Master Document Template

Total Page:16

File Type:pdf, Size:1020Kb

Master Document Template Copyright by Kara Lenore Williams 2006 The Dissertation Committee for Kara Lenore Williams Certifies that this is the approved version of the following dissertation: The Impact of Popular Culture Fandom on Perceptions of Japanese Language and Culture Learning: The Case of Student Anime Fans Committee: Zena Moore, Supervisor Yukie Aida Thomas J. Garza Elaine Horwitz Susan J. Napier The Impact of Popular Culture Fandom on Perceptions of Japanese Language and Culture Learning: The Case of Student Anime Fans by Kara Lenore Williams, B.A.; M.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin May 2006 Dedication For my family and friends, particularly my fiancé, Michael Stockinger, whose patience, love and support have made this degree possible. For my mentor, Dr. Zena Moore, who generously gave of her wisdom and time to help guide this research. For group of ten special women and men who gave their time, thoughts and ideas to participate in this study. Acknowledgements I am deeply grateful to my supervisor, Dr. Zena Moore, and to Dr. Yukie Aida, Dr. Thomas Garza, Dr. Elaine Horwitz, and Dr. Susan Napier, the members of my committee, for the guidance and inspiration they have provided me in writing my dissertation. v The Impact of Popular Culture Fandom on Perceptions of Japanese Language and Culture Learning: The Case of Student Anime Fans Publication No._____________ Kara Lenore Williams, Ph.D. The University of Texas at Austin, 2006 Supervisor: Zena Moore This research examines the impact of popular culture fandom on perceptions of foreign language and culture learning within a Japanese studies context, using the example of student ‘anime’ (Japanese animation) fans. Anime, described by Tominaga (2002) as “presently one of the most popular expressions of Japanese culture in America,” was chosen for its apparent popularity among students of Japanese. This dissertation presents the results of a study that qualitatively describes the phenomenon of anime fandom as it relates to a sample of ten Japanese language students’ perceptions of the Japanese language and culture and of language learning. The results of the study have implications for the language classroom in terms of how instructors might use popular culture to encourage motivation and self-directed learning, and in terms of teaching culture and using authentic video materials in the classroom. This phenomenon also suggests the possibility that generating or capitalizing on interest in the popular culture of the target language group may be a useful tool in the recruitment of vi and retention of language students, given the challenges many language programs face in attracting and retaining students. vii Table of Contents Chapter 1 Rationale...............................................................................................1 Background of Study ....................................................................................1 Need for Study ..............................................................................................3 Purpose of Study ...........................................................................................9 Significance of Study ....................................................................................9 Chapter 2 Review of the Literature.....................................................................12 Popular Culture .............................................................................................12 Why Study Popular Culture? ........................................................................19 Authentic Video in the Classroom................................................................27 Teaching Culture...........................................................................................32 Motivation.....................................................................................................42 Anime............................................................................................................53 Conclusion ....................................................................................................69 Chapter 3 Methods..............................................................................................70 Rationale/Approach ......................................................................................70 Basic Study Design.......................................................................................71 Analysis.........................................................................................................74 Validity and Reliability.................................................................................76 Participants....................................................................................................80 Ethical Concerns ...........................................................................................82 Limitations ....................................................................................................83 Disclosure of Biases and Connection to Topic of Research.........................84 Chapter 4 Results ................................................................................................88 Participant Profiles........................................................................................89 Anime Fandom and Culture..........................................................................93 Perceptions of the Connection between Anime & Japanese Culture .93 Perceptions of Culture Learning ......................................................125 viii Culture Learning and Issues of Gender .............................................136 Anime Fandom and Language Learning.....................................................155 Language Learning as a Positive Experience ....................................155 Anime as Motivation to Study Japanese............................................159 Participants as Successful Language Learners ..................................163 Anime as a Language Learning Aid ..................................................165 Chapter 5 Conclusions ......................................................................................171 The Experience of Language Learning.......................................................171 Learning as a Positive Experience .....................................................172 Participants as Successful ..................................................................174 The Experience of Learning Japanese Linked to Anime Fandom.....181 Perceptions of Fandom's Impact on Language Learning............................182 Anime as Motivation to Study Japanese ..........................................182 Anime as a Language Learning Aid ..................................................186 Perceptions of Issues Related to Japanese Language and Culture..............190 The Language and Culture Connection .............................................190 Embracing Linguistic and Cultural Differences ................................192 Critical Thinking about Culture and Media Texts .............................201 Anime Viewing as Culture Learning .................................................209 Issues of Gender and Culture.............................................................212 Discussion...................................................................................................240 Implications for Teaching Language and Culture .............................240 Limitations and Suggestions for Further Research............................246 ix Appendix A Anime Images ..............................................................................249 Appendix B Focus Group Interview Guide ......................................................253 Appendix C Individual Interview Guide...........................................................255 Appendix D Recruitment Questionnaire...........................................................257 Appendix E Recruitment Letter........................................................................258 Glossary .............................................................................................................260 Bibliography ......................................................................................................261 Vita…...................................................................................................................275 x Chapter 1: Rationale BACKGROUND OF STUDY In 1990, a study conducted on affective variables and the Less Commonly Taught Languages (LCTL) by Samimy and Tabuse found that the majority of Japanese-as-a- Second Language (JSL) student participants in the study were business majors and were motivated to study Japanese because it might be helpful in their future careers. These findings are consistent with my own personal experience as a JSL student in the early 1990’s, where the majority of my classmates were business majors. At that time, the Japanese business model was being hailed as superior by many economists, and there was a great deal of trade friction between the United States and Japan. This generated an enormous amount of interest in the press, and many business students felt that Japanese was the language to study. However, since that time, Japan has been in a recession that has lasted over a decade. While Japan is
Recommended publications
  • Fanning the Flames: Fandoms and Consumer Culture in Contemporary Japan
    FANNING THE FLAMES Fans and Consumer Culture in Contemporary Japan Edited by William W. Kelly Fanning the Flames SUNY series in Japan in Transition Jerry Eades and Takeo Funabiki, editors Fanning the Flames Fans and Consumer Culture in Contemporary Japan EDITED BY WILLIAM W. K ELLY STATE UNIVERSITY OF NEW YORK PRESS Published by State University of New York Press, Albany © 2004 State University of New York All rights reserved Printed in the United States of America No part of this book may be used or reproduced in any manner whatsoever without written permission. No part of this book may be stored in a retrieval system or transmitted in any form or by any means including electronic, electrostatic, magnetic tape, mechanical, photocopying, recording, or otherwise without the prior permission in writing of the publisher. For information, address State University of New York Press, 90 State Street, Suite 700, Albany, NY 12207 Production by Kelli Williams Marketing by Michael Campochiaro Library of Congress Cataloging-in-Publication Data Fanning the f lames : fans and consumer culture in contemporary Japan / edited by William W. Kelly. p. cm. — (SUNY series in Japan in transition) Includes bibliographical references and index. ISBN 0-7914-6031-2 (alk. paper) — ISBN 0-7914-6032-0 (pbk. : alk.paper) 1. Popular culture—Japan—History—20th century. I. Kelly, William W. II. Series. DS822.5b. F36 2004 306'.0952'09049—dc22 2004041740 10987654321 Contents List of Illustrations vii Acknowledgments ix Introduction: Locating the Fans 1 William W. Kelly 1 B-Boys and B-Girls: Rap Fandom and Consumer Culture in Japan 17 Ian Condry 2 Letters from the Heart: Negotiating Fan–Star Relationships in Japanese Popular Music 41 Christine R.
    [Show full text]
  • Translation Analysis of Extralinguistic Culture-Bound References in the English Subtitle of Aruna Dan Lidahnya Movie
    IR - PERPUSTAKAAN UNIVERSITAS AIRLANGGA CHAPTER I INTRODUCTION 1.1 Background of the Study English subtitles are added in many Indonesian movies because they are promoted and broadcasted abroad. Adding subtitles also happens in some platforms proposed for watching movies, such as Netflix, Viu, and Hooq. In those platforms, the audiences who access the movie provided come from many countries with different languages. Therefore, most movies provide English subtitles and/or dubbing to ease audiences from all over the world. Hornby (1995) stated that subtitles are words that translate what is said in a movie into a different language and appear at the bottom of the screen. Hatim (2001) also declared that subtitling is a printed statement or fragment of dialogue that appears as a translation at the bottom of the screen during the scenes of a motion picture or television show in a foreign language. From the definitions provided by two experts above, it can be concluded that subtitle is a product of translation that used to transfer the dialogue of a movie into a foreign language. Subtitling, which can be called as movie translation, is a different kind of translation because it is limited by time and space. Hatim (2000) states that subtitling involves complicated procedures that are not common in other translation work of written text because subtitling is limited both by the time of the character’s expression in the movies as well as time for the reader to read the text and by the space of the 1 SKRIPSI TRANSLATION ANALYSIS OF... AISYAH ATTAMAMI IR - PERPUSTAKAAN UNIVERSITAS AIRLANGGA 2 screen.
