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STEVE DUB – MIXER, PRODUCER, CO-WRITER (Selected Discography)
STEVE DUB – MIXER, PRODUCER, CO-WRITER (Selected Discography) Sloven Lie Forthcoming EP Global Add-Prod/Mix Chris Olsson Forthcoming tracks Universal Mix HOST Forthcoming EP Global Add-Prod/Mix Shelter Point Pale Space + Time Add-Prod/Mix 19Hundred ‘Oh Boy’ feat DAZE (single) Soundplate Mix Beyond The Wizard’s Forthcoming LP Phantasy Sound Mix Sleeve The Chemical Brothers Born In The Echoes (LP) Virgin EMI Rec/Eng/Mix Sander Kleinenberg Wicked Things feat. Audio Spinnin’ Co-write/Prod/Mix Bullies (single) The Chemical Brothers This Is Not A Game feat. Miguel Republic Mix (OST - The Hunger Games: Mockingjay Pt. 1) Erol Alkan Illumination (EP) Phantasy Sound Mix Ali Love P.U.M.P (LP) Crosstown Co-write/Prod/Mix Rebels Clean Bandit New Eyes (LP tracks) Warner Mix Klaxons Love Frequency (LP tracks) Sound Wave Prod/Mix Jagwar Ma ‘Man I Need’, ‘Let Her Go’ Marathon Mix (Howlin’ LP) Tinie Tempah Looking Down The Barrel Parlophone Mix (Demonstration LP) Jack Beats Somebody To Love (LP) Sony Mix Jack Beats Careless (LP) Sony Mix Dev Bass Down Low feat. The Universal Co-write/Prod/Mix Cataracs (5K Remix) Republic Jakwob Electrify feat. Jetta (single) Mercury Co-write/Add- Prod/Mix Sander Kleinenberg ‘Closer’ and ‘Wish I Said’ (5K LP) This Is Co-write/Prod/Mix Recordings Sasha Cut Me Down (single) Last Night On Mix Earth The Feeling Searched Every Corner Mix Island UNKLE Where Did The Night Fall (LP) Surrender All Mix The Chemical Brothers Further (LP) Virgin Mix Tiësto & Mark Knight Beautiful World feat. Dino Toolroom Mix (Single) Productions Kid -
Agenda Made 20140822
Episode 3 - Agenda Made 20140822 Intro Welcome to Point Radio Cast. Contact Info [email protected] Links to music on pointradiocast.com Click through the site to buy it, and support us and the bands. Show intro - Theme Best CDs I currently own, part two. If on a deserted island with a CD player and a solar power source, which CDs would I want to have? 2 songs from each disc. This will be a 2 part episode. Chronological order, picking up in 2002. Against Me! - Reinventing Axl Rose Released in 2002. Amazing sound. Awesome energy. Still at it today, though they've definitely evolved. Hard to choose one of their old school CDs. We Laugh At Danger (And Break All The Rules) Walking is Still Honest The Tossers - Purgatory Released 2003. Irish punk. One of the many bands inspired by the Pogues from previous ep. Chicago based. Harven't heard anything from the in a while. Many CDs, all on the same vein other than Communiation and Conviction. Varied style, slow, punk, in between; all CDs like that. Caoin (Lament) With the North Wind The Killers - Sam's Town Releaed 2006. More mainstream, but I'm totally gay for indie rock. I dig everything these guys have done, even solo Brandon Flowers. Bones This River is Wild Hank Williams III - Straight to Hell Released 2006. Outlaw country. Attitude, alcohol and drugs, outlaw country sound. Straight to Hell Pills I Took Chuck Ragan & Austin Lucas - Bristle Ridge Releaed 2008. Folky bluegrass. Having grown up around blue grass music, it's a bit nostalgic for me. -
Marc Brennan Thesis
