications
  • Vintage Is the New Black /Real Retail /Future Functions Products With
    #01 Vintage is the New Black / Real Retail / Future Functions Products with Purpose / / Urban Outdoors Old New Luxury the-spin-off.com SpecialEditor’s / letter Vollebak Welcome The Spin Off The SPIN OFF sees the bigger picture and puts sustainability at the family within dfv Media Group and expands the existing B2B fashion Here is the result of many months of center of attention because it is the most pressing challenge of our portfolio. In managerial terms, one would speak of using common times. The SPIN OFF reports comprehensively and progressively synergies, but it is much more emotional: "We are Family!" And we brainstorming, discussing and designing: about concepts, brands, trends and products that are sustainable. are proud to be a part of this family. Because with its various B2B media brands, dfv Media Group has the highest level of expertise to The SPIN OFF — The international fashion We understand sustainability as a topic with many facets affecting respond to current topics with this new media offering. the fashion industry as well as consumer fashion trends. It's about the desire to discover nature and the outdoors, the passion for The first printed issue of The SPIN OFF will be published in March, three magazine for contemporary essentials, quality, the finest fabrics, tradition and craftsmanship, the urge to more issues will follow during 2021, in June, August and October. To give care for your health, well-being and body through sports, the revival you a first idea, we created this teaser: Fifty pages packed with content progressive products and real style.
    [Show full text]
  • Male Fragrances That Evoke a Feral Growl, Full-Blown Tempests Or The
    A WHIFF OF DANGER Male fragrances that evoke a feral growl, full-blown tempests or the swaggering brio of ancient Rome are a bullseye for those who embrace their masculinity, says Lucia van der Post. Photograph by Omer Knaz he first scent I ever truly fell in love with was Schiaparelli’s Shocking, made by the great Jean Carles, and I came across it because my father wore it. I still remember the shock of pleasure when that first light floral note hit me, then the sense of surprise as the herbs, sandalwood and honey began to emerge, and finally it became sexier and more earthy as the oakmoss and what I now know Tto be civet took over. I remember, too, old-fashioned child that I was, that I thought it strange that my markedly heterosexual father wore a scent that seemed so voluptuous and so clearly aimed at women. Today, nobody would think anything of it. Speak to connoisseurs of perfume and as one they reject the notion of male and female scents. As Roja Dove, éminence grise of the perfume world, puts it: “For years floral notes were associated with feminine perfumes and – since men were considered strutting, predatory things – woody, mossy, earthy materials were linked with masculine ones, but the boundaries nowadays have become much more blurred. A rose, after all, has neither a penis nor a vagina – a rose on a man is a masculine rose, a rose on a woman is a feminine rose.” Violet, a note that one would have thought was largely feminine, was much beloved by Italian dandies in the late 19th and early 20th centuries, and it was an overdose of violet that made Geoffrey Beene’s Grey Flannel (£45 for 60ml EDT, to which much-respected perfume scholar Luca Turin awards five stars, calling it “a masterpiece”) such a success when it was launched in Clockwise from far left: 1975.
    [Show full text]
  • Perfume Engineering Perfume Engineering Design, Performance & Classification
    Perfume Engineering Perfume Engineering Design, Performance & Classification Miguel A. Teixeira, Oscar Rodríguez, Paula Gomes, Vera Mata, Alírio E. Rodrigues Laboratory of Separation and Reaction Engineering (LSRE) Associate Laboratory Department of Chemical Engineering Faculty of Engineering of University of Porto Porto, Portugal P. Gomes and V. Mata are currently at i-sensis company S. João da Madeira, Portugal AMSTERDAM • BOSTON • HEIDELBERG • LONDON NEW YORK • OXFORD • PARIS • SAN DIEGO SAN FRANCISCO • SINGAPORE • SYDNEY • TOKYO Butterworth-Heinemann is an imprint of Elsevier Butterworth-Heinemann is an imprint of Elsevier The Boulevard, Langford Lane, Kidlington, Oxford, OX5 1GB, UK 225 Wyman Street, Waltham, MA 02451, USA First published 2013 Copyright r 2013 Elsevier Ltd. All rights reserved No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or any information storage and retrieval system, without permission in writing from the publisher. Details on how to seek permission, further information about the Publisher’s permissions policies and our arrangement with organizations such as the Copyright Clearance Center and the Copyright Licensing Agency, can be found at our website: www.elsevier.com/permissions This book and the individual contributions contained in it are protected under copyright by the Publisher (other than as may be noted herein). Notices Knowledge and best practice in this field are constantly changing. As new research and experience broaden our understanding, changes in research methods, professional practices, or medical treatment may become necessary. Practitioners and researchers must always rely on their own experience and knowledge in evaluating and using any information, methods, compounds, or experiments described herein.
