DOCSLIB.ORG

Postcolonial Fiction and Colonial Time

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Postcolonial Fiction and Colonial Time University of Massachusetts Amherst ScholarWorks@UMass Amherst Doctoral Dissertations Dissertations and Theses July 2017 Waiting for Now: Postcolonial Fiction and Colonial Time Amanda Ruth Waugh Lagji University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/dissertations_2 Part of the African Languages and Societies Commons, Other English Language and Literature Commons, and the Race, Ethnicity and Post-Colonial Studies Commons Recommended Citation Lagji, Amanda Ruth Waugh, "Waiting for Now: Postcolonial Fiction and Colonial Time" (2017). Doctoral Dissertations. 914. https://doi.org/10.7275/9983687.0 https://scholarworks.umass.edu/dissertations_2/914 This Open Access Dissertation is brought to you for free and open access by the Dissertations and Theses at ScholarWorks@UMass Amherst. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. WAITING FOR NOW: POSTCOLONIAL FICTION AND COLONIAL TIME A Dissertation Presented by AMANDA RUTH WAUGH LAGJI Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2017 Department of English © Copyright by Amanda Ruth Waugh Lagji 2017 All Rights Reserved WAITING FOR NOW: POSTCOLONIAL FICTION AND COLONIAL TIME A Dissertation Presented by AMANDA RUTH WAUGH LAGJI Approved as to style and content by: _______________________________________ Stephen Clingman, Chair _______________________________________ Asha Nadkarni, Member _______________________________________ Britt Rusert, Member ____________________________________ Randall Knoper, Department Head Department of English DEDICATION Shpirti im ACKNOWLEDGMENTS One of the highlights of finishing this dissertation project is the opportunity to thank publicly the many people to whom I owe thanks. I want to thank Stephen Clingman especially, not only for his supportive excitement for this project, but also for the timely reminder: “Claim your space.” I thank Asha Nadkarni for her thoughtful suggestions, encouragement, and contagious belief in my abilities over the years. Both Stephen and Asha were instrumental presences at every milestone—from advisory committee to areas exam, prospectus to defense. I thank Britt Rusert for not only for her willingness to serve on the committee, but also her feedback on the earliest version of my introduction; those insights helped me to shape the entire project going forward. Other members of the English department faculty have also indelibly shaped this project and my career, but I am especially thankful for the feedback, support, and advice given by Laura Doyle, Rachel Mordecai, Suzanne Daly, Mazen Naous, Jane Degenhardt, Nick Bromell, and Donna LeCourt. I appreciate the comradery that various instantiations of the “writing group” provided over the years, and especially its core members: Carly Houston Overfelt, Heather Wayne, and Lauren Silber. I was fortunate to present my work at the 2016 “Waiting as Cultural Practice” interdisciplinary conference in Paderborn, Germany. I thank the conveners, Christoph Singer and Olaf Berwald for the incredible opportunity to discuss waiting across disciplinary, geographical, and national boundaries. I am also indebted to conversations occasioned by the African Studies Association conferences, Northeast Modern Language Association conferences, and the Modern Language Association conferences as well. A v special thank you to Andrew van der Vlies for allowing me to quote from his forthcoming book, Present Imperfect: Contemporary South African Writing, in chapter 4. Over eight years in the Pioneer Valley, I have been fortunate to form communities and find friendships in diverse places, and I recognize just a few of those meaningful relationships here: Anna Rita Napoleone, Razvan Sibii, Steph Kent, Iris Chelaru, and Colin Sweeney; Megan West and “Badger” Bergmann; Nicolas Sansone, Kate Walker, Scott Schneider, Keith Bailey, Steve Kallaugher, and Kris Newhall; Christopher Hennessey, Anthony Gregory, Lauren McCarthy and Daniel LaChance. I am grateful for my family—near and far, close and extended—for support in many forms over many years: my parents Dawn and Bill, and my sisters Kristen and Danielle. And finally, thank you to Genti Lagji for reminding