In Defense of Conviviality and the Collective Subject
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Lista De Inscripciones Lista De Inscrições Entry List
LISTA DE INSCRIPCIONES La siguiente información, incluyendo los nombres específicos de las categorías, números de categorías y los números de votación, son confidenciales y propiedad de la Academia Latina de la Grabación. Esta información no podrá ser utilizada, divulgada, publicada o distribuída para ningún propósito. LISTA DE INSCRIÇÕES As sequintes informações, incluindo nomes específicos das categorias, o número de categorias e os números da votação, são confidenciais e direitos autorais pela Academia Latina de Gravação. Estas informações não podem ser utlizadas, divulgadas, publicadas ou distribuídas para qualquer finalidade. ENTRY LIST The following information, including specific category names, category numbers and balloting numbers, is confidential and proprietary information belonging to The Latin Recording Academy. Such information may not be used, disclosed, published or otherwise distributed for any purpose. REGLAS SOBRE LA SOLICITACION DE VOTOS Miembros de La Academia Latina de la Grabación, otros profesionales de la industria, y compañías disqueras no tienen prohibido promocionar sus lanzamientos durante la temporada de voto de los Latin GRAMMY®. Pero, a fin de proteger la integridad del proceso de votación y cuidar la información para ponerse en contacto con los Miembros, es crucial que las siguientes reglas sean entendidas y observadas. • La Academia Latina de la Grabación no divulga la información de contacto de sus Miembros. • Mientras comunicados de prensa y avisos del tipo “para su consideración” no están prohibidos, -
Vida Cotidiana Durante La Revolución Mexicana Alejandro Rodriguez-Mayoral University of Texas at El Paso, Alejandro [email protected]
University of Texas at El Paso DigitalCommons@UTEP Open Access Theses & Dissertations 2015-01-01 Zapatistas: Vida cotidiana durante la Revolución Mexicana Alejandro Rodriguez-Mayoral University of Texas at El Paso, [email protected] Follow this and additional works at: https://digitalcommons.utep.edu/open_etd Part of the Latin American History Commons Recommended Citation Rodriguez-Mayoral, Alejandro, "Zapatistas: Vida cotidiana durante la Revolución Mexicana" (2015). Open Access Theses & Dissertations. 1138. https://digitalcommons.utep.edu/open_etd/1138 This is brought to you for free and open access by DigitalCommons@UTEP. It has been accepted for inclusion in Open Access Theses & Dissertations by an authorized administrator of DigitalCommons@UTEP. For more information, please contact [email protected]. ZAPATISTAS: VIDA COTIDIANA DURANTE LA REVOLUCIÓN MEXICANA ALEJANDRO RODRIGUEZ-MAYORAL Departamento de Historia APROBADO: Samuel Brunk, Ph.D., Chair Yolanda Chávez Leyva, Ph.D. Sandra McGee Deutsch, Ph.D. Howard Campbell, Ph.D. Charles Ambler, Ph.D. Dean of the Graduate School Copyright © por Alejandro Rodriguez-Mayoral 2015 Dedicatoria Dedico esta disertación a Dios. ZAPATISTAS: VIDA COTIDIANA DURANTE LA REVOLUCIÓN MEXICANA por ALEJANDRO RODRIGUEZ-MAYORAL, Máster DISERTACIÓN Presentada a la facultad de la Escuela de Graduados de la Universidad de Texas en El Paso en cumplimiento parcial de los requerimientos para el Grado de DOCTOR Departamento de Historia UNIVERSIDAD DE TEXAS EN EL PASO Mayo 2015 AGRADECIMIENTOS Esta tesis doctoral fue escrita con el apoyo incondicional de amigos, familiares y profesores durante mi preparación académica, proceso de investigación y escritura de la misma. Deseo hacer presente mi gratitud a Servando Ortoll, Avital Bloch, Charles Ambler, Cheryl E. -
Performing the Mexican Revolution in Neoliberal Times