    [Show full text]
  • Dyeing - Wikipedia Page 1 of 5
    Dyeing - Wikipedia Page 1 of 5 Dyeing From Wikipedia, the free encyclopedia Dyeing is the process of adding color to textile products like fibers, yarns, and fabrics.[1] Dyeing is normally done in a special solution containing dyes and particular chemical material. After dyeing, dye molecules have uncut chemical bond with fiber molecules. The temperature and time controlling are two key factors in dyeing. There are mainly two classes of dye, natural and man-made. The primary source of dye, historically, has generally been nature, with the dyes being extracted from animals or plants. Pigments for sale at a market in Goa, Since the mid-19th century, however, humans have produced India. artificial dyes to achieve a broader range of colors and to render the dyes more stable to resist washing and general use. Different classes of dyes are used for different types of fiber and at different stages of the textile production process, from loose fibers through yarn and cloth to complete garments. Acrylic fibers are dyed with basic dyes, while nylon and protein fibers such as wool and silk are dyed with acid dyes, and polyester yarn is dyed with disperse dyes. Cotton is dyed with a range of dye types, including vat dyes, and modern synthetic reactive and direct dyes. Cotton being dyed manually in contemporary India. Contents ◾ 1 Etymology ◾ 2History ◾ 3 Methods ◾ 3.1 Direct application ◾ 3.2 Yarn dyeing ◾ 3.3 History of garment dyeing ◾ 3.4 Complex garment dyeing ◾ 4 Removal of dyes ◾ 5See also ◾ 6 References Etymology The word dye is from Middle
    [Show full text]
  • University of Oklahoma Graduate College
    UNIVERSITY OF OKLAHOMA GRADUATE COLLEGE GEOGRAPHIES OF KNOWLEDGE IN THE INTERNATIONAL FRAGRANCE INDUSTRY A DISSERTATION SUBMITTED TO THE GRADUATE FACULTY in partial fulfillment of the requirements for the Degree of DOCTOR OF PHILOSOPHY By BODO KUBARTZ Norman, Oklahoma 2009 GEOGRAPHIES OF KNOWLEDGE IN THE INTERNATIONAL FRAGRANCE INDUSTRY A DISSERTATION APPROVED FOR THE DEPARTMENT OF GEOGRAPHY BY ___________________________ Dr. Fred Shelley, Co-Chair ___________________________ Dr. Bret Wallach, Co-Chair ___________________________ Dr. Robert Cox ___________________________ Dr. Karl Offen ___________________________ Dr. Darren Purcell ___________________________ Dr. Laurel Smith ___________________________ Dr. Andrew Wood © Copyright by BODO KUBARTZ 2009 All Rights Reserved. ACKNOWLEDGEMENTS The ‘discovery of the world’ has been a stereotypical focus of human geography. However, the research helped me to discover a new world for myself. The fragrance industry delineates a rich landscape of sensorial stimulations. I appreciated not only the experience of smelling perfumes in different environments and the ‘look behind the scenes’ but the diversity of approaches to perfumery in this artistic industry. Therefore, my first ‘thank you’ goes to the industry experts that spend their precious time with me and opened their doors for me in France, Germany, and the United States. Thank you very much for introducing me to a world that you experience, develop, and change every day. Second, a dissertation is a long journey. This one has seen different companions until it came into being. It developed quite a bit over time. My friends in the United States and in Germany contributed through their critique, mental support, active interest, questions, guidance, and feedback. Thus, the second ‘thank you’ goes to all companions.
