Imitation, Not Theft: a Mixed-Methods Study of Plagiarism
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Sampling Real Life: Creative Appropriation in Public Spaces
Sampling Real Life: Creative Appropriation in Public Spaces Elsa M. Lankford Electronic Media & Film (EMF) Towson University [email protected] I. Introduction Enter an art museum or a library and you will find numerous examples of appropriation, all or most of which were most likely legal at the time. From the birth of copyright and the idea that an author, encompassed as a writer, artist, composer, or musician, is the creator of a completely original work, our legal and moral perceptions of appropriation have changed. Merriam-Webster defines appropriation in multiple ways, two of which apply to the discussion of art and appropriation. The first, “to take exclusive possession of” and the second “to take or make use of without authority or right.”1 The battle over rights and appropriation is not one that is only fought in the courtroom and gallery, it also concerns our own lives. Many aspects of our lives involve appropriation, from pagan holidays appropriated into the Christian calendar to the music we listen to, even to the words we speak or write appropriated from other countries and cultures. As artists, appropriation in many forms makes its way into works of any media. The topic of appropriation leads to a discussion of where our creative ideas come from. They, in some sense, have been appropriated as well. Whether we overhear a snippet of a conversation that ends up woven into a creative work or we take a picture of somebody, unknowingly, as they walk down a tree-shadowed street, we are appropriating life. For centuries, artists have been inspired by public life, and the stories and images of others have been appropriated into their work. -
Double-Edged Imitation
Double-Edged Imitation Theories and Practices of Pastiche in Literature Sanna Nyqvist University of Helsinki 2010 © Sanna Nyqvist 2010 ISBN 978-952-92-6970-9 Nord Print Oy Helsinki 2010 Acknowledgements Among the great pleasures of bringing a project like this to com- pletion is the opportunity to declare my gratitude to the many people who have made it possible and, moreover, enjoyable and instructive. My supervisor, Professor H.K. Riikonen has accorded me generous academic freedom, as well as unfailing support when- ever I have needed it. His belief in the merits of this book has been a source of inspiration and motivation. Professor Steven Connor and Professor Suzanne Keen were as thorough and care- ful pre-examiners as I could wish for and I am very grateful for their suggestions and advice. I have been privileged to conduct my work for four years in the Finnish Graduate School of Literary Studies under the direc- torship of Professor Bo Pettersson. He and the Graduate School’s Post-Doctoral Researcher Harri Veivo not only offered insightful and careful comments on my papers, but equally importantly cre- ated a friendly and encouraging atmosphere in the Graduate School seminars. I thank my fellow post-graduate students – Dr. Juuso Aarnio, Dr. Ulrika Gustafsson, Dr. Mari Hatavara, Dr. Saija Isomaa, Mikko Kallionsivu, Toni Lahtinen, Hanna Meretoja, Dr. Outi Oja, Dr. Merja Polvinen, Dr. Riikka Rossi, Dr. Hanna Ruutu, Juho-Antti Tuhkanen and Jussi Willman – for their feed- back and collegial support. The rush to meet the seminar deadline was always amply compensated by the discussions in the seminar itself, and afterwards over a glass of wine. -
Imitatio Alexandri.Indb
S T U D I A A R C H A E O L O G I C A 187 ANNA TROFIMOVA IMITATIO ALEXANDRI IN HELLENISTIC ART Portraits of Alexander the Great and Mythological Images «L’ERMA» di BRETSCHNEIDER ANNA TROFIMOVA ImitatiO Alexandri IN HELLENISTIC Art Portraits of Alexander the Great and Mythological Images © Copyright 2012 «L’ERMA» di BRETSCHNEIDER Via Cassiodoro, 19 - 00193 Roma http://www.lerma.it © Anna Trofimova English translation Paul Williams Progetto grafico «L’ERMA» di BRETSCHNEIDER Tutti i diritti risevati. È vietata la riproduzione di testi e illustrazioni senza il permesso scritto dell’Editore. Trofimova, Anna. Imitatio Alexandri in Hellenistic Art. - Roma : «L’ERMA» di BRETSCHNEIDER, 2012. - XVI + 192 