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The Paintings and Sculpture Given to the Nation by Mr. Kress and Mr
e. FOR IMMEDIATE RELEASE THE COLLECTIONS OF THE NATIONAL GALLERY OF ART \YASHINGTON The National Gallery will open to the public on March 18, 1941. For the first time, the Mellon Collection, deeded to the Nation in 1937, and the Kress Collection, given in 1939, will be shown. Both collections are devoted exclusively to painting and sculpture. The Mellon Collection covers the principal European schools from about the year 1200 to the early XIX Century, and includes also a number of early American portraits. The Kress Collection exhibits only Italian painting and sculpture and illustrates the complete development of the Italian schools from the early XIII Century in Florence, Siena, and Rome to the last creative moment in Venice at the end of the XVIII Century. V.'hile these two great collections will occupy a large number of galleries, ample space has been left for future development. Mr. Joseph E. Videner has recently announced that the Videner Collection is destined for the National Gallery and it is expected that other gifts will soon be added to the National Collection. Even at the present time, the collections in scope and quality will make the National Gallery one of the richest treasure houses of art in the wor 1 d. The paintings and sculpture given to the Nation by Mr. Kress and Mr. Mellon have been acquired from some of -2- the most famous private collections abroad; the Dreyfus Collection in Paris, the Barberini Collection in Rome, the Benson Collection in London, the Giovanelli Collection in Venice, to mention only a few. -
The London Old Masters Market and Modern British Painting (1900–14)
Chapter 4 (Inter)national Art: The London Old Masters Market and Modern British Painting (1900–14) Barbara Pezzini Introduction: Conflicting National Canons In his popular and successful essay Reflections on British Painting, an el- derly Roger Fry—who died in September 1934, the same year of this essay’s publication—criticised the art-historical use of a concept closely related to na- tionalism: patriotism.1 For Fry the critical appreciation of works of art should be detached from geographical allegiances and instead devoted ‘towards an ideal end’ that had ‘nothing to do with the boundaries between nations.’ Fry also minimised the historical importance of British art, declaring it ‘a minor school.’2 According to Fry, British artists failed to recognise a higher purpose in their art and thus produced works that merely satisfied their immediate con- temporaries instead of serving ‘posterity and mankind at large.’3 Their formal choices—which tended towards the linear and generally showed an absence of the plastic awareness and sculptural qualities of other European art, especially Italian—were also considered by Fry to be a serious limitation. Fry’s remarks concerning patriotism in art were directed against the aggressive political na- tionalism of the 1930s, but the ideas behind them had long been debated. They were, in fact, a development of earlier formalist ideas shared in part by other writers of the Bloomsbury set and popularised by Clive Bell’s 1914 discussion of ‘significant form.’4 For Fry, as for Bell, there was a positive lineage to be found in art, a stylistic continuum that passed from Giotto through Poussin to arrive to Cézanne. -
MADONNA a Fordítás Az Alábbi Kiadás Alapján Készült: Discovering the Zodiac in the Raphael Madonna Series
Brian Gray MADONNA A fordítás az alábbi kiadás alapján készült: Discovering the Zodiac in the Raphael Madonna Series Copyright © 2013 by Brian Gray and Wynstones Press. All rights reserved. Brian Gray Published by Wynstones Press 2013 A fordítás és a kiadás a kiadó engedélyével történt. Fordítás és magyar változat © Casparus Kiadó Kft. 2017. Minden jog fenntartva. Hungarian translation and edition © Casparus Kiadó Kft. 2017. All rights reserved. MADONNA A könyv – a kiadó írásos engedélye nélkül – sem egészében, sem részleteiben nem sokszorosítható vagy közölhető, semmilyen formában és értelemben, elektronikus vagy mechanikus módon, beleértve a nyilvános előadást vagy tanfolyamot, a hangoskönyvet, bármilyen internetes