    [Show full text]
  • Nez, La Revue Olfactive
    5/15/2017 The Art and Olfaction Awards à Berlin, les nouveaux horizons de l'art olfactif - Nez, la revue olfactive The Art and Olfaction Awards in Berlin, the new horizons of art olfactory Jeanne Doré 2 reviews (http://www.nez-larevue.fr/notre-actu/the-art-and-olfaction-awards-a-berlin-nouveaux-horizons-de-lart-olfactif/#comments) 12 May 2017 Berlin is a human, warm and inspiring city. It is for this reason that Saskia Wilson-Brown, founder of the (http://artandolfaction.com/) Los Angeles-based Institute of Art & Olfaction (http://artandolfaction.com/) , and Awards (http://www.artandolfactionawards.org/2017awards/) of the same name, decided that the fourth award ceremony will be held this year in this city. Because an event that declares itself international and which wishes to bring together the authors of artistic perfumery from all over the world could not really be conned to the west coast of the United States and we were the rst to be delighted to be able to attend rst time. Thursday 4 May Our ight Paris Orly-Berlin Schönefeld is already olfactory, invaded by the body uids swollen with hormones of a class of high school students as excited and noisy as it is sparkling. On the Alexander Platz U-Bahn quay, it is a currywurst aroma that welcomes us, and reminds us that in Berlin one can calm its hunger at any time, anywhere. On arrival in Mitte, the city is bathed by a cold, tight drizzle, which does not prevent us from going to dinner in a Vietnamese canteen of the district with the scents of phở, frankincense and urinal.
    [Show full text]
  • The Emperor's New Theory
    book review Alas, nouveau vibration theory fails to The Emperor’s new theory take the world by storm. Their interest piqued by his fragrance reviews, Turin is The Emperor of Scent: A Story of Perfume, approached by the “Big Boys”, the multina- tional companies that create and supply Obsession, and the Last Mystery of the Senses perfume for many of the world’s most famous brands. They offer him a tantaliz- by Chandler Burr ing sniff of their vast smell libraries, Random House, New York, 2002 $24.95 glimpses of proprietary databases, and invi- hardcover, pp 318 tations to posh parties. They flirt, but ulti- ISBN 0-375-50797-3 mately send him off, along with the theory he rode in on. To Burr, this proves that the Reviewed by Avery N. Gilbert Big Boys are threatened: they believe Turin’s theory is powerful enough to loosen their oligarchic grip on the market. At the same time, Turin is sandbagged I hear the sound of a gentle word ting it published. But this giddy and over- by the entrenched academic establishment. On the wind that lifts her perfume through wrought account by Chandler Burr is more His attempt to publish the theory in a lead- the air than a standard scientific biography; it’s ing British scientific journal is (gasp!) reject- I’m pickin’ up good vibrations part hagiography and part legal brief. ed. This deliberate refusal to acknowledge She’s giving me excitations Burr portrays Turin as a Goethe-like the brilliance of Turin’s paper is, according polymath, a brilliant, intellectually rest- to Burr, clear evidence of “scientific cor- —The Beach Boys, Good Vibrations, 1966 less, self-educated aesthete.