me that there is life to be lived beyond the words on a page and outside the covers of a book. Faleminderit, zemra ime. vi ABSTRACT WAITING FOR NOW: POSTCOLONIAL FICTION AND COLONIAL TIME MAY 2017 AMANDA RUTH WAUGH LAGJI, B.A., DICKINSON COLLEGE M.A., UNIVERSITY OF MASSACHUSETTS AMHERST Ph.D., UNIVERSITY OF MASSACHUSETTS AMHERST Directed by: Professor Stephen Clingman This dissertation examines the temporalities of waiting in global Anglophone fiction, reinvigorating waiting as a modality that can be at turns debilitating, strategic, calculating, and meditative. By arguing for the centrality of waiting to the experience of postcoloniality, my dissertation challenges the dominant narrative of the twentieth century as a time only of acceleration and movement. In the introduction, I draw from social scientific studies of waiting, as well as philosophies of time, mobility studies, and history, to create a robust framework of waiting as a cultural practice and privileged analytical concept for scrutinizing colonial and postcolonial regimes of time. In chapter 1, I argue that V.S. Naipaul’s A Bend in the River and Nadine Gordimer’s July’s People literalize the spatiotemporal metaphor “waiting room of history” to achieve very different ends. Maureen’s refusal to wait any longer in July’s People rejects the apartheid temporalities that condition that “waiting room,” whereas Salim’s refusal to wait in A Bend in the River ultimately reproduces the waiting room model of history—to which, in Naipaul’s view, certain occupants of the globalized, postcolonial world will always be relegated. In chapter 2 I read Alejo Carpentier’s Kingdom of This World and J.M. Coetzee’s Life & Times of Michael K vii through the lens of marronage; the protagonists’ labor and their “idleness” become newly legible as resistive waiting. I explore the temporal dimensions of waiting and disillusionment following political independence in Anita Desai’s Cry the Peacock and Ayi Kwei Armah’s Fragments in chapter 3. In chapter 4, I link waiting with healing and reconciliation after apartheid and civil war using Ndebele’s Cry of Winnie Mandela and Ishmael Beah’s Radiance of Tomorrow. I conclude my dissertation with a reflection on the significance of waiting in the post-9/11 world, such as in the rhetoric of preemptive military strikes that frame national security in terms of refusing to wait. As my dissertation argues, the temporal dimensions of waiting are not only implied in the discourses of colonial administration and anticolonial nationalisms, but are also deployed in strategic and political expressions of resistance, and remain central to the formation of geopolitical realities. viii TABLE OF CONTENTS Page ACKNOWLEDGMENTS ...................................................................................................v ABSTRACT ...................................................................................................................... vii LIST OF TABLES ............................................................................................................. xi INTRODUCTION ...............................................................................................................1 CHAPTER 1: THE WAITING ROOMS OF V.S. NAIPAUL AND NADINE GORDIMER .............51 Projects and Promissory Notes: Continuities of Waiting ......................................54 Conrad’s Heir: Naipaul’s African Fiction..............................................................57 Colonial Relics: Father Huismans and Raymond ..................................................67 “I will wait for the rest of my life”: Indian-Africans Abroad ................................74 Temporal Dimensions of Waiting During the Interregnum ...................................82 Broken Watches: Dismantling the Waiting Rooms of History ..............................95 2: MAROONED TIME: DISRUPTIVE WAITING AND IDLENESS IN CARPENTIER AND COETZEE ......................................................................................99 Timelessly Recurrent: Reading the Revolutionary Maroon ................................102 Flight, Freedom, and Formulations of Time: Maroon Characteristics ................108 Countertemporalities of Kingdom: History, Circularity, and Flight ....................114 Idle