p. : ill. ; 24 cm. (Studia Archaeologica ; 187) ISBN: 978-88-8265-753-6 CDD 709.01 1. Alessandro : Magno Cover: Part of a chariot with the head of a warrior. Greece (?). Early 3rd century BC. Bronze (see. Fig. 130). Back-cover: Phalar with gorgoneion. Eastern Mediterranean, Bosporan kingdom (?), 2nd century BC. Silver, gilding (see Fig. 156) (Photos: © The State Hermitage Museum). INDEX ■ FOREWORD .......................................................................................... pag. VII ■ INTRODUCTION ....................................................................................... » XI ■ CHAPTER I The History of the Study of Portraits of Alexander the Great and the “subject of imitations”............ » 1 ■ CHAPTER II Alexander the Great in Hellenistic Art. The Image and the Reality..................................... » 15 ■ CHAPTER -
THE ART of IMITATION in the ORDER of THINGS: POETRY, RHETORIC, and the DISCURSIVE FORMATION of ENGLISH by JANICE SEWELL
THE ART OF IMITATION IN THE ORDER OF THINGS: POETRY, RHETORIC, AND THE DISCURSIVE FORMATION OF ENGLISH by JANICE SEWELL A thesis submitted to The University of Birmingham For the degree of DOCTOR OF PHILOSOPHY The Shakespeare Institute School of English The University of Birmingham September 2002 2 ABSTRACT The first part of this thesis offers an analysis of Elizabethan poetical treatises, such as Philip Sidney’s Apology for Poetry, in terms of Michel Foucault’s discursive formations, and the ways in which they were instrumental in redefining the sixteenth century literary terrain of poetry, prose, drama, poetics and literary criticism. It examines the role of contributory factors such as the Puritan attack, Renaissance humanism, the Ramist reform of logic and rhetoric, increased levels of literacy and printing. It explores conflicting definitions of poetry in the early modern period and its changing role and function, and the appropriation of significant elements from other discourses, notably rhetoric, arguing that this process constituted part of the wider reorganisation of contemporary knowledges. The second part of the thesis is concerned with the work and practice of the writer George Gascoigne, author of the first poetical treatise in English and his importance as an Elizabethan poet. 3 For Molly and Tom without whose continued faith, support, and encouragement, as well as their occasional filial nagging, I should never have finished this. 4 ACKNOWLEDGEMENTS I should like to express my deepest thanks to my long-suffering supervisor, John Jowett, for his unstinting help and kindness, and to the librarians at The Shakespeare Institute, Jim Shaw and Kate Welch, for their endless patience. -
Understanding Second-Person Storytelling
Evgenia Iliopoulou Because of You: Understanding Second-Person Storytelling Lettre Evgenia Iliopoulou born in 1986, lives in Zurich, Switzerland, and specializes in narratology, theory of literature and interdisciplinary approaches within Comparative Literature. She holds an undergraduate degree in Greek Philology from her hometown University of Patras, Greece, and an MA in Comparative Literature from Ludwig Maximilian University of Munich, Germany. In 2014, during her doctoral studies, Zurich University sponsored her participation in the summer session of School of Theory and Criticism at Cornell University in the US. Evgenia Iliopoulou Because of You: Understanding Second-Person Storytelling This work was accepted as a PhD thesis by the Faculty of Arts and Social Scien- ces, University of Zurich in the fall semester 2017 on the recommendation of the Doctoral Committee: Prof. Dr. Thomas Fries «main supervisor», Prof. Dr. Sandro Zanetti. Published with the support of the Swiss National Science Foundation. Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Na- tionalbibliografie; detailed bibliographic data are available in the Internet at http://dnb.d-nb.de This work is licensed under the Creative Commons Attribution-NonCommercial-No- Derivatives 4.0 (BY-NC-ND) which means that the text may be used for non-commer- cial purposes, provided credit is given to the author. For details go to http://creativecommons.org/licenses/by-nc-nd/4.0/ To create an adaptation, translation, or derivative of the original work and for commer- cial use, further permission is required and can be obtained by contacting rights@ transcript-verlag.de Creative Commons license terms for re-use do not apply to any content (such as graphs, figures, photos, excerpts, etc.) not original to the Open Access publication and further permission may be required from the rights holder. -