    [Show full text]
  • The Popular Image of Japanese Femininity Inside the Anime and Manga Culture of Japan and Sydney Jennifer M
    University of Wollongong Research Online University of Wollongong Thesis Collection University of Wollongong Thesis Collections 2009 The popular image of Japanese femininity inside the anime and manga culture of Japan and Sydney Jennifer M. Stockins University of Wollongong Recommended Citation Stockins, Jennifer M., The popular image of Japanese femininity inside the anime and manga culture of Japan and Sydney, Master of Arts - Research thesis, University of Wollongong. School of Art and Design, University of Wollongong, 2009. http://ro.uow.edu.au/ theses/3164 Research Online is the open access institutional repository for the University of Wollongong. For further information contact Manager Repository Services: [email protected]. The Popular Image of Japanese Femininity Inside the Anime and Manga Culture of Japan and Sydney A thesis submitted in partial fulfillment of the requirements for the award of the degree Master of Arts - Research (MA-Res) UNIVERSITY OF WOLLONGONG Jennifer M. Stockins, BCA (Hons) Faculty of Creative Arts, School of Art and Design 2009 ii Stockins Statement of Declaration I certify that this thesis has not been submitted for a degree to any other university or institution and, to the best of my knowledge and belief, contains no material previously published or written by any other person, except where due reference has been made in the text. Jennifer M. Stockins iii Stockins Abstract Manga (Japanese comic books), Anime (Japanese animation) and Superflat (the contemporary art by movement created Takashi Murakami) all share a common ancestry in the woodblock prints of the Edo period, which were once mass-produced as a form of entertainment.
    [Show full text]
  • The Significance of Anime As a Novel Animation Form, Referencing Selected Works by Hayao Miyazaki, Satoshi Kon and Mamoru Oshii
    The significance of anime as a novel animation form, referencing selected works by Hayao Miyazaki, Satoshi Kon and Mamoru Oshii Ywain Tomos submitted for the degree of Doctor of Philosophy Aberystwyth University Department of Theatre, Film and Television Studies, September 2013 DECLARATION This work has not previously been accepted in substance for any degree and is not being concurrently submitted in candidature for any degree. Signed………………………………………………………(candidate) Date …………………………………………………. STATEMENT 1 This dissertation is the result of my own independent work/investigation, except where otherwise stated. Other sources are acknowledged explicit references. A bibliography is appended. Signed………………………………………………………(candidate) Date …………………………………………………. STATEMENT 2 I hereby give consent for my dissertation, if accepted, to be available for photocopying and for inter-library loan, and for the title and summary to be made available to outside organisations. Signed………………………………………………………(candidate) Date …………………………………………………. 2 Acknowledgements I would to take this opportunity to sincerely thank my supervisors, Elin Haf Gruffydd Jones and Dr Dafydd Sills-Jones for all their help and support during this research study. Thanks are also due to my colleagues in the Department of Theatre, Film and Television Studies, Aberystwyth University for their friendship during my time at Aberystwyth. I would also like to thank Prof Josephine Berndt and Dr Sheuo Gan, Kyoto Seiko University, Kyoto for their valuable insights during my visit in 2011. In addition, I would like to express my thanks to the Coleg Cenedlaethol for the scholarship and the opportunity to develop research skills in the Welsh language. Finally I would like to thank my wife Tomoko for her support, patience and tolerance over the last four years – diolch o’r galon Tomoko, ありがとう 智子.
    [Show full text]
  • 14914871.Pdf
    CORE Metadata, citation and similar papers at core.ac.uk Provided by Helsingin yliopiston digitaalinen arkisto Crime stories from the country of huopatossu and juhannusruusut — Translation strategies for Finnish cultural realia in the English translations of two of Matti Yrjänä Joensuu’s crime novels Master’s Thesis Department of English University of Helsinki 7 April 2008 Paula Kylä-Harakka 1 CONTENTS ABBREVIATIONS ........................................................................................................................................... 2 1 INTRODUCTION .......................................................................................................................................... 3 2 MATTI YRJÄNÄ JOENSUU AND HARJUNPÄÄ CRIME NOVELS .................................................... 7 2.1 THE AUTHOR AND HIS NOVELS .................................................................................................................. 7 2.2 HARJUNPÄÄ JA POLIISIN POIKA (HARJUNPAA AND THE STONE MURDERS) ............................................... 10 2.3 HARJUNPÄÄ JA PAHAN PAPPI (THE PRIEST OF EVIL) ................................................................................ 11 2.4 THE TRANSLATORS AND THEIR TRANSLATIONS ....................................................................................... 12 3 REALIA ........................................................................................................................................................ 14 3.1 CULTURE ................................................................................................................................................