Time: Laboring Against the State in Michael K ...........................................121 Lines of Flight: States of Freedom in Marronage ................................................141 3: GENDERED TIMESCAPES OF WAITING: PATIENCE AND URGENCY IN ARMAH’S FRAGMENTS AND DESAI’S CRY, THE PEACOCK ...........................145 Postcolonial Novels of Disillusionment...............................................................145 Engendering Timescapes: Patience and Urgency ................................................150 Waiting Impatiently: Timescapes of Accra .........................................................155 Efua, Naana, and Juana: A Challenging Patience ...............................................168 ix “Now” is Here: Fierce Urgency in Cry, the Peacock ..........................................171
Load more

Recommended publications
  • Nadine Gordimer, Jump and Other Stories: “The Alternate Lives I Invent” Abstracts & Bios Abstracts International Conference
    Nadine Gordimer, Jump and Other Stories: “the alternate lives I invent” Abstracts & Bios Abstracts International Conference Website: http://www.vanessaguignery.fr/ Contacts : [email protected] 4-5 October 2018 [email protected] ENS de Lyon 15 Parvis René Descartes, Site Buisson (building D8), Conference Room 1 Nadine Gordimer, Jump and Other Stories: “the alternate lives I invent” Abstracts & Biographical presentations International Conference ENS de Lyon 4-5 October 2018 15.00 • COFFEE BREAK 15.30 • Liliane LOUVEL (University of Poitiers) : “‘The Enigma of the Encoun- — PROGRAMME — ter’: a World out of Joint in Nadine Gordimer’s Jump and Other Stories” 16.05 • Hubert MALFRAY (Lycée Claude-Fauriel Saint Etienne - IHRIM): “Traces, Nadine Gordimer, Jump and Other Stories: Tracks and Trails: Hunting for Sense in Nadine Gordimer’s Jump and Other “the alternate lives I invent” Stories” 16.40 • Fiona McCANN (University of Lille): “A Poetics of Liminality: Nadine ENS DE LYON - SITE BUISSON (BUILDING D8), CONFERENCE ROOM 1 Gordimer’s Jump and Other Stories” 20.00 • DINNER THURSDAY 4th OCTOBER 2018 FRIDAY 5th OCTOBER 2018 09.30 • Registration and coffee MORNING SESSION 09.50 • Welcome address by Vanessa GUIGNERY (ENS de Lyon) and Christian GUTLEBEN (University of Nice — Sophia Antipolis) Chair: Pascale TOLLANCE (University Lyon 2) 09.30 • Christian GUTLEBEN (University of Nice — Sophia Antipolis): MORNING SESSION “Metonymy Thwarted: When the Part is Segregated from the Whole in Nadine Gordimer’s Jump and Other Stories” Chair:
    [Show full text]
  • Master 257 December
    PEN PEN Joins ABR ince the beginning of 2003, nine writers and journalists have been murdered worldwide, adding to International SPEN’s list of 400 who have been killed over the last ten years. In the same period, 769 other writers and journal- ists have been imprisoned, tortured, attacked, threatened, harassed and deported, or have disappeared, gone into hiding or fled in fear of their lives — simply for practising their profession. International PEN is a worldwide organisation of writers, consisting of 130 centres in ninety-one countries. PEN was founded in 1921 to promote friendship and cooperation among writers everywhere, regardless of their political positions. It fights for freedom of expression and opposes political censorship. Above all, it vigorously defends those writers who suffer under oppressive régimes. Over the years, PEN’s members have included eminent writers around the world, including Joseph Conrad, George Bernard Shaw, H.G. Wells, Thomas Mann, Nadine Gordimer, Arthur Miller, Margaret Atwood, Thomas Keneally and David Malouf. The Peruvian writer Mario Vargas Llosa has declared: ‘In times of division between countries, PEN is one of the rare institutions to keep a bridge constantly open.’ In 1960 PEN established a Writers in Prison Committee to campaign on behalf of persecuted writers worldwide. The Committee currently monitors the cases of more than 1000 writers each year, lobbying governments to secure their re- lease. The Committee maintains contact with imprisoned writ- ers and their families, while also working through the UN to draw attention both to individual cases and to human rights abuses in specific countries. This year so far, twenty-eight writers have been released.