Theory and Interpretation of Narrative) Includes Bibliographical References and Index
Theory and In T e r p r e Tati o n o f n a r r ati v e James Phelan and Peter J. rabinowitz, series editors Postclassical Narratology Approaches and Analyses edited by JaN alber aNd MoNika FluderNik T h e O h i O S T a T e U n i v e r S i T y P r e ss / C O l U m b us Copyright © 2010 by The Ohio State University. All rights reserved Library of Congress Cataloging-in-Publication Data Postclassical narratology : approaches and analyses / edited by Jan Alber and Monika Fludernik. p. cm. — (Theory and interpretation of narrative) Includes bibliographical references and index. ISBN-13: 978-0-8142-5175-1 (pbk. : alk. paper) ISBN-10: 0-8142-5175-7 (pbk. : alk. paper) ISBN-13: 978-0-8142-1142-7 (cloth : alk. paper) ISBN-10: 0-8142-1142-9 (cloth : alk. paper) [etc.] 1. Narration (Rhetoric) I. Alber, Jan, 1973– II. Fludernik, Monika. III. Series: Theory and interpretation of narrative series. PN212.P67 2010 808—dc22 2010009305 This book is available in the following editions: Cloth (ISBN 978-0-8142-1142-7) Paper (ISBN 978-0-8142-5175-1) CD-ROM (ISBN 978-0-8142-9241-9) Cover design by Laurence J. Nozik Type set in Adobe Sabon Printed by Thomson-Shore, Inc. The paper used in this publication meets the minimum requirements of the American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials. ANSI Z39.48-1992. 9 8 7 6 5 4 3 2 1 Contents Acknowledgments vii Introduction Jan alber and monika Fludernik 1 Part i. -
Imitation, Intertextuality and the Minerva Press Novel Hannah Doherty• Hudson
R OMANTICT EXTUALITIES LITERATURE AND PRINT CULTURE, 1780–1840 • ISSN 1748-0116 ◆ ISSUE 23 ◆ SUMMER 2020 ◆ SPECIAL ISSUE : THE MINERVA PRESS AND THE LITERARY MARKETPLACE ◆ www.romtext.org.uk ◆ CARDIFF UNIVERSITY PRESS ◆ 2 romantic textualities 23 Romantic Textualities: Literature and Print Culture, 1780–1840, 23 (Summer 2020) Available online at <www.romtext.org.uk/>; archive of record at <https://publications.cardiffuniversitypress.org/index.php/RomText>. Journal DOI: 10.18573/issn.1748-0116 ◆ Issue DOI: 10.18573/romtext.i23 Romantic Textualities is an open access journal, which means that all content is available without charge to the user or his/her institution. You are allowed to read, download, copy, distribute, print, search or link to the full texts of the articles in this journal without asking prior permission from either the publisher or the author. Unless otherwise noted, the material contained in this journal is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 (cc by-nc-nd) Interna- tional License. See https://creativecommons.org/licenses/by-nc-nd/4.0/ for more information. Origi- nal copyright remains with the contributing author and a citation should be made when the article is quoted, used or referred to in another work. C b n d Romantic Textualities is an imprint of Cardiff University Press, an innovative open-access publisher of academic research, where ‘open-access’ means free for both readers and writers. Find out more about the press at cardiffuniversitypress.org. Editors: Anthony Mandal, -
The Dissemination and Localization of Anime in China: Case Study on the Chinese Mobile Video Game Onmyoji
The dissemination and localization of anime in China: Case study on the Chinese mobile video game Onmyoji Wuqian Qian The Department of Asian, Middle Eastern and Turkish Studies Master Program in Asian Studies, 120 hp Autumn term 2016 Supervisor: Jaqueline Berndt English title: Professor Abstract In the 2017 Chinese Gaming Industry Report, a new type of video games called 二次 元 game is noted as a growing force in the game industry. Onmyoji is one of those games produced by Netease and highly popular with over 200 million registered players in China alone. 