    [Show full text]
  • Girl Power: Feminine Motifs in Japanese Popular Culture David Endresak [email protected]
    Eastern Michigan University DigitalCommons@EMU Senior Honors Theses Honors College 2006 Girl Power: Feminine Motifs in Japanese Popular Culture David Endresak [email protected] Follow this and additional works at: http://commons.emich.edu/honors Recommended Citation Endresak, David, "Girl Power: Feminine Motifs in Japanese Popular Culture" (2006). Senior Honors Theses. 322. http://commons.emich.edu/honors/322 This Open Access Senior Honors Thesis is brought to you for free and open access by the Honors College at DigitalCommons@EMU. It has been accepted for inclusion in Senior Honors Theses by an authorized administrator of DigitalCommons@EMU. For more information, please contact lib- [email protected]. Girl Power: Feminine Motifs in Japanese Popular Culture Degree Type Open Access Senior Honors Thesis Department Women's and Gender Studies First Advisor Dr. Gary Evans Second Advisor Dr. Kate Mehuron Third Advisor Dr. Linda Schott This open access senior honors thesis is available at DigitalCommons@EMU: http://commons.emich.edu/honors/322 GIRL POWER: FEMININE MOTIFS IN JAPANESE POPULAR CULTURE By David Endresak A Senior Thesis Submitted to the Eastern Michigan University Honors Program in Partial Fulfillment of the Requirements for Graduation with Honors in Women's and Gender Studies Approved at Ypsilanti, Michigan, on this date _______________________ Dr. Gary Evans___________________________ Supervising Instructor (Print Name and have signed) Dr. Kate Mehuron_________________________ Honors Advisor (Print Name and have signed) Dr. Linda Schott__________________________ Dennis Beagan__________________________ Department Head (Print Name and have signed) Department Head (Print Name and have signed) Dr. Heather L. S. Holmes___________________ Honors Director (Print Name and have signed) 1 Table of Contents Chapter 1: Printed Media..................................................................................................
    [Show full text]
  • The New Economy and Jobs/Housing Balance in Southern California
    The New Economy and Jobs/Housing Balance in Southern California Southern California Association of Governments 818 West 7th Street, 12th Floor Los Angeles, California 90017 April 2001 ACKNOWLEDGEMENTS PROJECT MANAGEMENT James Gosnell, Director, Planning and Policy Development Joseph Carreras, Principal Planner AUTHORS Michael Armstrong, Senior Planner Brett Sears, Associate Planner With research support from Frank Wen, Senior Economist TECHNICAL ASSISTANCE Mary Jane Abare, GIS Systems Analyst Mark Butala, Associate Planner Bruce Devine, Chief Economist James Jacob, Acting Manager, Social and Economic Data Forecasting Jacob Lieb, Senior Planner Javier Minjares, Senior Planner The New Economy and Jobs/Housing Balance in Southern California 1 TABLE OF CONTENTS TOPIC PAGE ACKNOWLEDGEMENTS 1 TABLE OF CONTENTS 2 TABLES, FIGURES, AND MAPS 5 ABSTRACT 7 EXECUTIVE SUMMARY 8 I. INTRODUCTION 11 II. DEFINITION OF JOBS/HOUSING BALANCE 15 III. BENEFITS OF JOBS/HOUSING BALANCE 19 A. Reduced Congestion and Commute Times 19 B. Air Quality Benefits 19 C. Economic and Fiscal Benefits 19 D. Quality of Life Benefits 20 IV. ANALYSIS OF REGIONAL JOBS/HOUSING BALANCE ISSUES 21 A. Current (1997) and Forecast (2025) Jobs/Housing Ratios 21 1. Overview 21 2. Analysis Results 21 B. The Household Footprint and the Jobs/Household Footprint 31 1. Overview 31 2. Analysis Results 31 C. Development Capacity of 1993/1994 General Plans and Zoning to Accommodate Housing and Employment Demand 35 1. Overview 35 2. Analysis Results 36 D. Summary of Regional Jobs/Housing Balance Issues 37 V. DYNAMICS OF JOBS/HOUSING BALANCE 39 A. The New Economy 39 1. Bay Area Experience 39 2. Santa Barbara Experience 42 3.