    [Show full text]
  • Novels by Doris Lessing, Bessie Head, and Nadine Gordimer
    Old Dominion University ODU Digital Commons English Faculty Publications English 1995 Southern Africa and the Themes of Madness: Novels by Doris Lessing, Bessie Head, and Nadine Gordimer Nancy Topping Bazin Follow this and additional works at: https://digitalcommons.odu.edu/english_fac_pubs Part of the Literature in English, Anglophone outside British Isles and North America Commons, and the Women's Studies Commons lecent Titles in :ontributions in Women's Studies INTERNATIONAL vtules and Dragons: Popular Culture Images in the Selected rVritings of African-American and Chinese-American Women Writers Wary E. Young WOMEN'S WRITING rVomen, Community, and the Hormel Strike of 1985-86 Vea/a J. Schleuning Edith Wharton· s Prisoners of Consciousness: A Study of Theme and New Landscapes of Identity Technique in the Tales Evelyn E. Fracasso Edited by Mothers and Work in Popular American Magazines Kathryn Keller Anne E. Brown Ideals in Feminine Beauty: Philosophical, Social, and Cultural and Marjanne E. Goo:z:e Dimensions Karen A. Callaghan, editor The Stone and the Scorpion: The Female Subject of Desire in the Novels of Charlotte Bronte, George Eliot, and Thomas Hardy Judith Afitchell The Several \Vorlds of Pearl S. Buck: Essays Presented at a Centennial Symposium, Randolph-Macon Woman's College. March 26-28. 1992 E!i::,abeth J. Lipscomb, Frances E. iVebb. and Peter Conn, editors Hear :Vtc Patiently- The Reform Speeches of Amelia Jenks Bloomer Anne C. Coon, editor Nineteenth-Century American Women Theatre Managers Jw1e Kathleen Curry Textual Escap(e)ades: Mobility, Maternity, and Textuality in Contemporary Fiction by Women Lindsey Tucker The Repair of the World.
    [Show full text]
  • Both Gordimer and Coetzee Have Been Preoccupied, Throughout Their Careers, with the Responsibility of the Novelist
    Volume 2: 2009-2010 ISSN: 2041-6776 9 { Both Gordimer and Coetzee have been preoccupied, throughout their careers, with the responsibility of the novelist. From your reading of the novels, how would you say their ideas about responsibility differ? Hamish Matthews Considering the responsibility of the novelist in South Africa involves questions deeply embedded in the country's troubled history. The spectre of apartheid casts an unavoidable shadow over writers from white privileged society despite the breakdown of the political system of apartheid. With regard to the problem of the author's position Gallagher queries, ”how one can write for œ in support of œ the ”Other‘ without presuming to write for œ assuming power over œ the Other.‘ 1 The ”Other‘ is a term used to refer to the black majority, in that they had been so suppressed by apartheid, that their sudden integration into South African culture did not erase the ingrained difference projected during apartheid between the ”us‘ and ”them‘ of whites and blacks. There are two extremes in which the racist hierarchy can live on through art. In speaking for the ”Other‘ there is a risk of a continuing form of linguistic colonialism. At the other end of the scale is the counter-fear of an outright refusal to deal with the ”Other‘, accepting unbridgeable differences, straying toward recreating the rhetoric that formed apartheid. It is between these two fears that Coetzee and Gordimer carefully tread. Coetzee leans strongly towards the impossibility of representation, pushing language to its limit to expose the limitations of current literary conditions.
    [Show full text]
  • The PEN International Stage & Screen Circle
    ‘PEN International has traditionally been a place where great artists of stage and screen -Thornton Wilder, Maurice Maeterlinck, Arthur Miller, Ronald Harwood, Octavio Paz and Harold Pinter- have fought for freedom of expression the world over. Today, as even a mobile phone can be a movie camera, we are able to bear witness to human rights violations as never before. In these times, more than ever, PEN defends playwrights, screenwriters and filmmakers who are censored, silenced and jailed’ – JENNIFER CLEMENT, PEN INTERNATIONAL PRESIDENT ‘I consider freedom of expression the most important cause that PEN supports. Without freedom of expression we are lost’ – RONALD HARWOOD, PEN INTERNATIONAL PRESIDENT EMERITUS ‘My respect for this organisation has no borders…PEN has been so fierce, so consistent and ferocious in its efforts that it is hard to ignore their worldwide impact.’ The PEN – TONI MORRISON, PEN INTERNATIONAL VICE PRESIDENT International For more information contact [email protected] Stage & Screen Cover image: PEN International President Emeritus Arthur Miller and Marilyn Monroe arrive in London for the premier of film The Prince and the Showgirl with Laurence Olivier. Photo by The Print Collector/Getty Images. PEN International is a registered UK charity under the name International P. E. N. Circle Our charity number is 1117088. Who Stage and We Are Screen Circle Although PEN’s membership has always included advocates from the stage and PEN International and the stage and screen worlds have been interwined for almost screen, we are also increasingly fighting for the freedom of playwrights, directors and one hundered years. One of PEN’s founding members, along with H.G Wells, was screenwriters: George Bernard Shaw.