二次元 games are characterized by Japanese-language dubbing and anime style in character design. However, Onmyoji uses also Japanese folklore, which raises two questions: one is why Netease chose to make such a 二次元 game, the other why a Chinese game using Japanese folklore is so popular among Chinese players. The attractiveness of an exotic culture may help to explain the latter, but it does not work for the first. Thus, this thesis implements a media studies perspective in order to substantiate its hypothesis that it is the dissemination of anime in China that has made Onmyoji possible and successful. Unlike critics who regard anime as an imported product from Japan which is different from domestic Chinese animation and impairs its development, this study pays attention to the interrelation between media platforms and viewer (or user) demographics, and it explores the positive influence of Japanese anime on the Chinese creative industry, implying the feasibility of anime or 二次元 products to be created in other countries than Japan. -
An Analysis of Fanfiction and Its Influence on Sexual Development
“AND THEN THEY BONED”: AN ANALYSIS OF FANFICTION AND ITS INFLUENCE ON SEXUAL DEVELOPMENT By Lindsay Mixer A Thesis Presented to The Faculty of Humboldt State University In Partial Fulfillment of the Requirements for the Degree Master of Arts in Sociology Committee Membership Dr. Meredith Williams, Committee Chair Dr. Mary Virnoche, Committee Member Dr. Meredith Williams, Program Graduate Coordinator May 2018 ABSTRACT “AND THEN THEY BONED”: AN ANALYSIS OF FANFICTION AND ITS INFLUENCE ON SEXUAL DEVELOPMENT Lindsay Mixer The purpose of this research is to demonstrate how young adults come to understand their sexuality (from sexual and gender identities to sexual likes and dislikes) through reading and writing fanfiction. Previous studies show that fanfiction promotes non-heterosexual orientations, but little research has been done on how it contributes to overall sexual development. In conducting an online survey of fanfiction readers, I explore how fans use these works to generate an understanding of themselves as sexual beings. Explicit stories make up a sizable portion of the fanfiction available, and there is a wide range of sexual acts depicted in those stories; ones that readers may not have been introduced to otherwise. Fanfiction can also facilitate discussion of sexuality and gender identity, topics that may not be appropriate in other social spheres, which can assist further sexual development. This study looks at just how influential fanfiction, and the fanfiction community, can be on sexual development. Keywords: Fanfiction, fandom, sexually explicit material, sexuality, sexual development, lgbt, queer, pornography, media i ACKNOWLEDGEMENTS To my fellow fans, without whom none of this would have been possible. -
Plagiarism: Teaching Writing in the Digital Age
Vicinus, Martha. Originality, Imitation, and Plagiarism: Teaching Writing In the Digital Age. E-book, Ann Arbor, MI: University of Michigan Press, 2008, https://doi.org/10.3998/dcbooks.5653382.0001.001. Downloaded on behalf of Unknown Institution originality, imitation, and plagiarism Vicinus, Martha. Originality, Imitation, and Plagiarism: Teaching Writing In the Digital Age. E-book, Ann Arbor, MI: University of Michigan Press, 2008, https://doi.org/10.3998/dcbooks.5653382.0001.001. Downloaded on behalf of Unknown Institution digitalculturebooks is a collaborative imprint of the University of Michigan Press and the University of Michigan Library dedicated to publishing innovative work about the social, cultural, and political impact of new media. Vicinus, Martha. Originality, Imitation, and Plagiarism: Teaching Writing In the Digital Age. E-book, Ann Arbor, MI: University of Michigan Press, 2008, https://doi.org/10.3998/dcbooks.5653382.0001.001. Downloaded on behalf of Unknown Institution Dg^\^cVa^in!>b^iVi^dc! VcYEaV\^Vg^hb Sd`bghmfVqhshmfhmsgdChfhs`k@fd Caroline Eisner and Martha Vicinus dchsnqr sgdtmhudqrhsxnelhbghf`moqdrr`mc sgdtmhudqrhsxnelhbghf`mkhaq`qx Ann Arbor Vicinus, Martha. Originality, Imitation, and Plagiarism: Teaching Writing In the Digital Age. E-book, Ann Arbor, MI: University of Michigan Press, 2008, https://doi.org/10.3998/dcbooks.5653382.0001.001. Downloaded on behalf of Unknown Institution Copyright © by the University of Michigan 2008 All rights reserved Published in the United States of America by The University of Michigan Press and The University of Michigan Library Manufactured in the United States of America c Printed on acid-free paper 2011 2010 2009 2008 4 3 2 No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, or otherwise, without the written permission of the publisher. -