    [Show full text]
  • Sampling Real Life: Creative Appropriation in Public Spaces
    Sampling Real Life: Creative Appropriation in Public Spaces Elsa M. Lankford Electronic Media & Film (EMF) Towson University [email protected] I. Introduction Enter an art museum or a library and you will find numerous examples of appropriation, all or most of which were most likely legal at the time. From the birth of copyright and the idea that an author, encompassed as a writer, artist, composer, or musician, is the creator of a completely original work, our legal and moral perceptions of appropriation have changed. Merriam-Webster defines appropriation in multiple ways, two of which apply to the discussion of art and appropriation. The first, “to take exclusive possession of” and the second “to take or make use of without authority or right.”1 The battle over rights and appropriation is not one that is only fought in the courtroom and gallery, it also concerns our own lives. Many aspects of our lives involve appropriation, from pagan holidays appropriated into the Christian calendar to the music we listen to, even to the words we speak or write appropriated from other countries and cultures. As artists, appropriation in many forms makes its way into works of any media. The topic of appropriation leads to a discussion of where our creative ideas come from. They, in some sense, have been appropriated as well. Whether we overhear a snippet of a conversation that ends up woven into a creative work or we take a picture of somebody, unknowingly, as they walk down a tree-shadowed street, we are appropriating life. For centuries, artists have been inspired by public life, and the stories and images of others have been appropriated into their work.
    [Show full text]
  • Double-Edged Imitation
    Double-Edged Imitation Theories and Practices of Pastiche in Literature Sanna Nyqvist University of Helsinki 2010 © Sanna Nyqvist 2010 ISBN 978-952-92-6970-9 Nord Print Oy Helsinki 2010 Acknowledgements Among the great pleasures of bringing a project like this to com- pletion is the opportunity to declare my gratitude to the many people who have made it possible and, moreover, enjoyable and instructive. My supervisor, Professor H.K. Riikonen has accorded me generous academic freedom, as well as unfailing support when- ever I have needed it. His belief in the merits of this book has been a source of inspiration and motivation. Professor Steven Connor and Professor Suzanne Keen were as thorough and care- ful pre-examiners as I could wish for and I am very grateful for their suggestions and advice. I have been privileged to conduct my work for four years in the Finnish Graduate School of Literary Studies under the direc- torship of Professor Bo Pettersson. He and the Graduate School’s Post-Doctoral Researcher Harri Veivo not only offered insightful and careful comments on my papers, but equally importantly cre- ated a friendly and encouraging atmosphere in the Graduate School seminars. I thank my fellow post-graduate students – Dr. Juuso Aarnio, Dr. Ulrika Gustafsson, Dr. Mari Hatavara, Dr. Saija Isomaa, Mikko Kallionsivu, Toni Lahtinen, Hanna Meretoja, Dr. Outi Oja, Dr. Merja Polvinen, Dr. Riikka Rossi, Dr. Hanna Ruutu, Juho-Antti Tuhkanen and Jussi Willman – for their feed- back and collegial support. The rush to meet the seminar deadline was always amply compensated by the discussions in the seminar itself, and afterwards over a glass of wine.
    [Show full text]
  • Deleuze and the Simulacrum Between the Phantasm and Fantasy (A Genealogical Reading)
    Tijdschrift voor Filosofie, 81/2019, p. 131-149 DELEUZE AND THE SIMULACRUM BETWEEN THE PHANTASM AND FANTASY (A GENEALOGICAL READING) by Daniel Villegas Vélez (Leuven) What is the difference between the phantasm and the simulacrum in Deleuze’s famous reversal of Platonism? At the end of “Plato and the Simulacrum,” Deleuze argues that philosophy must extract from moder- nity “something that Nietzsche designated as the untimely.”1 The his- toricity of the untimely, Deleuze specifies, obtains differently with respect to the past, present, and future: the untimely is attained with respect to the past by the reversal of Platonism and with respect to the present, “by the simulacrum conceived as the edge of critical moder- nity.” In relation to the future, however, it is attained “by the phantasm of the eternal return as belief in the future.” At stake, is a certain dis- tinction between the simulacrum, whose power, as Deleuze tells us in this crucial paragraph, defines modernity, and the phantasm, which is Daniel Villegas Vélez (1984) holds a PhD from the Univ. of Pennsylvania and is postdoctoral researcher at the Institute of Philosophy, KU Leuven, where he forms part of the erc Research Pro- ject Homo Mimeticus (hom). Recent publications include “The Matter of Timbre: Listening, Genea- logy, Sound,” in The Oxford Handbook of Timbre, ed. Emily Dolan and Alexander Rehding (Oxford: Oxford Univ. Press, 2018), doi: 10.1093/oxfordhb/9780190637224.013.20 and “Allegory, Noise, and History: TheArcades Project Looks Back at the Trauerspielbuch,” New Writing Special Issue: Convo- luting the Dialectical Image (2019), doi: 10.1080/14790726.2019.1567795.