Writing to Reach You: The Consumer Music Press and Music Journalism in the UK and Australia Marc Brennan, BA (Hons) Creative Industries Research and Applications Centre (CIRAC) Thesis Submitted for the Completion of Doctor of Philosophy (Creative Industries), 2005 Writing to Reach You Keywords Journalism, Performance, Readerships, Music, Consumers, Frameworks, Publishing, Dialogue, Genre, Branding Consumption, Production, Internet, Customisation, Personalisation, Fragmentation Writing to Reach You: The Consumer Music Press and Music Journalism in the UK and Australia The music press and music journalism are rarely subjected to substantial academic investigation. Analysis of journalism often focuses on the production of news across various platforms to understand the nature of politics and public debate in the contemporary era. But it is not possible, nor is it necessary, to analyse all emerging forms of journalism in the same way for they usually serve quite different purposes. Music journalism, for example, offers consumer guidance based on the creation and maintenance of a relationship between reader and writer. By focusing on the changing aspects of this relationship, an analysis of music journalism gives us an understanding of the changing nature of media production, media texts and media readerships. Music journalism is dialogue. It is a dialogue produced within particular critical frameworks that speak to different readers of the music press in different ways. These frameworks are continually evolving and reflect the broader social trajectory in which music journalism operates. Importantly, the evolving nature of music journalism reveals much about the changing consumption of popular music. Different types of consumers respond to different types of guidance that employ a variety of critical approaches. -
Edinburgh Eh8
EDINBURGH EH8 9JG BOOKING TICKETS ONLiNE www.thequeenshall.net OvER THE PHONE +44 (0)131 668 2019 Mon –Sat 10am –5pm or until one hour before start on show nights iN PERSON 85 –89 Clerk Street, Edinburgh EH8 9JG Mo n–Sat 10a m–5pm or until 15 mins after start on show nights Booking charge A £1 fee is charged on all bookings made online and over the phone. This is per booking, not per ticket and helps support the running of our Box Office. Booking fees The ticket price shown is the price you will pay. if you would like to know which tickets include a £2 booking fee, please ask the Box Office. Postage Tickets can be posted out to you second class up to seven days before the event for a cost of £1.00 per transaction. Alternatively you can collect tickets free of charge from the Box Office during opening hours. Concessions Concessionary priced tickets are available where indicated. if you book online, please bring proof of eligibility with you to the event. Doors open /start times For most events, the time shown is when the artist will begin their performance. Where we don’t have this information in advance, a ‘doors open’ time is given, with more precise details available on our social media channels, website and via the Box Office on the day of the event. Accessibility Our venue is fully accessible for wheelchair users and we welcome assistance animals. Wheelchair spaces can currently be booked over the phone and in person only. -
The Cord Weekly