    [Show full text]
  • Author Biography Toni Morrison Discussion Guide
    TONI MORRISON DISCUSSION GUIDE (630) 232-0780 [email protected] AUTHOR BIOGRAPHY The second of the four children of George and Ramah (Willis) Wofford, Toni Morrison was born Chloe Anthony Wofford in Lorain, Ohio, a steel town twenty-five miles west of Cleveland. During the worst years of the Great Depression, her father worked as a car washer, a welder in a local steel mill, and road-construction worker, while her mother, a feisty, determined woman, dealt with callous landlords and impertinent social workers. "When an eviction notice was put on our house, she tore it off," Morrison remembered, as quoted in People. "If there were maggots in our flour, she wrote a letter to [President] Franklin Roosevelt. My mother believed something should be done about inhuman situations." In an article for the New York Times Magazine, Morrison discussed her parents' contrasting attitudes toward white society and the effect of those conflicting views on her own perception of the quality of black life in America. Ramah Wofford believed that, in time, race relations would improve; George Wofford distrusted "every word and every gesture of every white man on Earth." Both parents were convinced, however, that "all succor and aid came from themselves and their neighborhood." Consequently, Morrison, although she attended a multiracial school, was raised in "a basically racist household" and grew up "with more than a child's contempt for white people." After graduating with honors from high school in 1949, Toni Morrison enrolled at Howard University in Washington, DC. Morrison devoted most of her free time to the Howard University Players, a campus theater company she described as "a place where hard work, thought, and talent" were praised and "merit was the only rank." She often appeared in campus productions, and in the summers she traveled throughout the South with a repertory troupe made up of faculty members and students.
    [Show full text]
  • Boys Will Be Boys: a Moving Tale of a Family and a Nation
    Research Journal of English Language and Literature (RJELAL) A Peer Reviewed (Refereed) International Journal Vol.5.Issue 3. 2017 Impact Factor 6.8992 (ICI) http://www.rjelal.com; (July-Sept) Email:[email protected] ISSN:2395-2636 (P); 2321-3108(O) RESEARCH ARTICLE BOYS WILL BE BOYS: A MOVING TALE OF A FAMILY AND A NATION Dr. JHARNA MALAVIYA Department of English and Modern European Languages, University of Allahabad Email: [email protected] ABSTRACT Sara Suleri’s memoir, Boys will be Boys, is a classic of postcolonial literature; a book, vital for understanding the postcolonial world of India and Pakistan and their complex shared past. Suleri brings to life the lost world of Pakistan and examines the complex network of power and cultural discourses that has shaped the present. In the memoir, Suleri’s family becomes a microcosm of the nation and her love-hate relationship with her father, the love-hate relationship with Pakistan. Boys will be Boys is a touching saga of the death of an era, a family, and a nation, and the birth of a new world ruled by fundamentalist forces. Suleri does not accept historical narratives at face value. She doubts history and Boys Will be Boys is an attempt to revisit and rewrite history, to narrate untold or silenced stories of the past, and to understand how feudal cultural hangovers, half-baked democratic bourgeois values, and the discourses of cultural imperialism shape the society. A professor at Yale University today, Sara Suleri was born and brought up in Pakistan. Her mother was a Welsh journalist and father a renowned journalist who migrated from India to Lahore after the partition of India.