    [Show full text]
  • About SP PRIVATE PERFUME with MIGUEL MATOS @ the PERFUME GUIDE by Luca Turin and Tania Sanchez
    About SP PRIVATE PERFUME WITH MIGUEL MATOS @ THE PERFUME GUIDE by Luca Turin and Tania Sanchez. As owner of the brand SP PARFUMS and perfumer for SP PRIVATE PERFUME WITH MIGUEL MATOS I am disappointed with the "Art of judging" regarding "The Perfume Guide 2018" by Luca Turin and Tania Sanchez. It's a fact, that objective parameter should be the basement for any kind of criticism. Sadly I can't find this in the reviews and ratings for SP PRIVATE PERFUME WITH MIGUEL MATOS. The words the authors used are full of personal aggression and sarcasm against Miguel Matos. I miss any kind of respect !I don't know the reason for that 'personal hate' against Miguel. Miguel and me did these perfumes to honour his Portuguese roots. And, respectfully, I don't want to have perfumes I have created as tools ( or weapons) for a personal revenge ( or fight) ! At last the authors of the book gave SUNTANGLAM, LISBON BLUES and FUNFAIR bashing 1 star ratings. Just to give you an impression, the community at FRAGRANTICA voted : SUNTANGLAM 4,05 (from 5) with 25 votes LISBON BLUES 3,08 (from 5) with 12 votes FUNFAIR. 3,13 (from 5) with 16 votes. In their reviews the authors of the book gave no information regarding the background of the perfumes or a serious description of their character and structure to explain their ratings. In May 2016 Luca Turin published a positive review of the ESSENTIAL COLLECTION / SP PARFUMS in his perfumeblog 'perfumesilove'. But in the 2018 Guide sadly no other perfume by SP PARFUMS was reviewed.
    [Show full text]
  • Engineering Perfumes
    ENGINEERING PERFUMES Dissertation presented to the FACULDADE DE ENGENHARIA DA UNIVERSIDADE DO PORTO for the degree of Doctor in Chemical Engineering by Paula Cristina Baldaia M. S. Gomes Supervisors Professor Alírio E. Rodriges Doutora Vera G. Mata Departamento de Engenharia Química Faculdade de Engenharia Universidade do Porto May 2005 i TABLE OF CONTENTS LIST OF FIGURES viii LIST OF TABLES xv CHAPTER 1 INTRODUCTION 1 1.1 Relevance and Motivation 1 1.2 Objectives and Outline 3 CHAPTER 2 PERFUMERY œ A REVIEW 5 2.1 The F&F Industry 6 2.2 The regulatory context 14 2.3 The sense of smell 15 2.4 Classification of perfumery materials 17 2.4.1 The chemistry of flavour and fragrance materials 18 2.4.2 Aroma chemicals 18 2.4.3 Natural materials 21 2.5 Production of aromatic plants in Portugal 25 2.6 Production methods of natural perfumery materials 27 2.6.1 Distillation 28 2.6.2 Expression 30 2.6.3 Solvent Extraction 31 ii 2.6.4 Supercritical Fluid Extraction 33 2.7 Adding value to naturals 34 2.8 Formulation and production of perfumes 35 2.8.1 Perfume structure and evaporation 37 2.8.2 Classification of perfumes 40 2.8.3 Creation of perfume 42 2.8.4 Manufacturing of perfumes 44 2.9 The scientific contribution to perfumery 46 2.9.1 Isolation methods 46 2.9.2 Analytical methods 47 2.9.3 Physical basis 49 2.10 Conclusions 52 2.11 References 53 CHAPTER 3 CHARACTERIZATION OF TWO PORTUGUESE NATURAL 5 MATERIALS 6 3.1 Introduction 57 3.2 Portuguese-grown Geranium-rose (Pelargonium sp) essential 59 oil 3.2.1 Organoleptic characteristics 61 3.2.2 Perfumery
    [Show full text]
  • The Chemistry of Smellable Molecules → Volatility?