THE CORDWEEKLY UOl.THIgTH, N3- TWEA/TV-TWO WlUffiP tAii?IER UN IVERSITV TWstvH MARCH EIGHTH, 1990 INSIDE THIS WEEK'S CORD jf Jggjs ;§§B§§g§§gg X OOy^^ -■" § >"~\>v- i -H$ » -. 112 |f!NP! ft , % §> .-. i&Sf* w.;X w Sp $ W g:;pg turnout pathetic ; IffP: i^ft'SSiviv'WiS'iivj:^^ The Cord Weekly 2 Thursday March 8,1990 CORD WEEKLY Now At Kinko's 11 SAT 42%, Jb MARCH 8,1990 Prep courses VOLUME 30, NUMBER 22 for •' EDITOR-IN-CHIEF...Chris Starkey 50% De-Inked / Recycled * * * NEWS EDlTOR...Jonathan Stover - LSAT ASSOCIATE NEWS EDITOR..Keri Downs ■ ■ kinko's NEWSCONTRIBUTORS june 11/% Neville Blair, Chip Mcßain, Frances McAneney, Gail Cockburn, Liza Anastasia Bill Needle, Dublin G. Chris the center Sardi, Hryciw, Coyne, Starkey copy GMAT BUSINESS EDITOR...Barry Gervin ' 7 V erS A W °Phon MARCH 17/9° e 746 33« BUSINESS CONTRIBUTORS Fax: / 46-801 7 Jane Klubal Call: * * * (416) 923-PREP (7737) COMMENT PAGES CONTRIBUTORS We JJi. Artinger, Liza Sardi, Marilyn Sinkins, recycle too! 1-800-387.5519 Steve Burke, Stewart Reynolds * * * FEATURES EDlTOR...Elizabeth Chen * * * "SCENE" EDITOR...Tony Burke "SCENE" CONTRIBUTORS John Kirtap, Terri Gardner, Mark Hand, Carolyn Meredith, Jamie Nielson, Mark Pivon, Guy Etherington, JeffHeywood * * * SPORTS EDITOR...Brian Owen SPORTS CONTRIBUTORS JeffDragich, Bruno Rukavina, Chris Starkey, Ernie Afaganis * * * PRODUCTION MANAGER Jana Watson . PRODUCTION ASSISTANTS Karen Burke, AndreaNasello, Christine Yarwood PRODUCTION CONTRIBUTORS Cecilia Ledzinsky, Niki Westman, Sarah Faelker * * * SYSTEMS TECHNICIAN...MichaeI -
Maroon 5 Ryan Adams Slash Robert Plant Kill It Kid Royal Blood Banks Ariana Grande Queen
GRATIS | SEPTEMBER 2014 Ausgabe 11 MAROON 5 RYAN ADAMS SLASH ROBERT PLANT KILL IT KID ROYAL BLOOD BANKS ARIANA GRANDE QUEEN JOHNNY WINTER INHALT INHalt EDITION – ImpressUM 03 JOHNNY WINTER HERAUSGEBER 04 MAROON 5 | RYAN ADAMS AKTIV MuSIK MARKETING GMBH & CO. KG 05 SLASH | ROBERT PLANT Steintorweg 8, 20099 Hamburg, UstID: DE 187995651 06 KILL IT KID | ROYAL BLOOD PERSÖnlICH HAFTEndE GESELLSCHAFTERIN: 07 BANKS | ARIANA GRANDE AKTIV MuSIK MARKETING 08 Y‘AKOTO | GEORG AUF LIEDer | JhenÉ AIko VERWALTUNGS GMBH & CO. KG 09 HAGEN STOLL Steintorweg 8, 20099 Hamburg 10 NIEDECKENS BAP | BLACKBERRY SMOKE | SITZ: Hamburg, HR B 100122 NEW MODEL ARMY GESCHÄFTSFÜHRER Marcus-Johannes Heinz 11 QUEEN | SANTANA Fon: 040/468 99 28-0 Fax: 040/468 99 28-15 12 MIChel VAN DYKE | JULIA KADel TRIO | BeeCH E-MAIL: [email protected] 13 tomas TULPE | Gemma raY | TINA DICO 14 KRAFTKLUB | LAING | RADIO DORIA REDAKTIONS- UND ANZEIGENLEITUNG 15 IN FLAMES | CATS ON TREES | THE KOOKS Daniel Ahrweiler (da) (verantwortlich für den Inhalt) 16 COUNTING CROWS | MARLON ROUDETTE | SMOKEY ROBINSON 17 TALISCO | FAUN | CAN A SONG SAVE YOUR LIFE? MITARBEITER DIESER AUSGABE 18 BernIE MarsDen | DannY BRYANT | Marcel Anders (ma), Kai Florian Becker (kfb), Helmut The Great BertholINIS | Sean Rowe Blecher (hb), Dagmar Leischow (dl), Nadine Lischick 19 HÖRSTOFF (nli), Patrick Niemeier (nie), Henning Richter (hr), 23 ChrIstIAN MUTHSPIel & STEVE Swallow | Anja Wegner LANIA | Tom Gaebel | GoGo PenGUIN 24 PLATTENLADEN DES MONATS | PLATTENLÄDEN FOTOGRAFEN DIESER AUSGABE Paul Natkin (1, 3 Johnny Winter), -
SLAP Supporting Local Arts & Performers