Pastiche in Contemporary Latin American Literature
Studies in 20th Century Literature Volume 14 Issue 1 Special Issue on Fin de Siècle in Latin Article 9 America 1-1-1990 Pastiche in Contemporary Latin American Literature Jean Franco Columbia University Follow this and additional works at: https://newprairiepress.org/sttcl Part of the Latin American Literature Commons, and the Modern Literature Commons This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Recommended Citation Franco, Jean (1990) "Pastiche in Contemporary Latin American Literature," Studies in 20th Century Literature: Vol. 14: Iss. 1, Article 9. https://doi.org/10.4148/2334-4415.1245 This Article is brought to you for free and open access by New Prairie Press. It has been accepted for inclusion in Studies in 20th Century Literature by an authorized administrator of New Prairie Press. For more information, please contact [email protected]. Pastiche in Contemporary Latin American Literature Abstract Pastiche, defined as non-satiric imitation, is a characteristic feature of contemporary Latin American narrative. Although unlike parody it does not stand in antagonist relationship with a prior text, nevertheless pastiche marks a distance and a displacement of other texts. The article illustrates this with reference to Mario Vargas Llosa's pastiche of Machiguenga indigenous legends in his novel El hablador and Silviano Santiago's pastiche of Graciliano Ramos's prison memories in his novel, Em Liberdade. Keywords Contemporary Latin American literature, Pastiche, non-satiric imitation, narrative, distance, displacement, Mario Vargas Llosa, Machinguenga indigenous legends, El hablador, Silviano Santiago, Graciliano Ramos, prison memories, Em Liberdade This article is available in Studies in 20th Century Literature: https://newprairiepress.org/sttcl/vol14/iss1/9 Franco: Pastiche in Contemporary Latin American Literature Pastiche in Contemporary Latin American Literature Jean Franco Columbia University Many novels published in Latin America over the last few years can be described as pastiche novels. -
Anime in America, Disney in Japan: the Global Exchange of Popular Media Visualized Through Disney’S “Stitch”
Anime in America, Disney in Japan: The Global Exchange of Popular Media Visualized through Disney’s “Stitch” Nicolette Lucinda Pisha Asheville, North Carolina Bachelor of Arts, University of North Carolina at Chapel Hill, 2008 A Thesis presented to the Graduate Faculty of the College^oEWilliam and Mary in Candidacy for the Degree of Master of Arts American Studies Program The College of William and Mary January, 2010 APPROVAL PAGE This Thesis is submitted in partial fulfillment of the requirements for the degree of Master of Arts NicoletteAucinda Pisha Approved ®y the £r, 2009 Associate Professor Arthur Knight, American Studies and English The College of William and Mary,, Visiting Assistant Professor Timothy Barnard, American Studies The College of William and Mary Assistant Professor Hiroshi Kitamura, History The College of William and Mary ABSTRACT PAGE My thesis examines the complexities of Disney’s Stitch character, a space alien that appeals to both American and Japanese audiences. The substitutive theory of Americanization is often associated with the Disney Company’s global expansion; however, my work looks at this idea as multifaceted. By focusing on the Disney Company’s relationship with the Japanese consumer market, I am able to provide evidence of instances when influence from the local Japanese culture appears in both Disney animation and products. For example, Stitch contains many of the same physical characteristics found in both Japanese anime and manga characters, and a small shop selling local Japanese crafts is located inside the Tokyo Disneyland theme park. I completed onsite research at Tokyo Disneyland and learned about city life in Tokyo.