közlést, a fénymásolást, a rögzítést vagy az információrögzítés bármilyen formáját. Felelős kiadó: a Casparus Kiadó Kft. ügyvezetője. © 2017 Casparus Kiadó Kft. 2083 Solymár, Külső Vasút utca 3368/3. A zodiákus felfedezése Raffaello Madonna-sorozatában www.casparus.hu madonna.casparus.hu Első kiadás Discovering the Zodiac in the Raphael Madonna Series Szerkesztette és magyarra fordította: Balázs Árpád Magyar nyelvi lektor: Dankovics Atilla Német fordítás: Filinger Szilárd Die Entdeckung des Tierkreises in Raffaels Madonnen-Serie Német nyelvi lektor: Harald Kallinger A német nyelvű szöveg gondozásában részt vettek: Juhász Zsanett, Malomsoky Ildikó, Márta-Tóth Jolán Orosz fordítás: Olga Knyazeva Az orosz szöveget gondozta: Dmitry Dzyubenko Проявление Зодиака в ряде Мадонн Рафаэля Tördelés és tipográfia: Korcsmáros Gábor Képek jegyzéke: 25. oldal: Sixtus-Madonna (Photo by VCG Wilson/Corbis via Getty Images) 31. oldal: A szép kertésznő (Photo by Fine Art Images/Heritage Images/Getty Images) 35. oldal: Alba herceg Madonnája (Photo by VCG Wilson/Corbis via Getty Images) 39. oldal: Alba herceg Madonnája (részlet) (Photo by VCG Wilson/Corbis via Getty Images) 43. -
Renaissance at the Vatican
Mensile Data Novembre 2013 Sotheby’s Pagina 46-47 Foglio 1 / 3 ART WORLD INSIDER Renaissance at the vatican VI (reigned 1963 to 1978), who knew many artists from his time in Paris, inaugurated the collection of modern art in the Borgia Apartments, decorated in the 15th century by Pinturicchio and home to some 600 donated works of variable quality (ironically, the Vatican’s version of Bacon’s famous popes is not among the best). Now, the Vatican is once again engaging with work by living artists and this year, for the fi rst time, it has a national pavilion at the Venice Biennale with commissioned works by the Italian multimedia collective Studio Azzurro, the Czech photographer Josef Koudelka and the American painter Lawrence Carroll. What do you say to these who think the Church should sell all of its treasures and give it to the poor? If it sold all its masterpieces, the poor would be poorer. Everything that is here is for the people of the world. Has the election of Pope Francis made a difference? PROFESSOR ANTONIO PAOLUCCI, DIRECTOR, VATICAN MUSEUMS Because of him, even more people have come to Rome. After the Angelus prayer and the papal audiences, they want to see the museums. We have 5.1 Anna Somers Cocks profi les Professor Antonio million visitors a year and I would like to have zero Paolucci, the custodian of one of the world’s growth now. greatest repositories of art at the Vatican Museums in Rome What is the role of the Vatican Museums? People expect them to be very pious: instead, you see After a brilliant career as a museum director in more male and female nudes than in most museums. -
America's National Gallery Of
The First Fifty Years bb_RoomsAtTop_10-1_FINAL.indd_RoomsAtTop_10-1_FINAL.indd 1 006/10/166/10/16 116:546:54 2 ANDREW W. MELLON: FOUNDER AND BENEFACTOR c_1_Mellon_7-19_BLUEPRINTS_2107.indd 2 06/10/16 16:55 Andrew W. Mellon: Founder and Benefactor PRINCE OF Andrew W. Mellon’s life spanned the abolition of slavery and PITTSBURGH invention of television, the building of the fi rst bridge across the Mississippi and construction of Frank Lloyd Wright’s Fallingwater, Walt Whitman’s Leaves of Grass and Walt Disney’s Snow White, the Dred Scott decision and the New Deal. Mellon was born the year the Paris Exposition exalted Delacroix and died the year Picasso painted Guernica. The man was as faceted as his era: an industrialist, a fi nancial genius, and a philanthropist of gar- gantuan generosity. Born into prosperous circumstances, he launched several of America’s most profi table corporations. A venture capitalist before the term entered the lexicon, he became one of the country’s richest men. Yet his name was barely known outside his hometown of Pittsburgh until he became secretary of the treasury at an age when many men retire. A man of myriad accomplishments, he is remem- bered best for one: Mellon founded an art museum by making what was thought at the time to be the single largest gift by any individual to any nation. Few philan- thropic acts of such generosity have been performed with his combination of vision, patriotism, and modesty. Fewer still bear anything but their donor’s name. But Mellon stipulated that his museum be called the National Gallery of Art. -