    [Show full text]
  • ENG 145 Nobel Literature
    ENG 145 Nobel Literature Online, Asynchronous May 22-July 1 2017 4 credits Course Web Info: <blackboard.gordon.edu>; see also <nobelprize.org> for helpful resources Instructor: Chad Stutz Office Phone: (978) 867-4754 Cell Phone: (617) 694-9722 Email: [email protected] Virtual Office Hours: M–F, 9-10:15 a.m. EST; by appointment Description There can be no greater recognition in the literary world than the Nobel Prize for Literature. Awarded by the Swedish Academy, the prize is given for excellence in literature as a representation or illustration of culture. The award is given for an author’s entire oeuvre—often after the publication of a seminal work. In the study of Nobel Prize-winning authors, we are studying those individuals who, according to the directive of Alfred Nobel, “have conferred the greatest benefit on mankind,” and, in the field of literature, “have produced the most outstanding work of an idealistic tendency.” Our focus will be on selected works of fiction, poetry, and drama by Nobel laureates as we discover more about our world and what it means to be human through the literature of its disparate peoples. We will also, inevitably and deliberately, interpret what we read through the lens of our faith as we meet writers and characters who do not share a Christian worldview. Finally, we will work on developing reading, writing, and critical thinking skills through online discussions, reading quizzes, and an essay. This course fulfills the Core Global Understanding Theme (Old Core) and the Core Literature Requirement (New Core), helping students to foster “an understanding of and engagement with global cultures in all their diversity” (Core Objective #4).
    [Show full text]
  • Must Do Must
    Books! Books! Books! There is no end to knowledge. All you need to do is flip through the pages to get that extra dose of BOOKS infotainment. So simply read on... 03 SELMA LAGERLOF DORIS LESSING NOBEL NOD FOR: Telling stories rooted NOBEL NOD FOR: Writing about how in the sagas of her homeland and why we live The Swedish writer was the first woman In 2007, the British-Zimbabwean author to win the award in became the oldest person 1909. Besides writ- to win the Nobel at ing, she pursued 88. Her work was women’s issues mostly centred and helped Jewish writer Nelly Sachs around political, feminist issues; and escape Nazi persecution in WWII. race relations in Zimbabwe. READ SHIKASTA: Published in 1979, the READ THE WONDERFUL ADVENTURES OF science fiction novel is about the his- NILS: The 1906 story follows the life tory of a planet, Shikasta, under the of a boy named Nils Holgersson. influence of three galactic empires. SVETLANA ALEXIEVICH TONI MORRISON NOBEL NOD FOR: Giving voice to the NOBEL NOD FOR: Depicting the historical post-Soviet individual role of African-American women in society The investigative journalist was the first Awarded the Nobel in 1993, the laure- woman from Belarus to receive the ate’s best-selling work explored award in 2015. Her books depict life black identity in America, and during, and after, the Soviet Union in particular, offered an idea through the experience of indi- of what it means to live in a vidual – and was presented as a black woman’s body.
    [Show full text]
  • Nobel Prize in Literature Winning Authors 2020
    NOBEL PRIZE IN LITERATURE WINNING AUTHORS 2020 – Louise Gluck Title: MEADOWLANDS Original Date: 1996 DB 43058 Title: POEMS 1962-2012 Original Date: 2012 DB 79850 Title: TRIUMPH OF ACHILLES Original Date: 1985 BR 06473 Title: WILD IRIS Original Date: 1992 DB 37600 2019 – Olga Tokarczuk Title: DRIVE YOUR PLOW OVER THE BONES OF THE DEAD Original Date: 2009 DB 96156 Title: FLIGHTS Original Date: 2017 DB 92242 2019 – Peter Handke English Titles Title: A sorrow beyond dreams: a life story Original Date: 1975 BRJ 00848 (Request via ILL) German Titles Title: Der kurze Brief zum langen Abschied 10/2017 NOBEL PRIZE IN LITERATURE WINNING AUTHORS Original Date: 1972 BRF 00716 (Request from foreign language collection) 2018 – No prize awarded 2017 – Kazuo Ishiguro Title: BURIED GIANT Original Date: 2015 BR 20746 /DB 80886 Title: NEVER LET ME GO Original