ABSTRACT Since the time of the Mexican Revolution of 1910, images associated with this nation-defining event have been presented in an array of media and cultural productions. Within the past two decades these images have been re-imagined, re-coded and re/de- constructed in reaction to social and cultural changes associated with a crisis of political legitimation and the demise of hegemonic revolutionary ideology, as espoused by the long-ruling Party of the Institionalized Revolution (PRI), amid the generalized implementation of neoliberal policies in the county. My dissertation argues that the ascendance of neoliberalism, with the opening of Mexican economic and political systems, has resulted in changes in the socio-cultural work performed by the Revolution- Nation-Gender triad. This trinity, solidified in the post-Revolutionary national imaginary, weaves the three notions together such that as hegemonic discourses of Revolutionary nationalism enter in crisis, discourses of gender are also destabilized. The dissertation consists of three main sub-arguments. First, I argue that the discourse(s) surrounding Revolutionary heroes has been integral to the (re)definition of the Mexican nation and that analyzing recodings of this discourse through the example of Emiliano Zapata reveals a destabilization of hegemonic nationalism. These changes have allowed alternatives to surface both in Mexico and across the border as part of a recoded ii transnational Revolutionary nationalism. As cracks opened in the Revolutionary edifice allowing alternatives to emerge, they have also opened space for alternative gender discourses. I next argue that a close analysis of representations of masculine gender roles as manifested in a variety of cultural texts, specifically through Revolutionary icons Pancho Villa and Emiliano Zapata, reveals a crisis of the macho archetype in the contemporary Mexican nation. -
The Colors and Shadows of My Word(S)
University of Rhode Island DigitalCommons@URI Open Access Master's Theses 2000 The Colors and Shadows of My Word(s) Lydia A. Saravia University of Rhode Island Follow this and additional works at: https://digitalcommons.uri.edu/theses Recommended Citation Saravia, Lydia A., "The Colors and Shadows of My Word(s)" (2000). Open Access Master's Theses. Paper 1812. https://digitalcommons.uri.edu/theses/1812 This Thesis is brought to you for free and open access by DigitalCommons@URI. It has been accepted for inclusion in Open Access Master's Theses by an authorized administrator of DigitalCommons@URI. For more information, please contact [email protected]. c,275 5325 At-\ 2000 THE COLORS AND SHADOWS OF MY WORD(S) BY LYDIA A. SARA VIA A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS IN ENGLISH UNIVERSITY OF RHODE ISLAND 2000 1F L/5 t-19L-/05L/ Abstract If I find my voice, I will find my identity. Voice gives identity meaning. The acquisition of language (voice) means an acquisition of subjectivity (identity). A search for an identity is a search for voice. But formation of identity is difficult when multiple layers of subjectivity are to be considered: the layer of dual culture, in this case Guatemala and the United States, the layer of an urban environment, the layer of a working-class status, the layer of being female, which are all major players in the development of voice. To make sense of, and find a voice for, a fragmented identity is difficult. -
Elements of an Altar Ancient Ofrenda 9Th Annual Día De Los Muer Tos Festival Exhibi T Gallery Guide
Ancient Ofrenda Elements of an Altar 9th Annual Día de los Muer tos Festival Exhibit Gallery Guide Additional Information on Artworks and Artists and some Spanish Translations ASU Museum of Anthropology Fall 2008 Susan Elizalde-Holler Transformation Ceramic All that is of this earth will undergo transformation. Vessels made of earth and transformed may be viewed as symbols or metaphors, yet to some they are merely utilitarian instruments. If vessels could speak, the stories they could tell of those who passed along the very earth they are made from. Time, tradition, and transformation are our experiences during this time on earth. At this particular moment in time, this small clay vessel becomes an offer- ing, a special offering - one of more transformations yet to come. Mary-Beth Buesgen Balancing the Elements Ceramic, raku Raku is a low-fi re technique where clay work is quickly heated to red hot temperature and then taken out of the kiln and reduced in combustible ma- terial. The main material I used was the thoughts, prayers, and tributes left on paper at the altars from last year’s Day of the Dead. I wanted to use the paper to assist in the representation of the four elements earth, air, fi re and water in a Raku context. Everyone’s wishes and words left behind for loved ones is now transformed in a beautiful work of art. Guillermo Valenzuela Santa Muerte (Clay) Santa Muerte Luna (Oil on Canvas) The cult to death has existed in Mexico for more than 3,000 years. The fi rst residents of what is now Mexico conceived death as something necessary and that happens to all beings in nature. -