Issue 45 SLAP Supporting Local Arts & Performers set in the sppiirituuaal home of Nick Drake FESTIVAL TANWORTH IN ARDEN • WARWICKSHIRE FAMILY CCAMPINGAMPING OONN THE CHILDREN'S FARM AWARD WINNING LOCAL ALES AND GOURMET STREETFOOD • TIPIS • BELL TENTS • LIVE IN VEHICLES DAILY YOGA SESSIOONS • 0FT LASER ROBOT • WILD WEAVING • FOOD FORAGING • IL BOLLE LOCO CRAFTIVISM • LASER SHOW • LUNAN R OLYMPIYMPICSCS KKIDSIDS CLCLUBUB • MASK MAKING & PROCESSION • FIRE STARTING 1POTS AND POTIONO S • GREEN CRAFTS • PRINTMAKING • DRUM 'N' BOUNCE • HARMONOGRAPH THE AMAZING MAZE • FLYIYINGNG MMACHINEACHINE CCAFEAFE • CAPOEIRA • SKA AEROBICS • NORTHERN SOUL DANCE CLASS BOLLYWOOD BHANGRA • THE COMMO ENTATORS • CLUB UNLIKELY POPOPP QUQUIZIZ & BBULLSEYEULLSEYE SHSHOWOW • BIMBIMBLEBLE INN J3 February: all doom and gloom they say but dontcha believe it, especially when you read where we’ve been and what we’ve been up to. In this our issue 45(!) we report from the wilds of Herefordshire, well Ledbury, to the iniquitous fleshpots of darkest Worcester. Much juicy reading to be had and some fab photography as ever. If it sounds like I’m praising my own magazine well I am, because please never forget that Slap wouldn’t exist if it Mar 2015 wasn’t for our wonderful and voluntary (again please don’t forget) contributors. They and of course the kaleidoscopic range of talented performers across the arts in our region are the lifeblood SLAP MAGAZINE of Slap Mag. If this all sounds a bit gushing, well I make no apologies and it IS Oscars Season after all! Unit 3a, Lowesmoor Wharf, It is also Brits Season but perhaps the less said as it was Worcester WR1 2RS a case of the bland leading the bland. -
Order Form Full
JAZZ ARTIST TITLE LABEL RETAIL ADDERLEY, CANNONBALL SOMETHIN' ELSE BLUE NOTE RM112.00 ARMSTRONG, LOUIS LOUIS ARMSTRONG PLAYS W.C. HANDY PURE PLEASURE RM188.00 ARMSTRONG, LOUIS & DUKE ELLINGTON THE GREAT REUNION (180 GR) PARLOPHONE RM124.00 AYLER, ALBERT LIVE IN FRANCE JULY 25, 1970 B13 RM136.00 BAKER, CHET DAYBREAK (180 GR) STEEPLECHASE RM139.00 BAKER, CHET IT COULD HAPPEN TO YOU RIVERSIDE RM119.00 BAKER, CHET SINGS & STRINGS VINYL PASSION RM146.00 BAKER, CHET THE LYRICAL TRUMPET OF CHET JAZZ WAX RM134.00 BAKER, CHET WITH STRINGS (180 GR) MUSIC ON VINYL RM155.00 BERRY, OVERTON T.O.B.E. + LIVE AT THE DOUBLET LIGHT 1/T ATTIC RM124.00 BIG BAD VOODOO DADDY BIG BAD VOODOO DADDY (PURPLE VINYL) LONESTAR RECORDS RM115.00 BLAKEY, ART 3 BLIND MICE UNITED ARTISTS RM95.00 BROETZMANN, PETER FULL BLAST JAZZWERKSTATT RM95.00 BRUBECK, DAVE THE ESSENTIAL DAVE BRUBECK COLUMBIA RM146.00 BRUBECK, DAVE - OCTET DAVE BRUBECK OCTET FANTASY RM119.00 BRUBECK, DAVE - QUARTET BRUBECK TIME DOXY RM125.00 BRUUT! MAD PACK (180 GR WHITE) MUSIC ON VINYL RM149.00 BUCKSHOT LEFONQUE MUSIC EVOLUTION MUSIC ON VINYL RM147.00 BURRELL, KENNY MIDNIGHT BLUE (MONO) (200 GR) CLASSIC RECORDS RM147.00 BURRELL, KENNY WEAVER OF DREAMS (180 GR) WAX TIME RM138.00 BYRD, DONALD BLACK BYRD BLUE NOTE RM112.00 CHERRY, DON MU (FIRST PART) (180 GR) BYG ACTUEL RM95.00 CLAYTON, BUCK HOW HI THE FI PURE PLEASURE RM188.00 COLE, NAT KING PENTHOUSE SERENADE PURE PLEASURE RM157.00 COLEMAN, ORNETTE AT THE TOWN HALL, DECEMBER 1962 WAX LOVE RM107.00 COLTRANE, ALICE JOURNEY IN SATCHIDANANDA (180 GR) IMPULSE -
NME, Going Underground