Raffaello Madonna Sistina.Indd
GEMEINSCHAFTSAUSGABE MIT DEUTSCHLAND* EMISIÓN JUNTA CON ALEMANIA* RAFFAEL: RAFAEL: SIXTINISCHE MADONNA UND MADONNA DI FOLIGNO LA MADONNA SIXTINA Y LA VIRGEN DE FOLIGNO 1. März 2012 1 de marzo del 2012 Die Madonna di Foligno, die heute in der Vatikanischen Pinakothek au- La Madonna de Foliño, hoy en la Pinacoteca Vaticana, y la Madonna UFFICIO FILATELICO E NUMISMATICO fbewahrt wird, und die Sixtinische Madonna, die sich heute in der säch- Sixtina, conservada en Dresde (Sajonia), fueron realizadas casi GOVERNATORATO sischen Stadt Dresden befi ndet, sind fast gemeinsam entstanden. 1511 contemporáneamente por Rafael Sanzio (1483-1520). En 1511 CITTÀ DEL VATICANO gab der aus Foligno stammende Sigismondo de’Conti, der Privatsek- Segismundo de Conti, secretario del papa Julio II, comisionó al retär von Papst Julius II. war, die erstere als Hochaltarbild für die Kirche artista una nueva pintura de altar para Santa María en Aracoeli. En el www.vaticanstate.va S. Maria in Aracoeli in Auftrag. Ebenfalls von Raffael liess 1512 Papst mismo período, por petición del Pontífi ce, Rafael se preparaba para Julius II. selbst die Sixtinische Madonna für die Kirche S. Sisto in Piacen- pintar la Madonna Sixtina para la iglesia de San Sixto en Piacenza; za malen. Die Bilder standen also vielleicht sogar nebeneinander in der resulta probable que los dos cuadros se encontraran literalmente Werkstatt des grossen Renaissancemalers. In der Madonna di Foligno instalados en el mismo taller del urbinate. En la Madonna de Foliño, werden die Heiligen Franziskus, Johannes der Täufer und der Kirchen- la Virgen se representa según aparece-siguiendo la Leyenda áurea- lehrer und erste päpstliche Sekretär gemeinsam mit dem Stifter der Vi- al emperador Augusto el día de Navidad; los Santos Francisco, sion des Kaisers Augustus teilhaftig, dem Maria mit dem Kind am Tag Juan Bautista y Jerónimo, doctor de la Iglesia, participan de esta der Geburt Christi einer alten römischen Legende nach die Ankunft des trascendental experiencia junto con el mismo donante, Segismundo Weltenherrschers verkündet hat. -
The Alba Madonna: Raphael’S Spherical Method of Design
http://www.amatterofmind.us/ PIERRE BEAUDRY’S GALACTIC PARKING LOT THE ALBA MADONNA: RAPHAEL’S SPHERICAL METHOD OF DESIGN The creative process of The Alba Madonna Pierre Beaudry, 12/25/2018 “How generous and kind Heaven sometimes proves to be when it brings together in a single person the boundless riches of its treasures and all those graces and rare gifts that over a period of time are usually divided among many individuals can clearly be seen in the no less excellent than gracious Raphael Sanzio of Urbino.”1 Giorgio Vasari Raphael’s spherical method of design developed in The Alba Madonna is epistemologically unique and revolutionary in the sense that the intention of the design is to emphasize simultaneously the embrace of the child and the mother as being all-inclusive of humanity’s destiny, but only made feasible through participating in the Passion of the cross as an expression which unites two opposite emotions: one of attractive attachment and tenderness and the other of self- sacrificial detachment. The two emotions are characteristics of the creative process, which requires that the two be unified into a single and unique experience. 1 Giorgio Vasari, The lives of the Artists, Oxford University Press, Oxford, 1998, p. 305. Page 1 of 19 http://www.amatterofmind.us/ PIERRE BEAUDRY’S GALACTIC PARKING LOT Raphael succeeded not only in assimilating and transforming the great artistic principles of composition of Perugino, Leonardo, and Michelangelo, but he mastered, as no other artist has, the power of transmitting the genius of the Italian Renaissance to future generations of artists such as Correggio, Rubens, Velasquez, and many others. -
Renaissance History Through His Humanist Accomplishments