Laudato-Si-Earth-Charter-Carta-De-La-Tierra-1-4
“Lorem ipsum dolor sit amet, consectetur adipiscing elit, sed do eiusmod tempor incididunt ut labore et dolore magna aliqua. Ut enim ad minim veniam, quis nostrud exercitation ullamco laboris nisi ut aliquip ex ea commodo consequat. Duis aute irure dolor in reprehenderit in voluptate velit esse cillum dolore eu fugiat nulla pariatur. Excepteur sint occaecat cupidatat non proident, sunt in culpa qui officia deserunt mollit anim id est laborum.” Voices of the Earth Charter Initiative Responding to Encyclical Laudato Si’ Voces de la Iniciativa de la Carta de la Tierra Respondiendo a la Encíclica Laudato Si’ “Lorem ipsum dolor sit amet, consectetur adipiscing elit, sed do eiusmod tempor incididunt ut labore et dolore magna aliqua. Ut enim ad minim veniam, quis nostrud exercitation ullamco laboris nisi ut aliquip ex ea commodo consequat. Duis aute irure dolor in reprehenderit in voluptate velit esse cillum dolore eu fugiat nulla pariatur. Excepteur sint occaecat cupidatat non proident, sunt in culpa qui officia deserunt mollit anim id est laborum.” Voices of the Earth Charter Initiative Responding to Encyclical Laudato Si’ Essays by : Leonardo Boff, Fritjof Capra, Joe Holland, José Matarrita, Elizabeth May, Steven C. Rockefeller, Awraham Soetendorp, Mary Evelyn Tucker, John Grim Compilers: Alicia Jiménez, Mirian Vilela editorial Universidad Técnica Nacional Primera edición / First edition: 2017 Diseño de portada / Cover design: Federico Arce Jiménez Diagramación / Layout: Federico Arce Jiménez y Emily Paniagua López Revisión de estilo / Copy editing: Lorna Battista y Fiona Jane Stitfold Traductores / Translators: Amandine Pieux, Mª José Gavito Milano, Alicia Jiménez y José Matarrita Coordinación editorial / Publisher: Consejo Editorial UTN / National Technical University of Costa Rica Press La EUTN es miembro del Sistema de Editorales Universitarias de Centroamérica SEDUCA, perteneciente al Consejo Superior Universitario Centroamericano CSUCA. -
En El Jardín De Los Vientos Obra Poética
EN EL JARDÍN DE LOS VIENTOS OBRA POÉTICA (1974-2014) ACADEMIA NORTEAMERICANA DE LA LENGUA ESPAÑOLA (ANLE) D. Gerardo Piña-Rosales Director D. Jorge I. Covarrubias Secretario D. Daniel R. Fernández Coordinador de Información (i) D. Joaquín Segura Censor D. Emilio Bernal Labrada Tesorero D. Eugenio Chang-Rodríguez Director del Boletín D. Carlos E. Paldao Bibliotecario (i) * Academia Norteamericana de la Lengua Española (ANLE) P.O. Box 349 New York, NY, 10106 U.S.A. Correo electrónico: [email protected] Sitio Institucional: www.anle.us Copyright © por ANLE. Todos los derechos reservados. Esta publicación no puede ser reproducida, ni en un todo ni en parte, ni registrada en o transmi- tida por un sistema de recuperación de información, en ninguna forma ni por ningún medio, sea fotoquímico, electrónico, magnético, mecánico, electroóptico, o cualquier otro, sin el permiso por escrito de la Academia Norteamericana de la Lengua Española. Luis Alberto Ambroggio EN EL JARDÍN DE LOS VIENTOS OBRA POÉTICA (1974-2014) Carlos E. Paldao y Rosa Tezanos-Pinto Editores Colección Pulso Herido Academia Norteamericana de la Lengua Española 2014 En el jardín de los vientos. Obra poética (1974-2014) Luis Alberto Ambroggio Colección Pulso Herido, 2 Nueva York: Editorial Academia Norteamericana de la Lengua Española (ANLE) © Academia Norteamericana de la Lengua Española (ANLE) © Luis Alberto Ambroggio © Carlos E. Paldao y Rosa Tezanos-Pinto © Fotografías Gerardo Piña-Rosales Primera Edición. 2014 ISBN: 978-0-9903455-1-0 Library of Congress Control Number: 2014940499 Academia Norteamericana de la Lengua Española (ANLE) P. O .Box 349 New York, NY, 10106 U. S. A. Correo electrónico: [email protected] Sitio Institucional: www.anle.us Ilustración de portada y fotografías: Gerardo Piña-Rosales Edición y supervisión: Carlos E. -
Danza Mexica: Indigenous Identity, Spirituality, Activism, and Performance Jennie Marie Luna [email protected]