GOING UNDERGROUND Sonic Bouncing Souls Boom Six Alexisonfire Streetlight GOING Manifesto PLAYING AT A Wilhelm Scream UNDER- Frank Turner Anti-Flag GROUNDThis year’s Reading and Leeds sites are packed with balls off. Replete with buzzsaw guitars and neck- snapping drums this Exeter foursome care not for amazing punk rock. Ben Patashnik from NME.COM’s such minor conceits as the time of their billing (probably somewhere around the time much of the ‘Notes From The Underground’ picks out 10 highlights festival vomits themselves awake) because they know they are a truly fearsome alarm clock in punk entire weekend. Far less cheesy than Mad Caddies vicious chaos later the same day on the Lock Up, ot only has punk rock – both homegrown 2 A WILHELM SCREAM rock form. Here’s a tip: just stay up from the night (who are on the same stage on Saturday at Reading/ but throughout both there’ll be the feeling that if the AFI and imported – never been better When you talk of intensity, of violent music being before to ensure you don’t miss them. But don’t Friday at Leeds), go see them if you like deeply noir entire world was run through the democratisation represented at Reading and Leeds, but used intelligently and crafted symphonically, and of blame us if you die from fatigue immediately after. storytelling set to a rich, cinematic soundtrack; avoid of circle pits it’d be a much better place. the quality’s equally high. So with that live shows being ecstatic celebrations of something Opening Lock Up Stage, Saturday Reading/ if you’re scared of telling your friends you like bands Main Stage/Lock Up Stage, Friday Reading/ and social relevance into the faces of festival-goers in mind, we thought it’d be a crime to powerfully nameless, you talk of A Wilhelm Scream. -
Dan Blaze's Karaoke Song List
Dan Blaze's Karaoke Song List - By Artist 112 Peaches And Cream 411 Dumb 411 On My Knees 411 Teardrops 911 A Little Bit More 911 All I Want Is You 911 How Do You Want Me To Love You 911 More Than A Woman 911 Party People (Friday Night) 911 Private Number 911 The Journey 10 cc Donna 10 cc I'm Mandy 10 cc I'm Not In Love 10 cc The Things We Do For Love 10 cc Wall St Shuffle 10 cc Dreadlock Holiday 10000 Maniacs These Are The Days 1910 Fruitgum Co Simon Says 1999 Man United Squad Lift It High 2 Evisa Oh La La La 2 Pac California Love 2 Pac & Elton John Ghetto Gospel 2 Unlimited No Limits 2 Unlimited No Limits 20 Fingers Short Dick Man 21st Century Girls 21st Century Girls 3 Doors Down Kryptonite 3 Oh 3 feat Katy Perry Starstrukk 3 Oh 3 Feat Kesha My First Kiss 3 S L Take It Easy 30 Seconds To Mars The Kill 38 Special Hold On Loosely 3t Anything 3t With Michael Jackson Why 4 Non Blondes What's Up 4 Non Blondes What's Up 5 Seconds Of Summer Don't Stop 5 Seconds Of Summer Good Girls 5 Seconds Of Summer She Looks So Perfect 5 Star Rain Or Shine Updated 08.04.2015 www.blazediscos.com - www.facebook.com/djdanblaze Dan Blaze's Karaoke Song List - By Artist 50 Cent 21 Questions 50 Cent Candy Shop 50 Cent In Da Club 50 Cent Just A Lil Bit 50 Cent Feat Neyo Baby By Me 50 Cent Featt Justin Timberlake & Timbaland Ayo Technology 5ive & Queen We Will Rock You 5th Dimension Aquarius Let The Sunshine 5th Dimension Stoned Soul Picnic 5th Dimension Up Up and Away 5th Dimension Wedding Bell Blues 98 Degrees Because Of You 98 Degrees I Do 98 Degrees The Hardest -
Diplomarbeit