3-79 A / /vO.7Y HUMANISM AND THE ARTIST RAPHAEL: A VIEW OF RENAISSANCE HISTORY THROUGH HIS HUMANIST ACCOMPLISHMENTS THESIS Presented to the Graduate Council of the University of North Texas in Partial Fulfillment of the Requirements For the Degree of Master of Science By Douglas W. Miller, B.A., M.S. Denton, Texas August, 1991 Miller, Douglas W., Humanism and the Artist Raphael: A View of Renaissance History Through His Humanist Accomplishments. Master of Science (History), August, 1991, 217 pp., 56 illustrations, bibliography, 43 titles. This thesis advances the name of Raphael Santi, the High Renaissance artist, to be included among the famous and highly esteemed Humanists of the Renaissance period. While the artistic creativity of the Renaissance is widely recognized, the creators have traditionally been viewed as mere craftsmen. In the case of Raphael Santi, his skills as a painter have proven to be a timeless medium for the immortalizing of the elevated thinking and turbulent challenges of the time period. His interests outside of painting, including archaeology and architecture, also offer strong testimony of his Humanist background and pursuits. ACKNOWLEDGEMENT I would like to gratefully acknowledge the kind and loving support (and patience) that I have received from my wife and my entire family. Thank you for everything, and I dedicate this thesis to all of you, but especially to the person that most embodies all those humanist qualities this thesis attempts to celebrate and honor. That person is my father. iii TABLE OF CONTENTS LIST OF ILLUSTRATIONS.. ... .. v INTRODUCTION................. CHAPTER I. HUMANISM: THE ESSENCE OF THE RENAISSANCE. -
Front Matter
Cambridge University Press 978-1-107-13150-7 — Raphael and the Redefinition of Art in Renaissance Italy Robert Williams Frontmatter More Information i RAPHAEL AND THE REDEFINITION OF ART IN RENAISSANCE ITALY S Raphael was one of the most important artists of the Italian Renaissance and one of the most important and inl uential in the entire history of art. His prac- tice of “synthetic” or “critical” imitation became a model of creative method; his engagement with the principle of decorum revealed its deeper expressive and philosophical signii cance, and the operation of his workshop helped to redei ne the nature of the work that artists do. Robert Williams draws upon the history of literature, philosophy, and religion, as well as upon economic history, to support his detailed and illuminating accounts of Raphael’s major works. His analyses serve as the foundation for a set of hypotheses about the aims and aspirations of Italian Renaissance art in general and the nature of art- historical inquiry. Robert Williams is Professor of the History of Art at the University of California, Santa Barbara. He received his Ph.D. at Princeton, under the supervision of John Shearman, and is the author of Art, Theory, and Culture in Sixteenth- Century Italy: From Techne to Metatechne (Cambridge, 1997) and Art Theory: An Historical Introduction, which has been translated into Chinese and Korean. Among his recent publications is Michael Baxandall, Vision, and the Work of Words , co- edited with Peter Mack of the University of Warwick. © in this web service -
Table of Contents
Table of Contents Must Do Specials St. Peter's Church Vatican Museums Colonna Palace and Doria Pamphilj 14- 24 | | 42 - 49 | Ancient Rome Tour | City Tour | Rome by Villa Medici | Cornelia Costanza's Secret Night Tour | Catacombs Tour | Apartments | The Catacombs of San Angels and Demons | Underground Rome | Pancrazio | Boat Sightseeing to Ancient The Borghese Gallery | Heart of Rome Ostia | Secret Rome | Oratorio del Gonfalone and Villa Farnesina Special Vatican Tours Experiences Vatican Under the Stars Vatican Relax Art Evening Food and Wine Tasting | 25 - 35 | | 50 - 58 and Breakfast | Vatican Gardens | Morning Food Tour | Pizza Baking and Early Morning Vatican Tour | Vatican Secret Pasta Cooking | Jogging Tour | Cooking Experience with an Italian Family | Rooms | The Niccolina Chapel | Vatican Cooking Experience with an Italian Museums + Necropolis of the Via Triumphalis Family, plus your Tour Guide | Pizza and | Exclusive Vatican | Semi Exclusive Vatican Gelato Class | Veggie Food Tour in Rione Monti Outside Rome Rome on Wheels 36 - 41 Castelli Romani | Ancient Ostia | Tivoli | 59 - 64 Vintage Vespa Tour | Rome Golf Cart Tour Etruscan Highlights of Cerveteri | Etruscan | Rome By Vintage Fiat 500 | Rome Bike Highlights of Tarquinia Tour | Rome Segway Tour Thematic Tours Group Activities In the Footsteps of Michelangelo Rome in 65 - 83 | 94 - 98 Aperitif at Villa Farnesina | Group The Movies | In the Footsteps of Caravaggio | Scavenger Hunt | Ancient Aperitif at the In theFootsteps of Bernini | In the Footsteps Houses on the Celio Hill | Aperitif at Villa of St. Paul | In the Footsteps of J. Caesar | Medici Roman Christian Mosaics | Jubilee Basilica | Industrial innovation and archeology | XX Century Rome | Contemporary Art in Rome | Palazzo Spada and Villa Farnesina | The EUR Quarter | The Art of Local Craftmanship | A Semi-Private Tours Progressive Dining Experience | dive into Roman History | The Great Beauty 99 - 103 | Jewish Rome | Romance in Rome Colosseum and Ancient Rome | Vatican Museums and St. -
Round 08 Room Bracket Reader
2016 NSC - Official Scoresheet Round 08 Room Bracket Reader Team Team Player Names Ques. Run. Ques. Run. Bonus Steals Bonus Steals Q# Total Score Total score 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 OT Player 20s Player 10s Point totals Final score Substitutions before Tossup 11 Substitutions before Tossup 11 Out: In: Out: In: Out: In: Out: In: Circle winning team above. Clearly mark if game goes to OT/SD. Fill out “Point totals” row completely. If there are substitutions, please note tossups by each player in “20s” and “10s” rows. Below is for Tab Room use only: RH RS BH BS Left Right BH BS RH RS PACE NSC 2016 - Round 08 - Page 1 of 13 PACE NSC 2016 - Round 08 - Tossups 1. This philosopher noted that the "problem of freedom" was that culture begets "human nature" and "political freedom" in his book Freedom and Culture. In one of his works, this thinker wrote that groups that have "full and free interplay with other forms of association" secure a "liberation of powers." Late in life, this man headed the commission of sociologists and philosophers that cleared Leon Trotsky of wrongdoing. Against (*) Walter Lippman, this man claimed that democracy should be managed in local communities rather than by experts in The Public and Its Problems. In a work that drew from his experience founding the Chicago Laboratory School, he argued that public teaching had a social function. For 10 points, name this American pragmatist who wrote Democracy and Education. -
Virgin and Child: Activities 1
In collaboration with the National Gallery of Art Page 1 of 10 Virgin and Child: Activities 1. An Icon Painter ADVANCED in Venice In this activity, students look at three Renaissance qualities might include: paintings by El Greco, who was initially believable recession of space, evocation trained as an icon painter in his native Crete. of ancient Roman architecture, rich color He studied Western-style painting in Venice and bold brushwork (Cleansing the Temple), and Rome before moving to Spain. The artist bodies with natural mass and movement. probably painted two of the works under discussion while he was in Venice. GLOSSARY: El Greco PURPOSE: to prompt students to use what they RESOURCES (about El Greco’s time in Italy): have learned about the styles of Byzantine icons and Venetian Renaissance paintings to Hadjinicolaou, Nicos, ed. El Greco in Italy and identify those characteristics in a work of art. Italian Art: Proceedings of the International Symposium. Rethymno: University of Crete, MATERIALS: reproductions of El Greco’s Saint 1999. Luke Painting the Virgin icon [fig. 1], Christ Cleansing the Temple, and The Miracle of Hadjinicolaou, Nicos, ed. El Greco in Italy Christ Healing the Blind and Italian Art. Athens: National Gallery Alexandros Soutzos Museum, 1995. PROCEDURE: Project the three images in class and initiate a discussion of the works’ style. Hadjinicolaou, Nicos, ed. El Greco: Byzantium Have students identify elements of Byzantine and Italy. Rethymno: Crete University Press, and/or Renaissance style painting in each. 1990. Byzantine qualities might include: abstraction, use of gold, “unreal” space, formal pose of the infant, frontal Virgin, striated highlights in drapery Page 2 of 10 Virgin and Child: Activities 1.