San Jose State University SJSU ScholarWorks Faculty Publications, Mexican American Studies Mexican American Studies 2011 Danza Mexica: Indigenous Identity, Spirituality, Activism, and Performance Jennie Marie Luna [email protected] Follow this and additional works at: https://scholarworks.sjsu.edu/mas_pub Recommended Citation Jennie Marie Luna. "Danza Mexica: Indigenous Identity, Spirituality, Activism, and Performance" Faculty Publications, Mexican American Studies (2011). This Dissertation is brought to you for free and open access by the Mexican American Studies at SJSU ScholarWorks. It has been accepted for inclusion in Faculty Publications, Mexican American Studies by an authorized administrator of SJSU ScholarWorks. For more information, please contact [email protected]. DANZA MEXICA: INDIGENOUS IDENTITY, SPIRITUALITY, ACTIVISM, AND PERFORMANCE By JENNIE MARIE LUNA B.A. (University of California, Berkeley) 1999 Ed.M. (Teachers College, Columbia University) 2001 M.A. (University of Cali fomi a, Davis) 2006 DISSERTATION Submitted in partial satisfaction of the requirements for the degree of DOCTOR OF PHILOSOPHY In Native American Studies in the THE OFFICE OF GRADUATE STUDIES of the UNIVERSITY OF CALIFORNIA DAVIS Approved: d~ lk:/lil4L Chairs~kDF: isab thShRose:MIddleton, PhD Mariso e la Ca ena, 2011 Copyright © Jennie Marie Luna 2011 All Rights Reserved ii ABSTRACT This dissertation closely examines the Danza Mexica tradition of México Tenochtitlan as it has migrated, navigated and dispersed throughout the United States, transforming the identity politics, spiritual, and philosophical base of entire MeXicana/o communities in the process. The dissertation begins by illuminating the personal and historical significance of the Mexica dance tradition through creating understanding of its cultural/spiritual significance, as rooted in Pre-Cuauhtemoc practice and ritual. -
Brasileiros Já Pagaram R$ 1,3 Trilhão Em Tributos Aos
DiárioDiretora Responsável: Iára de Carvalho de TaubatéE REGIÃO www.diariodetaubateregiao.com.br Vale do Paraíba:: Quinta - Feira:: 11 de Julho de 2019 Ano XLIV:: Edição 13.157: R$ 2,00 Brasileiros já pagaram R$ 1,3 trilhão em tributos aos cofres públicos em 2019, aponta Impostômetro ACSP Â Marca foi registrada às 5h30 desta quarta-feira, dia 10/7 ão Paulo, 10 de julho da população, penalizando as de 2019. Às 5h30 da pessoas com renda menor, Smanhã desta quarta- que gastam proporcional- -feira (10/7), o painel do mente mais com itens bási- Impostômetro da Associa- cos”, comenta Ulisses Ruiz ção Comercial de São Paulo de Gamboa, economista da (ACSP) atingiu a marca de R$ ACSP. 1,3 trilhão, com 11 dias de O Impostômetro foi antecedência em relação ao implantado em 2005 pela ano passado. O valor corres- ACSP para conscientizar os ponde ao total de impostos, brasileiros sobre a alta carga taxas, multas e contribuições tributária e incentivá-los a pagos pelos brasileiros desde cobrar os governos por ser- o primeiro dia do ano para a viços públicos de mais quali- União, os estados e os muni- dade. Está localizado na sede cípios. da ACSP, na Rua Boa Vista, “O Brasil tem uma carga centro da capital paulista. tributária muito alta e, Outros municípios e capitais Morre no Rio, aos 77 anos, o além disso, tem o sistema se espelharam na iniciativa e de impostos em cascata, ou instalaram seus painéis. No seja, cobra-se imposto em portal www.impostometro. jornalista Paulo Henrique Amorim cima de imposto. -
Judgment of the Case of the Sawhoyamaxa Indigenous
Inter-American Court of Human Rights Case of the Sawhoyamaxa Indigenous Community v. Paraguay Judgment of March 29, 2006 (Merits, Reparations and Costs) In the Case of Sawhoyamaxa Indigenous Community, the Inter-American Court of Human Rights (hereinafter, “the Court”, “the Inter- American Court” or “the Tribunal”), composed of the following judges: Sergio García-Ramírez, President; Alirio Abreu-Burelli, Vice-President; Oliver Jackman, Judge; Antônio A. Cançado Trindade, Judge; Cecilia Medina-Quiroga, Judge; Manuel E. Ventura-Robles, Judge; and Diego García-Sayán, Judge; also present, Pablo Saavedra-Alessandri, Secretary**, pursuant to Articles 62(3) and 63(1) of the American Convention on Human Rights (hereinafter “the Convention” or “the American Convention”), Article 3(1) of the Statue of the Court and Articles 29, 31, 56, 57 and 58 of the Court’s Rules of Procedure (hereinafter, “the Rules of Procedure”), delivers the present judgment. I. INTRODUCTION OF THE CASE 1. On February 3, 2005, the Inter-American Commission on Human Rights (hereinafter “the Commission” or “the Inter-American Commission”) filed an application with the Inter-American Court against the State of Paraguay (hereinafter “the State” or “Paraguay”), originating in petition No. 0322/2001, received by the Secretariat of the Commission on May 15, 2001. 2. The Commission filed the application pursuant to Article 61 of the American Convention, in order that the Court should decide whether Paraguay had violated Articles 4 (Right to Life), 5 (Right to Humane Treatment), -