    The chemistry of smellable molecules volatility? The chemical categories to which most odoriferous substances belong are : 1. Terpenes (= isoprenoides): e.g. Menthol, lemonene, thymol 2. Phenoles e.g. Coumarin, vanillin, heliotropin 3. Sulfuric compounds: e.g. Allyl isothiocyanate = volatile mustard oil 4. Amines e.g. Methylamine (dead fish) 5. Aldehydes e.g. Acetaldehyde (ripe fruits) benzaldehyde (bitter almond) 6. Esters & Lactones (cyclic esters) e.g. Allyl amyl glycolate (pineapple) 1. We smell only short molecules, large ones are no longer volatile and hence not odorous. 2. If molecule is very short, short is also its endurance, it will be a top note like e.g. dimethyl sulfide CSC – the transient smell of truffles 3. If a molecules carry a large net charges they will stick to each other and form hydrogen bonds. This prevents volatility. 4. Most olfactory molecules are made of C, H, O, N, S Perfumes – art, witchcraft or science? Perfumes are mixtures of raw materials: fragrant essential oils and other odorants, musk, fixatives, chemicals + solvents to give the human body, food, detergent, soap, juice, books etc pleasant smells. Why perfumes? Extracts from plants do not really smell like the real flowers but like a weak fake which might resemble but never match nature & original. The perfume maker therefore combines various raw materials to get something that resembles real flowers , or may even create some desirable fantasy smell The first perfume that used pure chemicals was in 1881Fougere Royal or Royal Fern by Parquet: it used lots of coumarin. Coumarin was used before but it was extracted from woodruff, vanilla leaf, & Tonka beans ($ 450/ kg), but not the pure, cheap chemical ($ 10/kg).
    [Show full text]
  • Secret of Scent
    Smells –unconscious component in our behavior Pizza-smell is added to the air conditioning of shopping malls to put you in the mood to visit the restaurants. “Ok, sweetheart, you look bored. Let’s have a bite before we continue.” The “new car “ smell is used just before you take a test ride in a used car dealership. You feel much better than in your old warthog that smells like food and burnt oil. Cake-baking aroma is spread in the kitchen of a house by the real estate agent or owner who wants to sell it. Perfume is used by guys & girls to draw attention or suggest a highly cultivated lifestyle. Garden stores can smell like fertilizer or like flowers. Which one will sell better? Hospitals & waiting rooms can have the aseptic smell of of carbolic acid or the distracting smell of flowers. A female perfume would be really irritasting! Smells –unconscious component in our behavior Odor greatly affects our evaluation of things and people. Only 20 % of the perfume industries income comes from perfuming humans, 80 % comes from ‘perfuming” the things of our daily life. Anosmia or the loss of the ability to smell leads to depression and a life where you recognize your food just by the taste alone; salty, bitter, hot , cold, sweet. Also your sex drive disappears. What? … Already the ancient Greeks “healed” sex offenders by cutting off their …………. Noses! Why are the noses of many ancient statues broken. Do they all represent sex offenders ? Oh my . Super Smellers. can smell “cyanide” - a non volatile salt in extreme dilution (my boss at Penn State).
    [Show full text]
  • The Top Ten Niche Fragrances Every Beginner Should Sample ~ by Claire Vukcevic — Basenotes.Net
    The Top Ten Niche Fragrances Every Beginner Should Sample ~ by Claire Vukcevic — Basenotes.net Log in Register DIRECTORY NEWS FEATURES SHOPPING REVIEWS EVENTS FORUMS GROUPS BLOGS SOTD AWARDS Home » Editorial » Features Features The Top Ten Niche Fragrances Every Beginner Should Sample by Claire Vukcevic 13th January, 2016 47 comments http://www.basenotes.net/features/3243-the-top-ten-niche-fragrances-every-beginner-should-sample/view/all[27/11/2016, 19:43:22] The Top Ten Niche Fragrances Every Beginner Should Sample ~ by Claire Vukcevic — Basenotes.net First of all, despite the word “should” in the title, this is by no means a prescriptive article. If you’re just starting out and feel like making your own merry way through genres, notes, houses, etc., and at your own pace, then feel free to ignore this. But for some, a roadmap is useful. If you want to cut straight to the good stuff, without wasting too much money, then think of this article as an older sister putting her hand on your shoulder and telling you which boys to steer clear of at the local nightclub. Only less condescending (hopefully). Sample first, unless you have money to burn and are keen to build your collection all in one go. A bit of blind buying goes with the territory, of course, and we’ve all done it – but at least sample the major categories first so that you’re not working completely in the dark. I’ve chosen to start with a list of the top ten niche perfumes, but a list of must-sniff designer fragrances is up next.
    [Show full text]