    [Show full text]
  • The Beauties of Lucknow: an Urdu Photographic Album
    Journal of Journal of urdu studies 1 (2020) 141-176 URDU STUDIES brill.com/urds The Beauties of Lucknow: An Urdu Photographic Album Kathryn Hansen Professor Emeritus, Department of Asian Studies, University of Texas at Austin, Austin, TX, USA [email protected] Abstract ʿAbbās ʿAlī of Lucknow published several volumes of photographs which were unique in being accompanied by text in English and Urdu. The Beauties of Lucknow (1874), an album of female performers and costumed actors from the Indar Sabhā, is attributed to him. Based on examination of the rare book in five archival locations, this article accounts for the variations among them. It distinguishes between the photographer’s authorial intentions and the agency of artisans, collectors, and others who altered the artifact at various stages. Comparison of the textual apparatus of the English and Urdu editions reveals the author’s mode of address to different audiences. The Urdu intro- duction, saturated with poetic tropes, provides insight into ways of viewing photo- graphs as formulated among the local cognoscenti. The article proposes that ʿAbbās ʿAlī’s book was meant as a private gift, as well as a publication for wider circulation. Keywords History of photography – ʿAbbās ʿAlī – Lucknow – female performers – Urdu theatre and drama 1 Introduction In 2014, a set of images from The Beauties of Lucknow, an Indian photographic album published in 1874, appeared online in Tasveer Journal from Bangalore. These photographs revived interest in early portraits of courtesans from the subcontinent, a topic of perennial fascination. The inclusion of costumed © Koninklijke Brill NV, Leiden, 2020 | doi:10.1163/26659050-12340011 142 Hansen actors from a well-known work of Urdu musical theatre, Indar Sabhā (The Assembly of King Indar), was particularly compelling.
    [Show full text]
  • 9. List of Film Genres and Sub-Genres PDF HANDOUT
    9. List of film genres and sub-genres PDF HANDOUT The following list of film genres and sub-genres has been adapted from “Film Sub-Genres Types (and Hybrids)” written by Tim Dirks29. Genre Film sub-genres types and hybrids Action or adventure • Action or Adventure Comedy • Literature/Folklore Adventure • Action/Adventure Drama Heroes • Alien Invasion • Martial Arts Action (Kung-Fu) • Animal • Man- or Woman-In-Peril • Biker • Man vs. Nature • Blaxploitation • Mountain • Blockbusters • Period Action Films • Buddy • Political Conspiracies, Thrillers • Buddy Cops (or Odd Couple) • Poliziotteschi (Italian) • Caper • Prison • Chase Films or Thrillers • Psychological Thriller • Comic-Book Action • Quest • Confined Space Action • Rape and Revenge Films • Conspiracy Thriller (Paranoid • Road Thriller) • Romantic Adventures • Cop Action • Sci-Fi Action/Adventure • Costume Adventures • Samurai • Crime Films • Sea Adventures • Desert Epics • Searches/Expeditions for Lost • Disaster or Doomsday Continents • Epic Adventure Films • Serialized films • Erotic Thrillers • Space Adventures • Escape • Sports—Action • Espionage • Spy • Exploitation (ie Nunsploitation, • Straight Action/Conflict Naziploitation • Super-Heroes • Family-oriented Adventure • Surfing or Surf Films • Fantasy Adventure • Survival • Futuristic • Swashbuckler • Girls With Guns • Sword and Sorcery (or “Sword and • Guy Films Sandal”) • Heist—Caper Films • (Action) Suspense Thrillers • Heroic Bloodshed Films • Techno-Thrillers • Historical Spectacles • Treasure Hunts • Hong Kong • Undercover
    [Show full text]