DIPLOMARBEIT Titel der Diplomarbeit Lage, Analyse und Perspektive österreichischer Musiker im Forschungsfeld der FM4 Charts 2011 unter Berücksichtigung deutscher und/oder englischer Texte. Verfasser Roland Maurer angestrebter akademischer Grad Magister der Philosophie (Mag.phil.) Wien, 2012 Studienkennzahl lt. Studienblatt: A 316 Studienrichtung lt. Studienblatt: Musikwissenschaft Betreuerin: Univ.-Prof. Mag. Dr. Regine Allgayer-Kaufmann 1 Inhaltsverzeichnis 1. Einleitung ……………………........…...……………………………...... 4 2. Problemstellung und Erkenntnisinteresse …....…………………….... 7 2.1. Forschungsfragen ….......…………………………………………...... 9 2.2. Forschungshypothesen …………………………………………….... 9 2.3. Erhebungsgegenstand ……………………………………….………. 10 2.4. Stand der Forschung …………………………………………………. 11 THEORETISCHE VERANKERUNG 3. IFPI Austria Musikbericht 2011 …............................……………….... 13 4. Forschungsfeld Radio FM4 ………………………………………….... 17 4.1 Musikauswahl, Marktsituation, FM4 Charts ………………………... 19 4.2. Position, Sprache, Formate …………………………………............. 21 4.3. Auftrag, HörerInnen, Radio FM4 Off Air ………………................... 22 4.4. FM4 Radio Sessions, FM4 Überraschungskonzerte, FM4 Soundpark 23 Exkurs 1: Jugendkultur ……………………………………………………....... 25 Exkurs 2: Independent vs. Popularmusik ………………………………........ 26 5. Sprache in der Musik ………………………………………………...... 33 6. Bandscout ……………………………………………………................ 35 6.1. Rahmenbedingungen, die sich von Bandscout ableiten …........... 36 6.1.1. Anzahl der Live-Konzerte ! Booking ……………………… 36 6.1.2. Größe -
Hip-Hop Is My Passport! Using Hip-Hop and Digital Literacies to Understand Global Citizenship Education
HIP-HOP IS MY PASSPORT! USING HIP-HOP AND DIGITAL LITERACIES TO UNDERSTAND GLOBAL CITIZENSHIP EDUCATION By Akesha Monique Horton A DISSERTATION Submitted to Michigan State University in partial fulfillment of the requirements for the degree of Curriculum, Teaching and Educational Policy – Doctor of Philosophy 2013 ABSTRACT HIP-HOP IS MY PASSPORT! USING HIP-HOP AND DIGITAL LITERACIES TO UNDERSTAND GLOBAL CITIZENSHIP EDUCATION By Akesha Monique Horton Hip-hop has exploded around the world among youth. It is not simply an American source of entertainment; it is a global cultural movement that provides a voice for youth worldwide who have not been able to express their “cultural world” through mainstream media. The emerging field of critical hip-hop pedagogy has produced little empirical research on how youth understand global citizenship. In this increasingly globalized world, this gap in the research is a serious lacuna. My research examines the intersection of hip-hop, global citizenship education and digital literacies in an effort to increase our understanding of how urban youth from two very different urban areas, (Detroit, Michigan, United States and Sydney, New South Wales, Australia) make sense of and construct identities as global citizens. This study is based on the view that engaging urban and marginalized youth with hip-hop and digital literacies is a way to help them develop the practices of critical global citizenship. Using principled assemblage of qualitative methods, I analyze interviews and classroom observations - as well as digital artifacts produced in workshops - to determine how youth define global citizenship, and how socially conscious, global hip-hop contributes to their definition Copyright by AKESHA MONIQUE HORTON 2013 ACKNOWLEDGEMENTS I am extremely grateful for the wisdom and diligence of my dissertation committee: Michigan State University Drs.