Date: 2005 BR 21107 / DB 59667 Title: NOCTURNES: FIVE STORIES OF MUSIC AND NIGHTFALL Original Date: 2009 DB 71863 Title: REMAINS OF THE DAY Original Date: 1989 BR 20842 / DB 30751 Title: UNCONSOLED Original Date: 1995 DB 41420 BARD Title: WHEN WE WERE ORPHANS Original Date: 2000 DB 50876 2016 – Bob Dylan Title: CHRONICLES, VOLUME 1 Original Date: 2004 BR 15792 / DB 59429 BARD 10/2017 NOBEL PRIZE IN LITERATURE WINNING AUTHORS Title: LYRICS, 1962-2001 Original Date: 2004 BR 15916 /DB 60150 BARD 2015 – Svetlana Alexievich (no books in the collection by this author) 2014 – Patrick Modiano Title: DORA BRUDER Original Date: 1999 DB 80920 Title: SUSPENDED SENTENCES: THREE NOVELLAS Original Date: 2014 BR 20705
    [Show full text]
  • Anticipation Mounts As Oldest Book Awards Approach Milestone 04-12-2018
    News Release Issued: Tuesday, 4 December 2018 Anticipation mounts as oldest book awards approach milestone More than 500 new books have arrived at the University of Edinburgh for judging in the centenary awards of Britain’s longest-running literary prizes. The annual James Tait Black Prizes – presented by the University since 1919 – have recognised many landmark works and continue to encourage great new writing. Postgraduate students June Laurenson and Vivek Santayana launched the judging process and distributed books to 25 student readers who will assess each entry. The James Tait Black Prizes are distinctive in the way that they are judged. Each year the books are considered by senior staff from English Literature at the University, assisted by a reading panel of postgraduate students Two £10,000 prizes are awarded by the University of Edinburgh for books published in English during the previous year – one for the best work of fiction and the other for the best biography. A shortlist of eight books – four in each category – will be announced in the Spring. The winners – announced in August – will join the illustrious roll call of past winners that includes Angela Carter, Graham Greene, DH Lawrence, Cormac McCarthy, Ian McEwan, Muriel Spark and Evelyn Waugh. Equally distinguished names appear on the list of biography winners. Among them are Peter Ackroyd, Martin Amis, Quentin Bell, John Buchan, Richard Ellmann, Kathryn Hughes and Hermione Lee. The James Tait Black Prizes were founded by Janet Coats, the widow of publisher James Tait Black, to commemorate her husband’s love of good books. The inaugural fiction winner was Hugh Walpole for The Secret City, his seminal work about the Russian Revolution.
    [Show full text]
  • Schedule of Courses Spring 2021 Spring 2021 Courses at a Glance
    Schedule of Courses Spring 2021 Spring 2021 Courses at a Glance Spring 2021 Courses at a Glance MONDAY, 10 AM–12 NOON 104 Braiding Sweetgrass: Thinking about Nature and Humankind Fred Chanania 300 China and the US: Relations Since 1776 Easley Hamner 105 Eudora Welty’s Stories and Reflections on Writing Joanne Carlisle 301 Ninth Street Women: Heroines of Abstract Expressionism and Beyond 106 Population Matters Laura Becker Mary Jo Bane *302 The First Artists: Cave Art 203 New England Trees and Forests: Then and Now Ron Ebert Fred Chanania 303 The Harlem Renaissance 204 Old Problems/New Voices: 2020 African-American Novels Martha Vicinus Linda Sultan 100 The Makioka Sisters: A Japanese Tale of Love and Cultural Upheaval 205 Richard III: Villain or Victim? Barbara Burr and Winthrop Burr Jennifer Huntington 101 Writing Epidemics 206 Truman’s Decision Burns Woodward Joan McGowan 200 Listening for America: Gershwin to Sondheim TUESDAY, 1 PM–3 PM Steven Roth 314 A Perspective on the Development of Homo Sapiens MONDAY, 1 PM–3 PM Jeffrey Berman 304 Balzac’s Lost Illusions 315 Conversations with Joan Didion Andrea Gargiulo Randy Cronk 305 Existential Questions 316 Deliberative Democracy: Can We Have Democracy without Amanda Gruber Elections? Helena Halperin *306 Great Decisions 2021 Carol Kunik and Dottie Stephenson 317 How Hemingway Became Hemingway Susan Ebert *307 Reading or Rereading The Odyssey in a New Translation Marcia Folsom *318 Literary Portraits of White Supremacy: Paton, Wright, and Gordimer 308 The Long Evolution of Spin: Where Have
    [Show full text]