E C U E, Chango Y Yemaya
./ f (« ·-~ ' JUAN LUIS MARTIN , E C U E, CHANGO Y YEMAYA (ENSA YOS SOBRE LA SUBRELIGION DE LOS AFRO-CUBANOS) CULTURAL, S. A. HABANA 1930 Libri di GIOELE SOLARI lI ECUE, CHANGO Y YEMAYA I , l \ L, J JUAN LUIS MARTIN , E C U E, CHANGO Y YEMAYA (ENSAYOS SOBRE LA SUB-RELIGION DE LOS AFRO-CUBANOS) CULTURAL, S, A. HABANA 1930 ES PROPIEDAD INTRODUCCION j I_: A bruj erfa y el :ifa.fi.iguismo son, en Cuba, practicas ~ . ·religiosas o actos de magia negra 1 i, Tienen el mismo fondamento~ t, Es cierto que amparan a organizaciones dedi cadas a los mas abominables cr1menes ~ Estas son preguntas que repetidamente nos han hecho y a las que vamos a tratar de responder en las siguientes paginas. Debemos de aclarar c1ue usamos en su mas lata extensi6n los vocablos religi6n, cuando· en ocasiones d'ebe ser mas propiamente sub1·el!igi6n, totemismo, que algunas veces hacemos contener dentro de la definici6n de Frazer, fetichismo, rito, y otros términos que resultaran mas claramente definidos, holgando la definici6n ahora, al final de la lectura. Entr-3 los mismos practican tes de estas creencias, el culto a los antepasados y el natu rismo ha cobrado tales nebulosidades en algunos puntos, que come decfa Fustel de Coulanges, subjetivismo y objetivismo corren paralelamente, superponiéndose casi, en toda su extensi6n. Este libro versa mas bien a la interpreta:ci6n, a la com paraci6n de las religiones, a la exposici6n de un sentido sub reJjgio·so, que a describir ritos y practicas. Estas descrip cione~, al igual que la prof undizaei6n en el lenguaje y el trazado de la filiaci6n semantica, son objeto de otros estu dios que posteriormente publicaremos. -
Desde Que Alex Turner Y Compañía Oficializaron El Lanzamiento De Su
Andreas Kisser de Sepultura ndrés Kisser lleva tres décadas composiciones de Andreas Kisser calaron en como integrante de la banda álbumes fundamentales de la banda como más importante del metal lati- “Schizophrenia” y Arise”. Junto a su recono- noamericano: Sepultura. Des- cida labor en Sepultura el guitarrista también de temprana edad al apreciar se unió a comienzos de esta década al super- Aen concierto a Kiss y ser un gran fanático de grupo De La Tierra. Queen entendió que quería dedicarse de lleno Al momento de estar en tarima o en el estu- a la música. Lo primero que hizo fue tomar una dio Andreas Kisser prefiere el sonido que le guitarra acústica donde aprendió a interpre- brindan los amplificadores Orange: “Desde tar temas clásicos como ‘Starway to Heaven’ que vi que Black Sabbath empleaban Orange de Led Zeppelin. Posteriormente pasó a una en el video del tema ‘Paranoid’ quería tener eléctrica el que la influencia del rock duro tuvo uno de esos amplificadores” recuerda. “Res- gran impacto en su desarrollo. ponden muy bien a la música extrema que En 1987 conoció a los integrantes de Sepultura hago. Me sorprende su poder y tono. Estoy y tras ser su roadie se unió a la banda creada complacido por tener el sonido de guitarra por los hermanos Max e Igor Cavalera. Las de mis sueños”. 02 SUMARIO ROCKAXIS 22 AGOSTO 2018 26 Rock al Parque 2018 Una fiesta para todos 14 18 22 36 40 Arctic Monkeys Jack White Lee Ranaldo Vanegas Blues Disco del Mes Adiós, juventud “No voy a dejar que Autopista hacia el Cali Boogie NIN nada me encierre” sonido Identidad Editorial Dirección general: Alfredo Lewin uperando la veinte- Cote Hurtado na de publicaciones digitales, la revista Comité editorial: Cote Hurtado Rockaxis Colombia Alejandro Bonilla vuelve a tener en sus Nuno Veloso páginas al denomi- Francisco Reinoso nado “festival gra- tuito más grande de Latinoamérica”; no Staff : Ricardo Suescún Spodríamos referirnos a otro que no fuese Rock al Parque.